Modern Language Review 117.4

Modern Language Review 117.4

Modern Humanities Research Association

12 October 2022

ISBN: 978-1-839541-30-8 (paperback)

Access online: At Project MUSE


Contents:

535-559

‘Enter [...] a Boy Dressed for a Lady’: (Meta)theatricality, Tyranny, and Theatrum Mundi in Philip Massinger’s The Roman Actor (1629) and Jean de Rotrou’s Le Véritable Saint Genest (1644)
Richard Hillman
doi:10.1353/mlr.2022.0155

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560-580

‘Ciò è immondo; ma è la verità’: The Entanglement of Dirt and Truth in Matilde Serao’s Il ventre di Napoli (1884; 1906) and Émile Zola’s L’Assommoir (1877)
Sophie Maddison
doi:10.1353/mlr.2022.0156

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581-607

‘If tradition can be trusted’: Pilgrimage, Place, and the Legend(s) of Saint Frideswide
Lori Ann Garner
doi:10.1353/mlr.2022.0115

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608-621

The Education of an Author: Gavino Ledda in Paolo and Vittorio Taviani’s Padre Padrone
Alessandro Marini
doi:10.1353/mlr.2022.0116

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622-646

Beating Them at Their Own Game: Gender and Perspective in the Petrarchan and Pastoral Poetry of María de Zayas’s Aventurarse Perdiendo
Thomas Clark
doi:10.1353/mlr.2022.0117

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647-663

Writing between Evasion and Escape: Escapism and Prison Writing in Reinaldo Arenas’s Arturo, la estrella más brillante
Oliver Wilson-Nunn
doi:10.1353/mlr.2022.0118

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664-686

Worthy Words: The Rhetoric of Speeches in Support of Exhibitions about National Socialism
Chloe Paver
doi:10.1353/mlr.2022.0119

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687-688

Review of Katarzyna Bartoszyńska, Estranging the Novel: Poland, Ireland, and Theories of World Literature
Liam Lanigan
doi:10.1353/mlr.2022.0120

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688-690

Review of Federica G. Pedriali and Cristina Savettieri (ed.), Mobilizing Cultural Identities in the First World War: History, Representations and Memory
Guido Bartolini
doi:10.1353/mlr.2022.0121

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690-691

Review of Isabel Hofmeyr, Dockside Reading: Hydrocolonialism and the Custom House
Matthew P. M. Kerr
doi:10.1353/mlr.2022.0122

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692-693

Review of Giulia Agostini, Nach der Literatur: Studien zu einer Theorie der Literatur
Ian Ellison
doi:10.1353/mlr.2022.0123

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693-694

Review of Paul Gordon, Synaesthetics: Art as Synaesthesia
Peter Dayan
doi:10.1353/mlr.2022.0124

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694-696

Review of Scarlett Baron, The Birth of Intertextuality: The Riddle of Creativity
Larry Duffy
doi:10.1353/mlr.2022.0125

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696-697

Review of Marco Caracciolo and Karin Kukkonen (ed.), With Bodies: Narrative Theory and Embodied Cognition
Maria C. Scott
doi:10.1353/mlr.2022.0126

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698-699

Review of Arvind Thomas, ‘Piers Plowman’ and the Reinvention of Church Law in the Late Middle Ages
Elise Wang
doi:10.1353/mlr.2022.0127

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699-701

Review of Paul Franssen and Paul Edmondson (ed.), Shakespeare and his Biographical Afterlives
Andrew Hiscock
doi:10.1353/mlr.2022.0128

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701-702

Review of David Gay, Gifts and Graces: Prayer, Poetry, and Polemic from Lancelot Andrewes to John Bunyan
Andrew Breeze
doi:10.1353/mlr.2022.0129

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702-704

Review of Andrew Hadfield, John Donne: In the Shadow of Religion
Tim Hancock
doi:10.1353/mlr.2022.0130

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704-705

Review of Madeleine Callaghan and Anthony Howe (ed.), Romanticism and the Letter
Andrew Hodgson
doi:10.1353/mlr.2022.0131

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705-707

Review of Simon Bainbridge, Mountaineering and British Romanticism: The Literary Cultures of Climbing 1770–1836
Robin Jarvis
doi:10.1353/mlr.2022.0132

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707-708

Review of Winter Jade Werner, Missionary Cosmopolitanism in Nineteenth-Century British Literature
Emily Madsen
doi:10.1353/mlr.2022.0133

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708-709

Review of Lesa Scholl, Hunger, Poetry and the Oxford Movement: The Tractarian Social Vision
Martin Dubois
doi:10.1353/mlr.2022.0134

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710-711

Review of Christopher Freeburg, Counterlife: Slavery after Resistance and Social Death
Colin Harrison
doi:10.1353/mlr.2022.0135

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711-713

Review of Paula Derdiger, Reconstruction Fiction: Housing and Realist Literature in Postwar Britain
Mariadele Boccardi
doi:10.1353/mlr.2022.0136

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713-714

Review of William Ghosh, V. S. Naipaul, Caribbean Writing, and Caribbean Thought
Lynne Macedo
doi:10.1353/mlr.2022.0137

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714-715

Review of David Anderson, Landscape and Subjectivity in the Work of Patrick Keiller, W. G. Sebald, and Iain Sinclair
Jamie Harris
doi:10.1353/mlr.2022.0138

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716-717

Review of Isiah Lavender III and Lisa Yaszek (ed.), Literary Afrofuturism in the Twenty-First Century
Katie Stone
doi:10.1353/mlr.2022.0139

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717-718

Review of Gérard Gouiran, From ‘Chanson de Geste’ to Epic Chronicle: Medieval Occitan Poetry of War
Lisa Shugert Bevevino
doi:10.1353/mlr.2022.0140

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718-719
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719-720
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720-721

Review of Marco Dorigatti and Maria Pavlova (ed.), ‘Dreaming again on things already dreamed’: 500 Years of ‘Orlando furioso’ (1516–2016)
Brian Richardson
doi:10.1353/mlr.2022.0143

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722-723

Review of Lucrezia Marinella, Love Enamored and Driven Mad
Amy Sinclair
doi:10.1353/mlr.2022.0144

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723-725

Review of Terence O’Reilly, Humanism and Religion in Early Modern Spain: John of the Cross, Francisco de Aldana, Luis de León
Javier Francisco San José Lera
doi:10.1353/mlr.2022.0145

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725-726

Review of David Jiménez Torres and Leticia Villamediana González (ed.), The Configuration of the Spanish Public Sphere: From the Enlightenment to the Indignados
Adrian Shubert
doi:10.1353/mlr.2022.0146

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726-728

Review of Aaron Weinacht, Nikolai Chernyshevskii and Ayn Rand: Russian Nihilism Travels to America
Helen Stuhr-Rommereim
doi:10.1353/mlr.2022.0147

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728-729

Review of Katherine Bowers and Kate Holland (ed.), Dostoevsky at 200: The Novel in Modernity
Christina Karakepeli
doi:10.1353/mlr.2022.0148

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729-730

Review of Kirill Zubkov, Сценарии перемен: Уваровская награда и эволюция русской драматургии в эпоху Александра II [Stsenarii peremen: Uvarovskaia nagrada i evoliutsiia russkoi dramaturgii v epokhu Aleksandra II]
Margarita Vaysman
doi:10.1353/mlr.2022.0149

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731-732

Review of Agnieszka Friedrich, Bolesław Prus and the Jews
Katarzyna Zechenter
doi:10.1353/mlr.2022.0150

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732-734

Review of Vladimir Alexandrov, To Break Russia’s Chains: Boris Savinkov and his Wars against the Tsar and the Bolsheviks
Ben Phillips
doi:10.1353/mlr.2022.0151

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734-735

Review of Ivo Mijnssen, Russia’s Hero Cities: From Postwar Ruins to Soviet Heroarchy
Adrienne M. Harris
doi:10.1353/mlr.2022.0152

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736-737

Review of Dana Dragunoiu, Vladimir Nabokov and the Art of Moral Acts
Anna Maslenova
doi:10.1353/mlr.2022.0153

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