Modern Language Review 115.3

Modern Language Review 115.3

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Modern Language Review 115.3

Modern Humanities Research Association

2 July 2020

ISBN: 978-1-781889-56-5 (paperback)

Access online: At JSTOR

Contents:

497-517	Is the Audience Dead Too? Textually Constructed Audiences and Differentiated Learning in Medieval England Krista A. Murchison doi:10.5699/modelangrevi.115.3.0497	Cite
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518-535	A Case of Extreme Occlusion: Yeats, Morris, and Byzantium T. McAlindon doi:10.5699/modelangrevi.115.3.0518	Cite
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536-553	What Is It Like to Be a Drone? On Jean-Noël Orengo's L'Opium du ciel Christy Wampole doi:10.5699/modelangrevi.115.3.0536	Cite
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554-589	The Portrayal of Women in Ariosto's Rime Giada Guassardo doi:10.5699/modelangrevi.115.3.0554	Cite
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590-617	The Question of Paper in Os Lusíadas, 1572 André B. Penafiel doi:10.5699/modelangrevi.115.3.0590	Cite
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618-638	‘ein Holocaust, aber eben nicht meiner’: The Armenian Genocide in the Works of Edgar Hilsenrath Frank Finlay doi:10.5699/modelangrevi.115.3.0618	Cite
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639-664	‘man bedauert es, daß die stimmen nur selten, nur in ganz besonders hellen und klaren nächten zu Hören sind’: Haunted Landscapes and Holocaust Memory in Romanian German Literature Jenny Watson doi:10.5699/modelangrevi.115.3.0639	Cite
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665-681	Of Slugs and Wo/men: Permeated and Penetrated Boundaries in Karen Duve's Regenroman Julian Koch doi:10.5699/modelangrevi.115.3.0665	Cite
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682-684	Review of Innocent Gentillet, Simon Patericke, Ryan Murtha, Anti-Machiavel: A Discourse upon the Means of Well Governing Christina G. Waldman doi:10.5699/modelangrevi.115.3.0682	Cite
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684-685	Review of Harriet Stone, Crowning Glories: Netherlandish Realism and the French Imagination during the Reign of Louis XIV Richard Maber doi:10.5699/modelangrevi.115.3.0684	Cite
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685-686	Review of Stephen Best, None Like Us: Blackness, Belonging, Aesthetic Life Alice Mikal Craven doi:10.5699/modelangrevi.115.3.0685	Cite
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686-688	Review of Rachel Galvin, News of War: Civilian Poetry, 1936–1945 Rosie Langridge doi:10.5699/modelangrevi.115.3.0686	Cite
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688-689	Review of Galin Tihanov, The Birth and Death of Literary Theory: Regimes of Relevance in Russia and Beyond Jeremy Tambling doi:10.5699/modelangrevi.115.3.0688	Cite
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689-690	Review of Mark Yakich, John Biguenet, Interviews from the Edge: 50 Years of Conversations about Writing and Resistance Rona Cran doi:10.5699/modelangrevi.115.3.0689	Cite
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690-691	Review of Jennifer Wallace, Tragedy since 9/11: Reading a World out of Joint Adrian Poole doi:10.5699/modelangrevi.115.3.0690	Cite
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691-693	Review of Giulia De Gasperi, Joseph Pivato, Comparative Literature for the New Century Emily Spiers doi:10.5699/modelangrevi.115.3.0691	Cite
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693-694	Review of Ephraim Sicher, The Jew's Daughter: A Cultural History of a Conversion Narrative Jeremy Tambling doi:10.5699/modelangrevi.115.3.0693	Cite
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694-695	Review of Johannes D. Kaminski, Erotic Literature in Adaptation and Translation Victoria Carroll doi:10.5699/modelangrevi.115.3.0694	Cite
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696-697	Review of Anthony Bale, Sebastian Sobecki, Medieval English Travel: A Critical Anthology Molly Martin doi:10.5699/modelangrevi.115.3.0696	Cite
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697-698	Review of Lawrence Warner, Chaucer's Scribes: London Textual Production, 1384-1432 Michael Johnston doi:10.5699/modelangrevi.115.3.0697	Cite
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698-699	Review of Jane Everson, Andrew Hiscock, Stefano Jossa, Ariosto, the ‘Orlando Furioso’ and English Culture Warren Chernaik doi:10.5699/modelangrevi.115.3.0698	Cite
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699-701	Review of Amit S. Yahav, Feeling Time: Duration, the Novel, and Eighteenth-Century Sensibility Rachael Scarborough King doi:10.5699/modelangrevi.115.3.0699	Cite
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701-702	Review of Arun Sood, Robert Burns and the United States of America: Poetry, Print, and Memory 1786–1866 Alex Broadhead doi:10.5699/modelangrevi.115.3.0701	Cite
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703-704	Review of Sarah Zimmerman, The Romantic Literary Lecture in Britain Jessica Fay doi:10.5699/modelangrevi.115.3.0703	Cite
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704-705	Review of Ashley Miller, Poetry, Media, and the Material Body: Autopoetics in Nineteenth-Century Britain Amanda Paxton doi:10.5699/modelangrevi.115.3.0704	Cite
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706-707	Review of Hédi A. Jaouad, Browning upon Arabia: A Moveable East Joseph Hankinson doi:10.5699/modelangrevi.115.3.0706	Cite
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707-708	Review of Sari Edelstein, Adulthood and Other Fictions: American Literature and the Unmaking of Age Hannah Herndon doi:10.5699/modelangrevi.115.3.0707	Cite
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708-710	Review of Richard Kopley, The Formal Center in Literature: Explorations from Poe to the Present Antoine Dechêne doi:10.5699/modelangrevi.115.3.0708	Cite
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710-711	Review of Nilűfer Őzgűr, Hardy Deconstructing Hardy: A Derridean Reading of Thomas Hardy's Poetry Andrew Hewitt doi:10.5699/modelangrevi.115.3.0710	Cite
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712-713	Review of Dennis Denisoff, Decadent and Occult Works by Arthur Machen Jane Ford doi:10.5699/modelangrevi.115.3.0712	Cite
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713-714	Review of Chris Mourant, Katherine Mansfield and Periodical Culture Kirsten MacLeod doi:10.5699/modelangrevi.115.3.0713	Cite
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714-716	Review of Matthew Harle, Afterlives of Abandoned Work: Creative Debris in the Archive Tim Groenland doi:10.5699/modelangrevi.115.3.0714	Cite
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716-717	Review of Annika Merk, The Contemporary Dramatic Monologue in Britain and Ireland Shelley Roche-Jacques doi:10.5699/modelangrevi.115.3.0716	Cite
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717-718	Review of Rebecca Tillett, Otherwise, Revolution! Leslie Marmon Silko's ‘Almanac of the Dead‘ Kiron Ward doi:10.5699/modelangrevi.115.3.0717	Cite
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719-720	Review of Terence Cave, Dierdre Wilson, Reading beyond the Code: Literature and Relevance Theory Margaret H. Freeman doi:10.5699/modelangrevi.115.3.0719	Cite
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720-721	Review of Joan M. Ferrante, Robert W. Hanning, The Romance of Thebes (Roman de Thèbes) Sophie Harwood doi:10.5699/modelangrevi.115.3.0720	Cite
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721-722	Review of Ulla Kölving, Andrew Brown, La Correspondance d’Émilie Du Châtelet Stefanie Ertz doi:10.5699/modelangrevi.115.3.0721	Cite
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722-723	Review of Yann Robert, Dramatic Justice: Trial by Theater in the Age of the French Revolution Mechele Leon doi:10.5699/modelangrevi.115.3.0722	Cite
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724-725	Review of Francesco Manzini, Stendhal Maria C. Scott doi:10.5699/modelangrevi.115.3.0724	Cite
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725-726	Review of Michèle Hannoosh, Jules Michelet: Writing Art and History in Nineteenth-Century France Jennifer Rushworth doi:10.5699/modelangrevi.115.3.0725	Cite
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726-727	Review of Sam Bootle, Laforgue, Philosophy, and Ideas of Otherness Alexandra K. Wettlaufer doi:10.5699/modelangrevi.115.3.0726	Cite
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727-729	Review of Linda Goddard, Savage Tales: The Writings of Paul Gauguin Kirsten A. Marples doi:10.5699/modelangrevi.115.3.0727	Cite
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729-730	Review of Kate Rees, The Journalist in the French Fin-de-Siècle Novel: Enfants de la presse Emma Bielecki doi:10.5699/modelangrevi.115.3.0729	Cite
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730-731	Review of Anna Magdalena Elsner, Mourning and Creativity in Proust Synne Ytre Arne doi:10.5699/modelangrevi.115.3.0730	Cite
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731-732	Review of Patrick Pollard, Gide et le mythe grec. Suivi de fragments du ‘Traité des Dioscures’ et autres textes inédits David H. Walker doi:10.5699/modelangrevi.115.3.0731	Cite
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732-733	Review of Joshua Armstrong, Maps and Territories: Global Positioning in the Contemporary French Novel Edward Welch doi:10.5699/modelangrevi.115.3.0732	Cite
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734-735	Review of Kathryn Robson, I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing Julie Rodgers doi:10.5699/modelangrevi.115.3.0734	Cite
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735-736	Review of Elena Past, Italian Ecocinema: Beyond the Human Alex Marlow-Mann doi:10.5699/modelangrevi.115.3.0735	Cite
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736-737	Review of Marianna Deganutti, Fulvio Tomizza: Writing the Trauma of Exile Katia Pizzi doi:10.5699/modelangrevi.115.3.0736	Cite
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737-741	Review of Guido Bonsaver, Brian Richardson, Giuseppe Stellardi, Cultural Reception, Translation and Transformation from Medieval to Modern Italy: Essays in Honour of Martin McLaughlin Oscar Schiavone doi:10.5699/modelangrevi.115.3.0737	Cite
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741-742	Review of Max Ubelaker Andrade, Borges beyond the Visible Robin Fiddian doi:10.5699/modelangrevi.115.3.0741	Cite
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742-743	Review of Joseba Gabilondo, Introduction to a Postnational History of Contemporary Basque Literature (1978-2000): Remnants of the Nation Beñat Sarasola doi:10.5699/modelangrevi.115.3.0742	Cite
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744-745	Review of Barbara Zecchi, Tras las lentes de Isabel Coixet: cine, compromiso y feminismo Tamara Moya Jorge doi:10.5699/modelangrevi.115.3.0744	Cite
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745-746	Review of Deborah Martin, The Cinema of Lucrecia Martel Viviana Rangil doi:10.5699/modelangrevi.115.3.0745	Cite
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746-748	Review of Mattias Pirholt, Grenzerfahrungen: Studien zur Goethes Ästhetik Leena Eilittä doi:10.5699/modelangrevi.115.3.0746	Cite
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749-750	Review of Seán M. Williams, Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy Daragh Downes doi:10.5699/modelangrevi.115.3.0749	Cite
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751-752	Review of Malika Maskarinec, The Forces of Form in German Modernism Rey Conquer doi:10.5699/modelangrevi.115.3.0751	Cite
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752-756	Review of Seán Allen, Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema Stephan Ehrig doi:10.5699/modelangrevi.115.3.0752	Cite
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756-759	Review of Allyson Fiddler, The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century Katya Krylova doi:10.5699/modelangrevi.115.3.0756	Cite
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759-760	Review of Julia L. Mickenberg, American Girls in Red Russia: Chasing the Soviet Dream Nicholas Hall doi:10.5699/modelangrevi.115.3.0759	Cite
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