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526-527 | Review of Philip Knox, Jonathan Morton, Daniel Reeve, Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages Leslie C. Brook doi:10.5699/modelangrevi.114.3.0526 | Cite |
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535-537 | Review of Emily Spiers, Pop-Feminist Narratives: The Female Subject under Neoliberalism in North America, Britain, and Germany Katherine Stone doi:10.5699/modelangrevi.114.3.0535 | Cite |
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550-552 | Review of Murray Pittock, The Oxford Edition of the Works of Robert Burns, vol. II: The Scots Musical Museum, pt 1: Introduction and Text; vol. III: The Scots Musical Museum, pt 2: Notes and Appendices Alex Broadhead doi:10.5699/modelangrevi.114.3.0550 | Cite |
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570-571 | Review of Stephen Steele, Anne-Françoise Bourreau-Steele, Louis Gonzague Frick dans tous ses états: poète, soldat, courriériste, ami Alexander Dickow doi:10.5699/modelangrevi.114.3.0570 | Cite |
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575-576 | Review of Ann Lawson Lucas, Emilio Salgari: una mitologia moderna tra letteratura, politica, società. Vol. I: Fine secolo 1883–1915: la verità di una vita letteraria; vol. II: Fascismo 1916–1943. lo sfruttamento personate e politico Valentina Abbatelli doi:10.5699/modelangrevi.114.3.0575 | Cite |
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592-594 | Review of Clemens Ruthner, Habsburgs ‘Dark Continent’: Postkoloniale Lektüren zur österreichischen Literatur und Kultur im langen 19. Jahrhundert Florian Krobb doi:10.5699/modelangrevi.114.3.0592 | Cite |
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