Modern Language Review 114.2

Modern Language Review 114.2

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Modern Language Review 114.2

Modern Humanities Research Association

1 April 2019

ISBN: 978-1-781888-93-3 (paperback)

Access online: At JSTOR

Contents:

181-211	To Gaze or Not to Gaze: The Nineteenth-Century 'Der arme Heinrich' from 'Volksbuch' to Dante Gabriel Rossetti's ‘Miracle Rhyme’ Mary Boyle doi:10.5699/modelangrevi.114.2.0181	Cite
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212-229	‘A land of slavery and superstition’? Hester Thrale and Elizabeth Montagu in France Caroline Franklin doi:10.5699/modelangrevi.114.2.0212	Cite
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230-258	The Biographical Fashioning of the Americas' First Saint: Santa Rosa de Lima (1586–1617) Stephen M. Hart doi:10.5699/modelangrevi.114.2.0230	Cite
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259-273	Poeta en Nueva York: Lorca's Soledad confusa Xon de Ros doi:10.5699/modelangrevi.114.2.0259	Cite
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274-293	Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs Doriane Zerka doi:10.5699/modelangrevi.114.2.0274	Cite
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294-315	‘Der weltweit bekannteste Schriftsteller deutscher Literaturtradition’: The Reception of Jonathan Franzen in Germany Benjamin Schaper doi:10.5699/modelangrevi.114.2.0294	Cite
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316-335	Dombey in Zhitomir, Pip in Taganrog: Reading Dickens ‘as if for life’ in Russia Emily Finer doi:10.5699/modelangrevi.114.2.0316	Cite
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336-337	Review of Raffaele Morabito, Le virtù di Griselda: storia di una storia Peter Hainsworth doi:10.5699/modelangrevi.114.2.0336	Cite
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337-338	Review of Pierre-Yves Beaurepaire, Philippe Bourdin, Charlotta Wolff, Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815 Thomas Wynn doi:10.5699/modelangrevi.114.2.0337	Cite
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338-340	Review of Mattia Lento, La scoperta dell'attore cinematografico in Europa: attorialità, esperienza filmica e ostentazione durante la seconde époque Giorgio Bertellini doi:10.5699/modelangrevi.114.2.0338	Cite
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340-341	Review of Ela E. Gezen, Brecht, Turkish Theatre, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960 Joseph Twist doi:10.5699/modelangrevi.114.2.0340	Cite
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341-343	Review of Haun Saussy, Translation as Citation: Zhuangzi Inside Out Jingcheng Xu doi:10.5699/modelangrevi.114.2.0341	Cite
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343-344	Review of Ingrid Nelson, Lyric Tactics: Poetry, Genre and Practice in Later Medieval England Jane Stevenson doi:10.5699/modelangrevi.114.2.0343	Cite
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345-346	Review of Andrew Hiscock, Helen Wilcox, The Oxford Handbook of Early Modern English Literature and Religion James Ross Macdonald doi:10.5699/modelangrevi.114.2.0345	Cite
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346-347	Review of Harriet Archer, Unperfect Histories: The ‘Mirror for Magistrates’, 1559–1610 Andrew Breeze doi:10.5699/modelangrevi.114.2.0346	Cite
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347-348	Review of Deborah Cartmell, Peter J. Smith, ‘Much Ado about Nothing’: A Critical Reader Hugh Macrae Richmond doi:10.5699/modelangrevi.114.2.0347	Cite
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348-350	Review of Alan R. Young, Steam-Driven Shakespeare; or, Making Good Books Cheap. Five Victorian Illustrated Editions Meaghan J. Brown doi:10.5699/modelangrevi.114.2.0348	Cite
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350-351	Review of Hugh Grady, John Donne and Baroque Allegory: The Aesthetics of Fragmentation Emma Rhatigan doi:10.5699/modelangrevi.114.2.0350	Cite
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351-353	Review of Ilona Bell, Steven W. May, Lady Mary Wroth: ‘Pamphilia to Amphilanthus’ in Manuscript and Print Marion Wynne-Davies doi:10.5699/modelangrevi.114.2.0351	Cite
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353-354	Review of Paul Hammond, Milton's Complex Words: Essays on the Conceptual Structure of ‘Paradise Lost’ Esther Van Raamsdonk doi:10.5699/modelangrevi.114.2.0353	Cite
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354-355	Review of Michael D. Hurley, Marcus Waithe, Thinking through Style: Non-Fiction Prose of the Long Nineteenth Century David Greenham doi:10.5699/modelangrevi.114.2.0354	Cite
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355-356	Review of Martin Dubois, Gerard Manley Hopkins and the Poetry of Religious Experience Amanda Paxton doi:10.5699/modelangrevi.114.2.0355	Cite
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357-358	Review of Valerie Babb, A History of the African American Novel Bella Adams doi:10.5699/modelangrevi.114.2.0357	Cite
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358-360	Review of Herman Melville, Harrison Hayford, Alma A. Macdougall, Robert A. Sandberg, G. Thomas Tanselle, ‘Billy Budd, Sailor’ and Other Uncompleted Writings Jimmy Packham doi:10.5699/modelangrevi.114.2.0358	Cite
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360-362	Review of Kaoru Yamamoto, Rethinking Joseph Conrad's Concepts of Community: Strange Fraternity Robert Hampson doi:10.5699/modelangrevi.114.2.0360	Cite
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362-364	Review of Faye Hammill, Mark Hussey, Modernism's Print Cultures Samuel Rogers doi:10.5699/modelangrevi.114.2.0362	Cite
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364-366	Review of Anthony Domestico, Poetry and Theology in the Modernist Period Thomas Goldpaugh doi:10.5699/modelangrevi.114.2.0364	Cite
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366-367	Review of Sean Pryor, Poetry, Modernism, and an Imperfect World Rosie Langridge doi:10.5699/modelangrevi.114.2.0366	Cite
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367-369	Review of Michael Kindellan, The Late Cantos of Ezra Pound: Composition, Revision, Publication Massimo Bacigalupo doi:10.5699/modelangrevi.114.2.0367	Cite
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369-370	Review of Deirdre David, Pamela Hansford Johnson: A Writing Life Chris Hopkins doi:10.5699/modelangrevi.114.2.0369	Cite
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370-371	Review of Robert McKay, John Miller, Werewolves, Wolves and the Gothic Alyce Von Rothkirch doi:10.5699/modelangrevi.114.2.0370	Cite
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372-373	Review of Jenni Ramone, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates Hayley G. Toth doi:10.5699/modelangrevi.114.2.0372	Cite
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373-374	Review of Astrid Bracke, Climate Crisis and the 21st-Century British Novel Melanie Ebdon doi:10.5699/modelangrevi.114.2.0373	Cite
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375-376	Review of Lynn Keller, Recomposing Ecopoetics: North American Poetry of the Self-Conscious Anthropocene John Charles Ryan doi:10.5699/modelangrevi.114.2.0375	Cite
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376-377	Review of Nicholas Hewitt, Montmartre: A Cultural History Jessica Wardhaugh doi:10.5699/modelangrevi.114.2.0376	Cite
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378-379	Review of Jennifer Yee, The Colonial Comedy: Imperialism in the French Realist Novel Edmund Birch doi:10.5699/modelangrevi.114.2.0378	Cite
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379-380	Review of Murielle Wenger, Stephen Trussel, Maigret's World: A Reader's Companion to Simenon's Famous Detective Bill Alder doi:10.5699/modelangrevi.114.2.0379	Cite
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380-381	Review of David H. Walker, Le Sourire d'Albert Camus: actes du colloque d'Aix-en-Provence 8–11 novembre 2017 Clémentine Fauré-Bellaïche doi:10.5699/modelangrevi.114.2.0380	Cite
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382-383	Review of Gaspard Turin, Poétique et usages de la liste littéraire: Le Clézio, Modiano, Perec Alan Morris doi:10.5699/modelangrevi.114.2.0382	Cite
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383-384	Review of Tristan Kay, Dante's Lyric Redemption: Eros, Salvation, Vernacular Tradition Nicolò Crisafi doi:10.5699/modelangrevi.114.2.0383	Cite
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384-386	Review of Edward Milton Anderson, Nicola Badolato, Amyrose McCue Gill, Ariosto, Opera, and the 17th Century: Evolution in the Poetics of Delight Tim Carter doi:10.5699/modelangrevi.114.2.0384	Cite
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386-387	Review of Ilvano Caliaro, Per una vita che sia vita: studi su Carlo Michelstaedter Giuseppe Stellardi doi:10.5699/modelangrevi.114.2.0386	Cite
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387-388	Review of Giuseppe Gazzola, Montale, the Modernist Adele Bardazzi doi:10.5699/modelangrevi.114.2.0387	Cite
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388-390	Review of Robin Fiddian, Postcolonial Borges: Argument and Artistry Patricia Novillo-Corvalán doi:10.5699/modelangrevi.114.2.0388	Cite
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390-391	Review of Joey Whitfield, Prison Writing of Latin America Anne Freeland doi:10.5699/modelangrevi.114.2.0390	Cite
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391-393	Review of Heike Scharm, Natalia Matta-Jara, Postnational Perspectives on Contemporary Hispanic Literature Roberto Rodriguez-Saona doi:10.5699/modelangrevi.114.2.0391	Cite
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393-394	Review of Gustav Adolf Beckmann, Onomastik des Rolandsliedes: Namen als Schlüssel zu Strukturen, Welthaltigkeit und Vorgeschichte des Liedes Stephanie L. Hathaway doi:10.5699/modelangrevi.114.2.0393	Cite
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394-396	Review of William Whobrey, The ‘Nibelungenlied’ with the ‘Klage’ Shami Ghosh doi:10.5699/modelangrevi.114.2.0394	Cite
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397-399	Review of Claire Taylor Jones, Ruling the Spirit: Women, Liturgy, and Dominican Reform in Late Medieval Germany Wybren Scheepsma doi:10.5699/modelangrevi.114.2.0397	Cite
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399-401	Review of Jeffrey Ashcroft, Albrecht Dürer: Documentary Biography David H. Price doi:10.5699/modelangrevi.114.2.0399	Cite
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401-403	Review of Sandra Richter, Eine Weltgeschichte der deutschsprachigen Literatur Joanna Neilly doi:10.5699/modelangrevi.114.2.0401	Cite
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403-404	Review of Katharina Mommsen, Uwe Hentschel, Die Entstehung von Goethes Werken in Dokumenten, vol. v: Fastnachtspiel — Faust Jeremy Adler doi:10.5699/modelangrevi.114.2.0403	Cite
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404-405	Review of Claudia Keller, Lebendiger Abglanz: Goethes Italien-Projekt als Kulturanalyse Osman Durrani doi:10.5699/modelangrevi.114.2.0404	Cite
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405-407	Review of Andrew J. Webber, The Cambridge Companion to the Literature of Berlin Simon Ward doi:10.5699/modelangrevi.114.2.0405	Cite
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407-409	Review of Eric Downing, The Chain of Things: Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850–1940 Daragh Downes doi:10.5699/modelangrevi.114.2.0407	Cite
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409-411	Review of Mauro Ponzi, Sarah Scheibenberger, Elettra Stimilli, Der Kult des Kapitals: Kapitalismus und Religion bei Walter Benjamin Sebastian Truskolaski doi:10.5699/modelangrevi.114.2.0409	Cite
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411-412	Review of Richard Dove, Foreign Parts: German and Austrian Actors on the British Stage 1933–1960 David Barnett doi:10.5699/modelangrevi.114.2.0411	Cite
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412-413	Review of Markus Roth, Sascha Feuchert, Holocaust Zeugnis Literatur: 20 Werke wieder gelesen Peter Davies doi:10.5699/modelangrevi.114.2.0412	Cite
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413-415	Review of Norbert Otto Eke, Herta Müller-Handbuch Brigid Haines doi:10.5699/modelangrevi.114.2.0413	Cite
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415-416	Review of Kyle Frackman, Faye Stewart, Gender and Sexuality in East German Film: Intimacy and Alienation Stephan Ehrig doi:10.5699/modelangrevi.114.2.0415	Cite
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416-418	Review of Susanne Bach, Wende-Generationen/Generationen-Wende: Literarische Lebenswelten vor dem Horizont der Wiedervereinigung. Mit Autoreninterviews Debbie Pinfold doi:10.5699/modelangrevi.114.2.0416	Cite
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418-419	Review of Helmut Schmitz, Peter Davies, Love, Eros, and Desire in Contemporary German-Language Literature and Culture Michael Gratzke doi:10.5699/modelangrevi.114.2.0418	Cite
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