1-16 | ‘Intoxicated Geographies’: Sites of Refraction and Fragmentation in Scipio Slataper's Il mio Carso and Hermann Hesse's Der Steppenwolf Emma Bond doi:10.5699/modelangrevi.111.1.0001 | Cite |
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17-37 | | Cite |
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38-60 | ‘Custom […] doth make dotards of us all’: Peripheral Perspectives on the Centre in Thomas Carlyle's Sartor Resartus and Francis Sylvester Mahony's ‘Prout Papers’ Fergus Dunne doi:10.5699/modelangrevi.111.1.0038 | Cite |
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61-84 | | Cite |
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250-251 | Review of Claude Corbo, Monuments intellectuels de la Nouvelle-France et du Québec ancien: aux origines d'une tradition culturelle Rosemary Chapman doi:10.5699/modelangrevi.111.1.0250 | Cite |
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251-252 | | Cite |
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253-254 | Review of Tuomas Tikanoja, Transgressing Boundaries: Worldly Conversation, Politeness and Sociability in Ancien Régime France, 1660–1789 Clare H. Crowston doi:10.5699/modelangrevi.111.1.0253 | Cite |
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254-255 | | Cite |
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257-258 | Review of Friedrich Melchior Grimm, Ulla Kölving, Robert Granderoute, Monica Hjortberg, Ulla Kölving, and Sven Björkman, Correspondance littéraire Derek Connon doi:10.5699/modelangrevi.111.1.0257 | Cite |
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258-259 | | Cite |
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259-260 | Review of Jean-Michel Racault, Guilhem Armand, Colas Duflo, and Chantale Meure, Bernardin de Saint-Pierre: œuvres complètes, vol. i: Romans et contes Robin Howells doi:10.5699/modelangrevi.111.1.0259 | Cite |
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260-261 | | Cite |
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262-263 | | Cite |
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263-265 | Review of Gloria Allaire and Regina Psaki, The Arthur of the Italians: The Arthurian Legend in Medieval Italian Literature and Culture Jane E. Everson doi:10.5699/modelangrevi.111.1.0263 | Cite |
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265-267 | | Cite |
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267-268 | | Cite |
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268-270 | | Cite |
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270-272 | Review of Geert Buelens, Harald Hendrix, and Monica Jansen, The History of Futurism: The Precursors, Protagonists, and Legacies Shirley W. Vinall doi:10.5699/modelangrevi.111.1.0270 | Cite |
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272-274 | | Cite |
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274-275 | | Cite |
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275-276 | Review of Michael Syrimis, The Great Black Spider on its Knock-Kneed Tripod: Reflections of Cinema in Early Twentieth-Century Italy Michael Edwards doi:10.5699/modelangrevi.111.1.0275 | Cite |
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276-278 | | Cite |
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279-281 | | Cite |
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285-286 | Review of John Guthrie, Alexander Pope: Epilog zu den Satiren. Dialog I. In der ungedruckten Übertragung von Jacob Michael Reinhold Lenz sowie im Anhang der ersten deutschen Übersetzung von Johann Jakob Dusch Howard Gaskill doi:10.5699/modelangrevi.111.1.0285 | Cite |
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286-288 | | Cite |
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288-290 | | Cite |
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291-292 | | Cite |
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292-294 | | Cite |
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294-296 | | Cite |
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296-298 | Review of Bruce B. Campbell, Alison Guenther-Pal, and Vibeke Rützou Petersen, Detectives, Dystopias and Poplit: Studies in Modern Genre Fiction Katharina Hall doi:10.5699/modelangrevi.111.1.0296 | Cite |
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298-299 | | Cite |
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