Modern Language Review 109.3

Modern Language Review 109.3

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Modern Language Review 109.3

Modern Humanities Research Association

1 July 2014 • 287pp

ISBN: 978-1-781881-31-6 (paperback)

Access online: At JSTOR

Contents:

593-616	‘Simplicité, Clarté Et Précision’: Grammars of Italian ‘Pour Les Dames’ and Other Learners in Eighteenth- and Early Nineteenth-Century France Helena Sanson doi:10.5699/modelangrevi.109.3.0593	Cite
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617-628	Filming the Silent (br)other: Levinasian Ethics and Aesthetic Faith in Patrick Drevet's Les Gardiens Des Pierres and Philip Gröning's Die Grosse Stille Erin Tremblay Ponnou-Delaffon doi:10.5699/modelangrevi.109.3.0617	Cite
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629-639	An Unthinkable History of King Richard the Third: Thomas More's Fragment and His Answer To Lucian's Tyrannicide Jürgen Meyer doi:10.5699/modelangrevi.109.3.0629	Cite
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640-662	Lord Byron: Paratext and Poetics Ourania Chatsiou doi:10.5699/modelangrevi.109.3.0640	Cite
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663-673	‘Why Don't You Write A Play?’ Kipling the Poet in Full John Batchelor doi:10.5699/modelangrevi.109.3.0663	Cite
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674-688	Narratives of Child Sexual Abuse in Cristina Comencini's Novel La Bestia Nel Cuore Luciano Parisi doi:10.5699/modelangrevi.109.3.0674	Cite
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689-707	Vallejo and Gonzalez Prada: A Note On Trilce Xix Dominic Moran doi:10.5699/modelangrevi.109.3.0689	Cite
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708-725	‘Die Juden Schiessen!’ Translations By Hermann Adler and Wolf Biermann of Yitzhak Katzenelson's Epic Poem of the Warsaw Ghetto Peter Davies doi:10.5699/modelangrevi.109.3.0708	Cite
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726-748	Writers' Linguistic Observations and Creating Myths About Languages: Czesław Miłosz and Joseph Brodsky in Search of the ‘Slavonic Genius of Language’ Shamil Khairov doi:10.5699/modelangrevi.109.3.0726	Cite
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749-774	Freedom and Captivity in the Works of Vladimir Sorokin and Vladimir Tuchkov Nicolas Dreyer doi:10.5699/modelangrevi.109.3.0749	Cite
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775-776	Review of Lars Bernaerts, Dirk De Geest, Luc Herman, and Bart Vervaeck, Stories and Minds: Cognitive Approaches to Literary Narrative Richard Walsh doi:10.5699/modelangrevi.109.3.0775	Cite
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776-777	Review of Eric Downing, Jonathan M. Hess, and Richard V. Benson, Literary Studies and the Pursuits of Reading Johannes Endres doi:10.5699/modelangrevi.109.3.0776	Cite
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777-779	Review of Elizabeth B. Bearden, The Emblematics of the Self: Ekphrasis and Identity in Renaissance Imitations of Greek Romance Steven Mentz doi:10.5699/modelangrevi.109.3.0777	Cite
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779-780	Review of Patricia Eichel-Lojkine, Contes en réseaux: l'émergence du conte sur la scène littéraire européenne Marie-Claude Canova-Green doi:10.5699/modelangrevi.109.3.0779	Cite
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780-781	Review of Monika Class, Coleridge and Kantian Ideas in England, 1796–1817: Coleridge's Responses to German Philosophy Philipp Hunnekuhl doi:10.5699/modelangrevi.109.3.0780	Cite
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781-783	Review of Adam Max Cohen, Wonder in Shakespeare Peter Sillitoe doi:10.5699/modelangrevi.109.3.0781	Cite
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783-784	Review of Lara Langer Cohen and Jordan Alexander Stein, Early African American Print Culture Katy L. Chiles doi:10.5699/modelangrevi.109.3.0783	Cite
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784-786	Review of Michael R. Page, The Literary Imagination from Erasmus Darwin to H. G. Wells: Science, Evolution, and Ecology Keith Williams doi:10.5699/modelangrevi.109.3.0784	Cite
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786-787	Review of Rosemary Ashton, Victorian Bloomsbury Rosalind Crone doi:10.5699/modelangrevi.109.3.0786	Cite
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787-788	Review of John Holmes, Science in Modern Poetry: New Directions Paul Wright doi:10.5699/modelangrevi.109.3.0787	Cite
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789-790	Review of Colin Hill, Modern Realism in English-Canadian Fiction Margaret Smith doi:10.5699/modelangrevi.109.3.0789	Cite
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790-791	Review of Robert Fraser, Night Thoughts: The Surreal Life of the Poet David Gascoyne Neil Roberts doi:10.5699/modelangrevi.109.3.0790	Cite
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791-794	Review of Cary Nelson, The Oxford Handbook of Modern and Contemporary American Poetry Stephen Fredman doi:10.5699/modelangrevi.109.3.0791	Cite
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794-795	Review of Julia Novak, Live Poetry: An Integrated Approach to Poetry in Performance Samuel Rogers doi:10.5699/modelangrevi.109.3.0794	Cite
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795-796	Review of John DuVal, David Staines, The Song of Roland Luke Sunderland doi:10.5699/modelangrevi.109.3.0795	Cite
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796-797	Review of Wace, Jean Blacker, Glyn S. Burgess, and Amy V. Ogden, The Hagiographical Works: The ‘Conception Nostre Dame’ and the Lives of St Margaret and St Nicholas Huw Grange doi:10.5699/modelangrevi.109.3.0796	Cite
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798-799	Review of Tony Hunt, Les Paroles Salomun Maureen Boulton doi:10.5699/modelangrevi.109.3.0798	Cite
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799-800	Review of Nelly Labère, Texte et contre-texte pour la période pré-moderne Jonathan Patterson doi:10.5699/modelangrevi.109.3.0799	Cite
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800-801	Review of Joël Blanchard, Procès de Jacques d'Armagnac: édition critique du ms. 2000 de la Bibliothèque Sainte-Geneviève Irène Fabry-Tehranchi doi:10.5699/modelangrevi.109.3.0800	Cite
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801-802	Review of Irit Ruth Kleiman, Philippe de Commynes: Memory, Betrayal, Text Catherine Emerson doi:10.5699/modelangrevi.109.3.0801	Cite
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802-803	Review of John Edmunds, Joseph Harris, Corneille, Molière, Racine: Four French Plays. ‘Cinna’, ‘The Misanthrope’, ‘Andromache’, ‘Phaedra’ Tim Chilcott doi:10.5699/modelangrevi.109.3.0802	Cite
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803-805	Review of Michel Jeanneret, Versailles, ordre et chaos Marie-Claude Canova-Green doi:10.5699/modelangrevi.109.3.0803	Cite
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805-806	Review of Elisabeth Labrousse and Antony McKenna, Correspondance de Pierre Bayle, vol. x: Avril 1696–juillet 1697. Lettres 1100–1280 John Christian Laursen doi:10.5699/modelangrevi.109.3.0805	Cite
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806-807	Review of William F. Edmiston, Sade: Queer Theorist Peter Cryle doi:10.5699/modelangrevi.109.3.0806	Cite
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807-808	Review of Honoré de Balzac, Peter Collier, Patrick Coleman, ‘The Girl with the Golden Eyes’ and Other Stories Andrew Watts doi:10.5699/modelangrevi.109.3.0807	Cite
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808-809	Review of Francesco Manzini, The Fevered Novel from Balzac to Bernanos: Frenetic Catholicism in Crisis, Delirium and Revolution Owen Heathcote doi:10.5699/modelangrevi.109.3.0808	Cite
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809-810	Review of Hannah Thompson, Taboo: Corporeal Secrets in Nineteenth-Century France Françoise Grauby doi:10.5699/modelangrevi.109.3.0809	Cite
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810-812	Review of Olivier Bivort, La Littérature symboliste et la Langue Sam Bootle doi:10.5699/modelangrevi.109.3.0810	Cite
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812-813	Review of Allen Thiher, Understanding Marcel Proust Jennifer Rushworth doi:10.5699/modelangrevi.109.3.0812	Cite
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813-815	Review of Alfred Séguin, Roger Little, Le Robinson noir Jarrod Hayes doi:10.5699/modelangrevi.109.3.0813	Cite
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815-816	Review of Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print Bradley Stephens doi:10.5699/modelangrevi.109.3.0815	Cite
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816-817	Review of André Benhaïm and Aymeric Glacet, Albert Camus au quotidien Mark Orme doi:10.5699/modelangrevi.109.3.0816	Cite
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817-818	Review of Claire Gorrara, French Crime Fiction and the Second World War: Past Crimes, Present Memories Angela Kimyongür doi:10.5699/modelangrevi.109.3.0817	Cite
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818-819	Review of Christina Howells, Mortal Subjects: Passions of the Soul in Late Twentieth-Century French Thought James Williams doi:10.5699/modelangrevi.109.3.0818	Cite
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819-821	Review of Frédérique Chevillot and Colette Trout, Rebelles et criminelles chez les écrivaines d'expression française Nathalie Morello doi:10.5699/modelangrevi.109.3.0819	Cite
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821-822	Review of George Corbett, Dante and Epicurus: A Dualist Vision of Secular and Spiritual Fulfilment Jennifer Rushworth doi:10.5699/modelangrevi.109.3.0821	Cite
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822-824	Review of Carlo Carù, Idee su Dante: esperimenti danteschi 2012. Atti del Convegno, Milano, 9–10 maggio 2012 Paolo De Ventura doi:10.5699/modelangrevi.109.3.0822	Cite
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824-826	Review of Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns, The Printed Media in Fin-de-Siècle Italy: Publishers, Writers, and Readers Ursula Fanning doi:10.5699/modelangrevi.109.3.0824	Cite
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826-827	Review of Elizabeth Leake, After Words: Suicide and Authorship in Twentieth-Century Italy Robert S. C. Gordon doi:10.5699/modelangrevi.109.3.0826	Cite
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828-829	Review of Deborah Amberson, Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda Giuseppe Stellardi doi:10.5699/modelangrevi.109.3.0828	Cite
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829-832	Review of Nicola McLelland, J. G. Schottelius's ‘Ausführliche Arbeit von der Teutschen HaubtSprache’ (1663) and its Place in Early Modern European Vernacular Language Study David N. Yeandle doi:10.5699/modelangrevi.109.3.0829	Cite
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832-834	Review of Felicity Rash, German Images of the Self and the Other: Nationalist, Colonialist and Anti-Semitic Discourse, 1871–1918 Florian Krobb doi:10.5699/modelangrevi.109.3.0832	Cite
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834-836	Review of Burkhard Meyer-Sickendiek, Lyrisches Gespür: Vom geheimen Sensorium moderner Poesie Rüdiger Görner doi:10.5699/modelangrevi.109.3.0834	Cite
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836-837	Review of Stephan Kraft, Zum Ende der Komödie: Eine Theoriegeschichte des Happyends Thomas Martinec doi:10.5699/modelangrevi.109.3.0836	Cite
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837-839	Review of Eva Geulen and Stephan Kraft, Grenzen im Raum — Grenzen in der Literatur Tom Cheesman doi:10.5699/modelangrevi.109.3.0837	Cite
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839-840	Review of Mary Cosgrove and Anna Richards, Sadness and Melancholy in German-Language Literature and Culture Ingo Cornils doi:10.5699/modelangrevi.109.3.0839	Cite
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840-842	Review of Barthold Heinrich Brockes, Jürgen Rathje, Werke, vol. 1: Selbstbiographie, Verdeutschter Bethlemitischer Kinder-Mord, Gelegenheitsgedichte, Aufsätze K. F. Hilliard doi:10.5699/modelangrevi.109.3.0840	Cite
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842-843	Review of Nadja Reinhard, Moral und Ironie bei Gottlieb Wilhelm Rabener: Paratext und Palimpsest in den Satyrischen Schriften K. F. Hilliard doi:10.5699/modelangrevi.109.3.0842	Cite
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844-845	Review of Tom Kindt, Literatur und Komik: Zur Theorie literarischer Komik und zur deutschen Komödie im 18. Jahrhundert Thomas Martinec doi:10.5699/modelangrevi.109.3.0844	Cite
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845-846	Review of Yvonne Joeres, Die ‘Don-Quijote’-Rezeption Friedrich Schlegels und Heinrich Heines im Kontext des europäischen Kulturtransfers: Ein Narr als Angelpunkt transnationaler Denkansätze Claudia Nitschke doi:10.5699/modelangrevi.109.3.0845	Cite
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846-847	Review of Christian van der Steeg, Wissenskunst: Adalbert Stifter und Naturforscher auf Weltreise Michael Minden doi:10.5699/modelangrevi.109.3.0846	Cite
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847-848	Review of John Walker, The Truth of Realism: A Reassessment of the German Novel 1830–1900 Dirk Göttsche doi:10.5699/modelangrevi.109.3.0847	Cite
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848-850	Review of Matt ffytche, The Foundation of the Unconscious: Schelling, Freud and the Birth of the Modern Psyche Martin Liebscher doi:10.5699/modelangrevi.109.3.0848	Cite
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850-851	Review of Franz Richard Behrens, Michael Lentz, Todlob: Feldtagebuchgedichte 1915/16 Jeremy Adler doi:10.5699/modelangrevi.109.3.0850	Cite
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851-853	Review of Genese Grill, The World as Metaphor in Robert Musil's ‘The Man without Qualities’: Possibility as Reality Daniel Steuer doi:10.5699/modelangrevi.109.3.0851	Cite
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853-856	Review of Manfred Engel and Ritchie Robertson, Kafka, Prag und der Erste Weltkrieg/Kafka, Prague and the First World War Jeremy Adler doi:10.5699/modelangrevi.109.3.0853	Cite
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856-857	Review of Paul Michael Lützeler, Hermann Broch und die Moderne: Roman, Menschenrecht, Biografie Daria Santini doi:10.5699/modelangrevi.109.3.0856	Cite
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857-858	Review of Andrew Barker, Fictions from an Orphan State: Literary Reflections between Habsburg and Hitler David Midgley doi:10.5699/modelangrevi.109.3.0857	Cite
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858-860	Review of Robert K. Weninger, The German Joyce David Midgley doi:10.5699/modelangrevi.109.3.0858	Cite
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860-861	Review of Anja Bischof, Funktion und Bedeutung von Erinnerung im erzählerischen Werk Johannes Urzidils Ritchie Robertson doi:10.5699/modelangrevi.109.3.0860	Cite
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861-862	Review of Daniel Müller Nielaba, Yves Schumacher, and Christoph Steier, ‘Man will werden, nicht gewesen sein’: Zur Aktualität Max Frischs Hans-Joachim Hahn doi:10.5699/modelangrevi.109.3.0861	Cite
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862-863	Review of Axel Englund, Still Songs: Music in and around the Poetry of Paul Celan Annja Neumann doi:10.5699/modelangrevi.109.3.0862	Cite
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863-865	Review of Judith Schossböck, Letzte Menschen: Postapokalyptische Narrative und Identitäten in der Neueren Literatur nach 1945 Robert K. Weninger doi:10.5699/modelangrevi.109.3.0863	Cite
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865-867	Review of Jennifer M. Kapczynski and Michael D. Richardson, A New History of German Cinema Martin Brady doi:10.5699/modelangrevi.109.3.0865	Cite
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867-868	Review of Anindita Banerjee, We Modern People: Science Fiction and the Making of Russian Modernity Eric Laursen doi:10.5699/modelangrevi.109.3.0867	Cite
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868-869	Review of Denis Kozlov, The Readers of ‘Novyi mir’: Coming to Terms with the Stalinist Past Claire Shaw doi:10.5699/modelangrevi.109.3.0868	Cite
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