Modern Language Review 108.2

Modern Language Review 108.2

Modern Humanities Research Association

1 April 2013  •  346pp

ISBN: 978-1-781880-21-0 (paperback)

Access online: At JSTOR


Contents:

341-367

Transnational Modernist Encounters: Joyce, Borges, Bolaño, and the Dialectics of Expansion and Compression
Patricia Novillo-Corvalán
doi:10.5699/modelangrevi.108.2.0341

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368-395

Vanishing Points: Walter Benjamin and Karel Teige On the Liquidations of Aura
Peter Zusi
doi:10.5699/modelangrevi.108.2.0368

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396-415

‘Ranked Among the Best’: Translation and Cultural Agency in Restoration Translations of French Drama
David Roberts
doi:10.5699/modelangrevi.108.2.0396

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416-437

Living With the Dead in Wordsworth's Lyrical Ballads
David McAllister
doi:10.5699/modelangrevi.108.2.0416

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438-458

‘POUR ÊTRE DONC HUMAIN J'ÉPROUVE SA COLÈRE!’: SAUL, KING OF ISRAEL, AS TRAGIC HERO IN FRENCH DRAMA
Edward Forman
doi:10.5699/modelangrevi.108.2.0438

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459-474

Toeing the Party Line in Marguerite Duras's Cahiers De La Guerre
Jennifer Willging
doi:10.5699/modelangrevi.108.2.0459

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475-503

Polemical Performances: Pasolini, Fortini, Sanguineti, and the Literary-Ideological Debates of the 1950s
Éanna Ó Ceallacháin
doi:10.5699/modelangrevi.108.2.0475

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504-518

Sergi Belbel As Author, Translator, and Director
David George
doi:10.5699/modelangrevi.108.2.0504

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519-538

Challenging Censorship Through Creativity: Responses To the Ban On Sputnik in the Gdr
Laura Bradley
doi:10.5699/modelangrevi.108.2.0519

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539-558

Reconfiguring the National Community Transnationally: Teamworx, Television, and the ‘Eventization’ of German History
Paul Cooke
doi:10.5699/modelangrevi.108.2.0539

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559-570

A Literary History of the Low Countries: A Review Article
Elsa Strietman
doi:10.5699/modelangrevi.108.2.0559

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571-596

Promoting Soviet Culture in Britain: the History of the Society For Cultural Relations Between the Peoples of the British Commonwealth and the Ussr, 1924–1945
Emily Lygo
doi:10.5699/modelangrevi.108.2.0571

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597-618

Writing About War: Making Sense of the Absurd in Mileta Prodanović's Novel Pleši, Čudovište, Na Moju Nežnu Muziku (dance, You Monster, To My Soft Music)
David A. Norris
doi:10.5699/modelangrevi.108.2.0597

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619-620

Review of Ulrike Schneider and Anita Traninger, Fiktionen des Faktischen in der Renaissance
John L. Flood
doi:10.5699/modelangrevi.108.2.0619

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620-622

Review of Danielle Hipkins, Intellectual Communities and Partnerships in Italy and Europe: Studies in Honour of Mark Davie
Stefano Jossa
doi:10.5699/modelangrevi.108.2.0620

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622-623

Review of Jessica Berman, Modernist Commitments: Ethics, Politics, and Transnational Modernism
Hugues Azérad
doi:10.5699/modelangrevi.108.2.0622

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623-624

Review of Françoise Lionnet and Shu-mei Shih, The Creolization of Theory
Maeve McCusker
doi:10.5699/modelangrevi.108.2.0623

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625-626

Review of Ngũgĩ wa Thiong'o, Globalectics: Theory and the Politics of Knowing
Erica Lombard
doi:10.5699/modelangrevi.108.2.0625

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626-629

Review of Aleida Assmann, Cultural Memory and Western Civilization: Functions, Media, Archives
Rebecca Braun
doi:10.5699/modelangrevi.108.2.0626

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629-630

Review of T. Matthew N. McCabe, Gower's Vulgar Tongue: Ovid, Lay Religion, and English Poetry in the ‘Confessio Amantis’
Malte Urban
doi:10.5699/modelangrevi.108.2.0629

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630-631

Review of Fred Schurink, Tudor Translation
Efterpi Mitsi
doi:10.5699/modelangrevi.108.2.0630

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632-633

Review of Tobias Smollett, James G. Basker, Paul-Gabriel Boucé, and Nicole A. Seary, O. M. Brack, Jr, The Adventures of Roderick Random
Lee Kahan
doi:10.5699/modelangrevi.108.2.0632

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633-634

Review of Lara Langer Cohen, The Fabrication of American Literature: Fraudulence and Antebellum Print Culture
Michael J. Collins
doi:10.5699/modelangrevi.108.2.0633

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634-636

Review of Jenny Hartley, The Selected Letters of Charles Dickens
Deborah Wynne
doi:10.5699/modelangrevi.108.2.0634

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636-637

Review of Michael D. Hurley, G. K. Chesterton
Luke Seaber
doi:10.5699/modelangrevi.108.2.0636

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637-638

Review of Stanley Weintraub, Who's Afraid of Bernard Shaw? Some Personalities in Shaw's Plays
Lawrence Switzky
doi:10.5699/modelangrevi.108.2.0637

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638-639

Review of Edward Clarke, The Later Affluence of W. B. Yeats and Wallace Stevens
Tim Morris
doi:10.5699/modelangrevi.108.2.0638

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639-641

Review of Ann Marie Fallon, Global Crusoe: Comparative Literature, Postcolonial Theory and Transnational Aesthetics
Nisha Manocha
doi:10.5699/modelangrevi.108.2.0639

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641-642

Review of Kristen Case, American Pragmatism and Poetic Practice: Crosscurrents from Emerson to Susan Howe
Daniel Kane
doi:10.5699/modelangrevi.108.2.0641

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642-643

Review of Glynnis M. Cropp, Böece de Confort remanié
Helen J. Swift
doi:10.5699/modelangrevi.108.2.0642

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643-644

Review of Brian Brazeau, Writing a New France, 1604–1632: Empire and Early Modern French Identity
Michael Harrigan
doi:10.5699/modelangrevi.108.2.0643

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644-645

Review of Robert W. Goldsby, Molière on Stage: What's So Funny?
Michael Hawcroft
doi:10.5699/modelangrevi.108.2.0644

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645-646

Review of Françoise Rubellin, Atys burlesque: parodies de l'opéra de Quinault et Lully à la Foire et à la Comédie-Italienne, 1726–1738
Derek Connon
doi:10.5699/modelangrevi.108.2.0645

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646-648

Review of Friedrich Melchior Grimm, Ulla Kölving and Henri Duranton, Correspondance littéraire vol. v: 1758; vol. VI: 1749
Derek Connon
doi:10.5699/modelangrevi.108.2.0646

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648-650

Review of Tristan Kay, Martin MacLaughlin, and Michelangelo Zaccarello, Dante in Oxford: The Paget Toynbee Lectures
John A. Scott
doi:10.5699/modelangrevi.108.2.0648

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650-651

Review of Gian Paolo Giudicetti, Mandricardo e la melanconia: discorsi diretti e sproloqui nell' ‘Orlando furioso’
Maria Pavlova
doi:10.5699/modelangrevi.108.2.0650

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651-653

Review of Frederick A. de Armas, Ovid in the Age of Cervantes
Jonathan Bradbury
doi:10.5699/modelangrevi.108.2.0651

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653-654

Review of Robert A. Davidson, Jazz Age Barcelona
Richard Mansell
doi:10.5699/modelangrevi.108.2.0653

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654-656
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656-657

Review of Tom F. H. Smits, Strukturwandel in Grenzdialekten: Die Konsolidierung der niederländisch-deutschen Staatsgrenze als Dialektgrenze
Alderik H. Blom
doi:10.5699/modelangrevi.108.2.0656

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657-659

Review of Rainer Bayreuther, Meinrad von Engelberg, Sina Rauschenbach, and Isabella von Treskow, Kritik in der Frühen Neuzeit: Intellektuelle avant la lettre
John L. Flood
doi:10.5699/modelangrevi.108.2.0657

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659-662

Review of Stephen Rose, The Musician in Literature in the Age of Bach
Hilda Brown
doi:10.5699/modelangrevi.108.2.0659

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662-663

Review of Johann Heinrich Merck, Ulrike Leuschner and Amelie Krebs, Gesammelte Schriften vols I: 1760–1775 and III: 1776–1777
H. B. Nisbet
doi:10.5699/modelangrevi.108.2.0662

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663-665

Review of Laura Anna Macor, Der morastige Zirkel der menschlichen Bestimmung: Friedrich Schillers Weg von der Aufklärung zu Kant
K. F. Hilliard
doi:10.5699/modelangrevi.108.2.0663

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666-667

Review of Rainer Stach, Ist das Kafka? 99 Fundstücke
Emily Troscianko
doi:10.5699/modelangrevi.108.2.0666

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667-669

Review of Stefan Keppler-Tasaki and Fabienne Liptay, Grauzonen: Positionen zwischen Literatur und Film 1910–1960
Andreas Kramer
doi:10.5699/modelangrevi.108.2.0667

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669-670

Review of Patrick Eiden-Offe, Das Reich der Demokratie: Hermann Brochs ‘Der Tod des Vergil’
Daria Santini
doi:10.5699/modelangrevi.108.2.0669

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670-672

Review of Thomas Combrink, Alexander Kluge, Sammler und Erfinder: Zu Leben und Werk Helmut Heißenbüttels
John White
doi:10.5699/modelangrevi.108.2.0670

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672-674

Review of Susanne Ledanff, Hauptstadtphantasien: Berliner Stadtlektüren in der Gegenwartsliteratur 1989–2008
Andrew Webber
doi:10.5699/modelangrevi.108.2.0672

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674-676

Review of Peter Sekirin, Memories of Chekhov: Accounts of the Writer from his Family, Friends and Contemporaries
Muireann Maguire
doi:10.5699/modelangrevi.108.2.0674

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