Modern Language Review 108.1

Modern Language Review 108.1

Modern Humanities Research Association

1 January 2013  •  346pp

ISBN: 978-1-781880-12-8 (paperback)

Access online: At JSTOR


Contents:

1-29
On Not Knowing Russian: the Translations of Virginia Woolf and S. S. Kotelianskii
Rebecca Beasley
doi:10.5699/modelangrevi.108.1.0001
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30-51
Attribution Problems in the Fiction of Aphra Behn
Leah Orr
doi:10.5699/modelangrevi.108.1.0030
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52-67
Peter Ackroyd's Imaginary Projections: A Context For the Creature of the Casebook of Victor Frankenstein
David William Charnick
doi:10.5699/modelangrevi.108.1.0052
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68-89
Corneille's Cinna, Clemency, and the Implausible Decision
Hélène Bilis
doi:10.5699/modelangrevi.108.1.0068
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90-108
Conversations With the Dead in Early Modern France
Russell Goulbourne
doi:10.5699/modelangrevi.108.1.0090
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109-128
‘Et Ma Logique Va En Rond’: Bernard Noël's Hourglass Figure
Andrew Rothwell
doi:10.5699/modelangrevi.108.1.0109
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129-141
Zi' Dima As Carnival Symbol in Pirandello's La Giara
Antonio Scuderi
doi:10.5699/modelangrevi.108.1.0129
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142-161
Valle-Inclán and the City: From the Popular Novel To the Esperpento
Laura Lonsdale
doi:10.5699/modelangrevi.108.1.0142
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162-179
Reading Illness in Gabriel García Márquez's Del Amor Y Otros Demonios
Olivia Vázquez-Medina
doi:10.5699/modelangrevi.108.1.0162
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180-201
Dolf Sternberger's Panorama: Approaches To A Work of (inner) Exile in the National Socialist Period
William J. Dodd
doi:10.5699/modelangrevi.108.1.0180
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202-220
Seeing the Sites: the Topography of Memory and Identity in Ruth Klüger's Weiter Leben
Erica Wickerson
doi:10.5699/modelangrevi.108.1.0202
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221-240
Pavlova, Tur, and ‘Razdel’: What's in A Name?
Diana Greene
doi:10.5699/modelangrevi.108.1.0221
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241-273
Melodrama, Feeling, and Emotion in the Early Poetry of Anna Akhmatova
Alexandra K. Harrington
doi:10.5699/modelangrevi.108.1.0241
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274-275
Review of Sirinvas Aravamudan, Enlightenment Orientalism: Resisting the Rise of the Novel
David Adams
doi:10.5699/modelangrevi.108.1.0274
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275-276
Review of Richard T. Gray, Nicholas Halmi, Gary J. Handwerk, Michael A. Rosenthal, and Klaus Vieweg, Inventions of the Imagination: Romanticism and Beyond
John Guthrie
doi:10.5699/modelangrevi.108.1.0275
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277-278
Review of Anna Katharina Schaffner, Modernism and Perversion: Sexual Deviance in Sexology and Literature, 1850–1930
Caitríona Ní Dhúill
doi:10.5699/modelangrevi.108.1.0277
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278-279
Review of Ben Hutchinson, Modernism and Style
Denis Flannery
doi:10.5699/modelangrevi.108.1.0278
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279-281
Review of Theodore Ziolkowski, Gilgamesh among Us: Modern Encounters with the Ancient Epic
Osman Durrani
doi:10.5699/modelangrevi.108.1.0279
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281-282
Review of Judith Ryan, The Novel after Theory
Yael Levin
doi:10.5699/modelangrevi.108.1.0281
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282-284
Review of Richard Saint-Gelais, Fictions transfuges: la transfictionnalité et ses enjeux
Larry Duffy
doi:10.5699/modelangrevi.108.1.0282
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284-285
Review of Terry Eagleton, The Event of Literature
Jeremy Tambling
doi:10.5699/modelangrevi.108.1.0284
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285-287
Review of Gavin Douglas, Gordon Kendal, The Aeneid (1513)
Rebecca Marsland
doi:10.5699/modelangrevi.108.1.0285
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287-288
Review of Jon Mee, Conversable Worlds: Literature, Contention, and Community 1762 to 1830
J. A. Downie
doi:10.5699/modelangrevi.108.1.0287
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288-290
Review of Elsie B. Michie, The Vulgar Question of Money: Heiresses, Materialism, and the Novel of Manners from Jane Austen to Henry James
Patricia Zakreski
doi:10.5699/modelangrevi.108.1.0288
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290-291
Review of Charles LaPorte, Victorian Poets and the Changing Bible
Sara Lyons
doi:10.5699/modelangrevi.108.1.0290
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291-293
Review of Lars Spuybroek, The Sympathy of Things: Ruskin and the Ecology of Design
Mark Frost
doi:10.5699/modelangrevi.108.1.0291
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293-294
Review of John Rignall, George Eliot, European Novelist
Kyriaki Hadjiafxendi
doi:10.5699/modelangrevi.108.1.0293
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295-296
Review of Eli MacLaren, Dominion and Agency: Copyright and the Structuring of the Canadian Book Trade, 1867–1918
Alison Rukavina
doi:10.5699/modelangrevi.108.1.0295
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296-297
Review of G. Thomas Couser, Memoir: An Introduction
Claire Lynch
doi:10.5699/modelangrevi.108.1.0296
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297-298
Review of Luke Sunderland, Old French Narrative Cycles: Heroism between Ethics and Morality
Florent Noirfalise
doi:10.5699/modelangrevi.108.1.0297
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298-300
Review of Susan B. Edgington and Carol Sweetenham, The ‘Chanson d'Antioche’: An Old French Account of the First Crusade
Graeme Dunphy
doi:10.5699/modelangrevi.108.1.0298
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300-301
Review of Lyndan Warner, The Ideas of Man and Woman in Renaissance France: Print, Rhetoric and Law
Emily Butterworth
doi:10.5699/modelangrevi.108.1.0300
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301-302
Review of Timothy Chesters, Ghost Stories in Late Renaissance France: Walking by Night
Jennifer Oliver
doi:10.5699/modelangrevi.108.1.0301
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302-303
Review of Richard Parish, Catholic Particularity in Seventeenth-Century French Writing: ‘Christianity is Strange’
Nicholas Hammond
doi:10.5699/modelangrevi.108.1.0302
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303-304
Review of Marius Warholm Haugen and Knut Ove Eliassen, Dévier et divertir: littérature et pensée du XVIIIe siècle
Romira Worvill
doi:10.5699/modelangrevi.108.1.0303
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304-305
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305-306
Review of Denis Diderot, Pierre Frantz, Est-il bon? Est-il méchant?
Derek Connon
doi:10.5699/modelangrevi.108.1.0305
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306-308
Review of Kate Griffiths and David Evans, Haunting Presences: Ghosts in French Literature and Culture
Timothy Chesters
doi:10.5699/modelangrevi.108.1.0306
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308-311
Review of Michele Marrapodi, Shakespeare and Renaissance Literary Theories: Anglo-Italian Transactions
Richard Andrews
doi:10.5699/modelangrevi.108.1.0308
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311-312
Review of Davide Conrieri, Gli Incogniti e l'Europa
Simone Testa
doi:10.5699/modelangrevi.108.1.0311
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312-314
Review of Annamaria Pagliaro, The Novels of Federico De Roberto: From Naturalism to Modernism
Olivia Santovetti
doi:10.5699/modelangrevi.108.1.0312
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314-316
Review of Marcus Twellmann, ‘Ueber die Eide’: Zucht und Kritik im Preußen der Aufklärung
K. F. Hilliard
doi:10.5699/modelangrevi.108.1.0314
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316-317
Review of Mary Helen Dupree, The Mask and the Quill: Actress-Writers in Germany from Enlightenment to Romanticism
Lena Heilmann
doi:10.5699/modelangrevi.108.1.0316
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317-318
Review of Yomb May, Georg Forsters literarische Weltreise: Dialektik der Kulturbegegnung in der Aufklärung
Ritchie Robertson
doi:10.5699/modelangrevi.108.1.0317
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318-320
Review of Barry Murnane and Andrew Cussack, Populäre Erscheinungen: Der deutsche Schauerroman um 1800
Birgit Röder
doi:10.5699/modelangrevi.108.1.0318
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320-321
Review of Gerhard Höhn and Christian Liedke, Auf der Spitze der Welt: Mit Heine durch Paris
Michael Perraudin
doi:10.5699/modelangrevi.108.1.0320
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322-323
Review of Thomas Wegmann, Dichtung und Warenzeichen: Reklame im literarischen Feld 1850–2000
Seán M. Williams
doi:10.5699/modelangrevi.108.1.0322
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323-325
Review of Peter Edgerly Firchow, Strange Meetings: Anglo-German Literary Encounters from 1910 to 1960
Maike Oergel
doi:10.5699/modelangrevi.108.1.0323
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325-326
Review of Barbara McKenzie, Colour and Light, Illness and Death: A New Interpretation of Kafka's ‘Der Proceß’
Ritchie Robertson
doi:10.5699/modelangrevi.108.1.0325
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327-328
Review of Stephen Parker and Matthew Philpotts, ‘Sinn und Form’: The Anatomy of a Literary Journal
Alison Lewis
doi:10.5699/modelangrevi.108.1.0327
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329-330
Review of Malte Stein, Regina Fasold, and Heinrich Detering, Zwischen Mignon und Lulu: Das Phantasma der Kindsbraut in Biedermeier und Realismus
Helen Chambers
doi:10.5699/modelangrevi.108.1.0329
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330-331
Review of Martin Brady and Joanne Leal, Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition
Paul Cooke
doi:10.5699/modelangrevi.108.1.0330
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332-335
Review of Alexander Honold, Ost-westliche Kulturtransfers: Orient — Amerika
Florian Krobb
doi:10.5699/modelangrevi.108.1.0332
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335-336
Review of Tomislav Z. Longinović, Vampire Nation: Violence as Cultural Imaginary
Vladimir Zorić
doi:10.5699/modelangrevi.108.1.0335
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