Modern Language Review 106.3

Modern Language Review 106.3

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Modern Language Review 106.3

Modern Humanities Research Association

1 July 2011 • 320pp

Access online: At JSTOR

Contents:

625-646	The Idol of the Heart: Liberty, Tyranny, and Idolatry in the Work of Fulke Greville Freya Sierhuis doi:10.5699/modelangrevi.106.3.0625	Cite
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647-661	The Doctored Dilemma: Shaw's Approach to Tragedy in The Doctor's Dilemma doi:10.5699/modelangrevi.106.3.0647	Cite
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662-681	‘The Twilight of Utopia’: British Dystopian Fiction and the Cold War Andrew Hammond doi:10.5699/modelangrevi.106.3.0662	Cite
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682-696	Clergie, Clerkly Studium, and the Medieval Literary History of Chrétien De Troyes's Romances Levilson C. Reis doi:10.5699/modelangrevi.106.3.0682	Cite
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697-708	Labour of Love: George Sand's La Ville Noire and Émile Zola's Travail Claire White doi:10.5699/modelangrevi.106.3.0697	Cite
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709-723	Une Écriture Blanche? Style and Symbolism in Édouard Dujardin's Les Lauriers Sont Coupés Ben Hutchinson doi:10.5699/modelangrevi.106.3.0709	Cite
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724-744	J. M. G. Le Clézio's Urban Phantoms and the Paradox of Invisibility Keith Moser doi:10.5699/modelangrevi.106.3.0724	Cite
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745-764	Crime and the Critics: On the Appraisal of Detective Novels in 1930s Italy Jane Dunnett doi:10.5699/modelangrevi.106.3.0745	Cite
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765-778	Demons of the Night: Quevedo's Sonnet ‘A Fugitivas Sombras’, The Melancholy Humour, and Paracelsus D. Gareth Walters doi:10.5699/modelangrevi.106.3.0765	Cite
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779-796	‘Du Wagst Es, Meine Worte Zu Deuten?’ Unreliable Evidence on Schiller's Stage Steffan Davies doi:10.5699/modelangrevi.106.3.0779	Cite
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797-813	Kafka's Private Alphabet Peter Hutchinson doi:10.5699/modelangrevi.106.3.0797	Cite
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814-833	‘The Polish Swan Triumphant’: The English Reception of Maciej Kazimierz Sarbiewski in the Seventeenth Century George Gömöri doi:10.5699/modelangrevi.106.3.0814	Cite
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834-835	Review of Andrew Cole, D. Vance Smith, The Legitimacy of the Middle Ages: On the Unwritten History of Theory Andrew Breeze doi:10.5699/modelangrevi.106.3.0834	Cite
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835-836	Review of David Scott Wilson-Okamura, Virgil in the Renaissance Richard Danson Brown doi:10.5699/modelangrevi.106.3.0835	Cite
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837-838	Review of Ann Thomson, Simon Burrows, Edmond Dziembowski, Cultural Transfers: France and Britain in the Long Eighteenth Century Gillian Dow doi:10.5699/modelangrevi.106.3.0837	Cite
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838-839	Review of Clifford Siskin, William Warner, This is Enlightenment Louise Seaward doi:10.5699/modelangrevi.106.3.0838	Cite
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840-841	Review of Patricia Silva McNeill, Yeats and Pessoa: Parallel Poetic Styles Jean Andrews doi:10.5699/modelangrevi.106.3.0840	Cite
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841-842	Review of Peter Hitchcock, The Long Space: Transnationalism and Postcolonial Form David Murphy doi:10.5699/modelangrevi.106.3.0841	Cite
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842-844	Review of Maria M. Delgado, Dan Rebellato, Contemporary European Theatre Directors Adam J. Ledger doi:10.5699/modelangrevi.106.3.0842	Cite
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844-846	Review of Colin Davis, Critical Excess: Overreading in Derrida, Deleuze, Levinas, Žižek and Cavell Mark Robson doi:10.5699/modelangrevi.106.3.0844	Cite
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846-848	Review of Catherine Bates, The Cambridge Companion to the Epic Lawrence F. Rhu doi:10.5699/modelangrevi.106.3.0846	Cite
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848-850	Review of Karen Weisman, The Oxford Handbook of the Elegy Daniel Cook doi:10.5699/modelangrevi.106.3.0848	Cite
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850-853	Review of Elaine Treharne, Greg Walker, William Green, The Oxford Handbook of Medieval Literature in English Andrew Breeze doi:10.5699/modelangrevi.106.3.0850	Cite
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853-854	Review of Mary Ellen Lamb, Valerie Wayne, Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and Shakespeare A. Robert Lee doi:10.5699/modelangrevi.106.3.0853	Cite
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854-855	Review of Don Paterson, Reading Shakespeare's Sonnets: A New Commentary Richard Danson Brown doi:10.5699/modelangrevi.106.3.0854	Cite
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855-856	Review of Molly Murray, The Poetics of Conversion in Early Modern English Literature: Verse and Change from Donne to Dryden Alex Davis doi:10.5699/modelangrevi.106.3.0855	Cite
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857-858	Review of Lauren Shohet, Reading Masques: The English Masque and Public Culture in the Seventeenth Century Monika Smialkowska doi:10.5699/modelangrevi.106.3.0857	Cite
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858-859	Review of Victoria Moul, Jonson, Horace and the Classical Tradition Robin Sowerby doi:10.5699/modelangrevi.106.3.0858	Cite
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859-860	Review of Stephen Karian, Jonathan Swift in Print and Manuscript Daniel Cook doi:10.5699/modelangrevi.106.3.0859	Cite
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860-862	Review of Fiona Stafford, Local Attachments: The Province of Poetry Keith Hanley doi:10.5699/modelangrevi.106.3.0860	Cite
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862-863	Review of Victoria N. Morgan, Emily Dickinson and Hymn Culture: Tradition and Experience Massimo Bacigalupo doi:10.5699/modelangrevi.106.3.0862	Cite
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863-864	Review of Leonee Ormond, Linley Sambourne, Illustrator and ‘Punch’ Cartoonist John Harvey doi:10.5699/modelangrevi.106.3.0863	Cite
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865-866	Review of Bethan Jones, The Last Poems of D. H. Lawrence: Shaping a Late Style Margaret Storch doi:10.5699/modelangrevi.106.3.0865	Cite
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866-867	Review of Peggy Samuels, Deep Skin: Elizabeth Bishop and Visual Art Pat Righelato doi:10.5699/modelangrevi.106.3.0866	Cite
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867-869	Review of Mary A. Favret, War at a Distance: Romanticism and the Making of Modern Wartime William Baker doi:10.5699/modelangrevi.106.3.0867	Cite
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869-870	Review of Max Saunders, Self Impression: Life Writing, Autobiografiction, and the Forms of Modern Literature David Punter doi:10.5699/modelangrevi.106.3.0869	Cite
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871-873	Review of Brian Cummings, Gabriel Josipovici, The Spirit of England: Selected Essays of Stephen Medcalf William Baker doi:10.5699/modelangrevi.106.3.0871	Cite
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873-874	Review of Denis Diderot, Roland Desné, Georges Dulac, Didier Kahn, Gerhardt Stenger, Entretien d'un philosophe avec Madame la Maréchale de *** Romira Worvill doi:10.5699/modelangrevi.106.3.0873	Cite
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874-875	Review of Anne Gédéon Lafitte, Marquis de Pelleport, Vivian Folkenflik, Robert Darnton, The Bohemians Malcolm Cook doi:10.5699/modelangrevi.106.3.0874	Cite
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875-876	Review of Mary Ellen Birkett, Christopher Rivers, Approaches to Teaching Duras's ‘Ourika’ Roger Little doi:10.5699/modelangrevi.106.3.0875	Cite
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876-877	Review of Alan Raitt, Flaubert's First Novel: A Study of the 1845 ‘Éducation sentimentale’ Timothy Unwin doi:10.5699/modelangrevi.106.3.0876	Cite
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877-879	Review of Joris-Karl Huysmans, Patrice Locmant, Écrits sur la littérature Mamadou Abdoulaye Ly doi:10.5699/modelangrevi.106.3.0877	Cite
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879-880	Review of Milo Sweedler, The Dismembered Community: Bataille, Blanchot, Leiris, and the Remains of Laure Seán Hand doi:10.5699/modelangrevi.106.3.0879	Cite
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880-881	Review of Nathalie Debrauwere-Miller, Israeli—Palestinian Conflict in the Francophone World Olivia C. Harrison doi:10.5699/modelangrevi.106.3.0880	Cite
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881-882	Review of John C. Stout, L'énigme-poésie: entretiens avec 21 poètes françaises Emma Wagstaff doi:10.5699/modelangrevi.106.3.0881	Cite
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883-884	Review of Gill Rye, Narratives of Mothering: Women's Writing in Contemporary France Marie-Claire Barnet doi:10.5699/modelangrevi.106.3.0883	Cite
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884-885	Review of Alison Finch, French Literature: A Cultural History Diana Holmes doi:10.5699/modelangrevi.106.3.0884	Cite
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885-887	Review of Luisa Miglio, Governare l'alfabeto: donne, scrittura e libri nel Medioevo Nadia Cannata Salamone doi:10.5699/modelangrevi.106.3.0885	Cite
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887-889	Review of Abigail Brundin, Matthew Treherne, Forms of Faith in Sixteenth-Century Italy Corinna Salvadori Lonergan doi:10.5699/modelangrevi.106.3.0887	Cite
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889-890	Review of Pierpaolo Antonello, Alan O'Leary, Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 1969–2009 Derek Duncan doi:10.5699/modelangrevi.106.3.0889	Cite
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891-892	Review of Leah Middlebrook, Imperial Lyric. New Poetry and New Subjects in Early Modern Spain Jonathan Bradbury doi:10.5699/modelangrevi.106.3.0891	Cite
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892-894	Review of Will Fowler, Peter Lambert, Political Violence and the Construction of National Identity in Latin America Nicholas Roberts doi:10.5699/modelangrevi.106.3.0892	Cite
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894-895	Review of Rolf H. Bremmer, Jr, Stephen Laker, Oebele Vries, Advances in Old Frisian Philology Sheila Watts doi:10.5699/modelangrevi.106.3.0894	Cite
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895-896	Review of Johannes Rothe, Christoph Huber, Pamela Kalning, Der Ritterspiegel Stephen Mossman doi:10.5699/modelangrevi.106.3.0895	Cite
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896-898	Review of D. H. Green, Women and Marriage in German Medieval Romance Shami Ghosh doi:10.5699/modelangrevi.106.3.0896	Cite
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898-899	Review of Katherine Goodman, Adieu Divine Comtesse: Luise Gottsched, Charlotte Sophie Gräfin Bentinck und Johann Christoph Gottsched in ihren Briefen Hilary Brown doi:10.5699/modelangrevi.106.3.0898	Cite
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899-901	Review of Hartmut Reinhardt, Die kleine und die große Welt: Vom Schäferspiel zur kritischen Analyse der Moderne. Goethes dramatisches Werk K. F. Hilliard doi:10.5699/modelangrevi.106.3.0899	Cite
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901-902	Review of Steffan Davies, The Wallenstein Figure in German Literature and Historiography 1790–1920 Florian Krobb doi:10.5699/modelangrevi.106.3.0901	Cite
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902-903	Review of Giuseppe Bevilacqua, Marianne Schneider, Eine Hölderlin-Frage: Wahnsinn und Poesie beim späten Hölderlin Howard Gaskill doi:10.5699/modelangrevi.106.3.0902	Cite
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903-904	Review of John Williams, Wordsworth Translated: A Case Study in the Reception of British Romantic Poetry in Germany 1804–1914 Ritchie Robertson doi:10.5699/modelangrevi.106.3.0903	Cite
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904-905	Review of Victoria Dutchman-Smith, E. T. A. Hoffmann and Alcohol: Biography, Reception and Art Birgit Röder doi:10.5699/modelangrevi.106.3.0904	Cite
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906-907	Review of Kálmán Kovács, Rhetorik als Skandal: Heinrich Reims Sprache Lara Elder doi:10.5699/modelangrevi.106.3.0906	Cite
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907-908	Review of Katy Heady, Literature and Censorship in Restoration Germany: Repression and Rhetoric Jeffrey L. Sammons doi:10.5699/modelangrevi.106.3.0907	Cite
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908-910	Review of Mauro Ponzi, Klassische Moderne: Ein Paradigma des 20. Jahrhunderts Ingo Cornils doi:10.5699/modelangrevi.106.3.0908	Cite
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910-911	Review of Carsten Schmidt, Kafkas fast unbekannter Freund: Leben und Werk von Felix Weltsch, Philosoph, Journalist und Zionist Ritchie Robertson doi:10.5699/modelangrevi.106.3.0910	Cite
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911-912	Review of Rolf J. Goebel, A Companion to the Works of Walter Benjamin Sabine Müüller doi:10.5699/modelangrevi.106.3.0911	Cite
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912-914	Review of Karen Leeder and Robert Vilain, Nach Duino: Studien zu Rainer Maria Rilkes späten Gedichten Theodore Ziolkowski doi:10.5699/modelangrevi.106.3.0912	Cite
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914-915	Review of Karl Leydecker, German Novelists of the Weimar Republic: Intersections of Literature and Politics Anne White doi:10.5699/modelangrevi.106.3.0914	Cite
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915-916	Review of Charmian Brinson, Richard Dove, Anna Müüller-Härlin, Politics by Other Means: The Free German League of Culture in London, 1939–1946 J. M. Ritchie doi:10.5699/modelangrevi.106.3.0915	Cite
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916-917	Review of Belinda Davis, Wilfried Mausbach, Martin Klimke, Carla MacDougall, Changing the World, Changing Oneself: Political Protest and Collective Identities in West Germany and the U.S. in the 1960s and 1970s Ingo Cornils doi:10.5699/modelangrevi.106.3.0916	Cite
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917-919	Review of Norman Ächtler, Carsten Gansel, Ikonographie des Terrors? Formen ästhetischer Erinnerung an den Terrorismus in der Bundesrepublik 1978–2008 Gerrit-Jan Berendse doi:10.5699/modelangrevi.106.3.0917	Cite
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919-921	Review of Sarah Colvin, Ulrike Meinhof and West German Terrorism: Language, Violence and Identity Julian Preece doi:10.5699/modelangrevi.106.3.0919	Cite
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921-922	Review of Stuart Taberner, The Cambridge Companion to Güünter Grass Kirstin Gwyer doi:10.5699/modelangrevi.106.3.0921	Cite
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922-923	Review of Joyce Crick, Martin Liebscher, Martin Swales, From Charlottenburg to Middleton: Michael Hamburger (1924–2007), Poet, Translator, Critic Brian Keith-Smith doi:10.5699/modelangrevi.106.3.0922	Cite
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923-924	Review of Charlotte Ryland, Paul Celan's Encounters with Surrealism: Trauma, Translation and Shared Poetic Space Ruth J. Owen doi:10.5699/modelangrevi.106.3.0923	Cite
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924-925	Review of Ben Hutchinson, W. G. Sebald: Die dialektische Imagination Silke Arnold-de Simine doi:10.5699/modelangrevi.106.3.0924	Cite
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926-929	Review of Florian Hartling, Der digitale Autor: Autorschaft im Zeitalter des Internets; Lutz Koepnick, Erin McGlothlin, After the Digital Divide? German Aesthetic Theory in the Age of New Media Rebecca Braun doi:10.5699/modelangrevi.106.3.0926	Cite
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929-931	Review of Maik Hamburger, Simon Williams, A History of German Theatre John Guthrie doi:10.5699/modelangrevi.106.3.0929	Cite
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931-932	Review of Marina Balina, Evgeny Dobrenko, Petrified Utopia: Happiness Soviet Style Roger Cockrell doi:10.5699/modelangrevi.106.3.0931	Cite
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932-934	Review of Birgit Beumers, Stephen Hutchings, Natalia Rulyova, The Post-Soviet Russian Media: Conflicting Signals Marsha Siefert doi:10.5699/modelangrevi.106.3.0932	Cite
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