1-19 | 'Strange', 'Foreign', and 'Alien': the Semantic History of Three Quasi-Synonyms in A Trilingual Medieval England William Rothwelldoi:10.2307/25655130 | Cite |
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20-30 | 'the Fire of His Eye': Thomas, 3rd Lord Fairfax's 'A Treatise Touching the Breeding of Horses' Philip Majordoi:10.2307/25655131 | Cite |
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31-52 | Milton, Locke, and the Early Modern Framework of Cosmopolitan Right Matthew W. Binneydoi:10.2307/25655132 | Cite |
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53-68 | | Cite |
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69-86 | Literature and Ethics: History, Memory, and Cultural Identity in Albert Camus's Le Premier Homme Daniel Justdoi:10.2307/25655134 | Cite |
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87-102 | | Cite |
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103-121 | 'Orsù, Non Più Signora, [...] Tornate A Segno': Women, Language Games, and Debates in Cinquecento Italy Helena Sansondoi:10.2307/25655136 | Cite |
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122-130 | | Cite |
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131-148 | El Proceso, Kafka, and the Comic Novel: Ana María Shua's Soy Paciente and the Fear of Individual Freedom Paul Robert McAleerdoi:10.2307/25655138 | Cite |
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149-170 | 'An Acceptable Job'? the First English Translation of Thomas Mann's Das Gesetz David Hortondoi:10.2307/25655139 | Cite |
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171-190 | Art and Sociality in Thomas Bernhard's Minetti, Der Theatermacher, and Alte Meister Byron Springdoi:10.2307/25655140 | Cite |
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191-193 | Review of Seth Lerer, Children's Literature: A Reader's History from Aesop to Harry PotterKimberley Reynoldsdoi:10.2307/25655141 | Cite |
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193-194 | Review of Jan M. Ziolkowski, Solomon and Marcolf. (Harvard Studies in Medieval Latin, 1)Mark Kauntzedoi:10.2307/25655142 | Cite |
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194-196 | Review of Gustav Adolf Beckmann, Die 'Karlamagnús-Saga' I und ihre altfranzösische Vorlage. (Beihefte zur Zeitschrift für romanische Philologie, 344)Hélène Tétreldoi:10.2307/25655143 | Cite |
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196-197 | Review of Sharon Ruston, Literature and Science. (Essays and Studies)Gowan Dawsondoi:10.2307/25655144 | Cite |
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197-198 | Review of Karl Fugelso, Defining Medievalism(s). (Studies in Medievalism, 17)Andrew Breezedoi:10.2307/25655145 | Cite |
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199-201 | Review of Nele Bemong, Mirjam Trywant, Pieter Vermeulen, Re-Thinking Europe: Literature and (Trans)National Identity. (Studies in Comparative Literature, 55)Fabio Vighidoi:10.2307/25655146 | Cite |
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201-202 | Review of Lorna Fitzsimmons, Lives of Faust: The Faust Theme in Literature and Music. A Reader. 2nd, revised editionTheodore Ziolkowskidoi:10.2307/25655147 | Cite |
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203-204 | Review of Linda V. Troost, Eighteenth-Century Women: Studies in their Lives, Work, and Culture, vol. vClare Brantdoi:10.2307/25655148 | Cite |
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204-206 | Review of Béatrice Bijon, Yves Clavaron, Bernard Dieterle, Le Mezzogiorno des écrivains européens/Europeans Writing the MezzogiornoDonatella Fischerdoi:10.2307/25655149 | Cite |
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206-208 | | Cite |
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208-209 | Review of Gerhard R. Kaiser, Olaf Müller, Germaine de Staël und ihr erstes deutsches Publikum: Literaturpolitik und Kultur-transfer um 1800. (Ereignis Weimar-Jena. Kultur um 1800. Ästhetische Forschungen, 18)Roger Paulindoi:10.2307/25655151 | Cite |
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209-210 | Review of Ian Cooper, Ekkehard Knörer, Bernhard Malkmus, Third Agents: Secret Protagonists of the Modern ImaginationJane Wallingdoi:10.2307/25655152 | Cite |
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210-212 | Review of Laura M. Sager Eidt, Writing and Filming the Painting: Ekphrasis in Literature and FilmJennifer Stobdoi:10.2307/25655153 | Cite |
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212-213 | Review of Anselm Heinrich, Entertainment, Propaganda, Education: Regional Theatre in Germany and Britain between 1918 and 1945John Guthriedoi:10.2307/25655154 | Cite |
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213-214 | Review of Charles D. Wright, Frederick M. Biggs, Thomas N. Hall, Source of Wisdom: Old English and Early Medieval Latin Studies in Honour of Thomas D. HillNeil Cartlidgedoi:10.2307/25655155 | Cite |
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215 | Review of Lesel Dawson, Lovesickness and Gender in Early Modern English LiteraturePhilip Majordoi:10.2307/25655156 | Cite |
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215-217 | Review of Jonathan Gil Harris, Untimely Matter in the Time of ShakespearePeter Kulingdoi:10.2307/25655157 | Cite |
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217 | Review of Richard Fotheringham, Christa Jansohn, R. S. White, Shakespeare's World/World Shakespeares: The Selected Proceedings of the International Shakespeare Association World Congress, Brisbane, 2006Philip Majordoi:10.2307/25655158 | Cite |
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218-219 | Review of Lloyd Edward Kermode, Three Renaissance Usury Plays: 'The Three Ladies of London' by Robert Wilson, 'Englishmen for my Money' by William Haughton and 'The Hog Hath Lost his Pearl' by Robert Tailor. (Revels Plays Companion Library)Tom Rutterdoi:10.2307/25655159 | Cite |
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219-220 | Review of Nora Nachumi, Acting Like a Lady: British Women Novelists and the Eighteenth-Century TheaterBonnie Latimerdoi:10.2307/25655160 | Cite |
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220-222 | | Cite |
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222-223 | Review of Laurence W. Mazzeno, The Dickens Industry: Critical Perspectives 1836–2005David McAllisterdoi:10.2307/25655162 | Cite |
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223-225 | Review of Cynthia Gamble, Henry James, John Ruskin and the Shropshire LadsWilliam Goldmandoi:10.2307/25655163 | Cite |
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225-227 | | Cite |
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227-229 | Review of Valerie Sanders, The Tragi-Comedy of Victorian FatherhoodWilliam Bakerdoi:10.2307/25655165 | Cite |
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229-230 | Review of Eitan Bar-Yosef, Nadia Valman, 'The Jew' in Late-Victorian and Edwardian Culture: Between the East End and East AfricaWilliam Bakerdoi:10.2307/25655166 | Cite |
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230-232 | Review of Kathleen Isobel Baxter, Richard J. Hand, Joseph Conrad and the Performing ArtsWilliam Bakerdoi:10.2307/25655167 | Cite |
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232-233 | Review of Allan Hepburn, People, Places, Things: Essays by Elizabeth BowenJessica Gildersleevedoi:10.2307/25655168 | Cite |
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233-234 | | Cite |
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234-235 | Review of Nicola Allen, Marginality in the Contemporary British NovelJulia Jordandoi:10.2307/25655170 | Cite |
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235-236 | Review of Teresa Heffernan, Post-Apocalyptic Culture: Modernism, Postmodernism and the Twentieth-Century NovelIvan Stacydoi:10.2307/25655171 | Cite |
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236-238 | Review of Brenda Cooper, A New Generation of African Writers: Migration, Material Culture and LanguageStefanie Van de Peerdoi:10.2307/25655172 | Cite |
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238-239 | | Cite |
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239-240 | Review of Sylvie Lefèvre, La Lettre dans la littérature romane du Moyen ÂgeMarianne Ailesdoi:10.2307/25655174 | Cite |
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240-241 | Review of Gary Ferguson, Queer (Re)Readings in the French Renaissance: Homosexuality, Gender, CultureHugh Robertsdoi:10.2307/25655175 | Cite |
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241-242 | | Cite |
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243 | Review of Hélisenne de Crenne, Jean-Philippe Beaulieu, 'Les Épîtres familières et invectives'; 'Le Songe'Pollie Bromilowdoi:10.2307/25655177 | Cite |
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243-244 | Review of Jonathan Mallinson, Opinion. Voltaire. Nature et culture. (SVEC, 2007:12)Thomas Wynndoi:10.2307/25655178 | Cite |
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244-246 | Review of Russell Goulbourne, Les Théâtre de Voltaire. (Œuvres et critiques, 33.2 (October 2008))Thomas Wynndoi:10.2307/25655179 | Cite |
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246-247 | Review of Françoise de Graffigny, Jonathan Mallinson, Letters of a Peruvian WomanRobin Howellsdoi:10.2307/25655180 | Cite |
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247-248 | Review of Joël Castonguay-Bélanger, Les Écarts de l'imagination: pratiques et représentations de la science dans le roman au tournant des Lumières. (Socius)Malcolm Cookdoi:10.2307/25655181 | Cite |
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248-249 | Review of Gretchen Schultz, An Anthology of Nineteenth-Century Women's Poetry from France. (MLA Texts and Translations)David Evansdoi:10.2307/25655182 | Cite |
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249-250 | Review of Théodore de Banville, Peter J. Edwards, Peter S. Hambly, Œuvres poétiques complètes, vol. IXDavid Evansdoi:10.2307/25655183 | Cite |
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250-251 | Review of Gordon Millan, Les 'Mardis' de Stéphane Mallarmé: mythes et réalitésH. Porter Abbottdoi:10.2307/25655184 | Cite |
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251-252 | Review of Nathalie Mauriac-Dyer, Marcel Proust: cahiers 1 à 75 de la Bibliothèque Nationale de FranceMargaret Toppingdoi:10.2307/25655185 | Cite |
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252-253 | | Cite |
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253-254 | | Cite |
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254-255 | | Cite |
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255-256 | Review of Diana Holmes, Romance and Readership in Twentieth-Century France: Love StoriesAlison Finchdoi:10.2307/25655189 | Cite |
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257-258 | Review of Marie-Claire Barnet, Edward Welch, 'Affaires de famille': The Family in Contemporary French Culture and TheoryDiana Holmesdoi:10.2307/25655190 | Cite |
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258-259 | Review of Chris Bongie, Friends and Enemies: The Scribal Politics of Post/Colonial LiteratureMichael Syrotinskidoi:10.2307/25655191 | Cite |
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259-260 | Review of Olivia Holmes, Dante's Two Beloveds: Ethics and Erotics in the 'Divine Comedy'Pamela A. Williamsdoi:10.2307/25655192 | Cite |
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261-262 | | Cite |
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262-263 | Review of Ita Mac Carthy, Women and the Making of Poetry in Ariosto's 'Orlando furioso'Eric Haywooddoi:10.2307/25655194 | Cite |
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263-265 | Review of Christine Poggi, Inventing Futurism: The Art and Politics of Artificial OptimismGünter Berghausdoi:10.2307/25655195 | Cite |
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265-267 | Review of Annie Vivanti, Carlo Caporossi, Tutte le poesie: edizione critica con antologia di testi tradottiVilma De Gasperindoi:10.2307/25655196 | Cite |
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267-268 | Review of Francesca Billiani, Culture nazionalie e narrazioni straniere: Italia, 1903–1943Loredana Polezzidoi:10.2307/25655197 | Cite |
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268-269 | Review of Victor Millet, Germanische Heldendichtung im Mittelalter: Eine Einführung. (De Gruyter Studienbuch)Annette Volfingdoi:10.2307/25655198 | Cite |
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270-271 | | Cite |
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271-272 | Review of Wolfram Washof, Die Bibel auf der Bühne: Exempelfiguren und protestantische Theologie im lateinischen und deutschen Bibeldrama der Reformationszeit. (Symbolische Kommunikation und gesellschaftliche Wertesysteme. Schriftenreihe des Sonderforschungsbereichs, 496, 14)Anna Lintondoi:10.2307/25655200 | Cite |
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272-273 | Review of Mark-Georg Dehrmann, 'Das Orakel der Deisten': Shaftesbury und die deutsche AufklärungH. B. Nisbetdoi:10.2307/25655201 | Cite |
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273-275 | Review of Nikolas Immer, Der inszenierte Held: Schillers dramenpoetische Anthropologie. (Jenaer Germanistische Forschungen, Neue Folge, 26)Yvonne Nilgesdoi:10.2307/25655202 | Cite |
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275-276 | Review of Bettina Hey'l, Das Ganze der Natur und die Differenzierung des Wissens: Alexander von Humboldt als SchriftstellerAndrew Cusackdoi:10.2307/25655203 | Cite |
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276-277 | Review of Dietmar Goltschnigg, Hartmut Steinecke, Heine und die Nachwelt: Geschichte seiner Wirkung in den deutschsprachigen Ländern. Texte und Kontexte, Analysen und Kommentare, vol. II: 1907–1956Jeffrey L. Sammonsdoi:10.2307/25655204 | Cite |
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277-278 | Review of Holger Ehrhardt, Mythologische Subtexte in Theodor Fontanes 'Effi Briest'. (Medien — Literaturen — Sprachen in Anglistik/Amerikanistik, Germanistik und Romanistik, 6)Helen Chambersdoi:10.2307/25655205 | Cite |
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278-279 | Review of Robert J. Richards, The Tragic Sense of Life: Ernst Haeckel and the Struggle over Evolutionary ThoughtDavid Midgleydoi:10.2307/25655206 | Cite |
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280-281 | Review of Peter Sprengel, Hermann und Hedwig Stehr im Briefwechsel mit Gerhart und Margarete Hauptmann. (Veröffentlichungen der Gerhart-Hauptmann-Gesellschaft, 14)Peter Skrinedoi:10.2307/25655207 | Cite |
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281-282 | Review of William Crooke, Mysticism as Modernity: Nationalism and the Irrational in Hermann Hesse, Robert Musil and Max Frisch. (Studies in Modern German Literature, 107)Osman Durranidoi:10.2307/25655208 | Cite |
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282-283 | Review of Hanna Klessinger, Krisis der Moderne: Georg Trakl im intertextuellen Dialog mit Nietzsche, Dostojewskij, Hölderlin und Novalis. (Klassische Moderne, 8)Helen Bridgedoi:10.2307/25655209 | Cite |
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283-284 | Review of Henrik Leschonski, Der Kristall als expressionistisches Symbol: Studien zur Symbolik des Kristallinen in Lyrik, Kunst und Architektur des Expressionismus (1910–1925). (Europäische Hochschulschriften, 1.1960)Brian Keith-Smithdoi:10.2307/25655210 | Cite |
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284-285 | Review of Heimo Schwilk, Ernst Jünger: Ein Jahrhundertleben. Die BiografieGalin Tihanovdoi:10.2307/25655211 | Cite |
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286-287 | Review of Anna Seghers, Christiane Zehl Romero, Almut Giesecke, Briefe 1924–1952. (Werkausgabe, v/1)Ian Wallacedoi:10.2307/25655212 | Cite |
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287-288 | Review of Ehrhard Bahr, Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of ModernismTom Kuhndoi:10.2307/25655213 | Cite |
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288-289 | Review of Rebecca Braun, Frank Brunssen, Changing the Nation: Günter Grass in International PerspectiveStuart Tabernerdoi:10.2307/25655214 | Cite |
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289-290 | Review of Anja K. Johannsen, Kisten, Krypten, Labyrinthe: Raumfigurationen in der Gegenwartsliteratur. W. G. Sebald, Anne Duden, Herta MüllerTeresa Luddendoi:10.2307/25655215 | Cite |
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290-292 | Review of Barrie Baker, Theatre Censorship in Honecker's Germany: From Volker Braun to Samuel Beckett. (German Linguistic and Cultural Studies, 23)Denise Varneydoi:10.2307/25655216 | Cite |
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292-294 | Review of Anne Fuchs, Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of MemoryKaren Leederdoi:10.2307/25655217 | Cite |
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294-296 | Review of Dorota Sośnicka, Den Rhythmus der Zeit einfangen: Erzählexperimente in der Deutschschweizer Gegenwartsliteratur unter besonderer Berücksichtigung der Werke von Otto F. Walter, Gerold Späth und Zsuzsanna Gahse. (Epistemata: Reihe Literaturwissenschaft, 639)Felicity Rashdoi:10.2307/25655218 | Cite |
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296-297 | Review of Katrin Kohl, Poetologische Metaphern: Formen und Funktionen in der deutschen LiteraturAnna Carrdusdoi:10.2307/25655219 | Cite |
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298-299 | Review of Peter Hutchinson, Landmarks in the German Novel (1). (British and Irish Studies in German Language and Literature, 45)Alan Bancedoi:10.2307/25655220 | Cite |
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299-301 | Review of Kevin J. Wanner, Snorri Sturluson and the 'Edda': The Conversion of Cultural Capital in Medieval ScandinaviaCarolyne Larringtondoi:10.2307/25655221 | Cite |
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301-303 | | Cite |
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303-304 | Review of Janet G. Tucker, Profane Challenge and Orthodox Response in Dostoevsky's 'Crime and Punishment'. (Studies in Slavic Literature and Poetics)Sarah J. Youngdoi:10.2307/25655223 | Cite |
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304-305 | | Cite |
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305-307 | Review of Lisa A. Kirschenbaum, The Legacy of the Siege of Leningrad, 1941–1995: Myth, Memories, and MonumentsKatharine Hodgsondoi:10.2307/25655225 | Cite |
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307-309 | Review of Nina L. Krushcheva, Imagining Nabokov: Russia between Art and PoliticsSiggy Frankdoi:10.2307/25655226 | Cite |
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309-310 | Review of Rosalind Marsh, Literature, History and Identity in Post-Soviet Russia, 1991–2006Oliver Readydoi:10.2307/25655227 | Cite |
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