Modern Language Review 104.3

Modern Language Review 104.3

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Modern Language Review 104.3

Modern Humanities Research Association

1 July 2009 • 320pp

Access online: At JSTOR

Contents:

623-639	The Dignity of Langland's Meed Gerald Morgan doi:10.2307/25654933	Cite
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640-658	Erected Wit and Effeminate Repose: Philip Sidney's Postures of Reader-Response James Williams doi:10.2307/25654934	Cite
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659-675	Corneille and Audience Identification Joseph Harris doi:10.2307/25654935	Cite
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676-695	Neologism: A Linguistic and Literary Obsession in Early Nineteenth-Century France Michael Tilby doi:10.2307/25654936	Cite
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696-711	Mourning and Photography in Contemporary French Literature Jutta Fortin doi:10.2307/25654937	Cite
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712-729	The Early Reception of Francis Jammes in Italy Shirley W. Vinall, Francis Jammes doi:10.2307/25654938	Cite
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730-745	Subverted Claims: Cortázar, Artaud, and the Problematics of Jazz Nicholas Roberts doi:10.2307/25654939	Cite
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746-761	'Civibus Aevi Futuri': Panoramic Historiography in Fontane's Wanderungen Durch Die Mark Brandenburg Andrew Cusack doi:10.2307/25654940	Cite
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762-776	Arthur Schnitzler's Correspondence With Clara Katharina Pollaczek: A Reassessment Julian Preece doi:10.2307/25654941	Cite
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777-789	'Ungelöste Gespenster'? Ghosts in Ruth Klüger's Autobiographical Project Catherine Smale doi:10.2307/25654942	Cite
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790-808	Representations of Soviet Childhood in Post-Soviet Texts By Liudmila Ulitskaia and Nina Gabrielian R. Knight doi:10.2307/25654943	Cite
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809-810	Review of John Considine, Dictionaries in Early Modern Europe: Lexicography and the Making of Heritage Giulio Lepschy doi:10.2307/25654944	Cite
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811-812	Review of Lawrence Venuti, The Translator's Invisibility: A History of Translation. 2nd edn Jeremy Munday doi:10.2307/25654945	Cite
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812-813	Review of Olive Sayce, Exemplary Comparison from Homer to Petrarch Duncan F. Kennedy doi:10.2307/25654946	Cite
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814-815	Review of Jan M. Ziolkowski, Letters of Peter Abelard: Beyond the Personal. (Medieval Texts in Translation) William Flynn doi:10.2307/25654947	Cite
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815-816	Review of Jane Bliss, Naming and Namelessness in Medieval Romance. (Studies in Medieval Romance, 7) Andrew Breeze doi:10.2307/25654948	Cite
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816-817	Review of Siân Echard, Printing the Middle Ages. (Material Texts) Andrew Breeze doi:10.2307/25654949	Cite
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817-819	Review of Terence Cave, Thomas More's 'Utopia' in Early Modern Europe: Paratexts and Contexts Brian Richardson doi:10.2307/25654950	Cite
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819-820	Review of Julie Prandi, The Poetry of the Self-Taught: An Eighteenth-Century Phenomenon Susanne Kord doi:10.2307/25654951	Cite
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821-822	Review of Gerald Gillespie, Manfred Engel, Bernard Dierterle, Romantic Prose Fiction. (Comparative History of Literatures in European Languages, 23) Carol Tully doi:10.2307/25654952	Cite
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822-824	Review of Edoardo Zuccato, Petrarch in Romantic England Peter Brand doi:10.2307/25654953	Cite
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824-825	Review of Claire Whitehead, The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation. (Studies in Comparative Literature, 10) Slobodan Sucur doi:10.2307/25654954	Cite
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825-826	Review of John R. Davis, The Victorians and Germany Rosemary D. Ashton doi:10.2307/25654955	Cite
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826-828	Review of Mads Rosendahl Thomsen, Mapping World Literature: International Canonization and Transnational Literatures. (Continuum Literary Studies) Jeremy Tambling doi:10.2307/25654956	Cite
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828-829	Review of William Calin, The Twentieth-Century Humanist Critics: From Spitzer to Frye Louis Lo doi:10.2307/25654957	Cite
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829-830	Review of Gretchen Mieszkowski, Medieval Go-Betweens and Chaucer's Pandarus. (The New Middle Ages) Elizabeth Archibald doi:10.2307/25654958	Cite
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830-831	Review of Sebastian I. Sobecki, The Sea and Medieval English Literature. (Studies in Medieval Romance, 5) Andrew Breeze doi:10.2307/25654959	Cite
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831-833	Review of Ceri Sullivan, The Rhetoric of the Conscience in Donne, Herbert, and Vaughan Neil Rhodes doi:10.2307/25654960	Cite
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833-834	Review of Wendy Scase, Literature and Complaint in England 1272–1553 Ruth Evans doi:10.2307/25654961	Cite
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834-835	Review of Gillian Austen, George Gascoigne. (Studies in Renaissance Literature, 24) Allyna E. Ward doi:10.2307/25654962	Cite
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835-836	Review of R. S. White, Pacifism and English Literature: Minstrels of Peace James Booth doi:10.2307/25654963	Cite
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837-838	Review of Heather Dubrow, The Challenges of Orpheus: Lyric Poetry and Early Modern England Elizabeth Heale doi:10.2307/25654964	Cite
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838-839	Review of Jason McElligott, Royalism, Print and Censorship in Revolutionary England Philip Major doi:10.2307/25654965	Cite
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839-841	Review of Lisa Maruca, The Work of Print: Authorship and the English Text Trades, 1660–1760 John A. Dussinger doi:10.2307/25654966	Cite
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841-842	Review of Sandro Jung, David Mallet, Anglo-Scott: Poetry, Patronage, and Politics in the Age of Union Nicholas Seager doi:10.2307/25654967	Cite
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842-843	Review of Herbert F. Tucker, Epic: Britain's Heroic Muse 1790–1910 Jeremy Tambling doi:10.2307/25654968	Cite
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844-845	Review of Jack Lynch, Deception and Detection in Eighteenth-Century Britain Bonnie Latimer doi:10.2307/25654969	Cite
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845-846	Review of Bill Overton, The Eighteenth-Century British Verse Epistle Clare Brant doi:10.2307/25654970	Cite
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846-847	Review of James O'Rourke, Sex, Lies, and Autobiography: The Ethics of Confession Jacqueline M. Labbe doi:10.2307/25654971	Cite
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847-848	Review of Jason Marc Harris, Folklore and the Fantastic in Nineteenth-Century British Fiction Jeremy Tambling doi:10.2307/25654972	Cite
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848-849	Review of Adrian Grafe, Ecstasy and Understanding: Religious Awareness in English Poetry from the Late Victorian to the Modern Period James Booth doi:10.2307/25654973	Cite
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850-851	Review of Jakob Lothe, Jeremy Hawthorn, James Phelan, Joseph Conrad: Voice, Sequence, History, Genre William Baker doi:10.2307/25654974	Cite
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851-852	Review of Helen Vendler, Our Secret Discipline: Yeats and Poetic Form Edward Larrissy doi:10.2307/25654975	Cite
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852-854	Review of Loraine Saunders, The Unsung Artistry of George Orwell: The Novels from 'Burmese Days' to 'Nineteen Eighty-Four' Julia Jordan doi:10.2307/25654976	Cite
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854-855	Review of Stefan Collini, Common Reading: Critics, Historians, Publics Jeremy Tambling doi:10.2307/25654977	Cite
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855-856	Review of Wendy Ayres-Bennett, Mari C. Jones, The French Language and Questions of Identity. (Studies in Linguistics, 4) Aidan Coveney doi:10.2307/25654978	Cite
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856-858	Review of Mari C. Jones, The Guernsey Norman French Translations of Thomas Martin: A Linguistic Study of an Unpublished Archive. (Orbis Supplementa, 31) Glanville Price doi:10.2307/25654979	Cite
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858	Review of Glynnis M. Cropp, Le Livre de Boece de consolacion. (Textes Littéraires Français, 580) Rosalind Brown-Grant doi:10.2307/25654980	Cite
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859	Review of Charles Sorel, Martine Debaisieux, Description de l'île de portraiture (1659). (Textes Litteraires Français, 582) Jeffrey N. Peters doi:10.2307/25654981	Cite
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860	Review of Adriana Bontea, Les Origines de la comédie française classique. (Medieval and Early Modern French Studies, 4) Véronique Desnain doi:10.2307/25654982	Cite
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861	Review of La Chapelle, Gilles Banderier, Mémoires pour servir à l'histoire de la vie d'Agrippa d'Aubigné Pollie Bromilow doi:10.2307/25654983	Cite
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861-863	Review of Stéphanie Loubère, 'L'Art d'aimer' au siècle des Lumières. (SVEC, 2007:11) Catriona Seth doi:10.2307/25654984	Cite
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863-864	Review of Thierry Belleguic, Diderot Studies, vol. xxx Linda Walsh doi:10.2307/25654985	Cite
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864-865	Review of Odile Richard-Pauchet, Diderot dans les 'Lettres à Sophie Volland': une esthétique épistolaire Romira Worvill doi:10.2307/25654986	Cite
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865-866	Review of Franco Piva, Les Mémoires de Pamela écrits par elle-même. (Biblioteca della Ricerca, Testi Stranieri, 38) Malcolm Cook doi:10.2307/25654987	Cite
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866-867	Review of Martin Wåhlberg, Trude Kolderup, Amour, violence, sexualité: de Sade à nos jours Thomas Wynn doi:10.2307/25654988	Cite
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867-869	Review of Angelica Goodden, Madame de Staël: The Dangerous Exile Caroline Franklin doi:10.2307/25654989	Cite
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869-870	Review of Claudie Bernard, Penser la famille au XIX e siècle (1789-1870) Andrew J. Counter doi:10.2307/25654990	Cite
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870-871	Review of Pierre Schoentjes, Silhouettes de l'ironie Catherine Dousteyssier-Khoze doi:10.2307/25654991	Cite
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871-872	Review of Christèle Couleau-Maixent, Balzac: le roman de l'autorité. Un discours auctorial entre sérieux et ironie Owen Heathcote doi:10.2307/25654992	Cite
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872-873	Review of Guy de Maupassant, Antonia Fonyi, Pierre et Jean Andrew J. Counter doi:10.2307/25654993	Cite
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873-874	Review of Arthur Rimbaud, Steve Murphy, Œuvres complètes, II: Œuvres diverses et lettres 1864/1865–1870 Gerald Macklin doi:10.2307/25654994	Cite
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874-875	Review of James S. Williams, Jean Cocteau. (Critical Lives) Derek Connon doi:10.2307/25654995	Cite
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875-876	Review of Richard Spiteri, Exégèse de 'Dernier malheur dernière chance' de Benjamin Péret Gavin Bowd doi:10.2307/25654996	Cite
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876-877	Review of Gary Cox, The Sartre Dictionary Sam Coombes doi:10.2307/25654997	Cite
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877-878	Review of Mark Orme, The Development of Albert Camus's Concern for Social and Political Justice Neil Foxlee doi:10.2307/25654998	Cite
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878-879	Review of Celia Britton, The Sense of Community in French Caribbean Fiction Amy B. Reid doi:10.2307/25654999	Cite
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879-881	Review of Donald R. Wehrs, Pre-Colonial Africa in Colonial African Narratives Sophie Smith doi:10.2307/25655000	Cite
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881-882	Review of Audrey Lasserre, Anne Simon, Nomadismes des romancières: contemporaines de langue française Sophie Smith doi:10.2307/25655001	Cite
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882-883	Review of Ann Miller, Reading Bande Dessinée: Critical Approaches to French-Language Comic Strip Laurence Grove doi:10.2307/25655002	Cite
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883-885	Review of Paul Gifford, Marion Schmid, La Création en acte: devenir de la critique génétique. (Faux Titre, 289) Larry Duffy doi:10.2307/25655003	Cite
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885-886	Review of Allison Levy, Re-membering Masculinity in Early Modern Florence: Widowed Bodies, Mourning and Portraiture Stephen J. Milner doi:10.2307/25655004	Cite
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887-888	Review of Augustus Pallotta, Alessandro Manzoni: A Critical Bibliography 1950-2000 Luciano Parisi doi:10.2307/25655005	Cite
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888-889	Review of Francesca Billiani, Gigliola Sulis, The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions Elisabetta Tondello doi:10.2307/25655006	Cite
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889-892	Review of Laura Benedetti, The Tigress in the Snow: Motherhood and Literature in Twentieth-Century Italy Adalgisa Giorgio doi:10.2307/25655007	Cite
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892-893	Review of Laura R. Bass, Margaret R. Greer, Approaches to Teaching Early Modern Spanish Drama R. J. Oakley doi:10.2307/25655008	Cite
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893-895	Review of Jan-Dirk Müller, William T. Whobrey, Rules for the Endgame: The Epic World of the 'Nibelungenlied'. (Parallax: Re-Visions of Culture and Society) Almut Suerbaum doi:10.2307/25655009	Cite
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895-897	Review of Julia C. Walworth, Parallel Narratives: Function and Form in the Munich Illustrated Manuscripts of 'Tristan' and 'Willehalm von Orlens'. (King's College London Medieval Studies, 20) Stephen Mossman doi:10.2307/25655010	Cite
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897-898	Review of Melanie Urban, Kulturkontakt im Zeichen der Minne: Die 'Arabel' Ulrichs von dem Türlin. (Mikrokosmos, 77) Annette Volfing doi:10.2307/25655011	Cite
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898-899	Review of Nigel Harris, The Light of the Soul: The 'Lumen anime' C and Ulrich Putsch's 'Das liecht der sel' Stephen Mossman doi:10.2307/25655012	Cite
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900-901	Review of Anna Linton, Poetry and Parental Bereavement in Early Modern Lutheran Germany. (Oxford Modern Languages and Literature Monographs) Judith P. Aikin doi:10.2307/25655013	Cite
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901-902	Review of Wolfram Mauser, Billigkeit: Literatur und Sozialethik in der deutschen Aufklärung. Ein Essay K. F. Hilliard doi:10.2307/25655014	Cite
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902-904	Review of Hugh Barr Nisbet, Karl S. Guthke, Lessing: Eine Biographie Francis Lamport doi:10.2307/25655015	Cite
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904-905	Review of Lothar Pikulik, Schiller und das Theater: Über die Entwicklung der Schaubühne zur theatralen Kunstform. (Medien und Theater, Neue Folge, 9) Lesley Sharpe doi:10.2307/25655016	Cite
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905-907	Review of August Wilhelm Schlegel, Frank Jolles, Edith Höltenschmidt, Vorlesungen über Enzyklopädie (1803). (Kritische Ausgabe der Vorlesungen, 3) Roger Paulin doi:10.2307/25655017	Cite
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907-908	Review of Heike Petermann, Gotthilf Heinrich Schubert: Die Naturgeschichte als bestimmendes Element. (Erlanger Studien, 137) Hans-Joachim Hahn doi:10.2307/25655018	Cite
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908-910	Review of Ray Ockenden, Eduard Mörike: Readings and Contexts (=Oxford German Studies, 36.1 (2007)) Ian Cooper doi:10.2307/25655019	Cite
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910-911	Review of Helen Chambers, Humor and Irony in Nineteenth-Century German Women's Writing: Studies in Prose Fiction 1840–1900. (Studies in German Literature, Linguistics and Culture) Charlotte Woodford doi:10.2307/25655020	Cite
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911-912	Review of K. Porter Aichele, Paul Klee: Poet/Painter. (Studies in German Literature, Linguistics and Culture) Valerie Heffernan doi:10.2307/25655021	Cite
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913	Review of Hans Rudolf Vaget, Thomas Mann's 'The Magic Mountain': A Casebook Hinrich Siefken doi:10.2307/25655022	Cite
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914-915	Review of Andrea Reiter, Die Exterritorialität des Denkens: Hans Sahl im Exil Charmian Brinson doi:10.2307/25655023	Cite
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915-917	Review of William J. Dodd, Jedes Wort wandelt die Welt: Dolf Sternbergers politische Sprachkritik Gilbert J. Carr doi:10.2307/25655024	Cite
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917-918	Review of Michael Eskin, Poetic Affairs: Celan, Grünbein, Brodsky Karen Leeder doi:10.2307/25655025	Cite
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918-919	Review of Leena Eilittä, Ingeborg Bachmann's Utopia and Disillusionment. (Humaniora, 347) Marko Pajević doi:10.2307/25655026	Cite
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919-920	Review of Iannis Goerlandt, Schulen zur Allegorie: Nationale Bilder in Arno Schmidts utopischer Prosa Robert K. Weninger doi:10.2307/25655027	Cite
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921-923	Review of Katharina Hall, Günter Grass's 'Danzig Quintet': Explorations in the Memory and History of the Nazi Era from 'Die Blechtrommel' to 'Im Krebsgang' Michael Minden doi:10.2307/25655028	Cite
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923-924	Review of Dan Friedman, The Cultural Politics of Heiner Müller David Barnett doi:10.2307/25655029	Cite
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924-925	Review of Ulrike Zitzlsperger, ZeitGeschichten: Die Berliner Übergangsjahre. Zur Verortung der Stadt nach der Mauer. (Cultural History and Literary Imagination, 11) Andrew Webber doi:10.2307/25655030	Cite
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925-927	Review of Christiane Schönfeld, Hermann Rasche, Processes of Transposition: German Literature and Film Karina Von Lindeiner-Stráský doi:10.2307/25655031	Cite
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927-929	Review of Nicholas Saul, Ricarda Schmidt, Literarische Wertung und Kanonbildung Stephanie Bird doi:10.2307/25655032	Cite
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929-931	Review of Jane Fenoulhet, Making the Personal Political: Dutch Women Writers 1919–1970 Henriëtte Louwerse doi:10.2307/25655033	Cite
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931-932	Review of Evgeny Dobrenko, Sarah Young, Stalinist Cinema and the Production of History: Museum of the Revolution Jamie Miller doi:10.2307/25655034	Cite
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