1-25 | | Cite |
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26-40 | Whispering to the Converted: Narrative Communication in Rudyard Kipling's "Letters of Marque" and Indian Fiction David Sergeant doi:10.2307/20468121 | Cite |
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41-54 | The Perversion of Time: Jealousy and Lyric in "The Romance of Flamenca" John Moreau doi:10.2307/20468122 | Cite |
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55-70 | Transforming Fortune: Reading and Chance in Christine de Pizan's "Mutacion de Fortune" and "Chemin de long estude" Miranda Griffin doi:10.2307/20468123 | Cite |
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71-82 | | Cite |
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83-105 | | Cite |
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106-119 | The Price of Pioneering: Power and Paralysis in Eveline Hasler's Novels "Die Wachsflügelfrau" and "Der Zeitreisende" Barbara Burns doi:10.2307/20468126 | Cite |
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120-132 | Noise and Nostalgia: The Literary Identities of Brussels in Contemporary Dutch Literature Elke Brems doi:10.2307/20468127 | Cite |
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133-134 | Review of Sarah Annes Brown, Catherine Silverstone, Tragedy in Transition Jeremy Tambling doi:10.2307/20468128 | Cite |
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134-135 | | Cite |
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135-136 | Review of Ursula Peters, Das Ich im Bild: Die Figur des Autors in volkssprachigen Bilderhandschriften des 13. Bis 16. Jahrhunderts D. H. Green doi:10.2307/20468130 | Cite |
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136-137 | Review of Karl Fugelso, Carol L. Robinson, Medievalism in Technology Old and New Andrew Breeze doi:10.2307/20468131 | Cite |
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137-139 | Review of Fiona McIntosh-Varjabédian, Véronique Gély, La Postérité de la Renaissance Jean Braybrook doi:10.2307/20468132 | Cite |
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139-140 | Review of William Shakespeare, Christa Jansohn, William Shakespeare: 'Venus und Adonis' und 'Tarquin und Lukretia' in der Übersetzung von Heinrich Christian Albrecht (1783) Roger Paulin doi:10.2307/20468133 | Cite |
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140-141 | Review of Karl Leydecker, Nicholas White, After Intimacy: The Culture of Divorce in the West since 1789 Masha Belenky doi:10.2307/20468134 | Cite |
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141-142 | | Cite |
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143-144 | Review of Anne Lounsbery, Thin Culture, High Art: Gogol, Hawthorne, and Authorship in Nineteenth-Century Russia and America Kevin McCarron doi:10.2307/20468136 | Cite |
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144-145 | | Cite |
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145-146 | | Cite |
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146-148 | | Cite |
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148-149 | Review of Massimo Bacigalupo, Gregory Dowling, Ambassadors: American Studies in a Changing World. Proceedings of the XVII International AISNA Conference Francesco Rognoni doi:10.2307/20468140 | Cite |
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149-151 | Review of Adalgisa Giorgio, Julia Waters, Women's Writing in Western Europe: Gender, Generation and Legacy Katharine Mitchell doi:10.2307/20468141 | Cite |
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151-153 | Review of Inês Oseki-Dépré, De Walter Benjamin à nos jours... (Essais de traductologie) Andrew Rothwell doi:10.2307/20468142 | Cite |
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153-154 | Review of Kelly Comfort, Art and Life in Aestheticism: De-Humanizing and Re-Humanizing Art, the Artist, and the Artistic Receptor Giuliana Pieri doi:10.2307/20468143 | Cite |
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154-155 | | Cite |
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155-157 | Review of Laura Marcus, The Tenth Muse: Writing about Cinema in the Modernist Period Andrew Shail doi:10.2307/20468145 | Cite |
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157-158 | Review of László Sándor Chardonnens, Anglo-Saxon Prognostics, 900-1100: Study and Texts Adam Mearns doi:10.2307/20468146 | Cite |
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159 | Review of Jenni Nuttall, The Creation of Lancastrian Kingship: Literature, Language and Politics in Late Medieval England Andrew Breeze doi:10.2307/20468147 | Cite |
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160-161 | Review of William Percy, Matthew Dimmock, William Percy's 'Mahomet and His Heaven': A Critical Edition Hamood Obaid doi:10.2307/20468148 | Cite |
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161-162 | Review of Robert A. Logan, Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry Allyna E. Ward doi:10.2307/20468149 | Cite |
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162-163 | Review of Lorna Hutson, The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama Edel Lamb doi:10.2307/20468150 | Cite |
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163-165 | Review of Oliver Arnold, The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons Roger Pooley doi:10.2307/20468151 | Cite |
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165-167 | Review of Jane Rickard, Authorship and Authority: The Writings of James VI and I; Amanda Bailey, Flaunting: Style and the Subversive Male Body in Renaissance England Philip Major doi:10.2307/20468152 | Cite |
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167-168 | Review of Mary Ellen Lamb, Karen Bamford, Oral Traditions and Gender in Early Modern Literary Texts Marion Wynne-Davies doi:10.2307/20468153 | Cite |
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168-169 | Review of Laurie Ellinghausen, Labor and Writing in Early Modern England, 1567-1667 Tom Rutter doi:10.2307/20468154 | Cite |
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169-171 | Review of Margaret Olofson Thickstun, Milton's 'Paradise Lost': Moral Education Roger Pooley doi:10.2307/20468155 | Cite |
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171-172 | Review of Diane Kelsey McColley, Poetry and Ecology in the Age of Milton and Marvell Robert Wilcher doi:10.2307/20468156 | Cite |
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172-173 | Review of Christopher Tilmouth, Passion's Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester Sheila T. Cavanagh doi:10.2307/20468157 | Cite |
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173-175 | Review of Ken Simpson, Spiritual Architecture and 'Paradise Regained': Milton's Literary Ecclesiology Warren Chernaik doi:10.2307/20468158 | Cite |
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175-176 | Review of Katherine Clark, Daniel Defoe: The Whole Frame of Nature, Time and Providence Nicholas Seager doi:10.2307/20468159 | Cite |
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176-177 | | Cite |
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178-179 | Review of Carl Thompson, The Suffering Traveller and the Romantic Imagination Philip W. Martin doi:10.2307/20468161 | Cite |
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179-180 | Review of Lynn Cain, Dickens, Family, Authorship: Psychoanalytic Perspectives on Kinship and Creativity Holly Furneaux doi:10.2307/20468162 | Cite |
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180-182 | Review of Nicholas Dames, The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction Gowan Dawson doi:10.2307/20468163 | Cite |
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182-183 | Review of Kirstie Blair, Victorian Poetry and the Culture of the Heart Gregory Tate doi:10.2307/20468164 | Cite |
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183-184 | Review of Susan Manning, Francis D. Cogliano, The Atlantic Enlightenment William Baker doi:10.2307/20468165 | Cite |
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184-185 | Review of Nicholas Freeman, Conceiving the City: London, Literature, and Art 1870-1914 Chris Louttit doi:10.2307/20468166 | Cite |
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186-187 | Review of Sebastian D. G. Knowles, Geert Lernout, John McCourt, Joyce, Joyce in Trieste: An Album of Risky Readings Massimo Bacigalupo doi:10.2307/20468167 | Cite |
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187-188 | | Cite |
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188-190 | | Cite |
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190-191 | Review of Michael O'Neill, The All-Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900 Heidi Thomson doi:10.2307/20468170 | Cite |
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191-192 | Review of Heather Ingman, Twentieth-Century Fiction by Irish Women: Nation and Gender Thomas Mansell doi:10.2307/20468171 | Cite |
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192-193 | | Cite |
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193-195 | | Cite |
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195-196 | Review of Peter D. Smith, Doomsday Men: The Real Dr. Strangelove and the Dream of the Superweapon David Seed doi:10.2307/20468174 | Cite |
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196-198 | Review of Colette H. Winn, Approaches to Teaching Marguerite De Navarre's 'Heptaméron' Gerard Paul Sharpling doi:10.2307/20468175 | Cite |
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198-199 | Review of Terence Cave, Michel Jeanneret, La Muse sacrée: Anthologie de la poésie spirituelle française (1570-1630) Alison Saunders doi:10.2307/20468176 | Cite |
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199-200 | | Cite |
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200-201 | Review of Marie-Françoise Bosquet, Images du féminin dans les utopies françaises classiques Katherine Astbury doi:10.2307/20468178 | Cite |
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202-203 | Review of Olivier Ferret, Gianluigi Goggi, Catherine Volpilhac-Auger, Copier / Coller: Écriture et réécriture chez Voltaire. Actes du colloque international (Pise, 30 juin-2 juillet 2005) Síofra Pierse doi:10.2307/20468179 | Cite |
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203-204 | | Cite |
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204-205 | Review of Isabelle de Charrière, Emma Rooksby, Trois femmes: Nouvelle de l'abbé de la Tour (Three Women: A Novel by the Abbé de la Tour) Katherine Astbury doi:10.2307/20468181 | Cite |
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205-206 | Review of Susan McCready, The Limits of Performance in the French Romantic Theatre Joanna Stalnaker doi:10.2307/20468182 | Cite |
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206-207 | Review of Angela Kimyongür, Memory and Politics: Representations of War in the Work of Louis Aragon Gavin Bowd doi:10.2307/20468183 | Cite |
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207-208 | Review of Pamela Williams, Through Human Love to God: Essays on Dante and Petrarch John Took doi:10.2307/20468184 | Cite |
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208-210 | Review of Maria Bendinelli Predelli, Firenze alla vigilia del Rinascimento: Antonio Pucci e i suoi contemporanei. Atti del convegno di Montreal, 22-23 ottobre 2004, McGill University John C. Barnes doi:10.2307/20468185 | Cite |
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210-212 | | Cite |
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212-213 | Review of Robert S. C. Gordon, The Cambridge Companion to Primo Levi Nicoletta Simborowski doi:10.2307/20468187 | Cite |
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213-214 | | Cite |
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215-216 | | Cite |
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216-217 | Review of Alison Sinclair, Sex and Society in Early Twentieth-Century Spain: Hildegart Rodríguez and the World League for Sexual Reform Nuria Capdevila-Argüelles doi:10.2307/20468190 | Cite |
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217-219 | Review of Lynn Ann McGovern, Contando historias: Las primeras novelas de Lourdes Ortiz Nuria Capdevila-Argüelles doi:10.2307/20468191 | Cite |
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219-220 | Review of Falco Pfalzgraf, Neopurismus in Deutschland nach der Wende Felicity Rash doi:10.2307/20468192 | Cite |
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221-222 | Review of Uta Goerlitz, Literarische Konstruktion (vor-)nationaler Identität seit dem 'Annolied': Analysen und Interpretationen zur deutschen Literatur des Mittelalters (11.-16. Jahrhundert) Stephen Mossman doi:10.2307/20468193 | Cite |
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222-223 | Review of Hartmann von Aue, Cyril Edwards, Iwein; Or, the Knight with the Lion Neil Thomas doi:10.2307/20468194 | Cite |
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223-225 | Review of Ingrid Kasten, Erika Fischer-Lichte, Transformation des Religiösen: Performativität und Textualität im geistlichen Spiel John Margetts doi:10.2307/20468195 | Cite |
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225-226 | Review of Horst Brunner, Annäherungen: Studien zur deutschen Literatur des Mittelalters und der Frühen Neuzeit Mark Chinca doi:10.2307/20468196 | Cite |
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226-229 | Review of Max Reinhart, Early Modern German Literature 1350-1700 Charlotte Woodford doi:10.2307/20468197 | Cite |
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229-230 | Review of Daniel Greineder, From the Past to the Future: The Role of Mythology from Winckelmann to the Early Schelling John Guthrie doi:10.2307/20468198 | Cite |
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230-231 | Review of Marjanne E. Goozé, Challenging Separate Spheres. Female 'Bildung' in Eighteenth- and Nineteenth-Century Germany Hilary Brown doi:10.2307/20468199 | Cite |
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232-233 | Review of Helen Fronius, Women and Literature in the Goethe Era 1770-1820: Determined Dilettantes Barbara Becker-Cantarino doi:10.2307/20468200 | Cite |
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233-234 | Review of Karl Gottfried Lessing, Claude D. Conter, Schauspiele in drei Bänden Francis Lamport doi:10.2307/20468201 | Cite |
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235-236 | Review of Evelyn K. Moore, Patricia Anne Simpson, The Enlightened Eye: Goethe and Visual Culture Eleoma Joshua doi:10.2307/20468202 | Cite |
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237-238 | Review of Walter Hinderer, Friedrich Schiller und der Weg in die Moderne Andrew Cusack doi:10.2307/20468203 | Cite |
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238-239 | Review of Lesley Sharpe, A National Repertoire: Schiller, Iffland and the German Stage Gail K. Hart doi:10.2307/20468204 | Cite |
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240-242 | | Cite |
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242-243 | Review of Kim Fordham, Trials and Tribunals in the Dramas of Heinrich von Kleist Seán Allan doi:10.2307/20468206 | Cite |
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243-244 | Review of Thomas Meissner, Erinnerte Romantik: Ludwig Tiecks 'Phantasus' Roger Paulin doi:10.2307/20468207 | Cite |
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244-245 | Review of Renate Böschenstein, Ortrun Niethammer, Idylle, Todesraum und Aggression: Beiträge zur Droste-Forschung Patricia Howe doi:10.2307/20468208 | Cite |
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245-247 | Review of Søren Fauth, Der metaphysische Realist: Zur Schopenhauer-Rezeption in Wilhelm Raabes Spätwerk Dirk Göttsche doi:10.2307/20468209 | Cite |
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247-248 | Review of Axel Dunker, Kontrapunktische Lektüren: Koloniale Strukturen in der deutschsprachigen Literatur des 19. Jahrhunderts Florian Krobb doi:10.2307/20468210 | Cite |
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248-249 | | Cite |
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249-250 | Review of Elsa Porges-Bernstein, Helga W. Kraft, Dagmar C. G. Lorenz, From Fin-de-siècle to Theresienstadt: The Works and Life of the Writer Elsa Porges-Bernstein Sarah Colvin doi:10.2307/20468212 | Cite |
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251-252 | Review of Thomas Karlauf, Stefan George: Die Entdeckung des Charisma Christophe Fricker doi:10.2307/20468213 | Cite |
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252-254 | Review of Robert Musil, Philip Payne, Graham Bartram, Galin Tihanov, A Companion to the Works of Robert Musil Ritchie Robertson doi:10.2307/20468214 | Cite |
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254-255 | Review of Manfred Voigts, Kafka und die jüdisch-zionistische Frau: Diskussionen um Erotik und Sexualität im Prager Zionismus Ruth V. Gross doi:10.2307/20468215 | Cite |
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255-256 | Review of Volker Nölle, Eindringlinge: Sternheim in neuer Perspektive. Ein Grundmodell des Werkes und der Phantasie Rhys W. Williams doi:10.2307/20468216 | Cite |
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256-257 | Review of Martin Travers, The Poetry of Gottfried Benn: Text and Selfhood Helen Bridge doi:10.2307/20468217 | Cite |
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258-260 | Review of Daniel Morat, Von der Tat zur Gelassenheit: Konservatives Denken bei Martin Heidegger, Ernst Jünger und Friedrich Georg Jünger, 1920-1960 Christophe Fricker doi:10.2307/20468218 | Cite |
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260-261 | Review of Dina Brandt, Der deutsche Zukunftsroman 1918-1945: Gattungstypologie und sozialgeschichtliche Verortung Ingo Cornils doi:10.2307/20468219 | Cite |
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261-262 | Review of Walter Benjamin, Ursula Marx, Gudrun Schwarz, Michael Schwarz, Erdmut Wizisla, Esther Leslie, Walter Benjamin's Archive Anthony Phelan doi:10.2307/20468220 | Cite |
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262-263 | Review of Barbara Konietzny-Rüssel, Der Medienpraktiker Bertolt Brecht: Interviews, Rundfunkgespräche und Gesprächsprotokolle in der Weimarer Republik Laura Bradley doi:10.2307/20468221 | Cite |
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263-264 | Review of Andrea Hammel, Everyday Life as Alternative Space in Exile Writing: The Novels of Anna Gmeyner, Selma Kahn, Hilde Spiel, Martina Wied and Hermynia Zur Mühlen J. M. Ritchie doi:10.2307/20468222 | Cite |
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264-265 | Review of H. G. Adler, Jeremy Adler, Carol Tully, Über Franz Baermann Steiner: Brief an Chaim Rabin Katrin Kohl doi:10.2307/20468223 | Cite |
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265-267 | Review of Anne D. Peiter, Komik und Gewalt: Zur literarischen Verarbeitung der beiden Weltkriege und der Shoah Elaine Morley doi:10.2307/20468224 | Cite |
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267-268 | Review of Bill Niven, The Buchenwald Child: Truth, Fiction, and Propaganda Ian Wallace doi:10.2307/20468225 | Cite |
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268-270 | Review of Helmut Schmitz, A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present Ben Hutchinson doi:10.2307/20468226 | Cite |
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270-271 | Review of Joanne Sayner, Women without a past? German Autobiographical Writings and Fascism Astrid Köhler doi:10.2307/20468227 | Cite |
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271-272 | Review of Dennis Tate, Shifting Perspectives: East German Autobiographical Narratives before and after the End of the GDR Andrew Plowman doi:10.2307/20468228 | Cite |
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272-274 | Review of Martin Klimke, Joachim Scharloth, 1968: Handbuch zur Kultur- und Mediengeschichte der Studentenbewegung Ingo Cornils doi:10.2307/20468229 | Cite |
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274-276 | Review of Christoph Jürgensen, 'Der Rahmen arbeitet': Paratextuelle Strategien der Lektürelenkung im Werk Arno Schmidts Robert K. Weninger doi:10.2307/20468230 | Cite |
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276-277 | Review of Siegfried Mews, Günter Grass and his Critics: From 'The Tin Drum' to 'Crabwalk' Rebecca Braun doi:10.2307/20468231 | Cite |
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278-279 | Review of Caitríona Leahy, 'Der wahre Historiker': Ingeborg Bachmann and the Problem of Witnessing History Stephanie Bird doi:10.2307/20468232 | Cite |
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279-280 | Review of Dagmar Jaeger, Theater im Medienzeitalter: Das postdramatische Theater von Elfriede Jelinek und Heiner Müller David Barnett doi:10.2307/20468233 | Cite |
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280-281 | Review of Karin Windt, Beschädigung, Entschädigung: Überlieferung, Auslieferung: Körper, Räume und Geschichte im Werk von Libuše Moníková Lyn Marven doi:10.2307/20468234 | Cite |
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281-283 | Review of David Clarke, Arne De Winde, Reinhard Jirgl: Perspektiven, Lesarten, Kontext Anna Saunders doi:10.2307/20468235 | Cite |
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283-284 | Review of Edgar Platen, Reden vom Ende: Studien zur kulturellen Selbstbeschreibung in der deutschen Gegenwartsliteratur Robert Gillett doi:10.2307/20468236 | Cite |
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284-285 | Review of Astrid Köhler, Brückenschläge: DDR-Autoren vor und nach der Wiedervereinigung Jenny McKay doi:10.2307/20468237 | Cite |
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285-286 | Review of Anna Saunders, Honecker's Children: Youth and Patriotism in East(ern) Germany, 1979-2002 Ellen Smith doi:10.2307/20468238 | Cite |
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287-289 | Review of Kai Bremer, Fabian Lampart, Jörg Wesche, Schreiben am Schnittpunkt: Poesie und Wissen bei Durs Grünbein Ruth J. Owen doi:10.2307/20468239 | Cite |
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289-291 | Review of Karen Leeder, Schaltstelle: Neue deutsche Lyrik im Dialog Brian Keith-Smith doi:10.2307/20468240 | Cite |
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291-292 | Review of Klaus Pezold, Schweizer Literaturgeschichte: Die deutschsprachige Literatur im 20. Jahrhundert Malcolm Pender doi:10.2307/20468241 | Cite |
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292-294 | Review of Cora Lee Kluge, Other Witnesses: An Anthology of Literature of the German Americans, 1850-1914 Jeffrey L. Sammons doi:10.2307/20468242 | Cite |
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294-297 | Review of Felix Wiedemann, Rassenmutter und Rebellin: Hexenbilder in Romantik, völkischer Bewegung, Neuheidentum und Feminismus Susanne Kord doi:10.2307/20468243 | Cite |
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297-299 | | Cite |
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300-301 | | Cite |
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301-302 | Review of Susan McReynolds, Redemption and the Merchant God: Dostoevsky's Economy of Salvation and Antisemitism Sarah J. Young doi:10.2307/20468246 | Cite |
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302-304 | | Cite |
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304-305 | Review of Catriona Kelly, Children's World: Growing up in Russia, 1890-1991 Angela Smith doi:10.2307/20468248 | Cite |
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306-307 | Review of Angela Brintlinger, Ilya Vinitsky, Madness and the Mad in Russian Culture Oliver Ready doi:10.2307/20468249 | Cite |
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307-308 | | Cite |
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