1-21 | The Good Communicated: Milton's "Drama of the Fall and the Law of Charity" Russell M. Hillier doi:10.2307/20467621 | Cite |
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22-34 | 'The rock whence ye are hewn': "The Book of Ebenezer Le Page" and Guernsey Literature and History Peter Goodall doi:10.2307/20467622 | Cite |
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35-45 | | Cite |
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46-56 | | Cite |
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57-75 | Family Comes First: I-Identity and We-Identity in Pierre Bergounioux Jean H. Duffy doi:10.2307/20467625 | Cite |
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76-92 | | Cite |
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93-112 | Collective Suicide: Rafael Alberti's Updating of Cervantes's "La destrucción de Numancia" Derek Gagen doi:10.2307/20467627 | Cite |
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113-128 | Mothers and Nomadic Subjects: Configurations of Identity and Desire in Laura Restrepo's "La novia oscura" D. W. Martin doi:10.2307/20467628 | Cite |
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129-142 | Fontane and the Programmatic Realists: Contrasting Theories of the Novel Peter James Bowman doi:10.2307/20467629 | Cite |
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143-154 | Private Failings and Public Virtues: Günter Grass's "Beim Häuten der Zwiebel" and the Exemplary Use of Authorial Biography Stuart Taberner doi:10.2307/20467630 | Cite |
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155-156 | Review of Christopher Beedham, Language and Meaning: The Structural Creation of Reality Michael B. Smith doi:10.2307/20467631 | Cite |
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156-157 | Review of Gilbert Lazard, La Quête des invariants interlangues: La linguistique est-elle une science? Jean-Marc Dewaele doi:10.2307/20467632 | Cite |
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157-158 | | Cite |
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158-159 | Review of Silvia Bigliazzi, Sharon Wood, Collaboration in the Arts from the Middle Ages to the Present Giovanni Cianci doi:10.2307/20467634 | Cite |
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159-160 | Review of Sylvie Ballestra-Puech, Métamorphoses d'Arachné: L'artiste en araignée dans la littérature occidentale Bruno Sibona doi:10.2307/20467635 | Cite |
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160-161 | Review of Marilynn Desmond, Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence Duncan F. Kennedy doi:10.2307/20467636 | Cite |
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161-162 | Review of Amy Wygant, The Meanings of Magic: From the Bible to Buffalo Bill Owen Davies doi:10.2307/20467637 | Cite |
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162-163 | Review of Simone Bernard-Griffiths, Pierre Glaudes, Bertrand Vibert, La Fabrique du Moyen Âge au XIXe siècle: Représentations du Moyen Âge dans la culture et la littérature françaises au XIXe siècle Patricia A. Ward doi:10.2307/20467638 | Cite |
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164 | | Cite |
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165-166 | Review of Susan Castillo, Performing America: Colonial Encounters in New World Writing, 1500-1786 Thea Pitman doi:10.2307/20467640 | Cite |
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166-167 | Review of David Adams, Adrian Armstrong, Print and Power in France and England, 1500-1800 Pollie Bromilow doi:10.2307/20467641 | Cite |
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167-168 | Review of David Marshall, The Frame of Art: Fictions of Aesthetic Experience, 1750-1815 Adela Pinch doi:10.2307/20467642 | Cite |
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168-169 | Review of Hugh Ridley, 'Relations Stop Nowhere': The Common Literary Foundations of German and American Literature 1830-1917 Jeffrey L. Sammons doi:10.2307/20467643 | Cite |
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169-170 | Review of Steven Winspur, La Poésie du lieu: Segalen, Thoreau, Guillevic, Ponge Adam Watt doi:10.2307/20467644 | Cite |
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170-171 | | Cite |
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171-173 | Review of Anthony Fothergill, Secret Sharers: Joseph Conrad's Cultural Reception in Germany Lennart Brand doi:10.2307/20467646 | Cite |
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173-174 | Review of Laura Doyle, Laura Winkiel, Geomodernisms: Race, Modernism, Modernity Peter Nicholls doi:10.2307/20467647 | Cite |
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175 | Review of Paul Michael Lützeler, Kontinentalisierung: Das Europa der Schriftsteller Christoph Parry doi:10.2307/20467648 | Cite |
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176 | | Cite |
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177 | Review of Victor Li, The Neo-Primitivist Turn: Critical Reflections on Alterity, Culture, and Modernity Jeremy Tambling doi:10.2307/20467650 | Cite |
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178 | | Cite |
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179-180 | Review of Lou Burnard, Katherine O'Brien O'Keeffe, John Unsworth, Electronic Textual Editing Michael Beddow doi:10.2307/20467652 | Cite |
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180-181 | Review of Mihoko Suzuki, Roseanna Dufault, Diversifying the Discourse: The Florence Howe Award for Outstanding Feminist Scholarship 1990-2004 Jessica Cox doi:10.2307/20467653 | Cite |
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181-182 | Review of Alain Montandon, Eros, blessures et folie: Détresses du vieillir Walter Redfern doi:10.2307/20467654 | Cite |
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182-183 | Review of Daniel Coleman, White Civility: The Literary Project of English Canada Faye Hammill doi:10.2307/20467655 | Cite |
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183-184 | Review of Peter France, Kenneth Haynes, The Oxford History of Literary Translation in English, IV: 1790-1900 Allan Turner doi:10.2307/20467656 | Cite |
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184-185 | Review of J. J. Anderson, Language and Imagination in the 'Gawain'-Poems Ad Putter doi:10.2307/20467657 | Cite |
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185-186 | Review of Michael Hattaway, Renaissance and Reformations: An Introduction to Early Modern English Literature Roger Pooley doi:10.2307/20467658 | Cite |
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186-187 | Review of Jason P. Rosenblatt, Renaissance England's Chief Rabbi: John Selden Robert Wilcher doi:10.2307/20467659 | Cite |
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187-188 | Review of Julie Crawford, Marvelous Protestantism: Monstrous Births in Post-Reformation England Clark Lawlor doi:10.2307/20467660 | Cite |
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188-189 | Review of Thomas H. Luxon, Single Imperfection: Milton, Marriage and Friendship Robert Wilcher doi:10.2307/20467661 | Cite |
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189-190 | Review of Deana Rankin, Between Spenser and Swift: English Writing in Seventeenth-Century Ireland Seth Lerer doi:10.2307/20467662 | Cite |
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190-191 | | Cite |
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191-192 | Review of Paula R. Backscheider, Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre Louise H. Marshall doi:10.2307/20467664 | Cite |
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193 | Review of Allan Ingram, Michelle Faubert, Cultural Constructions of Madness in Eighteenth-Century Writing: Representing the Insane Thomas Docherty doi:10.2307/20467665 | Cite |
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194-195 | Review of Robin Sowerby, The Augustan Art of Poetry: Augustan Translation of the Classics Michael J. Franklin doi:10.2307/20467666 | Cite |
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195-196 | Review of Tim Fulford, Romantic Indians: Native Americans, British Literature, and Transatlantic Culture 1756-1830 John Saunders doi:10.2307/20467667 | Cite |
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196-197 | Review of James Chandler, Kevin Gilmartin, Romantic Metropolis: The Urban Scene of British Culture, 1780-1840 Andrew Bennett doi:10.2307/20467668 | Cite |
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197-198 | | Cite |
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198-199 | Review of Catherine Gallagher, The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel Roger Ebbatson doi:10.2307/20467670 | Cite |
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199-200 | Review of Douglas S. Mack, Scottish Fiction and the British Empire Gerard Carruthers doi:10.2307/20467671 | Cite |
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200-201 | Review of Rob Breton, Gospels and Grit: Work and Labour in Carlyle, Conrad, and Orwell David Punter doi:10.2307/20467672 | Cite |
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201-202 | Review of John Holmes, Dante Gabriel Rossetti and the Late Victorian Sonnet Sequence: Sexuality, Belief and the Self Catherine Maxwell doi:10.2307/20467673 | Cite |
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202-203 | | Cite |
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203-205 | | Cite |
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205-206 | Review of Barry Menikoff, Narrating Scotland: The Imagination of Robert Louis Stevenson Alan Riach doi:10.2307/20467676 | Cite |
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206-207 | Review of Franco Marucci, Storia della letteratura inglese, Vol. IV: Dal 1870 al 1921 J. B. Bullen doi:10.2307/20467677 | Cite |
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207-208 | Review of Nicholas Daly, Literature, Technology, and Modernity, 1860-2000 Steven Connor doi:10.2307/20467678 | Cite |
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208-209 | | Cite |
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209-210 | Review of Santanu Das, Touch and Intimacy in First World War Literature Tim Kendall doi:10.2307/20467680 | Cite |
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210-211 | Review of Christopher Hilliard, To Exercise Our Talents: The Democratization of Writing in Britain Alf Louvre doi:10.2307/20467681 | Cite |
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211-212 | Review of Chiara Briganti, Kathy Mezei, Domestic Modernism, the Interwar Novel, and E. H. Young Michael W. Pharand doi:10.2307/20467682 | Cite |
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213-214 | | Cite |
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214-215 | | Cite |
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215-216 | Review of Aaron Kelly, The Thriller and Northern Ireland since 1969: Utterly Resigned Terror Liam Harte doi:10.2307/20467685 | Cite |
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216-217 | Review of David Cowart, Trailing Clouds: Immigrant Fiction in Contemporary America A. Robert Lee doi:10.2307/20467686 | Cite |
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217-218 | Review of Joe Cleary, Claire Connolly, The Cambridge Companion to Modern Irish Culture Matthew Campbell doi:10.2307/20467687 | Cite |
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218-219 | Review of Morton P. Levitt, The Rhetoric of Modernist Fiction: From a New Point of View Michael Bell doi:10.2307/20467688 | Cite |
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219-220 | Review of William W. Kibler, Leslie Zarker Morgan, Approaches to Teaching the 'Song of Roland' Leslie C. Brook doi:10.2307/20467689 | Cite |
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220-221 | Review of Glyn S. Burgess, Judith Weiss, Maistre Wace: A Celebration Julia Marvin doi:10.2307/20467690 | Cite |
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221-223 | Review of Simon Gaunt, Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to Love Kathy M. Krause doi:10.2307/20467691 | Cite |
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223 | | Cite |
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223-224 | Review of Emma Cayley, Debate and Dialogue: Alain Chartier in His Cultural Context Helen J. Swift doi:10.2307/20467693 | Cite |
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225 | Review of Anne de France, Tatina Clavier, Eliane Viennot, Enseignements à sa fille suivis de l'Histoire du siège de Brest Cathy Hampton doi:10.2307/20467694 | Cite |
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225-226 | | Cite |
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226-227 | Review of Anne R. Larsen, From Mother and Daughter: Poems, Dialogues, and Letters of Les Dames Des Roches Katherine MacDonald doi:10.2307/20467696 | Cite |
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227 | Review of Joachim du Bellay, Richard Helgerson, 'The Regrets', with 'The Antiquities of Rome', Three Latin Elegies, and 'The Defense and the Enrichment of the French Language' (A Bilingual Edition) Jean Braybrook doi:10.2307/20467697 | Cite |
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228-229 | Review of Ingrid de Smet, Thuanus: The Making of Jacques-Auguste de Thou (1553-1617) James R. Farr doi:10.2307/20467698 | Cite |
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229 | Review of Béroalde de Verville, Michel Renaud, Le Moyen de parvenir Rowan Tomlinson doi:10.2307/20467699 | Cite |
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230 | Review of Jean Bosquet, Colette Demaizière, Elemens Ou Institutions De La Langue Françoise (1586) Glanville Price doi:10.2307/20467700 | Cite |
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230-231 | Review of Guilhem Armand, 'L'Autre Monde' de Cyrano de Bergerac: Un voyage dans l'espace du livre Joseph Harris doi:10.2307/20467701 | Cite |
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231-232 | Review of Florence Lotterie, Progrès et perfectibilité: Un dilemme des Lumières françaises (1755-1814) Ursula Haskins Gonthier doi:10.2307/20467702 | Cite |
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232-233 | | Cite |
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233-234 | Review of Frédéric Ogée, Anthony Strugneli, Diderot and European Culture Romira Worvill doi:10.2307/20467704 | Cite |
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234-235 | | Cite |
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235-236 | Review of Matthew S. Buckley, Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama Radosveta Getova doi:10.2307/20467706 | Cite |
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236-237 | | Cite |
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237-238 | Review of Stendhal, Michel Crouzet, 'Racine et Shakespeare' (1818-1825) et autres textes de théorie romantique Katherine Lunn-Rockliffe doi:10.2307/20467708 | Cite |
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238-239 | | Cite |
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239 | Review of Jean-Baptiste Picquenard, Chris Bongie, 'Adonis' suivi de 'Zoflora' et de documents inédits J. Michael Dash doi:10.2307/20467710 | Cite |
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240-241 | | Cite |
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241 | Review of Peter Dayan, Music Writing Literature, from Sand via Debussy to Derrida David Evans doi:10.2307/20467712 | Cite |
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242-243 | | Cite |
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243-244 | Review of Edward Welch, François Mauriac: The Making of an Intellectual Paul Cooke doi:10.2307/20467714 | Cite |
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244-245 | Review of Laurent Ferri, Christophe Gauthier, L'Histoire-Bataille: L'écriture de l'histoire dans l'œuvre de Georges Bataille Leslie Hill doi:10.2307/20467715 | Cite |
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245-246 | Review of Margaret Elizabeth Colvin, Baroque Fictions: Revisioning the Classical in Marguerite Yourcenar Lucile Desblache doi:10.2307/20467716 | Cite |
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246-247 | | Cite |
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247-248 | | Cite |
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248-249 | Review of Alison S. Fell, Annie Ernaux: 'La Place' and 'La Honte' Nathalie Morello doi:10.2307/20467719 | Cite |
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249-250 | Review of Laurence Grove, Text / Image Mosaics in French Culture: Emblems and Comic Strips Charles Forsdick doi:10.2307/20467720 | Cite |
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250-251 | Review of Italo Pantano, L'amoroso messer Giusto da Valmontone: Un protagonista della lirica italiana del XV secolo Jane E. Everson doi:10.2307/20467721 | Cite |
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251-253 | Review of Pietro Trifone, Rinascimento dal basso: Il nuovo spazio del volgare tra Quattroe Cinquecento Nadia Cannata Salamone doi:10.2307/20467722 | Cite |
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253-254 | Review of Stephen Kolsky, The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy Rhiannon Daniels doi:10.2307/20467723 | Cite |
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254-255 | Review of Elisabetta Caminer Turra, Catherine M. Sama, Selected Writings of an Eighteenth-Century Venetian Woman of Letters Verina R. Jones doi:10.2307/20467724 | Cite |
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255-256 | Review of Giuseppe Savoca, Nunziata Saccà, Concordanza dei versi puerili e delle poesie varie di Giacomo Leopardi Cosetta M. Veronese doi:10.2307/20467725 | Cite |
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256-257 | Review of Joseph Farrell, Paolo Puppa, A History of Italian Theatre Jennifer Lorch doi:10.2307/20467726 | Cite |
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257-258 | Review of JoAnn Cannon, The Novel as Investigation: Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi Gwynne Edwards doi:10.2307/20467727 | Cite |
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258-260 | | Cite |
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260-261 | Review of Héctor Brioso Santos, Estridencia e ironía: El Techo del la Ballena. Un grupo de vanguardia venezolana (1961-1969) Bruce Swansey doi:10.2307/20467729 | Cite |
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261-262 | Review of Jens Kegel, Wollt ihr den totalen Krieg? Eine semiotische und linguistische Gesamtanalyse der Rede Goebbels' im Berliner Sportpalast am 18. Februar 1943 John L. Flood doi:10.2307/20467730 | Cite |
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262-263 | Review of Bernhard Dietrich Haage, Wolfgang Wegner, Deutsche Fachliteratur der Artes in Mittelalter und Früher Neuzeit John L. Flood doi:10.2307/20467731 | Cite |
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264-265 | | Cite |
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265-266 | | Cite |
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266-267 | Review of Andreas Gryphius, Johannes Birgfeld, Fewrige Freystadt: Erste Neuedition seit 1637. Text und Materialien Anna Linton doi:10.2307/20467734 | Cite |
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267-268 | | Cite |
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268-269 | Review of Geoffrey Atherton, The Decline and Fall of Virgil in Eighteenth-Century Germany: The Repressed Muse Matthew Bell doi:10.2307/20467736 | Cite |
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269-270 | Review of Oxana Zielke, Nathan und seine Erben: Beiträge zur Geschichte des Toleranzgedankens in der Literatur. Festschrift für Martin Bollacher Barbara Fischer doi:10.2307/20467737 | Cite |
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270-271 | Review of Johann Gottfried Herder, Gregory Moore, Selected Writings in Aesthetics K. F. Hilliard doi:10.2307/20467738 | Cite |
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272-273 | Review of Frazer S. Clark, Zeitgeist Und Zerrbild: Word, Image and Idea in German Satire, 1800-1848 Martina Lauster doi:10.2307/20467739 | Cite |
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273-274 | Review of Heinrich Heine, Jeffrey L. Sammons, Ludwig Börne: A Memorial Ritchie Robertson doi:10.2307/20467740 | Cite |
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274-275 | Review of Larry L. Ping, Gustav Freytag and the Prussian Gospel: Novels, Liberalism, and History Benedict Keble Schofield doi:10.2307/20467741 | Cite |
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275-276 | Review of Malte Stein, 'Sein Geliebtestes zu töten': Literaturpsychologische Studien zum Geschlechter- und Generationenkonflikt im erzählerischen Werk Theodor Stroms Helen Chambers doi:10.2307/20467742 | Cite |
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276-278 | Review of Marion Linhardt, Residenzstadt und Metropole: Zu einer kulturellen Topographie des Wiener Unterhaltungstheaters W. E. Yates doi:10.2307/20467743 | Cite |
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278-279 | Review of Thurit Kriener, Gabriella Rovagnati, Dionysische Perspektiven: Gerhart Hauptmanns Novelle 'Der Ketzer von Soana' und sein Briefwechsel mit Rudolf Pannwitz Peter Skrine doi:10.2307/20467744 | Cite |
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279 | Review of Mirosława Czarnecka, Hans-Gert Roloff, Carl Hauptmann 1858-1921: Internationales Symposion Nicholas Saul doi:10.2307/20467745 | Cite |
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280-281 | Review of Rahel E. Feilchenfeldt, Thomas Raff, Ein Fest der Künste: Paul Cassirer. Der Kunsthändler als Verleger Roger Paulin doi:10.2307/20467746 | Cite |
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281-282 | Review of Manfred Riedel, Geheimes Deutschland: Stefan George und die Brüder Stauffenberg Christophe Fricker doi:10.2307/20467747 | Cite |
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282-283 | | Cite |
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283-284 | | Cite |
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284-286 | Review of Hans Rudolf Vaget, Seelenzauber: Thomas Mann und die Musik Rüdiger Görner doi:10.2307/20467750 | Cite |
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286 | Review of Patrizia C. McBride, The Void of Ethics: Robert Musil and the Experience of Modernity Allen Thiher doi:10.2307/20467751 | Cite |
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287-288 | Review of Manfred Engel, Dieter Lamping, Franz Kafka und die Weltliteratur Carol Tully doi:10.2307/20467752 | Cite |
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288-289 | Review of Ulrich Kittstein, 'Mit Geschichte will man etwas': Historisches Erzählen in der Weimarer Republik und im Exil (1918-1945) Steffan Davies doi:10.2307/20467753 | Cite |
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289-290 | Review of Laura Bradley, Brecht and Political Theatre: 'The Mother' on Stage John White doi:10.2307/20467754 | Cite |
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290-291 | Review of Andreas Kramer, Robert Vilain, Yvan Goll: A Bibliography of the Primary Works Michael Sharp doi:10.2307/20467755 | Cite |
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291-292 | Review of Birte Werner, Illusionslos. Hoffnungsvoll: Die Zeitstücke und Exilromane Anna Gmeyners J. M. Ritchie doi:10.2307/20467756 | Cite |
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292-293 | Review of Kurt Stern, Christian Löser, Was wird mit uns geschehen? Tagebücher der Internierung 1939 und 1940 Ian Wallace doi:10.2307/20467757 | Cite |
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293-294 | Review of Irmela von der Lühe, Claus-Dieter Krohn, Fremdes Heimatland: Remigration und literarisches Leben nach 1945 Tom Kuhn doi:10.2307/20467758 | Cite |
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295 | Review of Reiner Kunze, Mireille Gansei, Edmund Jephcott, Ritchie Robertson, 'In Time of Need': A Conversation about Poetry, Resistance and Exile Karen Leeder doi:10.2307/20467759 | Cite |
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296-297 | Review of Alfred Estermann, Wolfgang Schopf, 'Ich bitte um ein Wort...' Wolfgang Koeppen: Siegfried Unseld: Der Briefwechse Simon Ward doi:10.2307/20467760 | Cite |
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297-298 | Review of Caitríona Leahy, Bernadette Cronin, Re-Acting to Ingeborg Bachmann: New Essays and Performances (With CD and DVD) Stephanie Bird doi:10.2307/20467761 | Cite |
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298-299 | Review of David Barnett, Rainer Werner Fassbinder and the German Theatre Paul Cooke doi:10.2307/20467762 | Cite |
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299-300 | Review of Stuart Taberner, Paul Cooke, German Culture, Politics, and Literature into the Twenty-First Century: Beyond Normalization Anne Fuchs doi:10.2307/20467763 | Cite |
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300-301 | Review of Stijn Streuvels, Emmanuel de Bom, Kathryn Smits, 'Een aardig bundeltje brieven': De briefwisseling van de jaren 1900-1914 Jane Fenoulhet doi:10.2307/20467764 | Cite |
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301-302 | Review of Benjamin Harshav, Barbara Harshav, Sing, Stranger: A Century of American Yiddish Poetry. A Historical Anthology Jordan Finkin doi:10.2307/20467765 | Cite |
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302-303 | Review of Ilya Kutik, Writing as Exorcism: The Personal Codes of Pushkin, Lermontov and Gogol Robert Reid doi:10.2307/20467766 | Cite |
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304-305 | Review of Emily D. Johnson, How St. Petersburg Learned to Study Itself: The Russian Idea of 'Kraevedenie' Stephen Lovell doi:10.2307/20467767 | Cite |
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305-306 | Review of Sarah Young, Dostoevsky's 'The Idiot' and the Ethical Foundations of Narrative: Reading, Narrating, Scripting Olga Tabachnikova doi:10.2307/20467768 | Cite |
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306-307 | | Cite |
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307-308 | Review of Constantin V. Ponomareff, One Less Hope: Essays on Twentieth-Century Russian Poets Katharine Hodgson doi:10.2307/20467770 | Cite |
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