1-21 | The Good Communicated: Milton's "Drama of the Fall and the Law of Charity" Russell M. Hillierdoi:10.2307/20467621 | Cite |
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22-34 | 'The rock whence ye are hewn': "The Book of Ebenezer Le Page" and Guernsey Literature and History Peter Goodalldoi:10.2307/20467622 | Cite |
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35-45 | | Cite |
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46-56 | | Cite |
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57-75 | Family Comes First: I-Identity and We-Identity in Pierre Bergounioux Jean H. Duffydoi:10.2307/20467625 | Cite |
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76-92 | | Cite |
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93-112 | Collective Suicide: Rafael Alberti's Updating of Cervantes's "La destrucción de Numancia" Derek Gagendoi:10.2307/20467627 | Cite |
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113-128 | Mothers and Nomadic Subjects: Configurations of Identity and Desire in Laura Restrepo's "La novia oscura" D. W. Martindoi:10.2307/20467628 | Cite |
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129-142 | Fontane and the Programmatic Realists: Contrasting Theories of the Novel Peter James Bowmandoi:10.2307/20467629 | Cite |
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143-154 | Private Failings and Public Virtues: Günter Grass's "Beim Häuten der Zwiebel" and the Exemplary Use of Authorial Biography Stuart Tabernerdoi:10.2307/20467630 | Cite |
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155-156 | Review of Christopher Beedham, Language and Meaning: The Structural Creation of RealityMichael B. Smithdoi:10.2307/20467631 | Cite |
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156-157 | Review of Gilbert Lazard, La Quête des invariants interlangues: La linguistique est-elle une science?Jean-Marc Dewaeledoi:10.2307/20467632 | Cite |
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157-158 | | Cite |
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158-159 | Review of Silvia Bigliazzi, Sharon Wood, Collaboration in the Arts from the Middle Ages to the PresentGiovanni Ciancidoi:10.2307/20467634 | Cite |
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159-160 | Review of Sylvie Ballestra-Puech, Métamorphoses d'Arachné: L'artiste en araignée dans la littérature occidentaleBruno Sibonadoi:10.2307/20467635 | Cite |
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160-161 | Review of Marilynn Desmond, Ovid's Art and the Wife of Bath: The Ethics of Erotic ViolenceDuncan F. Kennedydoi:10.2307/20467636 | Cite |
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161-162 | Review of Amy Wygant, The Meanings of Magic: From the Bible to Buffalo BillOwen Daviesdoi:10.2307/20467637 | Cite |
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162-163 | Review of Simone Bernard-Griffiths, Pierre Glaudes, Bertrand Vibert, La Fabrique du Moyen Âge au XIXe siècle: Représentations du Moyen Âge dans la culture et la littérature françaises au XIXe sièclePatricia A. Warddoi:10.2307/20467638 | Cite |
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164 | | Cite |
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165-166 | Review of Susan Castillo, Performing America: Colonial Encounters in New World Writing, 1500-1786Thea Pitmandoi:10.2307/20467640 | Cite |
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166-167 | Review of David Adams, Adrian Armstrong, Print and Power in France and England, 1500-1800Pollie Bromilowdoi:10.2307/20467641 | Cite |
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167-168 | Review of David Marshall, The Frame of Art: Fictions of Aesthetic Experience, 1750-1815Adela Pinchdoi:10.2307/20467642 | Cite |
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168-169 | Review of Hugh Ridley, 'Relations Stop Nowhere': The Common Literary Foundations of German and American Literature 1830-1917Jeffrey L. Sammonsdoi:10.2307/20467643 | Cite |
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169-170 | Review of Steven Winspur, La Poésie du lieu: Segalen, Thoreau, Guillevic, PongeAdam Wattdoi:10.2307/20467644 | Cite |
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170-171 | | Cite |
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171-173 | Review of Anthony Fothergill, Secret Sharers: Joseph Conrad's Cultural Reception in GermanyLennart Branddoi:10.2307/20467646 | Cite |
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173-174 | Review of Laura Doyle, Laura Winkiel, Geomodernisms: Race, Modernism, ModernityPeter Nichollsdoi:10.2307/20467647 | Cite |
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175 | Review of Paul Michael Lützeler, Kontinentalisierung: Das Europa der SchriftstellerChristoph Parrydoi:10.2307/20467648 | Cite |
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176 | | Cite |
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177 | Review of Victor Li, The Neo-Primitivist Turn: Critical Reflections on Alterity, Culture, and ModernityJeremy Tamblingdoi:10.2307/20467650 | Cite |
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178 | | Cite |
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179-180 | Review of Lou Burnard, Katherine O'Brien O'Keeffe, John Unsworth, Electronic Textual EditingMichael Beddowdoi:10.2307/20467652 | Cite |
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180-181 | Review of Mihoko Suzuki, Roseanna Dufault, Diversifying the Discourse: The Florence Howe Award for Outstanding Feminist Scholarship 1990-2004Jessica Coxdoi:10.2307/20467653 | Cite |
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181-182 | Review of Alain Montandon, Eros, blessures et folie: Détresses du vieillirWalter Redferndoi:10.2307/20467654 | Cite |
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182-183 | Review of Daniel Coleman, White Civility: The Literary Project of English CanadaFaye Hammilldoi:10.2307/20467655 | Cite |
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183-184 | Review of Peter France, Kenneth Haynes, The Oxford History of Literary Translation in English, IV: 1790-1900Allan Turnerdoi:10.2307/20467656 | Cite |
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184-185 | Review of J. J. Anderson, Language and Imagination in the 'Gawain'-PoemsAd Putterdoi:10.2307/20467657 | Cite |
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185-186 | Review of Michael Hattaway, Renaissance and Reformations: An Introduction to Early Modern English LiteratureRoger Pooleydoi:10.2307/20467658 | Cite |
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186-187 | Review of Jason P. Rosenblatt, Renaissance England's Chief Rabbi: John SeldenRobert Wilcherdoi:10.2307/20467659 | Cite |
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187-188 | Review of Julie Crawford, Marvelous Protestantism: Monstrous Births in Post-Reformation EnglandClark Lawlordoi:10.2307/20467660 | Cite |
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188-189 | Review of Thomas H. Luxon, Single Imperfection: Milton, Marriage and FriendshipRobert Wilcherdoi:10.2307/20467661 | Cite |
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189-190 | Review of Deana Rankin, Between Spenser and Swift: English Writing in Seventeenth-Century IrelandSeth Lererdoi:10.2307/20467662 | Cite |
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190-191 | | Cite |
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191-192 | Review of Paula R. Backscheider, Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing GenreLouise H. Marshalldoi:10.2307/20467664 | Cite |
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193 | Review of Allan Ingram, Michelle Faubert, Cultural Constructions of Madness in Eighteenth-Century Writing: Representing the InsaneThomas Dochertydoi:10.2307/20467665 | Cite |
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194-195 | Review of Robin Sowerby, The Augustan Art of Poetry: Augustan Translation of the ClassicsMichael J. Franklindoi:10.2307/20467666 | Cite |
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195-196 | Review of Tim Fulford, Romantic Indians: Native Americans, British Literature, and Transatlantic Culture 1756-1830John Saundersdoi:10.2307/20467667 | Cite |
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196-197 | Review of James Chandler, Kevin Gilmartin, Romantic Metropolis: The Urban Scene of British Culture, 1780-1840Andrew Bennettdoi:10.2307/20467668 | Cite |
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197-198 | | Cite |
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198-199 | Review of Catherine Gallagher, The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian NovelRoger Ebbatsondoi:10.2307/20467670 | Cite |
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199-200 | Review of Douglas S. Mack, Scottish Fiction and the British EmpireGerard Carruthersdoi:10.2307/20467671 | Cite |
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200-201 | Review of Rob Breton, Gospels and Grit: Work and Labour in Carlyle, Conrad, and OrwellDavid Punterdoi:10.2307/20467672 | Cite |
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201-202 | Review of John Holmes, Dante Gabriel Rossetti and the Late Victorian Sonnet Sequence: Sexuality, Belief and the SelfCatherine Maxwelldoi:10.2307/20467673 | Cite |
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202-203 | | Cite |
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203-205 | | Cite |
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205-206 | Review of Barry Menikoff, Narrating Scotland: The Imagination of Robert Louis StevensonAlan Riachdoi:10.2307/20467676 | Cite |
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206-207 | Review of Franco Marucci, Storia della letteratura inglese, Vol. IV: Dal 1870 al 1921J. B. Bullendoi:10.2307/20467677 | Cite |
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207-208 | Review of Nicholas Daly, Literature, Technology, and Modernity, 1860-2000Steven Connordoi:10.2307/20467678 | Cite |
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208-209 | | Cite |
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209-210 | Review of Santanu Das, Touch and Intimacy in First World War LiteratureTim Kendalldoi:10.2307/20467680 | Cite |
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210-211 | Review of Christopher Hilliard, To Exercise Our Talents: The Democratization of Writing in BritainAlf Louvredoi:10.2307/20467681 | Cite |
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211-212 | Review of Chiara Briganti, Kathy Mezei, Domestic Modernism, the Interwar Novel, and E. H. YoungMichael W. Pharanddoi:10.2307/20467682 | Cite |
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213-214 | | Cite |
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214-215 | | Cite |
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215-216 | Review of Aaron Kelly, The Thriller and Northern Ireland since 1969: Utterly Resigned TerrorLiam Hartedoi:10.2307/20467685 | Cite |
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216-217 | Review of David Cowart, Trailing Clouds: Immigrant Fiction in Contemporary AmericaA. Robert Leedoi:10.2307/20467686 | Cite |
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217-218 | Review of Joe Cleary, Claire Connolly, The Cambridge Companion to Modern Irish CultureMatthew Campbelldoi:10.2307/20467687 | Cite |
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218-219 | Review of Morton P. Levitt, The Rhetoric of Modernist Fiction: From a New Point of ViewMichael Belldoi:10.2307/20467688 | Cite |
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219-220 | Review of William W. Kibler, Leslie Zarker Morgan, Approaches to Teaching the 'Song of Roland'Leslie C. Brookdoi:10.2307/20467689 | Cite |
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220-221 | Review of Glyn S. Burgess, Judith Weiss, Maistre Wace: A CelebrationJulia Marvindoi:10.2307/20467690 | Cite |
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221-223 | Review of Simon Gaunt, Love and Death in Medieval French and Occitan Courtly Literature: Martyrs to LoveKathy M. Krausedoi:10.2307/20467691 | Cite |
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223 | | Cite |
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223-224 | Review of Emma Cayley, Debate and Dialogue: Alain Chartier in His Cultural ContextHelen J. Swiftdoi:10.2307/20467693 | Cite |
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225 | Review of Anne de France, Tatina Clavier, Eliane Viennot, Enseignements à sa fille suivis de l'Histoire du siège de BrestCathy Hamptondoi:10.2307/20467694 | Cite |
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225-226 | | Cite |
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226-227 | Review of Anne R. Larsen, From Mother and Daughter: Poems, Dialogues, and Letters of Les Dames Des RochesKatherine MacDonalddoi:10.2307/20467696 | Cite |
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227 | Review of Joachim du Bellay, Richard Helgerson, 'The Regrets', with 'The Antiquities of Rome', Three Latin Elegies, and 'The Defense and the Enrichment of the French Language' (A Bilingual Edition)Jean Braybrookdoi:10.2307/20467697 | Cite |
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228-229 | Review of Ingrid de Smet, Thuanus: The Making of Jacques-Auguste de Thou (1553-1617)James R. Farrdoi:10.2307/20467698 | Cite |
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229 | Review of Béroalde de Verville, Michel Renaud, Le Moyen de parvenirRowan Tomlinsondoi:10.2307/20467699 | Cite |
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230 | Review of Jean Bosquet, Colette Demaizière, Elemens Ou Institutions De La Langue Françoise (1586)Glanville Pricedoi:10.2307/20467700 | Cite |
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230-231 | Review of Guilhem Armand, 'L'Autre Monde' de Cyrano de Bergerac: Un voyage dans l'espace du livreJoseph Harrisdoi:10.2307/20467701 | Cite |
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231-232 | Review of Florence Lotterie, Progrès et perfectibilité: Un dilemme des Lumières françaises (1755-1814)Ursula Haskins Gonthierdoi:10.2307/20467702 | Cite |
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232-233 | | Cite |
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233-234 | Review of Frédéric Ogée, Anthony Strugneli, Diderot and European CultureRomira Worvilldoi:10.2307/20467704 | Cite |
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234-235 | | Cite |
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235-236 | Review of Matthew S. Buckley, Tragedy Walks the Streets: The French Revolution in the Making of Modern DramaRadosveta Getovadoi:10.2307/20467706 | Cite |
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236-237 | | Cite |
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237-238 | Review of Stendhal, Michel Crouzet, 'Racine et Shakespeare' (1818-1825) et autres textes de théorie romantiqueKatherine Lunn-Rockliffedoi:10.2307/20467708 | Cite |
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238-239 | | Cite |
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239 | Review of Jean-Baptiste Picquenard, Chris Bongie, 'Adonis' suivi de 'Zoflora' et de documents inéditsJ. Michael Dashdoi:10.2307/20467710 | Cite |
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240-241 | | Cite |
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241 | Review of Peter Dayan, Music Writing Literature, from Sand via Debussy to DerridaDavid Evansdoi:10.2307/20467712 | Cite |
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242-243 | | Cite |
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243-244 | Review of Edward Welch, François Mauriac: The Making of an IntellectualPaul Cookedoi:10.2307/20467714 | Cite |
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244-245 | Review of Laurent Ferri, Christophe Gauthier, L'Histoire-Bataille: L'écriture de l'histoire dans l'œuvre de Georges BatailleLeslie Hilldoi:10.2307/20467715 | Cite |
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245-246 | Review of Margaret Elizabeth Colvin, Baroque Fictions: Revisioning the Classical in Marguerite YourcenarLucile Desblachedoi:10.2307/20467716 | Cite |
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246-247 | | Cite |
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247-248 | | Cite |
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248-249 | Review of Alison S. Fell, Annie Ernaux: 'La Place' and 'La Honte'Nathalie Morellodoi:10.2307/20467719 | Cite |
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249-250 | Review of Laurence Grove, Text / Image Mosaics in French Culture: Emblems and Comic StripsCharles Forsdickdoi:10.2307/20467720 | Cite |
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250-251 | Review of Italo Pantano, L'amoroso messer Giusto da Valmontone: Un protagonista della lirica italiana del XV secoloJane E. Eversondoi:10.2307/20467721 | Cite |
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251-253 | Review of Pietro Trifone, Rinascimento dal basso: Il nuovo spazio del volgare tra Quattroe CinquecentoNadia Cannata Salamonedoi:10.2307/20467722 | Cite |
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253-254 | Review of Stephen Kolsky, The Ghost of Boccaccio: Writings on Famous Women in Renaissance ItalyRhiannon Danielsdoi:10.2307/20467723 | Cite |
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254-255 | Review of Elisabetta Caminer Turra, Catherine M. Sama, Selected Writings of an Eighteenth-Century Venetian Woman of LettersVerina R. Jonesdoi:10.2307/20467724 | Cite |
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255-256 | Review of Giuseppe Savoca, Nunziata Saccà, Concordanza dei versi puerili e delle poesie varie di Giacomo LeopardiCosetta M. Veronesedoi:10.2307/20467725 | Cite |
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256-257 | Review of Joseph Farrell, Paolo Puppa, A History of Italian TheatreJennifer Lorchdoi:10.2307/20467726 | Cite |
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257-258 | Review of JoAnn Cannon, The Novel as Investigation: Leonardo Sciascia, Dacia Maraini, and Antonio TabucchiGwynne Edwardsdoi:10.2307/20467727 | Cite |
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258-260 | | Cite |
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260-261 | Review of Héctor Brioso Santos, Estridencia e ironía: El Techo del la Ballena. Un grupo de vanguardia venezolana (1961-1969)Bruce Swanseydoi:10.2307/20467729 | Cite |
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261-262 | Review of Jens Kegel, Wollt ihr den totalen Krieg? Eine semiotische und linguistische Gesamtanalyse der Rede Goebbels' im Berliner Sportpalast am 18. Februar 1943John L. Flooddoi:10.2307/20467730 | Cite |
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262-263 | Review of Bernhard Dietrich Haage, Wolfgang Wegner, Deutsche Fachliteratur der Artes in Mittelalter und Früher NeuzeitJohn L. Flooddoi:10.2307/20467731 | Cite |
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264-265 | | Cite |
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265-266 | | Cite |
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266-267 | Review of Andreas Gryphius, Johannes Birgfeld, Fewrige Freystadt: Erste Neuedition seit 1637. Text und MaterialienAnna Lintondoi:10.2307/20467734 | Cite |
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267-268 | | Cite |
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268-269 | Review of Geoffrey Atherton, The Decline and Fall of Virgil in Eighteenth-Century Germany: The Repressed MuseMatthew Belldoi:10.2307/20467736 | Cite |
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269-270 | Review of Oxana Zielke, Nathan und seine Erben: Beiträge zur Geschichte des Toleranzgedankens in der Literatur. Festschrift für Martin BollacherBarbara Fischerdoi:10.2307/20467737 | Cite |
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270-271 | Review of Johann Gottfried Herder, Gregory Moore, Selected Writings in AestheticsK. F. Hilliarddoi:10.2307/20467738 | Cite |
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272-273 | Review of Frazer S. Clark, Zeitgeist Und Zerrbild: Word, Image and Idea in German Satire, 1800-1848Martina Lausterdoi:10.2307/20467739 | Cite |
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273-274 | Review of Heinrich Heine, Jeffrey L. Sammons, Ludwig Börne: A MemorialRitchie Robertsondoi:10.2307/20467740 | Cite |
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274-275 | Review of Larry L. Ping, Gustav Freytag and the Prussian Gospel: Novels, Liberalism, and HistoryBenedict Keble Schofielddoi:10.2307/20467741 | Cite |
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275-276 | Review of Malte Stein, 'Sein Geliebtestes zu töten': Literaturpsychologische Studien zum Geschlechter- und Generationenkonflikt im erzählerischen Werk Theodor StromsHelen Chambersdoi:10.2307/20467742 | Cite |
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276-278 | Review of Marion Linhardt, Residenzstadt und Metropole: Zu einer kulturellen Topographie des Wiener UnterhaltungstheatersW. E. Yatesdoi:10.2307/20467743 | Cite |
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278-279 | Review of Thurit Kriener, Gabriella Rovagnati, Dionysische Perspektiven: Gerhart Hauptmanns Novelle 'Der Ketzer von Soana' und sein Briefwechsel mit Rudolf PannwitzPeter Skrinedoi:10.2307/20467744 | Cite |
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279 | Review of Mirosława Czarnecka, Hans-Gert Roloff, Carl Hauptmann 1858-1921: Internationales SymposionNicholas Sauldoi:10.2307/20467745 | Cite |
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280-281 | Review of Rahel E. Feilchenfeldt, Thomas Raff, Ein Fest der Künste: Paul Cassirer. Der Kunsthändler als VerlegerRoger Paulindoi:10.2307/20467746 | Cite |
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281-282 | Review of Manfred Riedel, Geheimes Deutschland: Stefan George und die Brüder StauffenbergChristophe Frickerdoi:10.2307/20467747 | Cite |
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282-283 | | Cite |
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283-284 | | Cite |
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284-286 | Review of Hans Rudolf Vaget, Seelenzauber: Thomas Mann und die MusikRüdiger Görnerdoi:10.2307/20467750 | Cite |
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286 | Review of Patrizia C. McBride, The Void of Ethics: Robert Musil and the Experience of ModernityAllen Thiherdoi:10.2307/20467751 | Cite |
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287-288 | Review of Manfred Engel, Dieter Lamping, Franz Kafka und die WeltliteraturCarol Tullydoi:10.2307/20467752 | Cite |
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288-289 | Review of Ulrich Kittstein, 'Mit Geschichte will man etwas': Historisches Erzählen in der Weimarer Republik und im Exil (1918-1945)Steffan Daviesdoi:10.2307/20467753 | Cite |
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289-290 | Review of Laura Bradley, Brecht and Political Theatre: 'The Mother' on StageJohn Whitedoi:10.2307/20467754 | Cite |
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290-291 | Review of Andreas Kramer, Robert Vilain, Yvan Goll: A Bibliography of the Primary WorksMichael Sharpdoi:10.2307/20467755 | Cite |
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291-292 | Review of Birte Werner, Illusionslos. Hoffnungsvoll: Die Zeitstücke und Exilromane Anna GmeynersJ. M. Ritchiedoi:10.2307/20467756 | Cite |
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292-293 | Review of Kurt Stern, Christian Löser, Was wird mit uns geschehen? Tagebücher der Internierung 1939 und 1940Ian Wallacedoi:10.2307/20467757 | Cite |
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293-294 | Review of Irmela von der Lühe, Claus-Dieter Krohn, Fremdes Heimatland: Remigration und literarisches Leben nach 1945Tom Kuhndoi:10.2307/20467758 | Cite |
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295 | Review of Reiner Kunze, Mireille Gansei, Edmund Jephcott, Ritchie Robertson, 'In Time of Need': A Conversation about Poetry, Resistance and ExileKaren Leederdoi:10.2307/20467759 | Cite |
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296-297 | Review of Alfred Estermann, Wolfgang Schopf, 'Ich bitte um ein Wort...' Wolfgang Koeppen: Siegfried Unseld: Der BriefwechseSimon Warddoi:10.2307/20467760 | Cite |
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297-298 | Review of Caitríona Leahy, Bernadette Cronin, Re-Acting to Ingeborg Bachmann: New Essays and Performances (With CD and DVD)Stephanie Birddoi:10.2307/20467761 | Cite |
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298-299 | Review of David Barnett, Rainer Werner Fassbinder and the German TheatrePaul Cookedoi:10.2307/20467762 | Cite |
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299-300 | Review of Stuart Taberner, Paul Cooke, German Culture, Politics, and Literature into the Twenty-First Century: Beyond NormalizationAnne Fuchsdoi:10.2307/20467763 | Cite |
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300-301 | Review of Stijn Streuvels, Emmanuel de Bom, Kathryn Smits, 'Een aardig bundeltje brieven': De briefwisseling van de jaren 1900-1914Jane Fenoulhetdoi:10.2307/20467764 | Cite |
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301-302 | Review of Benjamin Harshav, Barbara Harshav, Sing, Stranger: A Century of American Yiddish Poetry. A Historical AnthologyJordan Finkindoi:10.2307/20467765 | Cite |
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302-303 | Review of Ilya Kutik, Writing as Exorcism: The Personal Codes of Pushkin, Lermontov and GogolRobert Reiddoi:10.2307/20467766 | Cite |
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304-305 | Review of Emily D. Johnson, How St. Petersburg Learned to Study Itself: The Russian Idea of 'Kraevedenie'Stephen Lovelldoi:10.2307/20467767 | Cite |
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305-306 | Review of Sarah Young, Dostoevsky's 'The Idiot' and the Ethical Foundations of Narrative: Reading, Narrating, ScriptingOlga Tabachnikovadoi:10.2307/20467768 | Cite |
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306-307 | | Cite |
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307-308 | Review of Constantin V. Ponomareff, One Less Hope: Essays on Twentieth-Century Russian PoetsKatharine Hodgsondoi:10.2307/20467770 | Cite |
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