Modern Language Review 102.2

Modern Language Review 102.2

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Modern Language Review 102.2

Modern Humanities Research Association

1 April 2007 • 320pp

Access online: At JSTOR

Contents:

311-325	The Secret Life of the Della Cruscan Sonnet: William Gifford's "Baviad" and "Maeviad" Marianne Van Remoortel doi:10.2307/20467280	Cite
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326-340	Carlyle through Nietzsche: Reading "Sartor Resartus" Jeremy Tambling doi:10.2307/20467281	Cite
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341-362	'Laughing at the laugh': Unhappy Consciousness in Nathanael West's "The Dream Life of Balso Snell" Doug Haynes doi:10.2307/20467282	Cite
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363-380	Synonymity and Semantic Variability in Medieval French and Middle English William Rothwell doi:10.2307/20467283	Cite
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381-396	Unpicking Female Exemplarity; Or, the Usefulness of Body Stories: Reassessing Female Communal Identity in Two Early Modern French Texts Cathy Hampton doi:10.2307/20467284	Cite
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397-409	Ariosto the Traveller Ita Mac Carthy doi:10.2307/20467285	Cite
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410-426	Paradigms of Peripheral Modernity in Lorca and Yeats Stephen M. Hart doi:10.2307/20467286	Cite
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427-439	In the Bard's Shadow: Shakespearian Affinities as an Obstacle to the Reception of Schiller's Plays in Britain, 1945-2005 Bettina Göbels doi:10.2307/20467287	Cite
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440-450	'Bloss aus lemberg gebürtig': Detlev Spinell, the Austrian Jewish Aesthete in Thomas Mann's "Tristan" Andrew Barker doi:10.2307/20467288	Cite
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451-465	Russian Orthodoxy: A User's Manual. Church Advice Literature as a Reflection of Present-Day Reality B. S. Weichert doi:10.2307/20467289	Cite
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466	Review of Lisa Perfetti, The Representation of Women's Emotions in Medieval and Early Modern Culture Andrew Breeze doi:10.2307/20467290	Cite
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467-468	Review of Bettina Bildhauer, Medieval Blood Richard F. M. Byrn doi:10.2307/20467291	Cite
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468-469	Review of Ulrike Bethlehem, Guinevere: A Medieval Puzzle. Images of Arthur's Queen in the Medieval Literature of Britain and France Catherine Batt doi:10.2307/20467292	Cite
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469-470	Review of Sebastiano Timpanaro, Glenn W. Most, The Genesis of Lachmann's Method Carlo Caruso doi:10.2307/20467293	Cite
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470-471	Review of Lucile Desblache, Écrire l'animal aujourd'hui Walter Redfern doi:10.2307/20467294	Cite
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471-472	Review of Hans van Stralen, Choices and Conflicts: Essays on Literature and Existentialism Valerie Howells doi:10.2307/20467295	Cite
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472-473	Review of Will Slocombe, Nihilism and the Sublime Postmodern: The (Hi)Story of a Difficult Relationship from Romanticism to Postmodernism Jeremy Tambling doi:10.2307/20467296	Cite
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473-475	Review of W. J. T. Mitchell, What Do Pictures Want? The Lives and Loves of Images David Pascoe doi:10.2307/20467297	Cite
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475-476	Review of Guido Rings, Rikki Morgan-Tamosunas, European Cinema: Inside and out. Images of the Self and the Other in Postcolonial European Film Pauline Small doi:10.2307/20467298	Cite
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476-477	Review of Carol Braun Pasternack, Lisa M. C. Weston, Daniel Gillmore Calder, Sex and Sexuality in Anglo-Saxon England: Essays in Memory of Daniel Gillmore Calder Adam Mearns doi:10.2307/20467299	Cite
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477-478	Review of Mark Miller, Philosophical Chaucer: Love, Sex, and Agency in the 'Canterbury Tales' Gerald Morgan doi:10.2307/20467300	Cite
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478-479	Review of Tim William Machan, A. J. Minnis, Sources of the 'Boece' Andrew Breeze doi:10.2307/20467301	Cite
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479-480	Review of Derek Hughes, Janet Todd, The Cambridge Companion to Aphra Behn Matthew Grenby doi:10.2307/20467302	Cite
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480-481	Review of Ewan Fernie, Ramona Wray, Mark Thornton Burnett, Claire McManus, Reconceiving the Renaissance: A Critical Reader Richard Meek doi:10.2307/20467303	Cite
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481-482	Review of Jody Greene, The Trouble with Ownership: Literary Property and Authorial Liability in England, 1660-1730 Marialuisa Bignami doi:10.2307/20467304	Cite
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482-483	Review of Constance C. Relihan, Cosmographical Glasses: Geographic Discourse, Gender and Elizabethan Fiction Kate McLuskie doi:10.2307/20467305	Cite
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483-484	Review of D. Bruce Hindmarsh, The Evangelical Conversion Narrative: Spiritual Autobiography in Early Modern England Isabel Rivers doi:10.2307/20467306	Cite
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484-485	Review of Yu Jin Ko, Mutability and Division on Shakespeare's Stage John Lee doi:10.2307/20467307	Cite
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485-486	Review of Steven N. Zwicker, The Cambridge Companion to John Dryden Thomas Docherty doi:10.2307/20467308	Cite
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486-487	Review of Freya Johnston, Samuel Johnson and the Art of Sinking 1709-1791 Allan Ingram doi:10.2307/20467309	Cite
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487-488	Review of David A. Brewer, The Afterlife of Character 1726-1825 Clark Lawlor doi:10.2307/20467310	Cite
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488-489	Review of Mary Hays, Miriam L. Wallace, Memoirs of Emma Courtney Matthew Grenby doi:10.2307/20467311	Cite
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489-490	Review of Sharon Ruston, Shelley and Vitality Cian Duffy doi:10.2307/20467312	Cite
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490-491	Review of Richard Terry, Mock-Heroic from Butler to Cowper: An English Genre and Discourse Tom Jones doi:10.2307/20467313	Cite
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491-492	Review of Seamus Perry, Alfred Tennyson John Batchelor doi:10.2307/20467314	Cite
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492-493	Review of Clark Davis, Hawthorne's Shyness: Ethics, Politics, and the Question of Engagement John Saunders doi:10.2307/20467315	Cite
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494-495	Review of Martha Vicinus, Intimate Friends: Women Who Loved Women, 1778-1928 Denis Flannery doi:10.2307/20467316	Cite
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495-496	Review of Janis P. Stout, Willa Cather and Material Culture: Real World Writing, Writing the Real World Aliki Varvogli doi:10.2307/20467317	Cite
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496-497	Review of Michael Hinds, Stephen Matterson, Rebound: The American Poetry Book Peter Nicholls doi:10.2307/20467318	Cite
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497-498	Review of Dorothy J. Hale, The Novel: An Anthology of Criticism and Theory 1900-2000 Jeremy Hawthorn doi:10.2307/20467319	Cite
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498-499	Review of Jane Potter, Boys in Khaki Girls in Print: Women's Literary Responses to the Great War 1914-1918 Geneviève Brassard doi:10.2307/20467320	Cite
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499-500	Review of David Caplan, Questions of Possibility: Contemporary Poetry and Poetic Form Stephen Matterson doi:10.2307/20467321	Cite
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500-502	Review of Stewart Gregory, William Rothwell, David Trotter, Anglo-Norman Dictionary Philip Bennett doi:10.2307/20467322	Cite
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502-503	Review of Jean Michel Gouvard, De la langue au style Michaël Abecassis doi:10.2307/20467323	Cite
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503-504	Review of Wace, Arthur Wayne Glowka, Le Roman de Brut: The French Book of Brutus Jean Blacker doi:10.2307/20467324	Cite
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504-505	Review of Tony Hunt, Le Chant des chanz David Trotter doi:10.2307/20467325	Cite
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505-506	Review of Sylvie Lefèvre, Antoine de La Sale: La fabrique de l'œuvre et de l'écrivain (Suivi de l'édition critique du 'Traité des anciens et des nouveaux tournois') Sandra Bialystok doi:10.2307/20467326	Cite
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506-507	Review of Eva Kushner, Le Dialogue à la Renaissance: Histoire et poétique Hugh Roberts doi:10.2307/20467327	Cite
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507-508	Review of David Cowling, Conceptions of Europe in Renaissance France Hugh Roberts doi:10.2307/20467328	Cite
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508-509	Review of Peter Sharratt, Bernard Salomon: Illustrateur lyonnais Kathryn Banks doi:10.2307/20467329	Cite
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509	Review of Béatrice Alonso, Éliane Viennot, Louise Labé 2005 Gabriella Scarlatta Eschrich doi:10.2307/20467330	Cite
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510	Review of Concetta Cavallini, 'Cette belle besogne': Étude sur le journal de voyage de Montaigne H. Porter Abbott doi:10.2307/20467331	Cite
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511	Review of Fernand Hallyn, Descartes: Dissimulation et ironie Ian Maclean doi:10.2307/20467332	Cite
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511-512	Review of Jean de La Bruyère, Louis-Ellies Du Pin, Richard Parish, Dialogues posthumes sur le quiétisme D. J. Culpin doi:10.2307/20467333	Cite
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512-513	Review of Louis Sala-Molins, John Conteh-Morgan, Dark Side of the Light: Slavery and the French Enlightenement David Adams doi:10.2307/20467334	Cite
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513-514	Review of Charles de Fieux, Chevalier de Mouhy, Henry Duranton, La Paysanne parvenue; Ou, les Mémoires de madame la Marquise de L V Denis D. Grélé doi:10.2307/20467335	Cite
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514-515	Review of Mark Darlow, Revolutionary Culture: Continuity and Change Máire F. Cross doi:10.2307/20467336	Cite
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515-516	Review of Ceri Crossley, Consumable Metaphors: Attitudes Towards Animals and Vegetarianism in Nineteenth-Century France Lucile Desblache doi:10.2307/20467337	Cite
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516-517	Review of Philippe Destruel, L'Écriture nervalienne du temps: L'expérience de la temporalité dans l'œuvre de Gérard de Nerval Maurice Blackman doi:10.2307/20467338	Cite
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517-518	Review of Timothy Unwin, Jules Verne: Journeys in Writing Arthur B. Evans doi:10.2307/20467339	Cite
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518-519	Review of Pierre Glaudes, Léon Bloy 6: Bloy critique Pádraig Ó. Gormaile doi:10.2307/20467340	Cite
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519-520	Review of Bernard Brun, Juliette Hassine, Marcel Proust 5: Proust au tournant des siècles 2 W. L. Hodson doi:10.2307/20467341	Cite
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520-521	Review of Aude Le Roux-Kieken, Imaginaire et écriture de la mort dans l'œuvre de Marcel Proust Robin MacKenzie doi:10.2307/20467342	Cite
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521-522	Review of André Benhaïm, 'Panim': Visages de Proust Jane Walling doi:10.2307/20467343	Cite
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522-523	Review of Marie-Ange Bartholomot Bessou, L'Imaginaire du féminin dans l'œuvre de Renée Vivien Diana Holmes doi:10.2307/20467344	Cite
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523-524	Review of Stéphane Chaudier, Françoise Lioure, Les Langages de Larbaud David Roe doi:10.2307/20467345	Cite
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524-526	Review of Michael Sheringham, Everyday Life: Theories and Practices from Surrealism to the Present Elza Adamowicz doi:10.2307/20467346	Cite
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526-527	Review of Julia Walters, Duras and Indochina: Postcolonial Perspectives Catherine Rodgers doi:10.2307/20467347	Cite
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527-528	Review of Max Silverman, Frantz Fanon, Frantz Fanon's 'Black Skin White Masks': New Interdisciplinary Essays Jean Khalfa doi:10.2307/20467348	Cite
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528-529	Review of Richard J. Golsan, French Writers and the Politics of Complicity: Crises of Democracy in the 1940s and 1990s Angela Kimyongür doi:10.2307/20467349	Cite
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529-530	Review of Rachel Killick, Uncertain Relations: Some Configurations of the 'Third Space' in Francophone Writings of the Americas and of Europe E. H. Jones doi:10.2307/20467350	Cite
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530-531	Review of Marja Warehime, Maurice Pialat Kate Ince doi:10.2307/20467351	Cite
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531-532	Review of Mark Robson, Jacques Rancière: Aesthetics, Politics, Philosophy Christopher Carlton doi:10.2307/20467352	Cite
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532-533	Review of Gavin Bowd, Le Monde de Houellebecq Martin Crowley doi:10.2307/20467353	Cite
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533-534	Review of Olivier Larizza, Le Reliquat scintillant: Pour une renaissance de la critique littéraire R. A. York doi:10.2307/20467354	Cite
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534-535	Review of Cormac Ó. Cuilleanáin, Corinna Salvadori, John Scattergood, Italian Culture: Interactions, Transpositions, Translations Peter Brand doi:10.2307/20467355	Cite
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536-537	Review of Anthony Julian Tamburri, Semiotics of Re-Reading: Guido Gozzano, Aldo Palazzeschi, Italo Calvino Emmanuela Tandello doi:10.2307/20467356	Cite
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537-538	Review of John Butcher, Mario Moroni, From Eugenio Montale to Amelia Rosselli: Italian Poetry in the Sixties and Seventies Catherine O'Brien doi:10.2307/20467357	Cite
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538-540	Review of David George, Theatre in Madrid and Barcelona, 1892-1936: Rivals or Collaborators? John London doi:10.2307/20467358	Cite
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540-541	Review of José M. del Pino, Del tren al aeroplano: Ensayos sobre la vanguardia española John McCulloch doi:10.2307/20467359	Cite
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541-545	Review of María Estela Harretche, Federico García Lorca: Análisis de una revolución teatral María M. Delgado doi:10.2307/20467360	Cite
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545-546	Review of Alison Ribeiro de Menezes, Juan Goytisolo: The Author as Dissident Stuart Davis doi:10.2307/20467361	Cite
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546-547	Review of Komla Aggor, Francisco Nieva and Postmodernist Theatre Montserrat Roser i Puig doi:10.2307/20467362	Cite
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547	Review of Silvia Bermúdez, La esfinge de la escritura: La poesía ética de Blanca Varela Stephen M. Hart doi:10.2307/20467363	Cite
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548-549	Review of Danny J. Anderson, Jill S. Kuhnheim, Cultural Studies in the Curriculum: Teaching Latin America Philip Swanson doi:10.2307/20467364	Cite
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549-550	Review of Karl S. Guthke, Die Erfindung der Welt: Globalität und Grenzen in der Kulturgeschichte der Literatur Florian Krobb doi:10.2307/20467365	Cite
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550-551	Review of Sigrid Weigel, Genea-Logik: Generation, Tradition und Evolution zwischen Kultur- und Naturwissenschaften Anne Fuchs doi:10.2307/20467366	Cite
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551-552	Review of Helmut Dworschak, Milch und Acker: Körperliche und sexuelle Aspekte der religiösen Erfahrung am Beispiel der Bußdidaxe des Strickers Elizabeth Andersen doi:10.2307/20467367	Cite
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552-553	Review of Dirk Niefanger, Geschichtsdrama der Frühen Neuzeit 1495-1773 Alan Menhennet doi:10.2307/20467368	Cite
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553-555	Review of Charlotte Coulombeau, Le Philosophique chez Gotthold Ephraim Lessing: Individu et vérité H. B. Nisbet doi:10.2307/20467369	Cite
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555-556	Review of Ute Tintemann, Christof Wingertszahn, Karl Philipp Moritz in Berlin 1789-1793 Martin Davies doi:10.2307/20467370	Cite
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556-557	Review of Frieder von Ammon, Ungastliche Gaben: Die 'Xenien' Goethes und Schillers und ihre literarische Rezeption von 1796 bis in die Gegenwart Meredith Lee doi:10.2307/20467371	Cite
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558-560	Review of Simon Richter, The Literature of Weimar Classicism David Pugh doi:10.2307/20467372	Cite
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560-561	Review of Susan Bernofsky, Foreign Words: Translator-Authors in the Age of Goethe Charlie Louth doi:10.2307/20467373	Cite
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562-563	Review of Karin Wurst, Fabricating Pleasure: Fashion, Entertainment, and Cultural Consumption in Germany 1780-1830 Laura Martin doi:10.2307/20467374	Cite
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563-564	Review of Christoph Prignitz, Bürgerliches Leben im Zeichen der Uhr: Bemerkungen zu einer literarischen Kontroverse um 1800 in Deutschland Theodore Ziolkowski doi:10.2307/20467375	Cite
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564-565	Review of Petra Wulbusch, Therese Huber und Emil von Herder: Zum Geschlechterdiskursum 1800 Anna Richards doi:10.2307/20467376	Cite
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565-567	Review of Hilary Brown, Benedikte Naubert (1756-1819) and Her Relations to English Culture Barbara Becker-Cantarino doi:10.2307/20467377	Cite
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567-568	Review of Brent O. Peterson, History, Fiction and Germany: Writing the Nineteenth-Century Nation Charlotte Woodford doi:10.2307/20467378	Cite
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568-569	Review of Hans-Gerd von Seggern, Nietzsche und die Weimarer Klassik Roger Stephenson doi:10.2307/20467379	Cite
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569-570	Review of Margherita Versari, Asta von Unger, Strategien der Liebesrede in der Dichtung Stefan Georges Christophe Fricker doi:10.2307/20467380	Cite
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570-571	Review of Friedrich Voit, Karl Wolfskehl: Leben und Werk im Exil Roger Paulin doi:10.2307/20467381	Cite
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571-572	Review of James M. Skidmore, The Trauma of Defeat: Ricarda Huch's Historiography during the Weimar Republic Steffan Davies doi:10.2307/20467382	Cite
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572-573	Review of Eric L. Santner, On Creaturely Life: Rilke, Benjamin, Sebald Ben Hutchinson doi:10.2307/20467383	Cite
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573-574	Review of Herbert Lehnert, Eva Wesseli, Thomas Mann, A Companion to the Works of Thomas Mann Nicholas Martin doi:10.2307/20467384	Cite
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574-576	Review of Peter-André Alt, Franz Kafka: Der ewige Sohn. Eine Biographie Julian Preece doi:10.2307/20467385	Cite
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576-577	Review of Frank Krause, Klangbewusster Expressionismus: Moderne Techniken des rituellen Ausdrucks James Rolleston doi:10.2307/20467386	Cite
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577-579	Review of Simon Karcher, Sachlichkeit und elegischer Ton: Die späte Lyrik von Gottfried Benn und Bertolt Brecht: Ein Vergleich Brian Keith-Smith doi:10.2307/20467387	Cite
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579-580	Review of Marco Schickling, Hermann Hesse als Literaturkritiker Ingo Cornils doi:10.2307/20467388	Cite
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580-581	Review of Alexander Stephan, Exile and Otherness: New Approaches to the Experience of the Nazi Refugees J. M. Ritchie doi:10.2307/20467389	Cite
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581-582	Review of Rodney Symington, The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich Roger Paulin doi:10.2307/20467390	Cite
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582-583	Review of Benedikt Engels, Das lyrische Umfeld der 'Danziger Trilogie' von Günter Grass Ruth J. Owen doi:10.2307/20467391	Cite
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583-584	Review of Morwenna Symons, Room for Manœuvre: The Role of Intertext in Elfriede Jelinek's 'Die Klavierspielerin', Günter Grass's 'Ein weites Feld', and Herta Müller's 'Niederungen' and 'Reisende auf einem Bein' Margaret Littler doi:10.2307/20467392	Cite
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584-585	Review of Stuart Parkes, Fritz Wefelmeyer, Seelenarbeit an Deutschland: Martin Walser in Perspective Bill Niven doi:10.2307/20467393	Cite
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585-586	Review of Paul Cooke, Representing East Germany since Unification: From Colonization to Nostalgia Brad Prager doi:10.2307/20467394	Cite
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587-588	Review of Peter Hutchinson, Landmarks in German Comedy Brian Keith-Smith doi:10.2307/20467395	Cite
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588-589	Review of Wolfgang Bunzel, Das deutschsprachige Prosagedicht: Theorie und Geschichte einer literarischen Gattung der Moderne Dirk Göttsche doi:10.2307/20467396	Cite
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589-590	Review of Roger Hillman, Unsettling Scores: German Film, Music, and Ideology Ben Morgan doi:10.2307/20467397	Cite
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590-591	Review of John A. McCarthy, Remapping Reality: Chaos and Creativity in Science and Literature (Goethe, Nietzsche, Grass) Paul Bishop doi:10.2307/20467398	Cite
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591-592	Review of Marianne Henn, Irmela von der Lühe, Anita Runge, Geschichte(n) erzählen: Konstruktionen von Vergangenheit in literarischen Werken deutschsprachiger Autorinnen seit dem 18. Jahrhundert Hilary Brown doi:10.2307/20467399	Cite
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592-594	Review of Waltraud Maierhofer, Hexen, Huren, Heldenweiber: Bilder des Weiblichen in Erzähltexten über den Dreißigjährigen Krieg Susanne Kord doi:10.2307/20467400	Cite
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594-596	Review of Gabrijela Mecky Zaragoza, 'Da befiel sie Furcht und Angst...': Judith im Drama des 19. Jahrhunderts; Barbara Hindinger, Tragische Helden mit verletzten Seelen: Männerbilder in den Dramen Friedrich Hebbels Helen Watanabe-O'Kelly doi:10.2307/20467401	Cite
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596-597	Review of Volker Mergenthaler, Völkerschau, Kannibalismus, Fremdenlegion: Zur Ästhetik der Transgression (1897-1936) Florian Krobb doi:10.2307/20467402	Cite
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597-598	Review of Matthias Fiedler, Zwischen Abenteuer, Wissenschaft und Kolonialismus: Der deutsche Afrikadiskursim 18. Und 19. Jahrhundert Dirk Göttsche doi:10.2307/20467403	Cite
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598-599	Review of Sara Eigen, Mark Larrimore, The German Invention of Race Florian Krobb doi:10.2307/20467404	Cite
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599-600	Review of Helen Chambers, Violence, Culture and Identity: Essays on German and Austrian Literature, Politics and Society Susanne Kord doi:10.2307/20467405	Cite
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600-602	Review of Joseph Sherman, Ritchie Robertson, The Yiddish Presence in European Literature: Inspiration and Interaction Hugh Denman doi:10.2307/20467406	Cite
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602-603	Review of Joseph Sherman, Yiddish after the Holocaust Elizabeth Loentz doi:10.2307/20467407	Cite
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603-604	Review of Rory McTurk, A Companion to Old Norse-Icelandic Literature Carolyne Larrington doi:10.2307/20467408	Cite
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604-606	Review of Andreas Blödorn, Zwischen den Sprachen: Modelle transkultureller Literatur bei Christian Levin Sander und Adam Oehlenschläger Peter Skrine doi:10.2307/20467409	Cite
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606-607	Review of Sverre Lyngstad, Knut Hamsun, Novelist: A Critical Assessment Janet Garton doi:10.2307/20467410	Cite
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607-608	Review of Thomas Seifrid, The Word Made Self: Russian Writings on Language Adam Fergus doi:10.2307/20467411	Cite
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608-609	Review of Derek Offord, Natalia Gogolitsyna, Using Russian: A Guide to Contemporary Usage Noel C. Brackney doi:10.2307/20467412	Cite
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609-610	Review of Edith W. Clowes, Fiction's Overcoat: Russian Literary Culture and the Question of Philosophy Craig Brandist doi:10.2307/20467413	Cite
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610-612	Review of Ute Stock, The Ethics of the Poet: Marina Tsvetaeva's Art in the Light of Conscience Katharine Hodgson doi:10.2307/20467414	Cite
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612-613	Review of Evgeny Dobrenko, Aesthetics of Alienation: Reassessment of Early Soviet Cultural Theories Petre Petrov doi:10.2307/20467415	Cite
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613-614	Review of Lesley Milne, Zoshchenko and the Ilf-Petrov Partnership: How They Laughed Julie Curtis doi:10.2307/20467416	Cite
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614-616	Review of Catriona Kelly, Comrade Pavlik: The Rise and Fall of a Soviet Boy Hero Nancy Condee doi:10.2307/20467417	Cite
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616-617	Review of Bruce Adams, Tiny Revolutions in Russia: Twentieth-Century Soviet and Russian History in Anecdotes Seth Graham doi:10.2307/20467418	Cite
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617-618	Review of Yana Meerzon, The Path of a Character: Michael Chekhov's Inspired Acting and Theatre Semiotics Maria Shevtsova doi:10.2307/20467419	Cite
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