1-10 | Shakespeare's Sonnet cxi and John Davies of Hereford's "Microcosmos" (1603) MacD. P. Jackson doi:10.2307/20467148 | Cite |
| |
11-25 | | Cite |
| |
26-39 | The Byronic in Jane Austen's "Persuasion" and "Pride and Prejudice" Sarah Wootton doi:10.2307/20467150 | Cite |
| |
40-57 | Paratexts and Their Functions in Seventeenth-Century English "Decamerons" Guyda Armstrong doi:10.2307/20467151 | Cite |
| |
58-73 | From Store to Museum: The Reorganization of the Louvre's Painting Collections in 1848 James Kearns doi:10.2307/20467152 | Cite |
| |
74-88 | | Cite |
| |
89-107 | | Cite |
| |
108-124 | Meyerbeer's "L'Africaine": French Grand Opera and the Iberian Exotic Jean Andrews doi:10.2307/20467155 | Cite |
| |
125-138 | William Dean Howells's "Indian Summer" and Theodor Fontane's "Effi Briest": Forms and Phases of the Realist Novel Patricia Howe doi:10.2307/20467156 | Cite |
| |
139-156 | | Cite |
| |
157-176 | | Cite |
| |
177-178 | | Cite |
| |
178-179 | Review of Piotr Stalmaszczyk, Celtic Presence: Studies in Celtic Languages and Literatures. Irish, Scottish Gaelic and Cornish Glanville Price doi:10.2307/20467160 | Cite |
| |
179-180 | Review of Charles Martindale, Latin Poetry and the Judgement of Taste: An Essay in Aesthetics Stefano Evangelista doi:10.2307/20467161 | Cite |
| |
180-181 | Review of Zhang Longxi, Allegoresis: Reading Canonical Literature East and West Jeremy Tambling doi:10.2307/20467162 | Cite |
| |
181-182 | Review of Roger Fornoff, Die Sehnsucht nach dem Gesamtkunstwerk: Studien zu einer ästhetischen Konzeption der Moderne Brian Keith-Smith doi:10.2307/20467163 | Cite |
| |
182-183 | Review of Mark C. Amodio, New Directions in Oral Theory: Essays on Ancient and Medieval Literatures Philip Shaw doi:10.2307/20467164 | Cite |
| |
183-185 | Review of Emmanuel Bury, Tous vos gens à latin: Le latin, langue savante, langue mondaine (XIVe-XVIIe siècles) Ingrid A. R. de Smet doi:10.2307/20467165 | Cite |
| |
185-186 | Review of Alison Saunders, Peter Davidson, Visual Words and Verbal Pictures: Essays in Honour of Michael Bath Claire Preston doi:10.2307/20467166 | Cite |
| |
186-187 | Review of Richard Scholar, The 'Je-Ne-Sais-Quoi' in Early Modern Europe: Encounters with a Certain Something Nicholas Hammond doi:10.2307/20467167 | Cite |
| |
187-188 | | Cite |
| |
188-189 | Review of Marina Van Zuylen, Monomania: The Flight from Everyday Life in Literature and Art Jeremy Tambling doi:10.2307/20467169 | Cite |
| |
189-190 | Review of Marketta Göbel-Uotila, Medea: Ikone des Fremden und des Anderen in der europäischen Literatur des 20. Jahrhunderts Daria Santini doi:10.2307/20467170 | Cite |
| |
190-191 | | Cite |
| |
191-192 | Review of Lawrence Buell, The Future of Environmental Criticism: Environmental Crisis and Literary Imagination Ruth Glynn doi:10.2307/20467172 | Cite |
| |
192-193 | Review of Phyllis Zatlin, Theatrical Translation and Film Adaptation: A Practitioner's View Gregary J. Racz doi:10.2307/20467173 | Cite |
| |
194-195 | Review of Catherine S. Cox, The Judaic Other in Dante, the Gawain Poet, and Chaucer Lisa Lampert-Weissig doi:10.2307/20467174 | Cite |
| |
195-196 | Review of Sarah Alyn Stacey, Véronique Desnain, Culture and Conflict in Seventeenth-Century France and Ireland Ruth Whelan doi:10.2307/20467175 | Cite |
| |
196-197 | Review of Kirsten Blythe Painter, Flint on a Bright Stone: A Revolution of Precision and Restraint in American, Russian, and German Modernism David Wells doi:10.2307/20467176 | Cite |
| |
197-198 | Review of Christopher Cannon, The Grounds of English Literature Vincent Gillespie doi:10.2307/20467177 | Cite |
| |
198-199 | Review of John C. Hirsh, Medieval Lyric: Middle English Lyrics, Ballads, and Carols Valerie Edden doi:10.2307/20467178 | Cite |
| |
199-200 | Review of Robert Allen Rouse, The Idea of Anglo-Saxon England in Middle English Romance Mark Griffith doi:10.2307/20467179 | Cite |
| |
200-201 | | Cite |
| |
202 | Review of Mark C. Amodio, Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England Julia Boffey doi:10.2307/20467181 | Cite |
| |
203-204 | Review of Deanne Williams, The French Fetish from Chaucer to Shakespeare Helen Cooper doi:10.2307/20467182 | Cite |
| |
204-205 | Review of William A. Oram, Anne Lake Prescott, Thomas P. Roche Jr., Spenser Studies, Vol. XIX Bruce Danner doi:10.2307/20467183 | Cite |
| |
205-206 | | Cite |
| |
206-207 | Review of Matthew Biberman, Masculinity, Anti-Semitism and Early Modern English Literature: From the Satanic to the Effeminate Jew Tom Rutter doi:10.2307/20467185 | Cite |
| |
207-208 | Review of Jonathan Holmes, Adrian Streete, Refiguring Mimesis: Representation in Early Modern Literature Robert Wilcher doi:10.2307/20467186 | Cite |
| |
208-209 | | Cite |
| |
209-210 | Review of Christa Jansohn, Queen Elizabeth I: Past and Present Jacqueline Vanhoutte doi:10.2307/20467188 | Cite |
| |
210-211 | | Cite |
| |
211-212 | Review of Abigail Williams, Poetry and the Creation of a Whig Literary Culture 1681-1714 Isabel Rivers doi:10.2307/20467190 | Cite |
| |
212-213 | Review of Lyn Bennett, Women Writing of Divinest Things: Rhetoric and the Poetry of Pembroke, Wroth and Lanyer Pat Pinsent doi:10.2307/20467191 | Cite |
| |
213-214 | Review of Sharon Harrow, Adventures in Domesticity: Gender and Colonial Adulteration in Eighteenth-Century British Literature Claire Lamont doi:10.2307/20467192 | Cite |
| |
214-215 | Review of Joseph Severn, Grant F. Scott, Joseph Severn: The Letters and Memoirs Andrew Bennett doi:10.2307/20467193 | Cite |
| |
215-216 | | Cite |
| |
216-217 | Review of Jerome Loving, The Last Titan: A Life of Theodore Dreiser Kevin McCarron doi:10.2307/20467195 | Cite |
| |
217-218 | | Cite |
| |
218-219 | Review of Peter Robinson, Twentieth Century Poetry: Selves and Situations Philip Tew doi:10.2307/20467197 | Cite |
| |
219-220 | | Cite |
| |
220-221 | Review of Aldon Lynn Nielsen, Integral Music: Languages of African American Innovation Nick Selby doi:10.2307/20467199 | Cite |
| |
222 | | Cite |
| |
223 | Review of James Phelan, Living to Tell about It: A Rhetoric and Ethics of Character Narration Thomas Docherty doi:10.2307/20467201 | Cite |
| |
223-224 | | Cite |
| |
225 | Review of Samuel Chase Coale, Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction Alan Munton doi:10.2307/20467203 | Cite |
| |
226 | Review of Peter Childs, Contemporary Novelists: British Fiction since 1970 Philip Tew doi:10.2307/20467204 | Cite |
| |
226-227 | | Cite |
| |
227-228 | Review of William Rothwell, Femina (Trinity College, Cambridge MS B.14.40) Daron Burrows doi:10.2307/20467206 | Cite |
| |
228-229 | | Cite |
| |
229-230 | Review of Jean Second, Roland Guillot, Œuvres complètes. Vol. I: Basiorum liber et Odarum liber Alison Saunders doi:10.2307/20467208 | Cite |
| |
230-231 | Review of Madame Du Verger, Philippe Du Verger, Susan Broomhall, Colette H. Winn, Le Verger fertile des vertus Pollie Bromilow doi:10.2307/20467209 | Cite |
| |
231 | | Cite |
| |
231-232 | | Cite |
| |
232-233 | Review of Richard G. Maber, Publishing in the Republic of Letters: The Ménage, Grævius, Wetstein Correspondence 1679-1692 Hugh Dunthorne doi:10.2307/20467212 | Cite |
| |
233-234 | Review of Voltaire, Nicholas Cronk, John Renwick, Les Œuvres complètes de Voltaire. Vol. LXVIII: Histoire du parlement de Paris Raymond Pearson doi:10.2307/20467213 | Cite |
| |
234-235 | Review of J. A. Dainard, Pierre Bouillaguet, Judith Curtis, Correspondance de Madame de Graffigny. Vol. VI: 23 octobre 1744-10 septembre 1745, lettres 761-896; J. A. Dainard, Nicole Boursier, English Showalter, Correspondance de Madame de Graffigny. Vol. VIII: 19 juillet 1746-11 octobre 1747, lettres 1026-1216 Michael Cardy doi:10.2307/20467214 | Cite |
| |
235-236 | Review of Judith P. Zinsser, Julie Candler Hayes, Émilie Du Châtelet: Rewriting Enlightenment Philosophy and Science Kate E. Tunstall doi:10.2307/20467215 | Cite |
| |
236-238 | Review of Aurora Wolfgang, Gender and Voice in the French Novel, 1730-1782 Katherine Astbury doi:10.2307/20467216 | Cite |
| |
238 | | Cite |
| |
238-239 | Review of Loïc P. Guyon, Jules Lefèvre-Deumier: Un poète romantique contre la peine de mort (quatre poèmes) Katherine Lunn-Rockliffe doi:10.2307/20467218 | Cite |
| |
239-240 | | Cite |
| |
240 | | Cite |
| |
241-242 | Review of Hélène de Burgh, Sex, Sailors and Colonies: Narratives of Ambiguity in the Works of Pierre Loti Margaret Topping doi:10.2307/20467221 | Cite |
| |
242-243 | | Cite |
| |
243-244 | Review of Edward Bizub, Proust et le moi divisé. La Recherche: Creuset de la psychologie expérimentale (1874-1914) Sarah Joseph doi:10.2307/20467223 | Cite |
| |
244-245 | | Cite |
| |
245-246 | | Cite |
| |
246-247 | Review of Peter Dunwoodie, Francophone Writing in Transition: Algeria 1900-1945 Sophie Smith doi:10.2307/20467226 | Cite |
| |
247-248 | Review of Patrick Née, Danièle Leclair, René Char 1: Le 'Pays' dans la poésie de Char de 1946 à 1970 Mary Ann Caws doi:10.2307/20467227 | Cite |
| |
248 | Review of Sarah F. Donachie, Kim Harrison, Love and Sexuality: New Approaches in French Studies Jane Hiddleston doi:10.2307/20467228 | Cite |
| |
249 | Review of Emma Gilby, Katja Haustein, Space: New Dimensions in French Studies Jane Hiddleston doi:10.2307/20467229 | Cite |
| |
249-251 | Review of Manuele Gragnolati, Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture David Ruzicka doi:10.2307/20467230 | Cite |
| |
251-252 | Review of Sydney Anglo, Machiavelli: The First Century. Studies in Enthusiasm, Hostility, and Irrelevance N. W. Bawcutt doi:10.2307/20467231 | Cite |
| |
252-253 | Review of Roberto González Echevarría, Cervantes' 'Don Quixote': A Casebook Howard Mancing doi:10.2307/20467232 | Cite |
| |
253-254 | Review of Pilar Alcalde, Estrategias temáticas y narrativas en la novela feminizada en María de Zayas Elizabeth Rhodes doi:10.2307/20467233 | Cite |
| |
254-255 | Review of Claire Lindsay, Locating Latin American Women Writers: Cristina Peri Rossi, Rosario Ferré, Albalucía Angel, and Isabel Allende Jane Elizabeth Lavery doi:10.2307/20467234 | Cite |
| |
255-256 | Review of Christoph Lange, Das Ezzo-Lied in der Vorauer Überlieferung: Text, Übersetzung und Kommentar David Wells doi:10.2307/20467235 | Cite |
| |
256-257 | Review of Wirnt von Grafenberg, Sabine Seelbach, Ulrich Seelbach, Wigalois: Text, Übersetzung, Stellenkommentar Neil Thomas doi:10.2307/20467236 | Cite |
| |
257-258 | Review of Nicola Kaminski, Ex bello ars oder Ursprung der 'Deutschen Poeterey' Anna Carrdus doi:10.2307/20467237 | Cite |
| |
258-259 | Review of Alfred D. White, Choose Not These Vices: Social Reality in the German Novel 1618-1848 Peter Skrine doi:10.2307/20467238 | Cite |
| |
259-260 | Review of Almut Spalding, Elise Reimarus (1735-1805), the Muse of Hamburg: A Woman of the German Enlightenment Joachim Whaley doi:10.2307/20467239 | Cite |
| |
260-261 | Review of Jörg Löffler, Unlesbarkeit: Melancholie und Schrift bei Goethe Matthew Bell doi:10.2307/20467240 | Cite |
| |
261-262 | Review of Derek Glass, Goethe in English: A Bibliography of the Translations in the Twentieth Century John Williams doi:10.2307/20467241 | Cite |
| |
262-264 | Review of Mathias Luserke-Jaqui, Schiller-Handbuch: Leben; Werk; Wirkung Francis Lamport doi:10.2307/20467242 | Cite |
| |
264-265 | | Cite |
| |
265-266 | Review of Gabrielle von Bassermann-Jordan, 'Schönes Leben! Du lebst, wie die zarten Blüthen im Winter...': Die Figur der Diotima in Hölderlins Lyrik und im 'Hyperion'-Projekt. Theorie und dichterische Praxis David Pugh doi:10.2307/20467244 | Cite |
| |
266-267 | Review of Elystan Griffiths, Political Change and Human Emancipation in the Works of Heinrich von Kleist John Hibberd doi:10.2307/20467245 | Cite |
| |
267-268 | Review of Stefan Scherer, Witzige Spielgemälde: Tieck und das Drama der Romantik Richard Littlejohns doi:10.2307/20467246 | Cite |
| |
268-269 | Review of Wolf-Daniel Hartwich, Romantischer Antisemitismus von Klopstock bis Richard Wagner Roger Paulin doi:10.2307/20467247 | Cite |
| |
269-271 | Review of Ruth Whittle, Debbie Pinfold, Voices of Rebellion: Political Writing by Malwida von Meysenbug, Fanny Lewald, Johanna Kinkel and Louise Aston Brian Keith-Smith doi:10.2307/20467248 | Cite |
| |
271-272 | Review of Rinske van Stipriaan Pritchett, The Art of Comedy and Social Critique in Nineteenth-Century Germany: Charlotte Birch-Pfeiffer (1800-1868) Susanne Kord doi:10.2307/20467249 | Cite |
| |
272-273 | Review of Florian Krobb, 150 Jahre 'Soll und Haben': Studien zu Gustav Freytags kontroversem Roman Dirk Göttsche doi:10.2307/20467250 | Cite |
| |
273-275 | Review of Johannes G. Pankau, Sexualität und Modernität: Studien zum deutschen Drama des Fin de Siècle Caitríona Ní Dhúill doi:10.2307/20467251 | Cite |
| |
275-276 | | Cite |
| |
276-279 | Review of Ralf Georg Bogner, Einführung in die Literatur des Expressionismus Andreas Kramer doi:10.2307/20467253 | Cite |
| |
279-280 | Review of Thomas F. Schneider, Erich Maria Remarques Roman 'Im Westen nichts Neues': Text, Edition, Distribution und Rezeption (1928-1930) Alan Bance doi:10.2307/20467254 | Cite |
| |
280-281 | Review of Pierre Radvanyi, Manfred Flügge, Jenseits des Stroms: Erinnerungen an meine Mutter Anna Seghers Ian Wallace doi:10.2307/20467255 | Cite |
| |
281-283 | Review of Loren Kruger, Post-Imperial Brecht: Politics and Performance, East and South David Barnett doi:10.2307/20467256 | Cite |
| |
283-284 | Review of Nicole Brunnhuber, The Faces of Janus: English-Language Fiction by German-Speaking Exiles in Great Britain, 1933-1945 J. M. Ritchie doi:10.2307/20467257 | Cite |
| |
284 | Review of Maggie Sargeant, Kitsch & Kunst: Presentations of a Lost War Brian Keith-Smith doi:10.2307/20467258 | Cite |
| |
285 | Review of Wolfgang Rasch, Bibliographie Peter Rühmkorf (1951-2004) Anthony Phelan doi:10.2307/20467259 | Cite |
| |
285-287 | | Cite |
| |
287-288 | Review of Friederike Eigler, Gedächtnis und Geschichte in Generationenromanen seit der Wende Ben Hutchinson doi:10.2307/20467261 | Cite |
| |
288-290 | Review of Stuart Taberner, German Literature of the 1990s and beyond: Normalization and the Berlin Republic Karen Leeder doi:10.2307/20467262 | Cite |
| |
290-291 | Review of Daniela Berghahn, Hollywood behind the Wall: The Cinema of East Germany Pól Ó Dochartaigh doi:10.2307/20467263 | Cite |
| |
291-292 | Review of Heather O'Donoghue, Skaldic Verse and the Poetics of Saga Narrative Diana Whaley doi:10.2307/20467264 | Cite |
| |
292-294 | Review of Anna Harwell Celenza, Hans Christian Andersen and Music: The Nightingale Revealed Peter Skrine doi:10.2307/20467265 | Cite |
| |
294-295 | Review of J. Douglas Clayton, Dimitry's Shade: A Reading of Alexander Pushkin's 'Boris Godunov' Joe Andrew doi:10.2307/20467266 | Cite |
| |
295-296 | Review of Stephanie Sandler, Commemorating Pushkin: Russia's Myth of a National Poet Helen Galbraith doi:10.2307/20467267 | Cite |
| |
296-298 | Review of W. J. Leatherbarrow, A Devil's Vaudeville: The Demonic in Dostoevsky's Major Fiction S. F. Hudspith doi:10.2307/20467268 | Cite |
| |
298 | | Cite |
| |
299-300 | Review of Laura J. Olson, Performing Russia: Folk Revival and Russian Identity Faith Wigzell doi:10.2307/20467270 | Cite |
| |
300-302 | Review of Birgit Beumers, Nikita Mikhalkov: Between Nostalgia and Nationalism Stephen Hutchings doi:10.2307/20467271 | Cite |
| |
302-303 | | Cite |
| |
303-304 | | Cite |
| |
305-306 | | Cite |
| |
306-307 | Review of Stephen Hutchings, Anat Vernitski, Screening the Word: Russian and Soviet Film Adaptations of Literature, 1900-2001 Christine Engel doi:10.2307/20467275 | Cite |
| |
This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up an ipage Account: click here for more.