313-324 | The Date of Thomas Combe's "Fortunatus" and Its Relation to Thomas Dekker's "Old Fortunatus" Michael Haldanedoi:10.2307/20466785 | Cite |
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325-346 | 'The obiect whereto all his actions tend': George Chapman's" "Ouids Banquet of Sence" and the Thrill of the Chase Martin Wheelerdoi:10.2307/20466786 | Cite |
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347-359 | "Alias Laura": Representations of the past in Margaret Atwood's "The Blind Assassin" Alan Robinsondoi:10.2307/20466787 | Cite |
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360-374 | 'Cest cunte est mult divers': Knowledge, Difference, and Authority in Thomas's "Tristan" Ben Rammdoi:10.2307/20466788 | Cite |
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375-387 | Sketching Social Marginality in Second Empire Paris: Jules Vallès and His Contemporaries Miranda Gilldoi:10.2307/20466789 | Cite |
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388-401 | Navigating "Non-Lieux" in Contemporary Fiction: Houellebecq, Darrieussecq, Echenoz, and Augé Emer O'Beirnedoi:10.2307/20466790 | Cite |
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402-413 | 'S'io m'intuassi, come tu t'inmii' ("Par"., IX. 81): Patterns of Collective Being in Dante John Tookdoi:10.2307/20466791 | Cite |
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414-441 | A Tale of Two Identities: Spanish Intercultural Dialogue in Toledo Craig Pattersondoi:10.2307/20466792 | Cite |
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442-455 | | Cite |
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456-471 | | Cite |
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472-487 | A Collective Interior Monologue: Sergei Parajanov and Eisenstein's Joyce-Inspired Vision of Cinema Karla Oelerdoi:10.2307/20466795 | Cite |
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488-498 | | Cite |
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499-500 | Review of Madeleine Bertaud, Les Grandes Peurs. Vol. 1: Diable. Fléaux, EtcWalter Redferndoi:10.2307/20466797 | Cite |
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500-501 | Review of Siân Echard, Stephen Partridge, The Book Unbound: Editing and Reading Medieval Manuscripts and TextsRhiannon Danielsdoi:10.2307/20466798 | Cite |
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501-502 | | Cite |
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503-504 | | Cite |
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504-505 | Review of Estelle Haan, Vergilius Redivivus: Studies in Joseph Addison's Latin PoetryJ. W. Binnsdoi:10.2307/20466801 | Cite |
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505-506 | Review of Theodore E. D. Braun, John B. Radner, The Lisbon Earthquake of 1755: Representations and ReactionsSíofra Piersedoi:10.2307/20466802 | Cite |
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506-507 | | Cite |
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507-508 | Review of Markus Raith, Erzähltes Theater: Szenische Illusionen im europäischen Roman des 19. Und frühen 20. JahrhundertsMartin Swalesdoi:10.2307/20466804 | Cite |
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508-509 | Review of Hent de Vries, Geoffrey Hale, Minimal Theologies: Critiques of Secular Reason in Adorno and LevinasColin Davisdoi:10.2307/20466805 | Cite |
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509-510 | | Cite |
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510-511 | Review of Susan Lohafer, Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short StoryRichard Walshdoi:10.2307/20466807 | Cite |
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511-513 | Review of Anne B. Thompson, Everyday Saints and the Art of Narrative in the 'South English Legendary'Rosamund Allendoi:10.2307/20466808 | Cite |
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513-514 | Review of Robert G. Benson, Susan J. Ridyard, New Readings of Chaucer's PoetryCatherine A. M. Clarkedoi:10.2307/20466809 | Cite |
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514-515 | | Cite |
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515-516 | Review of Andrew McRae, Literature and Satire and the Early Stuart StateDavid Reiddoi:10.2307/20466811 | Cite |
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516-518 | Review of Lucas Erne, Margaret Jane Kidnie, Textual Performances: The Modern Reproduction of Shakespeare's DramaRichard Danson Browndoi:10.2307/20466812 | Cite |
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519-520 | Review of Ronald W. Cooley, 'Full of All Knowledg': George Herbert's Early Modern Social DiscourseRichard Todddoi:10.2307/20466813 | Cite |
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520-521 | Review of Andrew Hadfield, Paul Hammond, Shakespeare and Renaissance EuropeRichard Meekdoi:10.2307/20466814 | Cite |
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521-522 | Review of John Richardson, Slavery and Augustan Literature: Swift, Pope, GayPaul Bainesdoi:10.2307/20466815 | Cite |
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522-523 | Review of G. Gabrielle Starr, Lyric Generations: Poetry and the Novel in the Long Eighteenth CenturyPaul Bainesdoi:10.2307/20466816 | Cite |
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523-524 | Review of Robin Grey, Melville and Milton: An Edition and Analysis of Melville's Annotations on MiltonRobert Wilcherdoi:10.2307/20466817 | Cite |
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524-525 | | Cite |
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525-526 | Review of Peter K. Garrett, Gothic Reflections: Narrative Force in Nineteenth-Century FictionCatherine Spoonerdoi:10.2307/20466819 | Cite |
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526-527 | Review of William Righter, Rosemary Righter, American Memory in Henry James: Void and ValueDenis Flannerydoi:10.2307/20466820 | Cite |
| |
527-528 | Review of Edward Marx, The Idea of a Colony: Cross-Culturalism in Modern PoetryIan F. A. Belldoi:10.2307/20466821 | Cite |
| |
529-530 | Review of Bruce King, The Internationalization of English Literature, XIII: 1948-2000Bill Schwarzdoi:10.2307/20466822 | Cite |
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530-531 | Review of Barbara Johnson, Mother Tongues: Sexuality, Trials, Motherhood, TranslationClare Hansondoi:10.2307/20466823 | Cite |
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531-532 | Review of Austin E. Quigley, Theoretical Inquiry: Language, Linguistics, and LiteratureJeremy Tamblingdoi:10.2307/20466824 | Cite |
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532-533 | Review of Jacques Charles Lemaire, Les Mécanismes linguistiques de l'évolution sémantique en françaisBrigitte Nerlichdoi:10.2307/20466825 | Cite |
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533-534 | Review of Pierre Larrivée, Linguistic Conflict and Language Laws: Understanding the Quebec QuestionMaeve Conrickdoi:10.2307/20466826 | Cite |
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534-535 | | Cite |
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535-536 | Review of Bruno Méniel, Renaissance de l'épopée: La poésie épique en France de 1572 à 1623Gary Fergusondoi:10.2307/20466828 | Cite |
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536-537 | | Cite |
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537-538 | Review of Julia V. Douthwaite, Mary Vidal, The Interdisciplinary Century: Tensions and Convergences in Eighteenth-Century Art, History and LiteratureEd Lilleydoi:10.2307/20466830 | Cite |
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538-539 | | Cite |
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539 | | Cite |
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539-540 | Review of Jules Verne, William Butcher, The Adventures of Captain HatterasTimothy Unwindoi:10.2307/20466833 | Cite |
| |
540-541 | Review of Hannah Thompson, New Approaches to Zola: Selected Papers from the 2002 Cambridge Centenary ColloquiumDamian Catanidoi:10.2307/20466834 | Cite |
| |
541-542 | Review of Évanghélia Stead, Le Monstre, le singe et le fœtus: Tératogonie et décadence dans l'Europe fin-de-siècleWalter Redferndoi:10.2307/20466835 | Cite |
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542-543 | Review of Susan Harrow, The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to RédaStephen Forcerdoi:10.2307/20466836 | Cite |
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543-544 | | Cite |
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544-546 | Review of Olivier Penot-Lacassagne, Artaud et les avant-gardes théâtralesLeslie Anne Boldt-Ironsdoi:10.2307/20466838 | Cite |
| |
546-547 | Review of Jean-Claude Larrat, Domnica Radulescu, Malraux et la diversité culturelleChris Shorleydoi:10.2307/20466839 | Cite |
| |
547-548 | Review of Jean-Pierre Boulé, Sartre, Self-Formation and MasculinitiesOliver Davisdoi:10.2307/20466840 | Cite |
| |
548-549 | Review of Susan Bainbrigge, Writing against Death: The Autobiographies of Simone de BeauvoirCatherine Rodgersdoi:10.2307/20466841 | Cite |
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549-550 | | Cite |
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550-551 | Review of Fabrice Thumerel, Annie Ernaux: Une œuvre del l'entre-deuxCatherine Rodgersdoi:10.2307/20466843 | Cite |
| |
551-552 | Review of Jacqueline Dutton, Colin Nettelbeck, Jazz Adventures in French CultureBarbara Lebrundoi:10.2307/20466844 | Cite |
| |
552-553 | Review of Gary P. Cestaro, Dante and the Grammar of the Nursing BodyDavid Ruzickadoi:10.2307/20466845 | Cite |
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553-554 | Review of Patrizia Bettella, The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the BaroqueDiego Zancanidoi:10.2307/20466846 | Cite |
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554-556 | Review of Laura Giannetti, Guido Ruggiero, Five Comedies from the Italian RenaissanceRonnie Fergusondoi:10.2307/20466847 | Cite |
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556-557 | Review of John Woodhouse, Gabriele d'Annunzio tra Italia e InghilterraJohn Lindondoi:10.2307/20466848 | Cite |
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557-558 | Review of Elena Dundovich, Ruggero Ranieri, Scritti scelti di Uguccione Ranieri di Sorbello, 1906-1969Luciano Parisidoi:10.2307/20466849 | Cite |
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558-559 | Review of Susanna Scarparo, Elusive Subjects: Biography as Gendered MetafictionCharlotte Rossdoi:10.2307/20466850 | Cite |
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559-561 | Review of Grace Russo Bullaro, Beyond 'Life Is Beautiful': Comedy and Tragedy in the Cinema of Roberto BenigniLaura Rascarolidoi:10.2307/20466851 | Cite |
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561-562 | Review of Barbara Fuchs, Passing for Spain: Cervantes and the Fictions of IdentityPaul Lewis-Smithdoi:10.2307/20466852 | Cite |
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562-563 | Review of Aitor García Moreno, Coloquio entre un cristiano y un judíoColin Thompsondoi:10.2307/20466853 | Cite |
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563-564 | Review of Arthur Terry, La idea del lenguaje en la poesía española: Crespo, Sánchez Robayna y ValenteFederico Bonaddiodoi:10.2307/20466854 | Cite |
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564-565 | Review of Teatro de la Abadía, 'Nada es como es, sino como se recuerda': Teatro de la Abadía 1995-2005Simon Bredendoi:10.2307/20466855 | Cite |
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565-567 | Review of Brian Murdoch, Malcolm Read, Early Germanic Literature and CultureAnnette Volfingdoi:10.2307/20466856 | Cite |
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567-568 | Review of Horst Brunner, Werner Williams-Krapp, Forschungen zur deutschen Literatur des Spätmittelalters: Festschrift für Johannes JanotaGraeme Dunphydoi:10.2307/20466857 | Cite |
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568-569 | Review of Eva Kormann, Ich, Welt und Gott: Autobiographik im 17. JahrhundertCharlotte Woodforddoi:10.2307/20466858 | Cite |
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570 | Review of Angela Steidele, In Männerkleidern: Das verwegene Leben der Catharina Margaretha Linck alias Anastasius Lagrantinus Rosenstengel, hingerichtet 1721. Biographie und DokumentationSusanne Korddoi:10.2307/20466859 | Cite |
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571 | Review of Gotthold Ephraim Lessing, Elke Monika Bauer, Emilia Galotti: Ein Trauerspiel in fünf Aufzügen. Historisch-kritische AusgabeH. B. Nisbetdoi:10.2307/20466860 | Cite |
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572-573 | | Cite |
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573-574 | Review of Anna Richards, The Wasting Heroine in German Fiction by Women, 1770-1914Helen Chambersdoi:10.2307/20466862 | Cite |
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574-575 | Review of Marcus Hahn, Geschichte und Epigonen: '19.jahrhundert' / 'Postmoderne', Stifter / BernhardNicholas Sauldoi:10.2307/20466863 | Cite |
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576-578 | Review of Jeffrey L. Sammons, Friedrich Spielhagen: Novelist of Germany's False DawnDirk Göttschedoi:10.2307/20466864 | Cite |
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578-579 | Review of Torsten Leutert, Ernst von Wildenbruchs historische DramenPeter Skrinedoi:10.2307/20466865 | Cite |
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579-581 | Review of Gregory Moore, Thomas H. Brobjer, Nietzsche and ScienceRobert C. Holubdoi:10.2307/20466866 | Cite |
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581-583 | Review of Elisabeth Leinfellner, Jörg Thunecke, Brückenschlag zwischen den Disziplinen: Fritz Mauthner als Schriftsteller, Kritiker und KulturtheoretikerGilbert J. Carrdoi:10.2307/20466867 | Cite |
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583-585 | Review of Martin E. Schmid, Regula Hauser, Severin Perrig, Hugo Von Hofmannsthal: Brief-Chronik. Regest-AusgabeW. E. Yatesdoi:10.2307/20466868 | Cite |
| |
585-587 | Review of Erika A. Metzger, Michael M. Metzger, Rainer Maria Rilke, A Companion to the Works of Rainer Maria RilkeHelen Bridgedoi:10.2307/20466869 | Cite |
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587-588 | | Cite |
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588-590 | | Cite |
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590-591 | Review of Dagmar C. G. Lorenz, Elias Canetti, A Companion to the Works of Elias CanettiDavid Robertsdoi:10.2307/20466872 | Cite |
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592-593 | Review of Stephen Parker, Peter Davies, Matthew Philpotts, The Modern Restoration: Re-Thinking German Literary History 1930-1960Mark Elliottdoi:10.2307/20466873 | Cite |
| |
593-594 | Review of Robert Weninger, Streitbare Literaten: Kontroversen und Eklats in der deutschen Literatur von Adorno bis WalserHans-Joachim Hahndoi:10.2307/20466874 | Cite |
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594-595 | Review of Peter O. Arnds, Representation, Subversion, and Eugenics in Günter Grass's 'The Tin Drum'Julian Preecedoi:10.2307/20466875 | Cite |
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595-596 | Review of Andreas Degen, Bildgedächtnis: Zur poetischen Funktion der Sinneswahrnehmung im Prosawerk Johannes BobrowskisBrian Keith-Smithdoi:10.2307/20466876 | Cite |
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596-597 | | Cite |
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597-598 | Review of Emily Jeremiah, Troubling Maternity: Mothering, Agency, and Ethics in Women's Writing in German of the 1970s and 1980sHelga Kraftdoi:10.2307/20466878 | Cite |
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598-600 | Review of Stuart Taberner, German Literature in the Age of GlobalisationKaren Leederdoi:10.2307/20466879 | Cite |
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600-601 | Review of Dorit Müller, Gefährliche Fahrten: Das Automobil in Literatur und Film um 1900Simon Warddoi:10.2307/20466880 | Cite |
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601-603 | Review of Richard T. Gray, About Face: German Physiognomic Thought from Lavater to AuschwitzFlorian Krobbdoi:10.2307/20466881 | Cite |
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603-604 | Review of Stefan Busch, Verlorenes Lachen: Blasphemisches Gelächter in der deutschen Literatur von der Aufklärung bis zur GegenwartPeter Skrinedoi:10.2307/20466882 | Cite |
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604-606 | Review of Kevin F. Hilliard, Ray Ockenden, Nigel F. Palmer, Bejahende Erkenntnis: Festschrift für T. J. Reed zu seiner Emeritierung am 30. September 2004Ellis Shookmandoi:10.2307/20466883 | Cite |
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606-608 | Review of Christian Emden, David Midgley, Cultural Memory and Historical Consciousness in the German-Speaking World since 1500: Papers from the Conference 'The Fragile Tradition', Cambridge 2002, Vol. IPeter Skrinedoi:10.2307/20466884 | Cite |
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608-609 | Review of Katja Schulz, Riesen: Von Wissenshütern und Wildnisbewohnern in Edda und SagaAntje Frotscherdoi:10.2307/20466885 | Cite |
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609-610 | Review of Beverley Driver Eddy, Vibeke Munk, Jörg Zeller, Karin Michaëlis: Kaleidoskop des Herzens. Eine BiographieSabine Strümper-Krobbdoi:10.2307/20466886 | Cite |
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611-612 | Review of Nikolai Karamzin, Andrew Kahn, Letters of a Russian TravellerDerek Offorddoi:10.2307/20466887 | Cite |
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612-615 | | Cite |
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615-616 | Review of Robert Louis Jackson, A New Word on 'The Brothers Karamazov'S. F. Hudspithdoi:10.2307/20466889 | Cite |
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617-618 | Review of Adrian Wanner, Russian Minimalism: From the Prose Poem to the Anti-StoryNeil Cornwelldoi:10.2307/20466890 | Cite |
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618-619 | Review of Beth Holmgren, The Russian Memoir: History and LiteratureKatharine Hodgsondoi:10.2307/20466891 | Cite |
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619-620 | Review of Neil Kenny, The Uses of Curiosity in Early Modern France and GermanyPeter Bayleydoi:10.2307/20466892 | Cite |
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620-621 | Review of Danielle Perrot-Corpet, Écrire devant l'absolu: Georges Bernanos et Miguel de UnamunoPeter Tamedoi:10.2307/20466893 | Cite |
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