1-15 | The Teleological Element in Richard Rolle's "Contra amatores mundi" Frank Shondoi:10.2307/3738405 | Cite |
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16-29 | Early Modern Printers and the Standardization of English Spelling T. H. Howard-Hilldoi:10.2307/3738406 | Cite |
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30-47 | | Cite |
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48-61 | Criminal Naivety: Blind Resistance and the Pain of Knowing in Chrétien de Troyes's "Conte du Graal" Ann McCulloughdoi:10.2307/3738408 | Cite |
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62-74 | | Cite |
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75-89 | Francis Ponge and André du Bouchet on Giacometti: Art Criticism as Testimony Emma Wagstaffdoi:10.2307/3738410 | Cite |
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90-105 | Lost in the Art(ifice) of Male Language: Finding the Female Author in Paola Capriolo's "Il doppio regno" Danielle E. Hipkinsdoi:10.2307/3738411 | Cite |
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106-150 | Journeys of Cultural Transference: Calixto Bieito's Multilingual Shakespeares María M. Delgadodoi:10.2307/3738412 | Cite |
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151-166 | Realism and Sentimentalism in Marie von Ebner-Eschenbach's "Unsühnbar" Charlotte Woodforddoi:10.2307/3738413 | Cite |
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167-183 | W. G. Sebald's Painters: The Function of Fine Art in His Prose Works Anne Fuchsdoi:10.2307/3738414 | Cite |
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184-200 | | Cite |
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201-211 | Andrei Platonov's "Happy Moscow": Stalinist Kitsch and Ethical Decadence Philip Bullockdoi:10.2307/3738416 | Cite |
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212 | Review of François Grin, Language Policy Evaluation and the European Charter for Regional or Minority LanguagesMaria Chiara La Saladoi:10.2307/3738417 | Cite |
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212-213 | Review of Dana E. Stewart, The Arrow of Love: Optics, Gender, and Subjectivity in Medieval Love PoetrySpencer Pearcedoi:10.2307/3738418 | Cite |
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213-214 | Review of James Dauphiné, Michel Mestre, La Bibliothèque, I (=Babel, revue de littérature française, générale et comparée, 6 (2002))Susan Dolamoredoi:10.2307/3738419 | Cite |
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214-216 | Review of George C. Schoolfield, A Baedeker of Decadence: Charting a Literary Fashion, 1884-1927Jeremy Tamblingdoi:10.2307/3738420 | Cite |
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216-217 | Review of David Adams, Colonial Odysseys: Empire and Epic in the Modernist NovelMatthew Dimmockdoi:10.2307/3738421 | Cite |
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217-218 | | Cite |
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218-219 | Review of Teresa P. Reed, Shadows of Mary: Reading the Virgin Mary in Medieval TextsRoger Dahooddoi:10.2307/3738423 | Cite |
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219-220 | Review of Raluca L. Radulescu, The Gentry Context for Malory's 'Morte Darthur'Elizabeth Archibalddoi:10.2307/3738424 | Cite |
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220-221 | Review of Richmond Barbour, Before Orientalism: London's Theatre of the East, 1576-1626Andrew Hiscockdoi:10.2307/3738425 | Cite |
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221-222 | Review of Kevin Sharpe, Steven N. Zwicker, Reading, Society and Politics in Early Modern EnglandTom Rutterdoi:10.2307/3738426 | Cite |
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222-223 | Review of David Loewenstein, Janel Mueller, The Cambridge History of Early Modern English LiteratureAdam Smythdoi:10.2307/3738427 | Cite |
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223-224 | Review of Jeanne Shami, John Donne and Conformity in Crisis in the Late Jacobean PulpitRichard Todddoi:10.2307/3738428 | Cite |
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225-226 | | Cite |
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226-227 | Review of Michael L. Hays, Shakespearean Tragedy as Chivalric Romance: Rethinking 'Macbeth', 'Hamlet', 'Othello', 'King Lear'Alex Davisdoi:10.2307/3738430 | Cite |
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227-228 | Review of W. B. Worthen, Shakespeare and the Force of Modern PerformanceCharles Edelmandoi:10.2307/3738431 | Cite |
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229-230 | Review of Vincent Newey, The Scriptures of Charles Dickens: Novels of Ideology, Novels of the SelfNicola Bradburydoi:10.2307/3738432 | Cite |
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230-231 | Review of Gretchen Holbrook Gerzina, Black Victorians/Black VictorianaKeith Hughesdoi:10.2307/3738433 | Cite |
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231-232 | Review of Anna Johnston, Missionary Writing and Empire, 1800-1860Angela Smithdoi:10.2307/3738434 | Cite |
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232-233 | Review of David Leverenz, Paternalism Incorporated: Fables of American Fatherhood, 1865-1940Graham Thompsondoi:10.2307/3738435 | Cite |
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233-234 | Review of Lois A. Cuddy, Claire M. Roche, Evolution and Eugenics in American Literature and Culture, 1880-1940: Essays in Ideological Conflict and ComplicityDavid Seeddoi:10.2307/3738436 | Cite |
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234-235 | Review of Peter Stoneley, Consumerism and American Girls' Literature, 1860-1940Sue Currelldoi:10.2307/3738437 | Cite |
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235-236 | Review of David Musselwhite, Social Transformation in Hardy's Tragic Novels: Megamachines and PhantasmsTim Armstrongdoi:10.2307/3738438 | Cite |
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236-237 | Review of Marina Camboni, H.D.'s Poetry: 'The Meanings That Words Hide'Victoria Bazindoi:10.2307/3738439 | Cite |
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237-238 | Review of Phillipa Kafka, On the outside Looking In(dian): Indian Women Writers at Home and AbroadElleke Boehmerdoi:10.2307/3738440 | Cite |
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239 | Review of David Lucking, The Serpent's Part: Narrating the Self in Canadian LiteratureJulie Mullaneydoi:10.2307/3738441 | Cite |
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240-242 | Review of Faye Hammill, Literary Culture and Female Authorship in Canada 1760-2000Susan E. Billinghamdoi:10.2307/3738442 | Cite |
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242-243 | Review of Michèle Clément, Le Cynisme à la Renaissance d'Erasme à Montaigne suivi de 'Les Epistres de Diogenes' (1546)Hugh Robertsdoi:10.2307/3738443 | Cite |
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243 | | Cite |
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243-244 | Review of Florian Preisig, Clément Marot et les métamorphoses de l'auteur à l'aube de la RenaissanceChristine M. Scollen-Jimackdoi:10.2307/3738445 | Cite |
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244-245 | Review of Claudia Moscovici, Double Dialectics: Between Universalism and Relativism in Enlightenment and Postmodern ThoughtMartin Calderdoi:10.2307/3738446 | Cite |
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245-246 | Review of Síofra Pierse, The City in French Writing: The Eighteenth-Century Experience/Écrire la ville au dixhuitième siècleMartin Calderdoi:10.2307/3738447 | Cite |
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246-247 | Review of Vanessa de Senarclens, Montesquieu, historien de Rome: un tournant pour la réflexion sur le statut de l'histoire au XVIIIe siècleIris Coxdoi:10.2307/3738448 | Cite |
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247-248 | Review of Catherine Volpilhac-Auger, Montesquieu: Mémoire de la critiqueIris Coxdoi:10.2307/3738449 | Cite |
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248-249 | Review of Voltaire, Nicholas Cronk, Roger J. V. Cotte, Jean Dagen, John Dunkley, Paul Gibbard, Russell Goulbourne, Les Œuvres complètes de Voltaire. Vol. IIIA: Writings of 1723-1728, Pt. IDerek Connondoi:10.2307/3738450 | Cite |
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249-250 | Review of Voltaire, Nicholas Cronk, Michael Cardy, Haydn T. Mason, Katherine Astbury, Les Œuvres complètes de Voltaire. Vol. XXXB: Writings of 1746-1748, Pt. IIMartin Halldoi:10.2307/3738451 | Cite |
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250-251 | Review of Abbé Prévost, Angela Scholar, Manon Lescaut (The Story of the Chevalier Des Grieux and Manon Lescaut)Martin Calderdoi:10.2307/3738452 | Cite |
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251-252 | Review of David F. Bell, Real Time: Accelerating Narrative from Balzac to ZolaAndrew Wattsdoi:10.2307/3738453 | Cite |
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252-253 | Review of Gustave Flaubert, Paul Andrew Tipper, Flower Poetics in the Works of Gustave FlaubertJacqueline Paskowdoi:10.2307/3738454 | Cite |
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253-254 | | Cite |
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254-255 | Review of Paola Salerni, Anarchie, langue, société: 'L'Etna chez soi' de Villiers de l'Isle-AdamPeter Cogmandoi:10.2307/3738456 | Cite |
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255-256 | | Cite |
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256-257 | Review of Robert Ziegler, The Mirror of Divinity: The World and Creation in J.-K. HuysmansBrendan Kingdoi:10.2307/3738458 | Cite |
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257 | Review of Marie Bornand, Témoignage et fiction: Les récits de rescapés dans la littérature de langue française (1945-2000)Kathryn Robsondoi:10.2307/3738459 | Cite |
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258-259 | | Cite |
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259-261 | Review of Michael Cardy, Tremblay: 'Les Belles-sœurs' and 'A toi, pour toujours, ta Marie-Lou'Ruth B. Antoshdoi:10.2307/3738461 | Cite |
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261-262 | Review of Eric G. Haywood, Dante Metamorphoses: Episodes in a Literary AfterlifeJohn Lindondoi:10.2307/3738462 | Cite |
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262-264 | Review of Uberto Motta, Castiglione e il mito di Urbino: Studi sull'elaborazione del 'Cortegiano'J. R. Woodhousedoi:10.2307/3738463 | Cite |
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264-265 | | Cite |
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265-267 | Review of Rodney Lokaj, ... all'ombra dell'ilice nera, sive Reminiscenze classiche nella 'Capinera' di VergaLuisa Carrerdoi:10.2307/3738465 | Cite |
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267-268 | Review of Peter Bondanella, Andrea Ciccarelli, The Cambridge Companion to the Italian NovelCatherine O'Rawedoi:10.2307/3738466 | Cite |
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269-270 | Review of Judi Upton-Ward, The Catalan Rule of the Templars: A Critical Edition and English Translation from Barcelona, Archivo de la Corona de Aragón, Cartas Reales, MS 3344David Hookdoi:10.2307/3738467 | Cite |
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270-272 | Review of Christopher Young, Thomas Gloning, A History of the German Language through TextsNils Langerdoi:10.2307/3738468 | Cite |
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272-273 | Review of Michael Graf, Mittelhochdeutsche Studiengrammatik: Eine PilgerreiseJohn Margettsdoi:10.2307/3738469 | Cite |
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273-275 | | Cite |
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275-276 | Review of Eckehard Simon, Die Anfänge des weltlichen deutschen Schauspiels 1370-1530: Untersuchung und DokumentationJohn Margettsdoi:10.2307/3738471 | Cite |
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276-277 | Review of Elisabeth Wåghäll Nivre, Women and Family Life in Early Modern German LiteratureCharlotte Woodforddoi:10.2307/3738472 | Cite |
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277-278 | | Cite |
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278 | Review of Lorella Bosco, 'Das furchtbar-schöne Gorgonenhaupt des Klassischen': Deutsche Antikenbilder (1755-1875)David Pughdoi:10.2307/3738474 | Cite |
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279-280 | Review of Tina Hartmann, Goethes Musiktheater: Singspiele, Opern, Festspiele, 'Faust'; Hans-Peter Bayerdörfer, Im Auftrieb: Grenzüberschreitungen mit Goethes 'Faust' in Inszenierungen der neunziger JahreOsman Durranidoi:10.2307/3738475 | Cite |
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280-282 | Review of Anett Kollmann, Gepanzerte Empfindsamkeit: Helden in Frauengestalt um 1800Susanne Korddoi:10.2307/3738476 | Cite |
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282-283 | Review of Theodore Ziolkowski, Clio the Romantic Muse: Historicizing the Faculties in GermanyHans Reissdoi:10.2307/3738477 | Cite |
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283-286 | Review of Günther Schiwy, Eichendorff: Der Dichter in seiner Zeit. Eine Biographie; Ursula Regener, Formelsuche: Untersuchungen zu Eichendorffs lyrischem Werk; Otto Eberhardt, Eichendorffs Erzählungen 'Das Schloß Dürande' und 'Die Entführung' als Beiträge zur Literaturkritik: Untersuchungen zum poetischen Verfahren Eichendorffs IIJudith Purverdoi:10.2307/3738478 | Cite |
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286-288 | | Cite |
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288-289 | Review of Graham Bartram, The Cambridge Companion to the Modern German NovelAnne Whitedoi:10.2307/3738480 | Cite |
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289-291 | Review of Malte Herwig, Bildungsbürger auf Abwegen: Naturwissenschaft im Werk Thomas MannsHinrich Siefkendoi:10.2307/3738481 | Cite |
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291-292 | Review of Marek Nekula, Franz Kafkas Sprachen: '... in einem Stockwerk des babylonischen Turmes...'Ritchie Robertsondoi:10.2307/3738482 | Cite |
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292-293 | Review of Dietrich Scheunemann, Expressionist Film: New PerspectivesSeán Allandoi:10.2307/3738483 | Cite |
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293-294 | Review of Judith Sidler, Literarisierter Tagtraum: Einheitskonstruktionen in Hermann Brochs 'Tierkreis-Erzählungen'Daria Santinidoi:10.2307/3738484 | Cite |
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295-296 | Review of Gerhard Nebel, Gerald Zschorsch, Der Schmerz des Vermissens: EssaysGalin Tihanovdoi:10.2307/3738485 | Cite |
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296-297 | Review of Susanne Vees-Gulani, Trauma and Guilt: Literature of Wartime Bombing in GermanyBill Nivendoi:10.2307/3738486 | Cite |
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297-298 | Review of Katharina Keim, Peter M. Boenisch, Robert Braunmüller, Theater ohne Grenzen: Festschrift für Hans-Peter Bayerdörfer zum 65. GeburtstagDavid Barnettdoi:10.2307/3738487 | Cite |
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298-299 | Review of Bernd Blöbaum, Stefan Neuhaus, Literatur und Journalismus: Theorie, Kontexte, FallstudienDeborah Holmesdoi:10.2307/3738488 | Cite |
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299-300 | | Cite |
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300-302 | Review of Amand Berteloot, Hans van Dijk, Jasmin Hlatky, 'Een boec dat men te Latine heet Aurea Legenda': Beiträge zur niederländischen Übersetzung der 'Legenda aurea'Elsa Strietmandoi:10.2307/3738490 | Cite |
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302-304 | Review of Thomas F. Shannon, Johan P. Snapper, Janus at the Millennium: Perspectives on Time in the Culture of the NetherlandsJane Fenoulhetdoi:10.2307/3738491 | Cite |
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304-305 | Review of Liza Knapp, Amy Mandelker, Approaches to Teaching Tolstoy's 'Anna Karenina'Joe Andrewdoi:10.2307/3738492 | Cite |
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305-307 | Review of Viacheslav Ivanov, Michael Wachtel, Robert Bird, Selected EssaysAdam Fergusdoi:10.2307/3738493 | Cite |
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307-308 | Review of Hilaire Kallendorf, Exorcism and Its Texts: Subjectivity in Early Modern Literature of England and SpainJan Frans Van Dijkhuizendoi:10.2307/3738494 | Cite |
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308-309 | Review of Roger Paulin, The Critical Reception of Shakespeare in Germany 1682-1914: Native Literature and Foreign GeniusW. E. Yatesdoi:10.2307/3738495 | Cite |
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