593-608 | | Cite |
| |
609-620 | T. S. Eliot on the Limits of Criticism: The Anomalous "Experiment" of 1929 A. G. Marshalldoi:10.2307/3739115 | Cite |
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621-631 | | Cite |
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632-644 | | Cite |
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645-658 | Translating the Pope and the Apennines: Harington's Version of the "Orlando furioso" Jane E. Eversondoi:10.2307/3739118 | Cite |
| |
659-672 | No Time for the Doves? Intrusion and Redrafting in the English Translation of "La plaça del Diamant" Dominic Keowndoi:10.2307/3739119 | Cite |
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673-694 | | Cite |
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695-708 | | Cite |
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709-722 | Masochism and Its Limits in Robert Musil's "Die Vollendung der Liebe" Stephanie Birddoi:10.2307/3739122 | Cite |
| |
723-739 | Universal History as Reworked by "Satirikon" and "1066 and All That" as Parody History Textbooks: A Suggestion of a Literary Genre Lesley Milnedoi:10.2307/3739123 | Cite |
| |
740-746 | Ossian and Ossianism in Britain and Germany: A Review Article Francis Lamportdoi:10.2307/3739124 | Cite |
| |
747 | Review of Alain Montandon, De soi à soi: l'écriture comme autohospitalitéClaire Boyledoi:10.2307/3739125 | Cite |
| |
748 | Review of Daniel Punday, Narrative Bodies: Toward a Corporeal NarratologyCarolyn D. Williamsdoi:10.2307/3739126 | Cite |
| |
749 | Review of Lisa Perfetti, Women and Laughter in Medieval Comic LiteratureRosalind Brown-Grantdoi:10.2307/3739127 | Cite |
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749-750 | Review of Margaret Mikesell, Adele Seeff, Culture and Change: Attending to Early Modern WomenCarolyn D. Williamsdoi:10.2307/3739128 | Cite |
| |
751 | Review of Felicity A. Nussbaum, The Global Eighteenth CenturyMatthew Dimmockdoi:10.2307/3739129 | Cite |
| |
752-754 | Review of Beatrice Hanssen, Andrew Benjamin, Walter Benjamin and RomanticismBen Morgandoi:10.2307/3739130 | Cite |
| |
754 | Review of Karla Grierson, Discours d'Auschwitz: littérarité, représentation, symbolisationMaxim Silvermandoi:10.2307/3739131 | Cite |
| |
755 | Review of Cary Wolfe, Animal Rites: American Culture, the Discourse of Species, and Posthumanist TheoryT. J. Lustigdoi:10.2307/3739132 | Cite |
| |
756-757 | Review of Ross Chambers, Untimely Interventions: AIDS Writing, Testimonial, and the Rhetoric of HauntingJean-Pierre Boulédoi:10.2307/3739133 | Cite |
| |
757-758 | Review of Catherine E. Karkov, George Hardin Brown, Anglo-Saxon StylesChristine Rauerdoi:10.2307/3739134 | Cite |
| |
758-759 | Review of Mark C. Amodio, Katherine O'Brien O'Keeffe, Unlocking the Wordhord: Anglo-Saxon Studies in Memory of Edward B. Irving, Jr.Peter Dendledoi:10.2307/3739135 | Cite |
| |
759-762 | Review of Corinne Saunders, Françoise Le Saux, Neil Thomas, Writing War: Medieval Literary Responses to Warfare; Claire Elizabeth McIlroy, The English Prose Treatises of Richard RolleAndrew Breezedoi:10.2307/3739136 | Cite |
| |
762-763 | Review of Elaine Treharne, Susan Rosser, Early Medieval Texts and Interpretations: Studies Presented to Donald G. ScraggBella Millettdoi:10.2307/3739137 | Cite |
| |
763-764 | Review of Matthew Woodcock, Fairy in 'The Faerie Queene': Renaissance Elf-Fashioning and Elizabethan Myth-MakingRichard Danson Browndoi:10.2307/3739138 | Cite |
| |
764-765 | Review of Sara Munson Deats, Robert A. Logan, Marlowe's Empery: Expanding His Critical ContextsCharles Whitneydoi:10.2307/3739139 | Cite |
| |
765-766 | Review of Frederick Kiefer, Shakespeare's Visual Theatre: Staging the Personified CharactersKatherine West Scheildoi:10.2307/3739140 | Cite |
| |
767-768 | Review of Katherine West Scheil, The Taste of the Town: Shakespearian Comedy and the Early Eighteenth-Century TheaterRebecca Rogersdoi:10.2307/3739141 | Cite |
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768-770 | | Cite |
| |
770-771 | Review of Lisa Freinkel, Reading Shakespeare's Will: The Theology of Figure from Augustine to the SonnetsJohn Roedoi:10.2307/3739143 | Cite |
| |
771-772 | Review of A. Luis Pujante, Ton Hoenselaars, Four Hundred Years of Shakespeare in EuropeDieter Mehldoi:10.2307/3739144 | Cite |
| |
773-774 | Review of B. J. Sokol, A Brave New World of Knowledge: Shakespeare's 'The Tempest' and Early Modern EpistemologyScott Maisanodoi:10.2307/3739145 | Cite |
| |
774-777 | Review of Elizabeth Jane Bellamy, Patrick Cheney, Michael Schoenfeldt, Imagining Death in Spenser and Milton; J. Douglas Canfield, The Baroque in English Neoclassical LiteratureTom Rutterdoi:10.2307/3739146 | Cite |
| |
777-778 | Review of Lucinda M. Becker, Death and the Early Modern EnglishwomanSylvia Browndoi:10.2307/3739147 | Cite |
| |
778-779 | Review of Pamela Allen Brown, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern EnglandTom Rutterdoi:10.2307/3739148 | Cite |
| |
779-780 | Review of Robert Cockcroft, Rhetorical Affect in Early Modern Writing: Renaissance Passions ReconsideredChristy Desmetdoi:10.2307/3739149 | Cite |
| |
780-781 | Review of Line Cottegnies, Nancy Weitz, Authorial Conquests: Essays on Genre in the Writings of Margaret CavendishJacqueline Pearsondoi:10.2307/3739150 | Cite |
| |
781-782 | Review of Nicholas McDowell, The English Radical Imagination: Culture, Religion and Revolution, 1630-1660N. H. Keebledoi:10.2307/3739151 | Cite |
| |
782-783 | Review of Nigel Smith, Andrew Marvell, The Poems of Andrew MarvellWarren Chernaikdoi:10.2307/3739152 | Cite |
| |
783-785 | Review of Blair Hoxby, Mammon's Music: Literature and Economics in the Age of MiltonWarren Chernaikdoi:10.2307/3739153 | Cite |
| |
785-787 | | Cite |
| |
787-788 | Review of James How, Epistolary Spaces: English Letter Writing from the Foundation of the Post Office to Richardson's 'Clarissa'Allan Ingramdoi:10.2307/3739155 | Cite |
| |
788-789 | | Cite |
| |
789-790 | Review of Barbara Taylor, Mary Wollstonecraft and the Feminist ImaginationHeidi Thomsondoi:10.2307/3739157 | Cite |
| |
790-791 | Review of Lisa Wood, Modes of Discipline: Women, Conservatism and the Novel after the French RevolutionKate Williamsdoi:10.2307/3739158 | Cite |
| |
791-792 | Review of Catherine Brennan, Angers, Fantasies and Ghostly Fears: Nineteenth-Century Women from Wales and English-Language PoetryStephanie Forwarddoi:10.2307/3739159 | Cite |
| |
793-794 | Review of Gina MacDonald, Andrew MacDonald, Jane Austen on ScreenSarah Cardwelldoi:10.2307/3739160 | Cite |
| |
794-795 | Review of Paul Hamilton, Metaromanticism: Aesthetics, Literature, TheoryPatrick Hogandoi:10.2307/3739161 | Cite |
| |
795-796 | Review of Simon Bainbridge, British Poetry and the Revolutionary and Napoleonic Wars: Vision and ConflictMalcolm Kelsalldoi:10.2307/3739162 | Cite |
| |
796-798 | Review of Stephen Cheeke, Byron and Place: History, Translation, NostalgiaMoyra Haslettdoi:10.2307/3739163 | Cite |
| |
798-799 | Review of Gerard Carruthers, Alan Rawes, English Romanticism and the Celtic WorldSuzanne Gilbertdoi:10.2307/3739164 | Cite |
| |
799-801 | Review of John Sutherland, Stephen Spender: The Authorized BiographyRichard Danson Browndoi:10.2307/3739165 | Cite |
| |
801-802 | Review of R. A. York, The Extension of Life: Fiction and History in the American NovelJudie Newmandoi:10.2307/3739166 | Cite |
| |
802-803 | Review of Betty Joseph, Reading the East India Company, 1720-1840: Colonial Currencies of GenderPablo Mukherjeedoi:10.2307/3739167 | Cite |
| |
803-804 | Review of Kenneth Haynes, English Literature and Ancient LanguagesRobin Sowerbydoi:10.2307/3739168 | Cite |
| |
804-805 | Review of Christoph Lindner, Fictions of Commodity Culture: From the Victorian to the PostmodernPeter Stoneleydoi:10.2307/3739169 | Cite |
| |
805-806 | Review of Jean-Marc Lanteri, Dramaturgies britanniques (1980-2000)Nicole Fayarddoi:10.2307/3739170 | Cite |
| |
806-807 | Review of Darryl Jones, Horror: A Thematic History in Fiction and FilmHelen Wheatleydoi:10.2307/3739171 | Cite |
| |
807-808 | Review of Michael Pinsky, Future Present: Ethics and/As Science FictionAndy Sawyerdoi:10.2307/3739172 | Cite |
| |
808-809 | | Cite |
| |
809-810 | Review of Daniel Heller-Roazen, Fortune's Faces: The 'Roman de la Rose' and the Poetics of ContingencySylvia Huotdoi:10.2307/3739174 | Cite |
| |
810-811 | Review of Alison Adams, Stephen Rawles, Alison Saunders, A Bibliography of French Emblem Books of the Sixteenth and Seventeenth Centuries, Vol. II: L-ZJennifer Britnelldoi:10.2307/3739175 | Cite |
| |
811 | Review of Alison Adams, Webs of Allusion: French Protestant Emblem Books of the Sixteenth CenturySophia Pickforddoi:10.2307/3739176 | Cite |
| |
812 | Review of Jacques Sannazar, Jean Martin, Jean-Claude Ternaux, L'ArcadieValerie Worth-Stylianoudoi:10.2307/3739177 | Cite |
| |
812-813 | Review of Joachim Du Bellay, François Goyet, Olivier Millet, Œuvres complètes, Vol. I: La Deffence, et illustration de la langue françoyseValerie Worth-Stylianoudoi:10.2307/3739178 | Cite |
| |
813-814 | Review of Michael Moriarty, Early Modern French Thought: The Age of SuspicionElizabeth Molesdoi:10.2307/3739179 | Cite |
| |
814-815 | Review of Ziad Elmarsafy, Freedom, Slavery and Absolutism: Corneille, Pascal, RacineNicholas Hammonddoi:10.2307/3739180 | Cite |
| |
815 | Review of Nicholas Cronk, The Classical Sublime: French Neoclassicism and the Language of LiteratureEmma Gilbydoi:10.2307/3739181 | Cite |
| |
816 | Review of Benoît Bolduc, Andromède au rocher: fortune théâtrale d'une image en France et en Italie 1587-1712Jan Clarkedoi:10.2307/3739182 | Cite |
| |
816-817 | Review of Philippe Quinault, William Brooks, L'Amant indiscret ou le maistre estourdiDavid Shawdoi:10.2307/3739183 | Cite |
| |
818 | Review of Elisabeth Labrousse, Antony McKenna, Laurence Bergon, Hubert Bost, Wiep van Bunge, Edward James, Eric-Olivier Lochard, Dominique Taurisson, Annie Leroux, Caroline Verdier, Correspondance de Pierre Bayle, Vol. III: Janvier 1678-fin 1683. Lettres 147-241Joy Charnleydoi:10.2307/3739184 | Cite |
| |
818-820 | Review of Maria Susana Seguin, Science et religion dans la pensée française du XVIIIe siècle: le mythe du déluge universelGraham Gargettdoi:10.2307/3739185 | Cite |
| |
820 | Review of Martin Calder, Encounters with the Other: A Journey to the Limits of Language through Works by Rousseau, Defoe, Prévost and GraffignyMichael Cardydoi:10.2307/3739186 | Cite |
| |
821 | Review of Groupe d'Études Balzaciennes, L'Année balzacienne 2003: 'Le Médecin de campagne'Andrew Wattsdoi:10.2307/3739187 | Cite |
| |
822 | | Cite |
| |
822-823 | Review of Oscar Mandel, Prosper Mérimée: Plays on Hispanic ThemesPeter Cogmandoi:10.2307/3739189 | Cite |
| |
823-824 | Review of André Guyaux, Bertrand Marchal, 'Les Fleurs du mal': actes du colloque de la Sorbonne des 10 et 11 janvier 2003A. J. McCanndoi:10.2307/3739190 | Cite |
| |
824-825 | Review of Émile Zola, Dorothy E. Speirs, Yannick Portebois, Notes from ExileHannah Thompsondoi:10.2307/3739191 | Cite |
| |
825-826 | | Cite |
| |
826-827 | Review of Stéphane Chaudier, Proust et le langage religieux: la cathédrale profaneW. L. Hodsondoi:10.2307/3739193 | Cite |
| |
827-828 | Review of Inge Crosman Wimmers, Proust and Emotion: The Importance of Affect in 'A la recherche du temps perdu'Edward J. Hughesdoi:10.2307/3739194 | Cite |
| |
828-829 | | Cite |
| |
829-830 | Review of Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and PoliticsStephen Forcerdoi:10.2307/3739196 | Cite |
| |
830-831 | Review of Lucien Becker, Christopher Pilling, Love at the FullMartin Sorrelldoi:10.2307/3739197 | Cite |
| |
831-832 | | Cite |
| |
832-833 | Review of Raymond Gay-Crosier, Albert Camus, 20: 'Le Premier Homme' en perspectiveMark Ormedoi:10.2307/3739199 | Cite |
| |
833-834 | Review of Elinor S. Miller, Prisms and Rainbows: Michel Butor's Collaborations with Jacques Monory, Jiří Kolář and Pierre AlechinskyJean H. Duffydoi:10.2307/3739200 | Cite |
| |
834-835 | Review of Nathalie Morello, Catherine Rodgers, Nouvelles écrivaines: nouvelles voix?Sarah Fishwickdoi:10.2307/3739201 | Cite |
| |
835-836 | Review of Scott MacKenzie, Screening Quebec: Québécois Moving Images, National Identity, and the Public SphereTony Simonsdoi:10.2307/3739202 | Cite |
| |
836-837 | Review of Elisabeth Loevlie, Literary Silences in Pascal, Rousseau, and BeckettMary Brydendoi:10.2307/3739203 | Cite |
| |
837-838 | Review of Priscilla Parkhurst Ferguson, Accounting for Taste: The Triumph of French CuisineElizabeth Molesdoi:10.2307/3739204 | Cite |
| |
838-839 | Review of Edoardo Crisafulli, The Vision of Dante: Cary's Translation of 'The Divine Comedy'Alison Milbankdoi:10.2307/3739205 | Cite |
| |
839-840 | Review of Alison Chapman, Jane Stabler, Unfolding the South: Nineteenth-Century British Women Writers and Artists in ItalyAntonella Braidadoi:10.2307/3739206 | Cite |
| |
840-841 | Review of Willard Bohn, The Other Futurism: Futurist Activity in Venice, Padua, and VeronaGünter Berghausdoi:10.2307/3739207 | Cite |
| |
841-842 | Review of Claudia Baldoli, Exporting Fascism: Italian Fascists and Britain's Italians in the 1930sSimona Storchidoi:10.2307/3739208 | Cite |
| |
843-844 | | Cite |
| |
844-845 | Review of Charlotte Ross, Rochelle Sibley, Illuminating Eco: On the Boundaries of InterpretationJane E. Eversondoi:10.2307/3739210 | Cite |
| |
845-848 | | Cite |
| |
848-849 | Review of Andrew Bush, The Routes of Modernity: Spanish American Poetry from the Early Eighteenth to the Mid-Nineteenth CenturyKeith Ellisdoi:10.2307/3739212 | Cite |
| |
849-851 | Review of Melanie Nicholson, Evil, Madness, and the Occult in Argentine PoetryPaul Jordandoi:10.2307/3739213 | Cite |
| |
851-852 | Review of María Silvina Persino, Hacia una poética de la mirada: Mario Vargas Llosa, Juan Marsé, Elena Garro, Juan GoytisoloAndrea Nobledoi:10.2307/3739214 | Cite |
| |
852-853 | Review of Fiona J. Mackintosh, Silvina Ocampo, Alejandra Pizarnik, Childhood in the Works of Silvina Ocampo and Alejandra PizarnikEvelyn Fishburndoi:10.2307/3739215 | Cite |
| |
853-854 | Review of Harriet Turner, Adelaida López Martínez, The Cambridge Companion to the Spanish Novel from 1600 to the PresentAndrew Gingerdoi:10.2307/3739216 | Cite |
| |
854-855 | Review of Gustavo San Román, Assertive Hispanisms: Tensions and Affirmations in Cultural IdentityJon Beasley-Murraydoi:10.2307/3739217 | Cite |
| |
855-856 | Review of David A. Wells, The Central Franconian Rhyming Bible ('Mittelfränkische Reimbibel'): An Early Twelfth-Century German Verse Homiliary. A Thematic and Exegetical Commentary with the Text and a Translation into EnglishAnnette Volfingdoi:10.2307/3739218 | Cite |
| |
856-857 | | Cite |
| |
857-858 | Review of John Greenfield, Wahrnehmung im Parzival Wolframs von Eschenbach: Actas do Colóquio Internacional 15 e 16 de novembro de 2002Neil Thomasdoi:10.2307/3739220 | Cite |
| |
858-859 | Review of Albert Schirrmeister, Triumph des Dichters: Gekrönte Intellektuelle im 16. JahrhundertJohn L. Flooddoi:10.2307/3739221 | Cite |
| |
859-860 | Review of R. Graeme Dunphy, Opitz's Anno: The Middle High German 'Annolied' in the 1639 Edition of Martin OpitzNicola McLellanddoi:10.2307/3739222 | Cite |
| |
860-862 | Review of Jonathan M. Hess, Germans, Jews and the Claims of ModernityJeffrey A. Grossmandoi:10.2307/3739223 | Cite |
| |
862-863 | Review of Inge Stephan, Hans-Gerd Winter, 'Die Wunde Lenz': J. M. R. Lenz. Leben, Werk und RezeptionJohn Guthriedoi:10.2307/3739224 | Cite |
| |
863-865 | Review of Franziska Schössler, Goethes 'Lehr'- und 'Wanderjahre': Eine Kulturgeschichte der ModerneRoger Stephensondoi:10.2307/3739225 | Cite |
| |
865-866 | Review of Thorsten Valk, Melancholie im Werk Goethes: Genese: Symptomatik: TherapieMatthew Belldoi:10.2307/3739226 | Cite |
| |
866-868 | | Cite |
| |
868-870 | Review of Dennis F. Mahoney, The Literature of German RomanticismRoger Paulindoi:10.2307/3739228 | Cite |
| |
870-872 | Review of Nathali Jückstock-Kiessling, Ich-Erzählen: Anmerkungen zu Wilhelm Raabes RealismusJeffrey L. Sammonsdoi:10.2307/3739229 | Cite |
| |
872-873 | Review of Isabel Nottinger, Fontanes Fin de Siècle: Motive der Dekadenz in 'L' Adultera', 'Cécile' und 'Der Stechlin'Florian Krobbdoi:10.2307/3739230 | Cite |
| |
873-875 | Review of John Zilcosky, Kafka's Travels: Exoticism, Colonialism, and the Traffic of WritingJulian Preecedoi:10.2307/3739231 | Cite |
| |
875-876 | Review of Josef Quack, Geschichtsroman und Geschichtskritik: Zu Alfred Döblins 'Wallenstein'Steffan Daviesdoi:10.2307/3739232 | Cite |
| |
876-877 | Review of Hans-Albert Walter, Deutsche Exilliterature 1933-1950. Vol. I: Die Vorgeschichte des Exils und seine erste Phase, I. I: Die Mentalität der Weimardeutschen/Die 'Politisierung' der IntellektuellenDavid Midgleydoi:10.2307/3739233 | Cite |
| |
877-878 | Review of Bernhard Greiner, Placeless Topographies: Jewish Perspectives on the Literature of ExileMary Cosgrovedoi:10.2307/3739234 | Cite |
| |
878-879 | Review of Charmian Brinson, Richard Dove, 'Stimme der Wahrheit': German-Language Broadcasting by the BBCAndrea Hammeldoi:10.2307/3739235 | Cite |
| |
879-880 | Review of Janina Gesche, Aus zweierlei Perspektiven...: Zur Rezeption der Danziger Trilogie von Günter Grass in Polen und Schweden in den Jahren 1958-1990Julian Preecedoi:10.2307/3739236 | Cite |
| |
880-881 | Review of Stephanie Bird, Women Writers and National Identity: Bachmann, Duden, ÖzdamarLyn Marvendoi:10.2307/3739237 | Cite |
| |
881-883 | Review of Susanne Schedel, 'Wer weiß, wie es vor Zeiten wirklich gewesen ist?' Textbeziehungen als Mittel der Geschichtsdarstellung bei W. G. SebaldAnne Fuchsdoi:10.2307/3739238 | Cite |
| |
883-884 | Review of Helmut Schmitz, On Their Own Terms: The Legacy of National Socialism in Post-1990 German FictionStuart Tabernerdoi:10.2307/3739239 | Cite |
| |
884-885 | Review of Sarah Colvin, Women and German Drama: Playwrights and Their Texts, 1860-1945Agnès Cardinaldoi:10.2307/3739240 | Cite |
| |
885-886 | Review of Edna Andrews, Conversations with Lotman: Cultural Semiotics in Language, Literature, and CognitionDavid Shepherddoi:10.2307/3739241 | Cite |
| |
887-888 | Review of Irina Sirotkina, Diagnosing Literary Genius: A Cultural History of Psychiatry in Russia, 1880-1930Claire Whiteheaddoi:10.2307/3739242 | Cite |
| |
888-889 | Review of Sarah Hudspith, Dostoevsky and the Idea of Russianness: A New Perspective on Unity and BrotherhoodDonald Rayfielddoi:10.2307/3739243 | Cite |
| |
889-891 | Review of David L. Hoffmann, Stalinist Values: The Cultural Norms of Soviet Modernity, 1917-41Mike O'Mahonydoi:10.2307/3739244 | Cite |
| |
891-892 | Review of Catherine O'Neil, With Shakespeare's Eyes: Pushkin's Creative Appropriation of ShakespeareHelen Galbraithdoi:10.2307/3739245 | Cite |
| |
892-893 | Review of Louise McReynolds, Joan Neuberger, Imitations of Life: Two Centuries of Melodrama in RussiaRichard Taylordoi:10.2307/3739246 | Cite |
| |
893-894 | Review of Elaine Rusinko, Straddling Borders: Literature and Identity in Subcarpathian Rus'Dessislava Dragnevadoi:10.2307/3739247 | Cite |
| |
894-896 | Review of Halina Stephan, Living in Translation: Polish Writers in AmericaElwira Grossmandoi:10.2307/3739248 | Cite |
| |
896 | Review of Ian K. Lilly, Moscow and Petersburg: The City in Russian CultureNatalia Rulyovadoi:10.2307/3739249 | Cite |
| |
897-898 | Review of Nick Holdsworth, Moscow, the Beautiful and the Damned: Life in Russia in TransitionEmma Graydoi:10.2307/3739250 | Cite |
| |
898-899 | | Cite |
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899-900 | Review of Giorgio Maria Nicolai, Dizionario delle parole russe che s'incontrano in ItalianoGiulio Lepschydoi:10.2307/3739252 | Cite |
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