Modern Language Review 100.3

Modern Language Review 100.3

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Modern Language Review 100.3

Modern Humanities Research Association

1 July 2005 • 320pp

Access online: At JSTOR

Contents:

593-608	Pope and Plagiarism Richard Terry doi:10.2307/3739114	Cite
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609-620	T. S. Eliot on the Limits of Criticism: The Anomalous "Experiment" of 1929 A. G. Marshall doi:10.2307/3739115	Cite
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621-631	The Paris of René Crevel Paul Cooke doi:10.2307/3739116	Cite
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632-644	Simone de Beauvoir's "La femme rompue": Reception and Deception Suzanne Dow doi:10.2307/3739117	Cite
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645-658	Translating the Pope and the Apennines: Harington's Version of the "Orlando furioso" Jane E. Everson doi:10.2307/3739118	Cite
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659-672	No Time for the Doves? Intrusion and Redrafting in the English Translation of "La plaça del Diamant" Dominic Keown doi:10.2307/3739119	Cite
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673-694	The Colonial Criticism of José Rabasa: A Marxist Critique Malcolm K. Read doi:10.2307/3739120	Cite
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695-708	Oral Reading, Print Culture, and the German Enlightenment Jane V. Curran doi:10.2307/3739121	Cite
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709-722	Masochism and Its Limits in Robert Musil's "Die Vollendung der Liebe" Stephanie Bird doi:10.2307/3739122	Cite
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723-739	Universal History as Reworked by "Satirikon" and "1066 and All That" as Parody History Textbooks: A Suggestion of a Literary Genre Lesley Milne doi:10.2307/3739123	Cite
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740-746	Ossian and Ossianism in Britain and Germany: A Review Article Francis Lamport doi:10.2307/3739124	Cite
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747	Review of Alain Montandon, De soi à soi: l'écriture comme autohospitalité Claire Boyle doi:10.2307/3739125	Cite
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748	Review of Daniel Punday, Narrative Bodies: Toward a Corporeal Narratology Carolyn D. Williams doi:10.2307/3739126	Cite
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749	Review of Lisa Perfetti, Women and Laughter in Medieval Comic Literature Rosalind Brown-Grant doi:10.2307/3739127	Cite
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749-750	Review of Margaret Mikesell, Adele Seeff, Culture and Change: Attending to Early Modern Women Carolyn D. Williams doi:10.2307/3739128	Cite
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751	Review of Felicity A. Nussbaum, The Global Eighteenth Century Matthew Dimmock doi:10.2307/3739129	Cite
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752-754	Review of Beatrice Hanssen, Andrew Benjamin, Walter Benjamin and Romanticism Ben Morgan doi:10.2307/3739130	Cite
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754	Review of Karla Grierson, Discours d'Auschwitz: littérarité, représentation, symbolisation Maxim Silverman doi:10.2307/3739131	Cite
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755	Review of Cary Wolfe, Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory T. J. Lustig doi:10.2307/3739132	Cite
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756-757	Review of Ross Chambers, Untimely Interventions: AIDS Writing, Testimonial, and the Rhetoric of Haunting Jean-Pierre Boulé doi:10.2307/3739133	Cite
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757-758	Review of Catherine E. Karkov, George Hardin Brown, Anglo-Saxon Styles Christine Rauer doi:10.2307/3739134	Cite
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758-759	Review of Mark C. Amodio, Katherine O'Brien O'Keeffe, Unlocking the Wordhord: Anglo-Saxon Studies in Memory of Edward B. Irving, Jr. Peter Dendle doi:10.2307/3739135	Cite
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759-762	Review of Corinne Saunders, Françoise Le Saux, Neil Thomas, Writing War: Medieval Literary Responses to Warfare; Claire Elizabeth McIlroy, The English Prose Treatises of Richard Rolle Andrew Breeze doi:10.2307/3739136	Cite
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762-763	Review of Elaine Treharne, Susan Rosser, Early Medieval Texts and Interpretations: Studies Presented to Donald G. Scragg Bella Millett doi:10.2307/3739137	Cite
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763-764	Review of Matthew Woodcock, Fairy in 'The Faerie Queene': Renaissance Elf-Fashioning and Elizabethan Myth-Making Richard Danson Brown doi:10.2307/3739138	Cite
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764-765	Review of Sara Munson Deats, Robert A. Logan, Marlowe's Empery: Expanding His Critical Contexts Charles Whitney doi:10.2307/3739139	Cite
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765-766	Review of Frederick Kiefer, Shakespeare's Visual Theatre: Staging the Personified Characters Katherine West Scheil doi:10.2307/3739140	Cite
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767-768	Review of Katherine West Scheil, The Taste of the Town: Shakespearian Comedy and the Early Eighteenth-Century Theater Rebecca Rogers doi:10.2307/3739141	Cite
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768-770	Review of Tom McAlindon, Shakespeare Minus 'Theory' John Lee doi:10.2307/3739142	Cite
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770-771	Review of Lisa Freinkel, Reading Shakespeare's Will: The Theology of Figure from Augustine to the Sonnets John Roe doi:10.2307/3739143	Cite
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771-772	Review of A. Luis Pujante, Ton Hoenselaars, Four Hundred Years of Shakespeare in Europe Dieter Mehl doi:10.2307/3739144	Cite
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773-774	Review of B. J. Sokol, A Brave New World of Knowledge: Shakespeare's 'The Tempest' and Early Modern Epistemology Scott Maisano doi:10.2307/3739145	Cite
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774-777	Review of Elizabeth Jane Bellamy, Patrick Cheney, Michael Schoenfeldt, Imagining Death in Spenser and Milton; J. Douglas Canfield, The Baroque in English Neoclassical Literature Tom Rutter doi:10.2307/3739146	Cite
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777-778	Review of Lucinda M. Becker, Death and the Early Modern Englishwoman Sylvia Brown doi:10.2307/3739147	Cite
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778-779	Review of Pamela Allen Brown, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England Tom Rutter doi:10.2307/3739148	Cite
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779-780	Review of Robert Cockcroft, Rhetorical Affect in Early Modern Writing: Renaissance Passions Reconsidered Christy Desmet doi:10.2307/3739149	Cite
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780-781	Review of Line Cottegnies, Nancy Weitz, Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish Jacqueline Pearson doi:10.2307/3739150	Cite
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781-782	Review of Nicholas McDowell, The English Radical Imagination: Culture, Religion and Revolution, 1630-1660 N. H. Keeble doi:10.2307/3739151	Cite
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782-783	Review of Nigel Smith, Andrew Marvell, The Poems of Andrew Marvell Warren Chernaik doi:10.2307/3739152	Cite
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783-785	Review of Blair Hoxby, Mammon's Music: Literature and Economics in the Age of Milton Warren Chernaik doi:10.2307/3739153	Cite
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785-787	Review of Thomas Keymer, Sterne, the Moderns, and the Novel John P. Zomchick doi:10.2307/3739154	Cite
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787-788	Review of James How, Epistolary Spaces: English Letter Writing from the Foundation of the Post Office to Richardson's 'Clarissa' Allan Ingram doi:10.2307/3739155	Cite
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788-789	Review of Benjamin Franklin V, The Other John Adams, 1705-1740 John Gatta doi:10.2307/3739156	Cite
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789-790	Review of Barbara Taylor, Mary Wollstonecraft and the Feminist Imagination Heidi Thomson doi:10.2307/3739157	Cite
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790-791	Review of Lisa Wood, Modes of Discipline: Women, Conservatism and the Novel after the French Revolution Kate Williams doi:10.2307/3739158	Cite
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791-792	Review of Catherine Brennan, Angers, Fantasies and Ghostly Fears: Nineteenth-Century Women from Wales and English-Language Poetry Stephanie Forward doi:10.2307/3739159	Cite
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793-794	Review of Gina MacDonald, Andrew MacDonald, Jane Austen on Screen Sarah Cardwell doi:10.2307/3739160	Cite
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794-795	Review of Paul Hamilton, Metaromanticism: Aesthetics, Literature, Theory Patrick Hogan doi:10.2307/3739161	Cite
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795-796	Review of Simon Bainbridge, British Poetry and the Revolutionary and Napoleonic Wars: Vision and Conflict Malcolm Kelsall doi:10.2307/3739162	Cite
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796-798	Review of Stephen Cheeke, Byron and Place: History, Translation, Nostalgia Moyra Haslett doi:10.2307/3739163	Cite
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798-799	Review of Gerard Carruthers, Alan Rawes, English Romanticism and the Celtic World Suzanne Gilbert doi:10.2307/3739164	Cite
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799-801	Review of John Sutherland, Stephen Spender: The Authorized Biography Richard Danson Brown doi:10.2307/3739165	Cite
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801-802	Review of R. A. York, The Extension of Life: Fiction and History in the American Novel Judie Newman doi:10.2307/3739166	Cite
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802-803	Review of Betty Joseph, Reading the East India Company, 1720-1840: Colonial Currencies of Gender Pablo Mukherjee doi:10.2307/3739167	Cite
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803-804	Review of Kenneth Haynes, English Literature and Ancient Languages Robin Sowerby doi:10.2307/3739168	Cite
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804-805	Review of Christoph Lindner, Fictions of Commodity Culture: From the Victorian to the Postmodern Peter Stoneley doi:10.2307/3739169	Cite
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805-806	Review of Jean-Marc Lanteri, Dramaturgies britanniques (1980-2000) Nicole Fayard doi:10.2307/3739170	Cite
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806-807	Review of Darryl Jones, Horror: A Thematic History in Fiction and Film Helen Wheatley doi:10.2307/3739171	Cite
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807-808	Review of Michael Pinsky, Future Present: Ethics and/As Science Fiction Andy Sawyer doi:10.2307/3739172	Cite
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808-809	Review of R. Howard Bloch, The Anonymous Marie de France Jane Gilbert doi:10.2307/3739173	Cite
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809-810	Review of Daniel Heller-Roazen, Fortune's Faces: The 'Roman de la Rose' and the Poetics of Contingency Sylvia Huot doi:10.2307/3739174	Cite
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810-811	Review of Alison Adams, Stephen Rawles, Alison Saunders, A Bibliography of French Emblem Books of the Sixteenth and Seventeenth Centuries, Vol. II: L-Z Jennifer Britnell doi:10.2307/3739175	Cite
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811	Review of Alison Adams, Webs of Allusion: French Protestant Emblem Books of the Sixteenth Century Sophia Pickford doi:10.2307/3739176	Cite
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812	Review of Jacques Sannazar, Jean Martin, Jean-Claude Ternaux, L'Arcadie Valerie Worth-Stylianou doi:10.2307/3739177	Cite
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812-813	Review of Joachim Du Bellay, François Goyet, Olivier Millet, Œuvres complètes, Vol. I: La Deffence, et illustration de la langue françoyse Valerie Worth-Stylianou doi:10.2307/3739178	Cite
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813-814	Review of Michael Moriarty, Early Modern French Thought: The Age of Suspicion Elizabeth Moles doi:10.2307/3739179	Cite
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814-815	Review of Ziad Elmarsafy, Freedom, Slavery and Absolutism: Corneille, Pascal, Racine Nicholas Hammond doi:10.2307/3739180	Cite
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815	Review of Nicholas Cronk, The Classical Sublime: French Neoclassicism and the Language of Literature Emma Gilby doi:10.2307/3739181	Cite
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816	Review of Benoît Bolduc, Andromède au rocher: fortune théâtrale d'une image en France et en Italie 1587-1712 Jan Clarke doi:10.2307/3739182	Cite
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816-817	Review of Philippe Quinault, William Brooks, L'Amant indiscret ou le maistre estourdi David Shaw doi:10.2307/3739183	Cite
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818	Review of Elisabeth Labrousse, Antony McKenna, Laurence Bergon, Hubert Bost, Wiep van Bunge, Edward James, Eric-Olivier Lochard, Dominique Taurisson, Annie Leroux, Caroline Verdier, Correspondance de Pierre Bayle, Vol. III: Janvier 1678-fin 1683. Lettres 147-241 Joy Charnley doi:10.2307/3739184	Cite
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818-820	Review of Maria Susana Seguin, Science et religion dans la pensée française du XVIIIe siècle: le mythe du déluge universel Graham Gargett doi:10.2307/3739185	Cite
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820	Review of Martin Calder, Encounters with the Other: A Journey to the Limits of Language through Works by Rousseau, Defoe, Prévost and Graffigny Michael Cardy doi:10.2307/3739186	Cite
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821	Review of Groupe d'Études Balzaciennes, L'Année balzacienne 2003: 'Le Médecin de campagne' Andrew Watts doi:10.2307/3739187	Cite
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822	Review of Joë Friedemann, Victor Hugo, un temps pour rire Laurence Porter doi:10.2307/3739188	Cite
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822-823	Review of Oscar Mandel, Prosper Mérimée: Plays on Hispanic Themes Peter Cogman doi:10.2307/3739189	Cite
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823-824	Review of André Guyaux, Bertrand Marchal, 'Les Fleurs du mal': actes du colloque de la Sorbonne des 10 et 11 janvier 2003 A. J. McCann doi:10.2307/3739190	Cite
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824-825	Review of Émile Zola, Dorothy E. Speirs, Yannick Portebois, Notes from Exile Hannah Thompson doi:10.2307/3739191	Cite
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825-826	Review of Émile Zola, Roger Pearson, Germinal Ian Tulloch doi:10.2307/3739192	Cite
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826-827	Review of Stéphane Chaudier, Proust et le langage religieux: la cathédrale profane W. L. Hodson doi:10.2307/3739193	Cite
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827-828	Review of Inge Crosman Wimmers, Proust and Emotion: The Importance of Affect in 'A la recherche du temps perdu' Edward J. Hughes doi:10.2307/3739194	Cite
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828-829	Review of Paul Cooke, Mauriac: The Poetry of a Novelist Edward Welch doi:10.2307/3739195	Cite
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829-830	Review of Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and Politics Stephen Forcer doi:10.2307/3739196	Cite
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830-831	Review of Lucien Becker, Christopher Pilling, Love at the Full Martin Sorrell doi:10.2307/3739197	Cite
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831-832	Review of Gavin Bowd, Paul Morand et la Roumanie John Flower doi:10.2307/3739198	Cite
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832-833	Review of Raymond Gay-Crosier, Albert Camus, 20: 'Le Premier Homme' en perspective Mark Orme doi:10.2307/3739199	Cite
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833-834	Review of Elinor S. Miller, Prisms and Rainbows: Michel Butor's Collaborations with Jacques Monory, Jiří Kolář and Pierre Alechinsky Jean H. Duffy doi:10.2307/3739200	Cite
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834-835	Review of Nathalie Morello, Catherine Rodgers, Nouvelles écrivaines: nouvelles voix? Sarah Fishwick doi:10.2307/3739201	Cite
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835-836	Review of Scott MacKenzie, Screening Quebec: Québécois Moving Images, National Identity, and the Public Sphere Tony Simons doi:10.2307/3739202	Cite
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836-837	Review of Elisabeth Loevlie, Literary Silences in Pascal, Rousseau, and Beckett Mary Bryden doi:10.2307/3739203	Cite
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837-838	Review of Priscilla Parkhurst Ferguson, Accounting for Taste: The Triumph of French Cuisine Elizabeth Moles doi:10.2307/3739204	Cite
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838-839	Review of Edoardo Crisafulli, The Vision of Dante: Cary's Translation of 'The Divine Comedy' Alison Milbank doi:10.2307/3739205	Cite
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839-840	Review of Alison Chapman, Jane Stabler, Unfolding the South: Nineteenth-Century British Women Writers and Artists in Italy Antonella Braida doi:10.2307/3739206	Cite
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840-841	Review of Willard Bohn, The Other Futurism: Futurist Activity in Venice, Padua, and Verona Günter Berghaus doi:10.2307/3739207	Cite
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841-842	Review of Claudia Baldoli, Exporting Fascism: Italian Fascists and Britain's Italians in the 1930s Simona Storchi doi:10.2307/3739208	Cite
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843-844	Review of Nicoletta Simborowski, Secrets and Puzzles: Silence and the Unsaid in Contemporary Italian Writing Olivia Santovetti doi:10.2307/3739209	Cite
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844-845	Review of Charlotte Ross, Rochelle Sibley, Illuminating Eco: On the Boundaries of Interpretation Jane E. Everson doi:10.2307/3739210	Cite
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845-848	Review of Pierpaolo Antonello, Simon A. Gilson, Science and Literature in Italian Culture: From Dante to Calvino. A Festschrift for Pat Boyde J. R. Woodhouse doi:10.2307/3739211	Cite
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848-849	Review of Andrew Bush, The Routes of Modernity: Spanish American Poetry from the Early Eighteenth to the Mid-Nineteenth Century Keith Ellis doi:10.2307/3739212	Cite
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849-851	Review of Melanie Nicholson, Evil, Madness, and the Occult in Argentine Poetry Paul Jordan doi:10.2307/3739213	Cite
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851-852	Review of María Silvina Persino, Hacia una poética de la mirada: Mario Vargas Llosa, Juan Marsé, Elena Garro, Juan Goytisolo Andrea Noble doi:10.2307/3739214	Cite
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852-853	Review of Fiona J. Mackintosh, Silvina Ocampo, Alejandra Pizarnik, Childhood in the Works of Silvina Ocampo and Alejandra Pizarnik Evelyn Fishburn doi:10.2307/3739215	Cite
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853-854	Review of Harriet Turner, Adelaida López Martínez, The Cambridge Companion to the Spanish Novel from 1600 to the Present Andrew Ginger doi:10.2307/3739216	Cite
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854-855	Review of Gustavo San Román, Assertive Hispanisms: Tensions and Affirmations in Cultural Identity Jon Beasley-Murray doi:10.2307/3739217	Cite
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855-856	Review of David A. Wells, The Central Franconian Rhyming Bible ('Mittelfränkische Reimbibel'): An Early Twelfth-Century German Verse Homiliary. A Thematic and Exegetical Commentary with the Text and a Translation into English Annette Volfing doi:10.2307/3739218	Cite
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856-857	Review of Hans-Hugo Steinhoff, Lancelot und der Gral D. H. Green doi:10.2307/3739219	Cite
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857-858	Review of John Greenfield, Wahrnehmung im Parzival Wolframs von Eschenbach: Actas do Colóquio Internacional 15 e 16 de novembro de 2002 Neil Thomas doi:10.2307/3739220	Cite
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858-859	Review of Albert Schirrmeister, Triumph des Dichters: Gekrönte Intellektuelle im 16. Jahrhundert John L. Flood doi:10.2307/3739221	Cite
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859-860	Review of R. Graeme Dunphy, Opitz's Anno: The Middle High German 'Annolied' in the 1639 Edition of Martin Opitz Nicola McLelland doi:10.2307/3739222	Cite
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860-862	Review of Jonathan M. Hess, Germans, Jews and the Claims of Modernity Jeffrey A. Grossman doi:10.2307/3739223	Cite
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862-863	Review of Inge Stephan, Hans-Gerd Winter, 'Die Wunde Lenz': J. M. R. Lenz. Leben, Werk und Rezeption John Guthrie doi:10.2307/3739224	Cite
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863-865	Review of Franziska Schössler, Goethes 'Lehr'- und 'Wanderjahre': Eine Kulturgeschichte der Moderne Roger Stephenson doi:10.2307/3739225	Cite
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865-866	Review of Thorsten Valk, Melancholie im Werk Goethes: Genese: Symptomatik: Therapie Matthew Bell doi:10.2307/3739226	Cite
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866-868	Review of Jochen Bertheau, Hölderlins französische Bildung Brian Keith-Smith doi:10.2307/3739227	Cite
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868-870	Review of Dennis F. Mahoney, The Literature of German Romanticism Roger Paulin doi:10.2307/3739228	Cite
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870-872	Review of Nathali Jückstock-Kiessling, Ich-Erzählen: Anmerkungen zu Wilhelm Raabes Realismus Jeffrey L. Sammons doi:10.2307/3739229	Cite
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872-873	Review of Isabel Nottinger, Fontanes Fin de Siècle: Motive der Dekadenz in 'L' Adultera', 'Cécile' und 'Der Stechlin' Florian Krobb doi:10.2307/3739230	Cite
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873-875	Review of John Zilcosky, Kafka's Travels: Exoticism, Colonialism, and the Traffic of Writing Julian Preece doi:10.2307/3739231	Cite
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875-876	Review of Josef Quack, Geschichtsroman und Geschichtskritik: Zu Alfred Döblins 'Wallenstein' Steffan Davies doi:10.2307/3739232	Cite
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876-877	Review of Hans-Albert Walter, Deutsche Exilliterature 1933-1950. Vol. I: Die Vorgeschichte des Exils und seine erste Phase, I. I: Die Mentalität der Weimardeutschen/Die 'Politisierung' der Intellektuellen David Midgley doi:10.2307/3739233	Cite
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877-878	Review of Bernhard Greiner, Placeless Topographies: Jewish Perspectives on the Literature of Exile Mary Cosgrove doi:10.2307/3739234	Cite
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878-879	Review of Charmian Brinson, Richard Dove, 'Stimme der Wahrheit': German-Language Broadcasting by the BBC Andrea Hammel doi:10.2307/3739235	Cite
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879-880	Review of Janina Gesche, Aus zweierlei Perspektiven...: Zur Rezeption der Danziger Trilogie von Günter Grass in Polen und Schweden in den Jahren 1958-1990 Julian Preece doi:10.2307/3739236	Cite
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880-881	Review of Stephanie Bird, Women Writers and National Identity: Bachmann, Duden, Özdamar Lyn Marven doi:10.2307/3739237	Cite
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881-883	Review of Susanne Schedel, 'Wer weiß, wie es vor Zeiten wirklich gewesen ist?' Textbeziehungen als Mittel der Geschichtsdarstellung bei W. G. Sebald Anne Fuchs doi:10.2307/3739238	Cite
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883-884	Review of Helmut Schmitz, On Their Own Terms: The Legacy of National Socialism in Post-1990 German Fiction Stuart Taberner doi:10.2307/3739239	Cite
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884-885	Review of Sarah Colvin, Women and German Drama: Playwrights and Their Texts, 1860-1945 Agnès Cardinal doi:10.2307/3739240	Cite
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885-886	Review of Edna Andrews, Conversations with Lotman: Cultural Semiotics in Language, Literature, and Cognition David Shepherd doi:10.2307/3739241	Cite
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887-888	Review of Irina Sirotkina, Diagnosing Literary Genius: A Cultural History of Psychiatry in Russia, 1880-1930 Claire Whitehead doi:10.2307/3739242	Cite
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888-889	Review of Sarah Hudspith, Dostoevsky and the Idea of Russianness: A New Perspective on Unity and Brotherhood Donald Rayfield doi:10.2307/3739243	Cite
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889-891	Review of David L. Hoffmann, Stalinist Values: The Cultural Norms of Soviet Modernity, 1917-41 Mike O'Mahony doi:10.2307/3739244	Cite
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891-892	Review of Catherine O'Neil, With Shakespeare's Eyes: Pushkin's Creative Appropriation of Shakespeare Helen Galbraith doi:10.2307/3739245	Cite
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892-893	Review of Louise McReynolds, Joan Neuberger, Imitations of Life: Two Centuries of Melodrama in Russia Richard Taylor doi:10.2307/3739246	Cite
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893-894	Review of Elaine Rusinko, Straddling Borders: Literature and Identity in Subcarpathian Rus' Dessislava Dragneva doi:10.2307/3739247	Cite
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894-896	Review of Halina Stephan, Living in Translation: Polish Writers in America Elwira Grossman doi:10.2307/3739248	Cite
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896	Review of Ian K. Lilly, Moscow and Petersburg: The City in Russian Culture Natalia Rulyova doi:10.2307/3739249	Cite
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897-898	Review of Nick Holdsworth, Moscow, the Beautiful and the Damned: Life in Russia in Transition Emma Gray doi:10.2307/3739250	Cite
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898-899	Review of Margaret Reynolds, The Sappho History Alison Chapman doi:10.2307/3739251	Cite
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899-900	Review of Giorgio Maria Nicolai, Dizionario delle parole russe che s'incontrano in Italiano Giulio Lepschy doi:10.2307/3739252	Cite
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