1-19 | Lemuel Self-Translated; Or, Being an Ass in Houyhnhnmland Michael J. Franklindoi:10.2307/3738051 | Cite |
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20-36 | | Cite |
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37-50 | | Cite |
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51-67 | "Un grand coup de pied dans le château de cubes": Formal Experimentation in Marie Darrieussecq's "Bref séjour chez les vivants" Shirley Jordandoi:10.2307/3738054 | Cite |
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68-77 | From "Romance" to "L'Amour, Roman": Camille Laurens's Rewriting of the Family Novel Sarah Capitaniodoi:10.2307/3738055 | Cite |
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78-96 | An Unknown Episode of Burchiello's Reception in the Early Cinquecento: Florence, Biblioteca Riccardiana, MS 2725, fols 80r-131v Michelangelo Zaccarellodoi:10.2307/3738056 | Cite |
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97-112 | Chimeras of Progress, Mirages of Modernity: Abel Posse's "El inquietante día de la vida" Kerstin Bowsherdoi:10.2307/3738057 | Cite |
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113-120 | Josep Maria Junoy's Four- and Five-Line Poems in "El Dia": A Meditation on the Haiku Jordi Mas Lópezdoi:10.2307/3738058 | Cite |
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121-137 | | Cite |
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138-160 | Bertolt Brecht's "Furcht und Elend des III. Reiches" and the Moscow "Realism" Controversy John Whitedoi:10.2307/3738060 | Cite |
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161-184 | The Poetics of Legend: The Paradigmatic Approach to Legend in Danilo Kiš's "A Tomb for Boris Davidovich" Vladimir Zorićdoi:10.2307/3738061 | Cite |
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185-186 | | Cite |
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186-187 | Review of Anke Bernau, Ruth Evans, Sarah Salih, Medieval VirginitiesMary Swandoi:10.2307/3738063 | Cite |
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187-188 | Review of Dominique de Courcelles, Langages mystiques et avènement de la modernitéSylvia Huotdoi:10.2307/3738064 | Cite |
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188-189 | Review of Yasmin Haskell, Loyola's Bees: Ideology and Industry in Jesuit Latin Didactic PoetryJ. W. Binnsdoi:10.2307/3738065 | Cite |
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189-190 | | Cite |
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190-191 | | Cite |
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191-193 | Review of Gunnthórunn Gudmundsdóttir, Borderlines: Autobiography and Fiction in Postmodern Life WritingUrsula Fanningdoi:10.2307/3738068 | Cite |
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193-194 | Review of Patrick Cheney, Frederick A. de Armas, European Literary Careers: The Author from Antiquity to the RenaissanceMaría Jesús Lorenzo Modiadoi:10.2307/3738069 | Cite |
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194-196 | Review of Alan Young, 'Hamlet' and the Visual Arts, 1709-1900Christie Carsondoi:10.2307/3738070 | Cite |
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196-197 | | Cite |
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197-198 | Review of Brian Vickers, 'Counterfeiting' Shakespeare: Evidence, Authorship, and John Ford's 'Funerall Elegye'Katherine Duncan-Jonesdoi:10.2307/3738072 | Cite |
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198-199 | Review of Rocco Coronato, Jonson versus Bakhtin: Carnival and the GrotesqueRonald Knowlesdoi:10.2307/3738073 | Cite |
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199-200 | Review of John Donne, David Colclough, John Donne's Professional LivesAlex Davisdoi:10.2307/3738074 | Cite |
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200-201 | | Cite |
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201-202 | Review of Gurion Taussig, Coleridge and the Idea of Friendship, 1789-1804David Vallinsdoi:10.2307/3738076 | Cite |
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202-203 | Review of Jennifer Schacker, National Dreams: The Remaking of Fairy Tales in Nineteenth-Century EnglandYuko Ashitagawadoi:10.2307/3738077 | Cite |
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203-205 | | Cite |
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205-206 | | Cite |
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207-208 | Review of Susan Goodman, Civil Wars: American Novelists and Manners, 1880-1940Claire Prestondoi:10.2307/3738080 | Cite |
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208-209 | Review of A. J. Holden, S. Gregory, History of William Marshall, Vol. I: Text and Translation (ll. 1-10031)Leslie C. Brookdoi:10.2307/3738081 | Cite |
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209-210 | Review of D. W. Russell, La vye de seynt Fraunceys d'Assise (MS Paris, BNF, Fonds Français 13505)K. Janet Ritchdoi:10.2307/3738082 | Cite |
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210-211 | Review of Alan Howe, Archives nationales: documents du Minutier Central des notaires de Paris. Le théâtre professionnel à Paris 1600-1649Jan Clarkedoi:10.2307/3738083 | Cite |
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211-212 | Review of Thomas Woolston, William Trapnell, Six discours sur les miracles de Notre Sauveur: deux traductions manuscrites du XVIIIe siècle dont une de Mme Du ChâteletGraham Gargettdoi:10.2307/3738084 | Cite |
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212-213 | Review of Deborah Jenson, Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary FranceNigel Harknessdoi:10.2307/3738085 | Cite |
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213-214 | Review of Olivier Got, Les Jardins de Zola: psychanalyse et paysage mythique dans 'Les Rougon-Macquart'Larry Duffydoi:10.2307/3738086 | Cite |
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214 | Review of Laurence Brogniez, Préraphaélisme et symbolisme: peinture littéraire et image poétiqueJoy Newtondoi:10.2307/3738087 | Cite |
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215 | Review of Arthur Rimbaud, Steve Murphy, Œuvres complètes, Vol. IV: Fac-similésGerald Macklindoi:10.2307/3738088 | Cite |
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215-216 | Review of Sergio Sacchi, Olivier Bivort, André Guyaux, Mario Matucci, Études sur les 'Illuminations' de RimbaudGerald Macklindoi:10.2307/3738089 | Cite |
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216-217 | Review of Agnès Lhermitte, Palimpseste et merveilleux dans l'œuvre de Marcel SchwobPeter Cogmandoi:10.2307/3738090 | Cite |
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217-218 | Review of Anna de Noailles, Catherine Perry, Persephone Unbound: Dionysian Aesthetics in the Works of Anna de NoaillesPeter Cogmandoi:10.2307/3738091 | Cite |
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218-219 | Review of Eleanor Kaufman, The Delirium of Praise: Bataille, Blanchot, Deleuze, Foucault, KlossowskiLeslie Hilldoi:10.2307/3738092 | Cite |
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219 | Review of Christiane Moatti, Julien Dieudoné, André Malraux II: Malraux lecteurChris Shorleydoi:10.2307/3738093 | Cite |
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219-220 | Review of Brian Nelson, Anne Freadman, Philip Anderson, Telling Performances: Essays on Gender, Narrative, and PerformanceMairéad Hanrahandoi:10.2307/3738094 | Cite |
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220-221 | | Cite |
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221-222 | Review of Claire Gorrara, The 'Roman Noir' in Post-War French Culture: Dark FictionsEmer O'Beirnedoi:10.2307/3738096 | Cite |
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222 | Review of Claude Leroy, Blaise Cendrars 5: portraits de l'artisteStephen Forcerdoi:10.2307/3738097 | Cite |
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223 | Review of Kamal Salhi, Francophone Post-Colonial Cultures: Critical EssaysDavid Murphydoi:10.2307/3738098 | Cite |
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224 | Review of Claire L. Dehon, Le Réalisme africain: le roman francophone en Afrique subsaharienneAndy Stafforddoi:10.2307/3738099 | Cite |
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224-225 | Review of Aimé Césaire, Clayton Eshleman, Annette Smith, Notebook of a Return to the Native LandMartin Munrodoi:10.2307/3738100 | Cite |
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225-226 | Review of David P. Geggus, The Impact of the Haitian Revolution in the Atlantic WorldMartin Munrodoi:10.2307/3738101 | Cite |
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226-227 | Review of Aidan Coveney, The Sounds of Contemporary French: Articulation and DiversityDavid Hornsbydoi:10.2307/3738102 | Cite |
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227 | Review of Sándor Hervey, Ian Higgins, Thinking French Translation: A Course in Translation Method. French to EnglishNigel Armstrongdoi:10.2307/3738103 | Cite |
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227-228 | Review of Victoria Best, An Introduction to Twentieth-Century French LiteratureColin Davisdoi:10.2307/3738104 | Cite |
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228-229 | | Cite |
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229-230 | | Cite |
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230-232 | Review of Sherry Roush, Hermes' Lyre: Italian Poetic Self-Commentary from Dante to Tommaso CampanellaSimon A. Gilsondoi:10.2307/3738107 | Cite |
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232-233 | Review of Annibal Guasco, Peggy Osborn, Discourse to Lady Lavinia His DaughterIta Mac Carthydoi:10.2307/3738108 | Cite |
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233-234 | Review of Paola Malpezzi Price, Moderata Fonte, Women and Life in Sixteenth Century VeniceLaura Lepschydoi:10.2307/3738109 | Cite |
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234-235 | Review of Paolo Bartoloni, Interstitial Writing: Calvino, Caproni, Sereni and SvevoLucie Benchouihadoi:10.2307/3738110 | Cite |
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235-237 | Review of Carlo Testa, Masters of Two Arts: Re-Creation of European Literatures in Italian CinemaCarmine Mezzacappadoi:10.2307/3738111 | Cite |
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237-238 | Review of Paul R. Olson, The Great Chiasmus: Word and Flesh in the Novels of UnamunoDonald L. Shawdoi:10.2307/3738112 | Cite |
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238-239 | Review of Carolyn A. Nadeau, Women of the Prologue: Imitation, Myth, and Magic in 'Don Quixote I'Idoya Puigdoi:10.2307/3738113 | Cite |
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239-240 | Review of Rita Catrina Imboden, Carmen de Burgos 'Colombine' y la novela cortaAnja Louisdoi:10.2307/3738114 | Cite |
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240 | Review of Stephen M. Hart, César Vallejo: A Critical Bibliography of ResearchPhilip Swansondoi:10.2307/3738115 | Cite |
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240-242 | Review of Carmen Teresa Hartman, Cabrera Infante's 'Tres tristes tigres': The Trapping Effect of the Signifier over Subject and TextWilliam Rowlandsondoi:10.2307/3738116 | Cite |
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242-244 | Review of Mathias Herweg, Ludwigslied, De Heinrico, Annolied: Die deutschen Zeitdichtungen des frühen Mittelalters im Spiegel der wissenschaftlichen Rezeption und ErforschungGraeme Dunphydoi:10.2307/3738117 | Cite |
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244-246 | Review of Angelika Lehmann-Benz, Ulrike Zellmann, Urban Küsters, Schnittpunkte: Deutsch-Niederländische Literaturbeziehungen im späten MittelalterElsa Strietmandoi:10.2307/3738118 | Cite |
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246-247 | Review of Hans-Gert Roloff, Christiane Caemmerer, Walter Delabar, Jörg Jungmayr, Wolfgang Neuber, Kleine Schriften zur Literatur des 16. JahrhundertsJohn L. Flooddoi:10.2307/3738119 | Cite |
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247-248 | Review of Klaus Conermann, Gabriele Ball, Andreas Herz, Briefe der Fruchtbringenden Gesellschaft und Beilagen: Die Zeit Fürst Ludwigs von Anhalt-Köthen 1617-1650, series Ia (Köthen), Vol. IIIAnthony J. Harperdoi:10.2307/3738120 | Cite |
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248-249 | Review of Andrea Heinz, 'Der Teutsche Merkur': Die erste deutsche Kulturzeitschrift?John L. Flooddoi:10.2307/3738121 | Cite |
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250 | Review of Marianne Henn, Holger A. Pausch, Body Dialectics in the Age of GoetheOsman Durranidoi:10.2307/3738122 | Cite |
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251 | Review of Alan Corkhill, Glückskonzeptionen im deutschen Roman von Wielands 'Agathon' bis Goethes 'Wahlverwandtschaften'Martin Swalesdoi:10.2307/3738123 | Cite |
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251-253 | Review of Stefan Nienhaus, Geschichte der deutschen TischgesellschaftRoger Paulindoi:10.2307/3738124 | Cite |
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253-255 | Review of Anthony J. Harper, Margaret C. Ives, Sappho in the Shadows: Essays on the Work of German Women Poets of the Age of Goethe (1749-1832)Judith Purverdoi:10.2307/3738125 | Cite |
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255-256 | Review of Chung-Sun Kwon, Studien zur Idee des 'Gesamtkunstwerks' in der Frühromantik: Zur Utopie einer Musikanschauung von Wackenroder bis SchopenhauerBrian Keith-Smithdoi:10.2307/3738126 | Cite |
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256-258 | Review of Birgit Röder, A Study of the Major Novellas of E. T. A. HoffmannSheila Dicksondoi:10.2307/3738127 | Cite |
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258-259 | Review of Christine Geffers Browne, Theodor Storm: Das Spannungsverhältnis zwischen Glauben und Aberglauben in seinen NovellenHelen Chambersdoi:10.2307/3738128 | Cite |
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259-260 | Review of Hugo von Hofmannsthal, Thomas A. Kovach, A Companion to the Works of Hugo von HofmannsthalBrian Keith-Smithdoi:10.2307/3738129 | Cite |
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260-261 | Review of Christoph König, Hofmannsthal: Ein moderner Dichter unter den PhilologenRobert Vilaindoi:10.2307/3738130 | Cite |
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261-262 | Review of Claudia Gremler, 'Fern im dänischen Norden ein Bruder': Thomas Mann und Hermann Bang. Eine literarische SpurensucheSabine Strümper-Krobbdoi:10.2307/3738131 | Cite |
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262-264 | | Cite |
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264 | Review of Kerstin Barndt, Sentiment und Sachlichkeit: Der Roman der Neuen Frau in der Weimarer RepublikAnna Richardsdoi:10.2307/3738133 | Cite |
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265-266 | Review of Anna Seghers, Christiane Zehl Romero, Und ich brauch doch so schrecklich Freude: Tagebuch 1924/1925. Die Legende von der Reue des Bischofs Jehan d'Aigremont von St. Anne in Rouen; Anna Seghers, Alexander Stephan, Die EntscheidungIan Wallacedoi:10.2307/3738134 | Cite |
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266-267 | Review of Günter Eich, Bertolt Brecht, Matthew Philpotts, The Margins of Dictatorship: Assent and Dissent in the Work of Günter Eich and Bertolt BrechtSteve Gilesdoi:10.2307/3738135 | Cite |
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267-269 | Review of Christine Hummel, Intertextualität im Werk Heinrich BöllsJoshua Reiddoi:10.2307/3738136 | Cite |
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269-270 | | Cite |
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270-271 | | Cite |
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271-272 | Review of Valerie A. Kivelson, Robert H. Greene, Orthodox Russia: Belief and Practice under the TsarsS. K. Rockdoi:10.2307/3738139 | Cite |
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272-273 | | Cite |
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273-274 | Review of Nicholas Luker, Out of the Shadows: Neglected Works in Soviet Prose. Selected EssaysDavid Gillespiedoi:10.2307/3738141 | Cite |
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274-275 | Review of Jukka Gronow, Caviar with Champagne: Common Luxury and the Ideals of the Good Life in Stalin's RussiaDavid MacFadyendoi:10.2307/3738142 | Cite |
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276-277 | Review of Alison Chapman, Jane Stabler, Unfolding the South: Nineteenth-Century British Women Writers and Artists in ItalyAntonella Braidadoi:10.2307/3738143 | Cite |
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