Culture, Censorship and the State in Twentieth-Century Italy

Guido Bonsaver; Robert S. C. Gordon

Culture, Censorship and the State in Twentieth-Century Italy

Edited by Guido Bonsaver and Robert Gordon

Cover of Culture, Censorship and the State in Twentieth-Century Italy

Law and society

24 other titles

Legenda (General Series)

Legenda

13 September 2005 • 216pp

ISBN: 1-900755-95-5 (hardback) • RRP £80, $110, €95

ContemporaryItalianArtDramaFilmFiction

Recent work on the cultural history of modern Italy has radically challenged received opinion about the relationship of state and culture during the twentieth century. In this rich interdisciplinary book the complex interactions and negotiations of control are elucidated by way of: case studies of major authors, filmmakers and artists and their encounters with censorship, patronage and other forms of direct state intervention from Mussolini to Berlusconi; analytical surveys of different periods, media and culture industries; and new research into Fascist censorship, the Resistance and its imprint in the collective memory, the introduction of television in the 1950s and the terrorism of the 1970s.

Guido Bonsaver is University Lecturer in Italian and Fellow of Pembroke College, Oxford. He is the author of books on Italo Calvino and Elio Vittorini. Robert Gordon is Senior Lecturer in Italian and Fellow of Gonville and Caius College, Cambridge. He is the author of books on Pier Paolo Pasolini and Primo Levi.

Contents:

2-8	State, Culture, Censorship: An Introduction Guido Bonsaver, Robert S. C. Gordon	Cite
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9-21	How Exceptional were Culture-State Relations in Twentieth-Century Italy? David Forgacs	Cite
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22-33	The Fascist Anthropological Revolution Emilio Gentile	Cite
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34-41	Mussolini and the Italian Intellectuals Philip V. Cannistraro	Cite
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42-53	L’Italia vera. Culture and the State in an Anti-Fascist Exile Journal Deborah Holmes	Cite
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54-63	Fascist Censorship and Non-Fascist Literary Circles Albertina Vittoria	Cite
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64-75	Women and Censorship in Fascist Italy: from Mura to Paola Masino Lucia Re	Cite
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76-85	Theatrical Censorship in Italy during the Fascist Period Clive Griffiths	Cite
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86-97	A Micro-History of State Censorship in Italy, 1931-39: The Case of Henry Furst George Talbot	Cite
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98-108	Hollywood, Italy and the First World War: Italian Reactions to Film Versions of Ernest Hemingway’s A Farewell to Arms Stephen Gundle	Cite
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109-119	Anti-Fascism and Literary Criticism in Postwar Italy: Revisiting the mito americano Jane Dunnett	Cite
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120-133	The Italian State and the Resistance Legacy in the 1950s and 1960s Philip Cooke	Cite
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134-141	Ignazio Silone and the Politics of ‘Archive Malice’ Elizabeth Leake	Cite
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142-149	The Double Bind of Ignazio Silone: Between Archive and Hagiography Stanislao Pugliese	Cite
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150-157	Television and Censorship: Preliminary Research Notes Vanessa Roghi	Cite
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158-167	Dario Fo, Franca Rame and the Censors Luciana D'Arcangeli	Cite
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168-178	Film and the Anni di piombo: Representations of Politically-Motivated Violence in Recent Italian Cinema Alan O'Leary	Cite
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179-190	Censorship in the Time of Berlusconi Alberto Abruzzese	Cite
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Bibliography entry:

Bonsaver, Guido, and Robert Gordon (eds), Culture, Censorship and the State in Twentieth-Century Italy (Legenda, 2005)

First footnote reference: ³⁵ Culture, Censorship and the State in Twentieth-Century Italy, ed. by Guido Bonsaver and Robert Gordon (Legenda, 2005), p. 21.

Subsequent footnote reference: ³⁷ Bonsaver and Gordon, p. 47.

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Cite this volume in MHRA author-date style

Bibliography entry:

Bonsaver, Guido, and Robert Gordon (eds). 2005. Culture, Censorship and the State in Twentieth-Century Italy (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Bonsaver and Gordon 2005: 21).

Example footnote reference: ³⁵ Bonsaver and Gordon 2005: 21.

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