Ugo Foscolo and English Culture
Sandra Parmegiani
Click cover to enlarge | Legenda 12 May 2011 • 164pp ISBN: 978-1-906540-60-9 (hardback) • RRP £80, $110, €95 ISBN: 978-1-351193-83-2 (Taylor & Francis ebook) The history of the literary relations between Italy and England has its most celebrated early modern representative in Ugo Foscolo (1778-1827). Foscolo's translation of Laurence Sterne's A Sentimental Journey through France and Italy is often regarded as the benchmark of his English experience, but there is more - around and beyond his relationship with Sterne - that can be uncovered. With over 3,000 letters spanning three decades, Foscolo's correspondence represents a unique perspective from which to monitor his literary, philosophical, and political views. The 'Epistolario' is also a space in which Foscolo engages with literary, philosophical, and moral questions, and a place where he exercises an often private form of literary criticism. These are letters which ultimately produce one of the most complete yet most composite self-portraits in the history of modern Italian autobiography. In the first comprehensive and historicized reading of Foscolo's correspondence, Sandra Parmegiani reveals the rich and complex relations between the Italian writer and the literature, philosophy, and culture of eighteenth- and nineteenth-century England. Sandra Parmegiani is Associate Professor of European Studies at the University of Guelph. Reviews:
Bibliography entry: Parmegiani, Sandra, Ugo Foscolo and English Culture, Italian Perspectives, 20 (Legenda, 2011) First footnote reference: 35 Sandra Parmegiani, Ugo Foscolo and English Culture, Italian Perspectives, 20 (Legenda, 2011), p. 21. Subsequent footnote reference: 37 Parmegiani, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Parmegiani, Sandra. 2011. Ugo Foscolo and English Culture, Italian Perspectives, 20 (Legenda) Example citation: ‘A quotation occurring on page 21 of this work’ (Parmegiani 2011: 21). Example footnote reference: 35 Parmegiani 2011: 21. (To see how these citations were worked out, follow this link.)
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