Sweet Thunder
Music and Libretti in 1960s Italy
Vivienne Suvini-Hand
Legenda 7 December 2006 • 304pp ISBN: 978-1-904350-60-6 (hardback) • RRP £80, $110, €95 Italian music of the 1960s is one of the most unjustly neglected areas in the arena of twentieth-century classical music. This volume pays tribute to the astounding complexity of the music and libretti of five vocal compositions by leading experimental composers of the decade: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni, and Armando Gentilucci. It highlights how the 'difficult' and unconventional methods of composition employed by these artists - dodecaphony, total serialism, Webernian minimalist techniques, aleatory and electronic music - displayed a refusal to compete with the market-place values of Italy's new capitalist society. At the same time, the libretti's collage arrangement of a plethora of European and Oriental literary sources dating from the sixteenth century BC onwards, reflected the contemporary Neo-avant-garde rejection of conventional literary practice, and their preference for 'organised disorder', in Umberto Eco's phrase. Vivienne Suvini-Hand is Reader in Italian at Royal Holloway, University of London. Reviews:
Bibliography entry: Suvini-Hand, Vivienne, Sweet Thunder: Music and Libretti in 1960s Italy, Italian Perspectives, 16 (Legenda, 2006) First footnote reference: 35 Vivienne Suvini-Hand, Sweet Thunder: Music and Libretti in 1960s Italy, Italian Perspectives, 16 (Legenda, 2006), p. 21. Subsequent footnote reference: 37 Suvini-Hand, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Suvini-Hand, Vivienne. 2006. Sweet Thunder: Music and Libretti in 1960s Italy, Italian Perspectives, 16 (Legenda) Example citation: ‘A quotation occurring on page 21 of this work’ (Suvini-Hand 2006: 21). Example footnote reference: 35 Suvini-Hand 2006: 21. (To see how these citations were worked out, follow this link.)
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