The 14 essays in this collection range over 150 years of the Austrian comic tradition, from Blumauer in the late 18th century to Horvath in the 20th century. An introductory essay explores the notion of the comic tradition, while a central core of essays deals with the work of Johann Nestroy, one of the leading figures in the history of German-language comedy and Vienna's best known playwright. The essays range from detailed history and interpretation of individual plays to broader themes, such as music, parody and epic elements. Later essays feature classic texts (such as Hofmannsthal's "Der Schwiergie" and his libretti for "Arabella" and "Der Rosenkavalier"), and lesser known figures such as Johanna von Weissenthurn and Friedrich Halm are also spotlighted. As well as encompassing the various types of comic drama - the "Volkwsstuck", the comedy of manners, satire, parody and farce - the essays also include epic poetry (Blumauer) and journalism (Robert Scheu and Karl Kraus).
| 3 | An Austrian Comic Tradition? Louise Adey Huish | Cite |
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| 24 | Heroes in their Underclothes: Aloys Blumauer's Travesty of Virgil's Aeneid Ritchie Robertson | Cite |
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| 41 | The Comedies of Johanna von Weissenthurn Ian F. Roe | Cite |
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| 58 | Nestroy and Schiller Peter Branscombe | Cite |
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| 71 | Music in Nestroy's Plays Dagmar Zumbusch-Beisteiner | Cite |
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| 86 | Nestroy's 'Epic' Theatre Jürgen Hein | Cite |
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| 102 | Nestroy and Slavery Walter Obermaier | Cite |
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| 118 | 'Crying out loud in silence': Social Inequality in Nestroy's Die Gleichheit der Jahre Friedrich Walla | Cite |
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| 130 | Nestroy's Zwey ewige Juden und Keiner: a Tale of Three Cities John R. P. McKenzie | Cite |
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| 145 | Friedrich Halm and the Comic Muse Peter Skrine | Cite |
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| 160 | Bloodshed in the Balkans: Robert Scheu, Karl Kraus and a Question of Satire Gilbert J. Carr | Cite |
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| 176 | The Aristocratic Philanderer: Reflections on Hofmannsthal's Der Schwierige Martin Swales | Cite |
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| 185 | 'Stop all the Clocks': Time and Times in the 'Vienna Operas' of Hofmannsthal and Strauss Robert Vilain | Cite |
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| 202 | The Significance of the Irrational in Horvath's Geschichten aus dem Wiener Wald Alan Bance | Cite |
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| Review Articles |
| 221 | Viennese Theatre History (on W. E. Yates, Theatre in Vienna: A Critical History, 1776-1995) John Warren | Cite |
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| 230 | Review of Mauriz Schuster and Hans Schikola, Das alte Wienerisch. Ein kultur-geschichtliches Wörterbuch Victoria Martin | Cite |
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| 231 | Review of Konrad Küster, Mozart. A Musical Biography Peter Branscombe | Cite |
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| 231 | Review of Vjera Katalinic, Off-Mozart. Musical Culture and the 'Kleinmeister' of Central Europe 1750-1820 Peter Branscombe | Cite |
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| 232 | Review of Hartmut Laufhütte and Karl Moseneder, Adalbert Stifter: Dichter und Maler, Denkmalpfleger und Schulmann Helen Watanabe-O'Kelly | Cite |
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| 234 | Review of Gabriele von Glasenapp, Aus der Judengasse: Zur Entstehung und Ausprägung deutschsprachtger Ghettoliteratur im 19. Jahrhundert Anita Bunyan | Cite |
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| 235 | Review of Mark H. Gelber, Hans Otto Horch and Sigurd Paul Scheichl, Von Franzos zu Canetti: Jüdische Autoren aus Österreich Anne Fuchs | Cite |
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| 236 | Review of Lorna Martens, Shadow Lines. Austrian Literature from Freud to Kafka Andrew Barker | Cite |
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| 236 | Review of Katherine Arens, Austria and Other Margins: Reading Culture Andrew Barker | Cite |
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| 239 | Review of Anton Mayer, Theater in Wien um 1900. Der Dichterkreis Jung Wien W. E. Yates | Cite |
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| 240 | Review of Karin J. Jusek, Auf der Suche nach der Verlorenen. Die Prostitutions-debatten im Wien der Jahrhundertwende Jill Lewis | Cite |
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| 241 | Review of Beatrix Hoffmann-Holter, 'Abreisendmachung': Jüdische Fluchtlinge in Wien 1914 bis 1923 David Rechter | Cite |
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| 243 | Review of Anne C. Shreffler, Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl R. S. Furness | Cite |
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| 244 | Review of Roger Paulin and Peter Hutchinson, Rilke's 'Duino Elegies': Cambridge Readings Anthony Phelan | Cite |
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| 245 | Review of Elizabeth Boa, Kafka: Gender, Class, and Race in the Letters and Fictions Mark Anderson | Cite |
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| 248 | Review of Alexander Stillmark, Joseph Roth: Der Sieg uber die Zeit. Londoner Symposium Martha Wörsching | Cite |
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| 249 | Review of Horst Jarka, 'It's Up to Us!' Collected Works of Jura Soyfer Ian Huish | Cite |
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| 252 | Review of Christopher J. Thornhill, Walter Benjamin and Karl Kraus: Problems of a 'Wahlverwandtschaft' Fritz Breithaupt | Cite |
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| 255 | Review of Hilde Haider-Pregler and Beate Reiterer, Verspielte Zeit: Österreichisches Theater der 30er Jahre Brian Keith-Smith | Cite |
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| 258 | Review of Susanne Rode-Breymann, Die Wiener Staatsoper in den Zwischenkriegsjahren: Ihr Beitrag zum zeitgenössischen Musiktheater Christopher Hailey | Cite |
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| 259 | Review of Jutta Raab Hansen, NS-verfolgte Musiker in England. Spuren deutscher und österreichischer Flüchtlinge in der britischen Musikkultur J. M. Ritchie | Cite |
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| 263 | Review of Waltraud Strickhausen, Die Erzählerin Hilde Spiel oder 'Der weite Wurf in die Finsternis' Andrea Hammel | Cite |
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| 265 | Review of Steven W. Lawrie, Erich Fried: A Writer without a Country Tom Kuhn | Cite |
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| 267 | Review of Wolfgang Fleischer, Das verleugnete Leben. Die Biographie des Heimito von Doderer Michael Bachem | Cite |
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| 268 | Review of Siegfried Beer, Die 'britische' Steiermark 1945-1955 Robert Knight | Cite |
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| 270 | Review of Gudrun Kuhn, Ein philosophisch-musikalisch geschulter Sänger: Musiäasthetische Überlegungen zur Prosa Thomas Bernhards Andrea Reiter | Cite |
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| 271 | Review of Herbert Zeman, Literaturgeschichte Österreichs: Von den Anfängen im Mittelalter bis zur Gegenwart Peter Skrine | Cite |
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