Theatre and Performance in Austria From Mozart to Jelinek

Edward Timms; Ritchie Robertson

Theatre and Performance in Austria From Mozart to Jelinek

Edited by Edward Timms and Ritchie Robertson

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Survey works

57 other titles

Elfriede Jelinek (1946-), Austrian novelist

2 other titles

Austrian Studies 4

Edinburgh University Press

8 November 1993 • 218pp

ISBN: 978-0-748604-36-4 (hardback) (out of print)

GermanDrama

The Austrian theatrical tradition encompasses a wide variety of types, from Mozart's light operas to the political drama of the present day. This volume describes the main features of Austrian theatre and performance, taking a close look at the works of its key writers. Beginning with Mozart, Grillparzer and Nestroy, it moves on to the feminist theatre of Elfriede Jelinek, the provocations of Peter Handke and the Graz avant-garde, and the satirical comedies of Vaclav Havel. It raises fundamental questions about the relationship between public performance and national identity, gender and sexuality, audience and spectacle, as well as problems of translation and reception. Encompassing music, theatre, politics and performance, this is a wide-ranging account of a thriving and defining feature of Austrian cultural identity.

Contents:

3	The Land of the Piano: Music, Theatre and Performance in Vienna around 1800 Peter Branscombe	Cite
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20	The Sexual Politics of Mozart's Magic Flute and the Genesis of Viennese 'Charm' John Milfull	Cite
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27	Beating the Bounds: Fantasy and Farce in Nestroy's Comedy Louise Adey Huish	Cite
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39	Altenberg's African Spectacle: Ashantee in Context Ian Foster	Cite
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61	Love's Labour's Lost: Translations of Schnitzler's Reigen Konstanze Fliedl	Cite
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73	Hofmannsthal's 'Mythological' Opera Arabella Srdan Bogosavljevic	Cite
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81	Friedrich Kiesler and Theatrical Modernism in Vienna John Warren	Cite
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93	Ernst Weiss: The Novelist as Dramatist Klaus-Peter Hinze	Cite
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102	Performance and Provocation in Graz, 1960-1966 Simon Ryan	Cite
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116	The Staging of History in Felix Mitterer's Die Kinder des Teufels T. E. Bourke	Cite
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126	Jelinek's Ibsen: 'Noras' Past and Present Allyson Fiddler	Cite
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139	Havel's Satirical Theatre J. P. Stern	Cite
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*Review Articles*
153	Haydn Studies and the Mozart Bicentenary Denis McCaldin	Cite
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158	Recent Nestroy Scholarship W. E. Yates	Cite
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171	The Ideology of the Salzburg Festival Wendelin Schmidt-Dengler	Cite
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178	Review of Anton Schindling and Walter Ziegler, Die Kaiser der Neuzeit 1519-1918: Heiliges Römisches Reich, Osterreich, Deutschland Charles Ingrao	Cite
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179	Review of Waltraud Heindl, Gehorsame Rebellen: Biirokratie und Beamte in Osterreich, 1780 bis 1848 R. J. W. Evans	Cite
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180	Review of Edith Saurer, Strafie, Schmuggel, Lottospiel: Materielle Kultur und Staat in Niederbsterreich, Böhmen und Lombardo-Venetien im frühen 19. Jahrhundert T. C. W. Blanning	Cite
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181	Review of Peter Branscombe, W. A. Mozart: 'Die Zauberflöte' Tim Carter	Cite
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181	Review of John A. Rice, W. A. Mozart: 'La clemenza di Tito' Tim Carter	Cite
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184	Review of Erich Wolfgang Partsch, Franz Schubert: Der Fortschrittliche? Ewan West	Cite
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184	Review of Elizabeth Norman McKay, Schubert's Music for the Theatre Ewan West	Cite
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186	Review of Hugo Aust, Peter Haida and Jürgen Hein, Volksstück Peter Branscombe	Cite
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186	Review of Alfred Ziltener, Hanswursts lachende Erben Peter Branscombe	Cite
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188	Review of Steven Beller, Herzl Jacques Le Rider	Cite
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189	Review of Burkhard Spinnen, Schriftbilder: Studien zu einer Geschichte emblematischer Kurzprosa Leo A. Lensing	Cite
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192	Review of Dierk Rodewald and Corinna Fiedler, Samuel Fischer and Hedwig Fischer, Briefwechsel mit Autoren Konstanze Fliedl	Cite
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196	Review of Burton Pike and David S. Luft, Robert Musil, Precision and Soul: Essays and Addresses Duncan Large	Cite
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196	Review of Hannah Hickman, Robert Musil and the Literary Landscape of his Time Duncan Large	Cite
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196	Review of Claus Erhart, Der ästhetische Mensch bei Robert Musil Duncan Large	Cite
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198	Review of Phillip H. Rhein, The Verbal and Visual Art of Alfred Kubin R. S. Furness	Cite
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199	Review of Jura Soyfer, Sturmzeit: Briefe 1931-1939 Ian Huish	Cite
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199	Review of Gerhard Scheit, Theater und revolutionärer Humanismus Ian Huish	Cite
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201	Review of Gerald Stieg, Frucht des Feuers: Canetti, Doderer,Kraus und der Justizpalastbrand Jürgen Thoming	Cite
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203	Review of Jill Lewis, Fascism and the Working Class in Austria 1918-1934 Tim Kirk	Cite
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203	Review of Edith Prost, 'Die Partei hat mich nie enttäuscht‘: Österreichische Sozialdemokratinnen Jill Lewis	Cite
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205	Review of Johann Holzner, Sigurd Paul Scheichl and Wolfgang Wiesmüller, Eine schwierige Heimkehr. Österreichische Literatur im Exil 1938-1945 J. M. Ritchie	Cite
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205	Review of Peter Muhr, Paul Feyerabend and Cornelia Wegeler, Philosophie, Psychoanalyse, Emigration J. M. Ritchie	Cite
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207	Review of Malcolm Pines and Roy Wisbey, Translation in Transition: The Question of the 'Standard Edition' Darius Gray Ornston	Cite
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210	Review of Günther Feuerstein, Visionäre Architektur: Wien 1958/1988 Iain Boyd Whyte	Cite
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210	Review of Peter Noever, Tradition und Experiment: Das Österreichische Museum fur Angewandte Kunst Iain Boyd Whyte	Cite
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210	Review of John Zukowsky and Ian Wardropper, Austrian Architecture in the Nineties Iain Boyd Whyte	Cite
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Cite this volume in standard MHRA style

Bibliography entry:

Timms, Edward, and Ritchie Robertson (eds), Theatre and Performance in Austria From Mozart to Jelinek (= Austrian Studies, 4 (1993))

First footnote reference: ³⁵ Theatre and Performance in Austria From Mozart to Jelinek, ed. by Edward Timms and Ritchie Robertson (= Austrian Studies, 4 (1993)), p. 21.

Subsequent footnote reference: ³⁷ Timms and Robertson, p. 47.

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Cite this volume in MHRA author-date style

Bibliography entry:

Timms, Edward, and Ritchie Robertson (eds). 1993. Theatre and Performance in Austria From Mozart to Jelinek (= Austrian Studies, 4)

Example citation: ‘A quotation occurring on page 21 of this work’ (Timms and Robertson 1993: 21).

Example footnote reference: ³⁵ Timms and Robertson 1993: 21.

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Permanent link to this title:

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