Culture and Politics in Red Vienna

Judith Beniston; Robert Vilain

Culture and Politics in Red Vienna

Edited by Judith Beniston and Robert Vilain

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Austrian Studies 14

Maney Publishing for the Modern Humanities Research Association

1 November 2006 • 396pp

ISBN: 978-1-904350-94-1 (paperback)

Access online: At JSTOR

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Contents:

1-19	Culture and Politics in Red Vienna: Introduction Judith Beniston doi:10.2307/27944798	Cite
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21-36	Austro-Marxism: Mass Culture and Anticipatory Socialism Wolfgang Maderthaner doi:10.2307/27944799	Cite
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37-59	School for Socialism: Karl Seitz and the Cultural Politics of Vienna Edward Timms doi:10.2307/27944800	Cite
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61-97	Souvenirs of Vienna 1924: The Legacy of David Josef Bach J. D. Armstrong, Edward Timms doi:10.2307/27944801	Cite
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99-117	The Feuilleton of the Viennese "Arbeiter-Zeitung" 1918–1934: Production Parameters and Personality Problems Deborah Holmes doi:10.2307/27944802	Cite
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119-142	David Josef Bach and the 'Musik- und Theaterfest' of 1924 John Warren doi:10.2307/27944803	Cite
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143-164	The 'Enemy Within'? The Social Democratic Kunststelle and the State Theatres in Red Vienna Robert Pyrah doi:10.2307/27944804	Cite
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165-183	No Laughing Matter: The Place of Comedy in David Josef Bach's Theatre Politics Judith Beniston doi:10.2307/27944805	Cite
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185-195	David Josef Bach and Viennese Debates on Modern Music Christian Glanz doi:10.2307/27944806	Cite
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197-213	Anton Webern, the Social Democratic Kunststelle and Musical Modernism Julian Johnson doi:10.2307/27944807	Cite
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215-226	Oskar Kokoschka, Red Vienna and the Education of the Child Richard Calvocoressi doi:10.2307/27944808	Cite
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227-259	Isotype and Architecture in Red Vienna: The Modern Projects of Otto Neurath and Josef Frank Eve Blau doi:10.2307/27944809	Cite
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261-290	'Late Starter': Extracts from a Memoir Ian Menzies doi:10.2307/27944810	Cite
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291-309	The Takeover of Social Democratic Musical Institutions by the Austrian 'Corporate State' Anita Mayer-Hirzberger doi:10.2307/27944811	Cite
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311-325	'Nach soviel Glanz': David Josef Bach in British Exile Charmian Brinson doi:10.2307/27944812	Cite
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327-336	Review Articles: Stifter's Intentions Michael Minden doi:10.2307/27944813	Cite
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337-348	Reading the Dollfuss Years Mark Allinson doi:10.2307/27944814	Cite
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349-350	Review of Derek Beales, Enlightenment and Reform in Eighteenth-Century Europe T. J. Hochstrasser doi:10.2307/27944815	Cite
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350-351	Review of Aloys Blumauer, Wynfrid Kriegleder, Virgils Aeneis, travestirt. (Textbibliothek 3) Ritchie Robertson doi:10.2307/27944816	Cite
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352-353	Review of Giselheid Wagner, Harmoniezwang und Verstörung. Voyeurismus, Weiblichkeit und Stadt bei Ferdinand von Saar. (Studien und Texte zur Sozialgeschichte der Literatur 109) Florian Krobb doi:10.2307/27944817	Cite
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354-356	Review of Susanne Kord, Letzte Chancen. Vier Einakter von Marie von Ebner-Eschenbach. (MHRA Critical Texts 3) Ulrike Tanzer doi:10.2307/27944818	Cite
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356-357	Review of Horst Jarka, Lois Jarka, The Others' Austria. Impressions of American and British Travelers. I: 1814–1914 Eleoma Joshua doi:10.2307/27944819	Cite
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357-358	Review of Daniel L. Unowsky, The Pomp and Politics of Patriotism. Imperial Celebrations in Habsburg Austria, 1848–1916 Steven Beller doi:10.2307/27944820	Cite
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359-360	Review of Sarah Fraiman-Morris, Jüdische Aspekte Jung-Wiens im Kulturkontext des 'Fin de Siècle'. (Conditio Judaica 52) Lisa Silverman doi:10.2307/27944821	Cite
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360-362	Review of Ulrich Weinzierl, Hofmannsthal. Skizzen zu seinem Bild Jens Rieckmann doi:10.2307/27944822	Cite
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362-364	Review of Kordula Knaus, Gezähmte 'Lulu'. Alban Bergs Wedekind-Vertonung im Spannungsfeld von literarischer Ambition, Opernkonvention und 'absoluter Musik'. (Reihe Cultura 38) Douglas Jarman doi:10.2307/27944823	Cite
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364-365	Review of Thomas Sebastian, The Intersection of Science and Literature in Musil's 'The Man Without Qualities' Daniel Steuer doi:10.2307/27944824	Cite
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366-367	Review of Madeleine Rietra, Rainer-Joachim Siegel, 'Geschäft ist Geschäft. Seien Sie mir privat nicht böse. Ich brauche Geld.' Der Briefwechsel zwischen Joseph Roth und den Exilverlagen Allert de Lange und Querido 1933–1939 Jon Hughes doi:10.2307/27944825	Cite
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367-370	Review of Andreas Novak, 'Salzburg hört Hitler atmen'. Die Salzburger Festspiele 1933–1944 John Warren doi:10.2307/27944826	Cite
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370-371	Review of Franziska Mayer, Wunscherfüllungen. Erzählstrategien im Prosawerk Alexander Lernet-Holenias Ian Foster doi:10.2307/27944827	Cite
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372-373	Review of Klaus Dermutz, Klaus Bachler, Das Burgtheater 1955–2005. Die Welt-Bühne im Wandel der Zeiten W. E. Yates doi:10.2307/27944828	Cite
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373-375	Review of Ute Harbusch, Gegenübersetzungen. Paul Celans Übertragungen französischer Symbolisten Charlotte Ryland doi:10.2307/27944829	Cite
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375-377	Review of Fred Wander, Ruth Klüger, Der siebente Brunnen. Roman Leopold R. G. Decloedt doi:10.2307/27944830	Cite
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377-379	Review of Robert von Dassanowsky, Austrian Cinema. A History Allyson Fiddler doi:10.2307/27944831	Cite
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380-381	Review of Janet Stewart, Simon Ward, Blueprints for No-Man's Land. Connections in Contemporary Austrian Culture. (British and Irish Studies in German Language and Literature 37) Martin Liebscher doi:10.2307/27944832	Cite
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Cite this volume in standard MHRA style

Bibliography entry:

Beniston, Judith, and Robert Vilain (eds), Culture and Politics in Red Vienna (= Austrian Studies, 14 (2006))

First footnote reference: ³⁵ Culture and Politics in Red Vienna, ed. by Judith Beniston and Robert Vilain (= Austrian Studies, 14 (2006)), p. 21.

Subsequent footnote reference: ³⁷ Beniston and Vilain, p. 47.

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Cite this volume in MHRA author-date style

Bibliography entry:

Beniston, Judith, and Robert Vilain (eds). 2006. Culture and Politics in Red Vienna (= Austrian Studies, 14)

Example citation: ‘A quotation occurring on page 21 of this work’ (Beniston and Vilain 2006: 21).

Example footnote reference: ³⁵ Beniston and Vilain 2006: 21.

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Permanent link to this title:

www.mhra.org.uk/publications/Culture-Politics-in-Red-Vienna
www.mhra.org.uk/publications/as-14