Culture and Politics in Red Vienna

Edited by Judith Beniston and Robert Vilain

Austrian Studies 14

Maney Publishing for the Modern Humanities Research Association

1 November 2006  •  396pp

ISBN: 978-1-904350-94-1 (paperback)

Access online: At JSTOR

ModernGermanHistory


Contents:

1-19

Culture and Politics in Red Vienna: Introduction
Judith Beniston
doi:10.2307/27944798

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21-36

Austro-Marxism: Mass Culture and Anticipatory Socialism
Wolfgang Maderthaner
doi:10.2307/27944799

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37-59

School for Socialism: Karl Seitz and the Cultural Politics of Vienna
Edward Timms
doi:10.2307/27944800

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61-97

Souvenirs of Vienna 1924: The Legacy of David Josef Bach
J. D. Armstrong, Edward Timms
doi:10.2307/27944801

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99-117

The Feuilleton of the Viennese "Arbeiter-Zeitung" 1918–1934: Production Parameters and Personality Problems
Deborah Holmes
doi:10.2307/27944802

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119-142

David Josef Bach and the 'Musik- und Theaterfest' of 1924
John Warren
doi:10.2307/27944803

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143-164

The 'Enemy Within'? The Social Democratic Kunststelle and the State Theatres in Red Vienna
Robert Pyrah
doi:10.2307/27944804

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165-183

No Laughing Matter: The Place of Comedy in David Josef Bach's Theatre Politics
Judith Beniston
doi:10.2307/27944805

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185-195

David Josef Bach and Viennese Debates on Modern Music
Christian Glanz
doi:10.2307/27944806

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197-213

Anton Webern, the Social Democratic Kunststelle and Musical Modernism
Julian Johnson
doi:10.2307/27944807

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215-226

Oskar Kokoschka, Red Vienna and the Education of the Child
Richard Calvocoressi
doi:10.2307/27944808

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227-259

Isotype and Architecture in Red Vienna: The Modern Projects of Otto Neurath and Josef Frank
Eve Blau
doi:10.2307/27944809

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261-290

'Late Starter': Extracts from a Memoir
Ian Menzies
doi:10.2307/27944810

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291-309

The Takeover of Social Democratic Musical Institutions by the Austrian 'Corporate State'
Anita Mayer-Hirzberger
doi:10.2307/27944811

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311-325

'Nach soviel Glanz': David Josef Bach in British Exile
Charmian Brinson
doi:10.2307/27944812

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327-336

Review Articles: Stifter's Intentions
Michael Minden
doi:10.2307/27944813

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337-348

Reading the Dollfuss Years
Mark Allinson
doi:10.2307/27944814

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349-350

Review of Derek Beales, Enlightenment and Reform in Eighteenth-Century Europe
T. J. Hochstrasser
doi:10.2307/27944815

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350-351

Review of Aloys Blumauer, Wynfrid Kriegleder, Virgils Aeneis, travestirt. (Textbibliothek 3)
Ritchie Robertson
doi:10.2307/27944816

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352-353

Review of Giselheid Wagner, Harmoniezwang und Verstörung. Voyeurismus, Weiblichkeit und Stadt bei Ferdinand von Saar. (Studien und Texte zur Sozialgeschichte der Literatur 109)
Florian Krobb
doi:10.2307/27944817

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354-356
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356-357

Review of Horst Jarka, Lois Jarka, The Others' Austria. Impressions of American and British Travelers. I: 1814–1914
Eleoma Joshua
doi:10.2307/27944819

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357-358

Review of Daniel L. Unowsky, The Pomp and Politics of Patriotism. Imperial Celebrations in Habsburg Austria, 1848–1916
Steven Beller
doi:10.2307/27944820

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359-360

Review of Sarah Fraiman-Morris, Jüdische Aspekte Jung-Wiens im Kulturkontext des 'Fin de Siècle'. (Conditio Judaica 52)
Lisa Silverman
doi:10.2307/27944821

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360-362

Review of Ulrich Weinzierl, Hofmannsthal. Skizzen zu seinem Bild
Jens Rieckmann
doi:10.2307/27944822

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362-364

Review of Kordula Knaus, Gezähmte 'Lulu'. Alban Bergs Wedekind-Vertonung im Spannungsfeld von literarischer Ambition, Opernkonvention und 'absoluter Musik'. (Reihe Cultura 38)
Douglas Jarman
doi:10.2307/27944823

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364-365

Review of Thomas Sebastian, The Intersection of Science and Literature in Musil's 'The Man Without Qualities'
Daniel Steuer
doi:10.2307/27944824

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366-367

Review of Madeleine Rietra, Rainer-Joachim Siegel, 'Geschäft ist Geschäft. Seien Sie mir privat nicht böse. Ich brauche Geld.' Der Briefwechsel zwischen Joseph Roth und den Exilverlagen Allert de Lange und Querido 1933–1939
Jon Hughes
doi:10.2307/27944825

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367-370

Review of Andreas Novak, 'Salzburg hört Hitler atmen'. Die Salzburger Festspiele 1933–1944
John Warren
doi:10.2307/27944826

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370-371

Review of Franziska Mayer, Wunscherfüllungen. Erzählstrategien im Prosawerk Alexander Lernet-Holenias
Ian Foster
doi:10.2307/27944827

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372-373

Review of Klaus Dermutz, Klaus Bachler, Das Burgtheater 1955–2005. Die Welt-Bühne im Wandel der Zeiten
W. E. Yates
doi:10.2307/27944828

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373-375

Review of Ute Harbusch, Gegenübersetzungen. Paul Celans Übertragungen französischer Symbolisten
Charlotte Ryland
doi:10.2307/27944829

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375-377

Review of Fred Wander, Ruth Klüger, Der siebente Brunnen. Roman
Leopold R. G. Decloedt
doi:10.2307/27944830

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377-379

Review of Robert von Dassanowsky, Austrian Cinema. A History
Allyson Fiddler
doi:10.2307/27944831

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380-381

Review of Janet Stewart, Simon Ward, Blueprints for No-Man's Land. Connections in Contemporary Austrian Culture. (British and Irish Studies in German Language and Literature 37)
Martin Liebscher
doi:10.2307/27944832

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Bibliography entry:

Beniston, Judith, and Robert Vilain (eds), Culture and Politics in Red Vienna (= Austrian Studies, 14 (2006))

First footnote reference: 35 Culture and Politics in Red Vienna, ed. by Judith Beniston and Robert Vilain (= Austrian Studies, 14 (2006)), p. 21.

Subsequent footnote reference: 37 Beniston and Vilain, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Beniston, Judith, and Robert Vilain (eds). 2006. Culture and Politics in Red Vienna (= Austrian Studies, 14)

Example citation: ‘A quotation occurring on page 21 of this work’ (Beniston and Vilain 2006: 21).

Example footnote reference: 35 Beniston and Vilain 2006: 21.

(To see how these citations were worked out, follow this link.)


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