Theorizing Medieval Race
Saracen Representations in Old French Literature

Victoria Turner

Research Monographs in French Studies 55

Legenda

23 September 2019  •  228pp

ISBN: 978-1-781886-67-0 (hardback)  •  RRP £80, $110, €95

ISBN: 978-1-781886-68-7 (paperback, 13 December 2021)  •  RRP £10.99, $14.99, €13.49

ISBN: 978-1-781886-69-4 (JSTOR ebook)

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In today’s discussions of religious difference and intolerance, the Middle Ages are often presented as a time of fixed racial, religious, and cultural identities, especially as regards the East and Islam. Representations of Saracens, however, show how literary traditions invite a more nuanced consideration of the complex and often surprising ways in which such non-Christian figures might be depicted.

In a wide-ranging study of Old French texts from c.1150-1350, Victoria Turner explores how racial identity is not only paradoxical but even fluid in the medieval Christian literary imagination, where Arthurian heroes may have Saracen ancestors and where a Saracen may set an example of good Christian behaviour. Drawing on modern critical theory, Turner adopts a series of approaches to concepts of race to counter suggestions that these medieval identities were necessarily adversarial, consistent or absolute.

Victoria Turner is Lecturer in French at the University of St Andrews.

Reviews:

  • ‘She has created new paradigms for thinking about race and representation in the Middle Ages that should become part of the critical conversation. While Turner’s book focuses exclusively on French material, it is applicable to the European Middle Ages more widely and is particularly worthwhile because 1) she elaborates a comprehensive and sophisticated critical framework for her interrogation of medieval racial representation, and 2) her textual interpretations are original and imaginative, not simply repetitions of previous scholarly consensus.’ — Margaret Aziza Pappano, Speculum 98.1, January 2023, 339 (full text online)

Contents:

ix-x

Acknowledgements
V.T.
doi:10.2307/j.ctv16km0sv.3

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xi-xi

Abbreviations
Victoria Turner
doi:10.2307/j.ctv16km0sv.4

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xii-xii

Note On Translations
Victoria Turner
doi:10.2307/j.ctv16km0sv.5

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xiii-xiv

List of Illustrations
Victoria Turner
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1-26

Introduction
Victoria Turner
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27-52

Chapter 1 Race and Gender: Cross-Dressing and Performative Identity in the Nanteuil Cycle
Victoria Turner
doi:10.2307/j.ctv16km0sv.8

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53-83

Chapter 2 Race and Time: Genealogy and Logical Race in the Estoire Del Saint Graal
Victoria Turner
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84-134

Chapter 3 Race and Religion: Spectrality and Conversion in Gautier De Coinci’s Miracles De Nostre Dame
Victoria Turner
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135-166

Chapter 4 Race and Community: Knowledge, Faith, and the Prophet in the Roman De Mahomet
Victoria Turner
doi:10.2307/j.ctv16km0sv.11

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167-192

Conclusion Indeterminacy Made Readable: Rethinking the Body and Medieval Race
Victoria Turner
doi:10.2307/j.ctv16km0sv.12

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193-205

Bibliography
Victoria Turner
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206-214

Index
Victoria Turner
doi:10.2307/j.ctv16km0sv.14

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Bibliography entry:

Turner, Victoria, Theorizing Medieval Race: Saracen Representations in Old French Literature, Research Monographs in French Studies, 55 (Legenda, 2019)

First footnote reference: 35 Victoria Turner, Theorizing Medieval Race: Saracen Representations in Old French Literature, Research Monographs in French Studies, 55 (Legenda, 2019), p. 21.

Subsequent footnote reference: 37 Turner, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Turner, Victoria. 2019. Theorizing Medieval Race: Saracen Representations in Old French Literature, Research Monographs in French Studies, 55 (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Turner 2019: 21).

Example footnote reference: 35 Turner 2019: 21.

(To see how these citations were worked out, follow this link.)


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