Modern Humanities Research Association and the School of Slavonic and East European Studies, University College London
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| 550-551 | Review of Maria Gracia Bartolini, In the Tight Triangle of the Night: The Early Poetry of Yuriy Tarnawsky (1956–1971), between Modernism and Postmodernism Arnold McMillin doi:https://doi.org/10.1353/see.00129 | Cite |
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| 551-553 | Review of Brenda A. Flanagan and Hana Waisserová, Women’s Artistic Dissent: Repelling Totalitarianism in Pre-1989 Czechoslovakia Julia Sutton-Mattocks doi:https://doi.org/10.1353/see.00130 | Cite |
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| 572-574 | Review of Andrzej Kozieł, Sławomir Stasiak and Rajmund Pietkiewicz (ed.), Cistercian Abbey in Krzeszów: European Centre of Art and Theological Thought Wioletta Pawlikowska doi:https://doi.org/10.1353/see.00139 | Cite |
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| 574-576 | Review of Marina B. Mogilner (ed.), Jews, Race, and the Politics of Difference: The Case of Vladimir Jabotinsky against the Russian Empire Brian Horowitz doi:https://doi.org/10.1353/see.00140 | Cite |
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| 576-578 | Review of Tomas Balkelis and Andrea Griffante (ed.), The Shaken Lands: Violence and the Crisis of Governance in East Central Europe, 1914–1923 Jakub Beneš doi:https://doi.org/10.1353/see.00141 | Cite |
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