The Poetry of Céline Arnauld: From Dada to Ultra-Modern

Ruth Hemus

The Poetry of Céline Arnauld
From Dada to Ultra-Modern

Ruth Hemus

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Céline Arnauld (1885-1952), French/Romanian poet

Dada

2 other titles

Research Monographs in French Studies 58

Legenda

28 September 2020 • 184pp

ISBN: 978-1-781888-31-5 (hardback) • RRP £80, $110, €95

ISBN: 978-1-781888-32-2 (paperback, 22 January 2023) • RRP £10.99, $14.99, €13.49

ISBN: 978-1-781888-33-9 (JSTOR ebook)

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The poet Céline Arnauld (1885-1952) was at the heart of Paris Dada. Her experimental texts appeared in the most prominent avant-garde journals and she published almost a dozen books. Yet Arnauld predicted as early as 1924 that she would be written out of history. Isolated by personal loss and financially insecure, she took her own life in 1952. Her story is one of an individual with an elusive identity — she was a Jewish émigré, born Carolina Goldstein in Romania — who left behind a body of work rich in innovation. In this study, Ruth Hemus conveys the pleasure of discovering this neglected figure and her inventive writing. Charting one woman’s navigation of the avant-garde over a thirty-year period (1918-1948), she sets out Arnauld’s quest for an autonomous poetry that she herself called ‘ultra-modern.’

Ruth Hemus is a Reader in French and Visual Arts at Royal Holloway, University of London.

Contents:

1-8	Introduction: the Mysterious Case of Céline Arnauld Ruth Hemus doi:10.2307/j.ctv1wsgqv9.4	Cite
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11-21	Chapter 1 From Romania To Paris: La Lanterne Magique (1914) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.5	Cite
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22-34	Chapter 2 Contesting the Novel: Tournevire (1919) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.6	Cite
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35-46	Chapter 3 Collision and Collage in Poèmes À Claires-Voies (1920) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.7	Cite
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47-58	Chapter 4 Liminal Spaces and Refrains in Point De Mire (1921) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.8	Cite
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61-73	Chapter 5 Dada Actions: Magazines and Manifestos (1920–21) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.9	Cite
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74-84	Chapter 6 Founding A Journal: Ambition and Vision in Projecteur (1920) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.10	Cite
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85-98	Chapter 7 Battles With Breton: ‘Les Faux Managers’ (1924) and Projectivism Ruth Hemus doi:10.2307/j.ctv1wsgqv9.11	Cite
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101-114	Chapter 8 the Lyric Traveller: Longing and Belonging in Guêpier De Diamants (1923) and ‘Diorama’ (1925) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.12	Cite
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115-126	Chapter 9 Music and Madness in La Nuit Rêve Tout Haut Et Le Clavier Secret (1934) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.13	Cite
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127-138	Chapter 10 Cycles of Time and Nature in Heures Intactes (1936) and Les Réseaux Du Réveil (1937) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.14	Cite
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139-150	Chapter 11 War, Exile, and Precarious Peace: La Nuit Pleure Tout Haut (1939) and Rien Qu’une Étoile, Suivi De Plains-Chants Sauvages (1948) Ruth Hemus doi:10.2307/j.ctv1wsgqv9.15	Cite
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151-158	Conclusion: A Triple Margin: Gender, Nationality, and Ultra-Modernity Ruth Hemus doi:10.2307/j.ctv1wsgqv9.16	Cite
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159-168	Bibliography Ruth Hemus doi:10.2307/j.ctv1wsgqv9.17	Cite
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169-174	Index Ruth Hemus doi:10.2307/j.ctv1wsgqv9.18	Cite
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Bibliography entry:

Hemus, Ruth, The Poetry of Céline Arnauld: From Dada to Ultra-Modern, Research Monographs in French Studies, 58 (Legenda, 2020)

First footnote reference: ³⁵ Ruth Hemus, The Poetry of Céline Arnauld: From Dada to Ultra-Modern, Research Monographs in French Studies, 58 (Legenda, 2020), p. 21.

Subsequent footnote reference: ³⁷ Hemus, p. 47.

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Cite this volume in MHRA author-date style

Bibliography entry:

Hemus, Ruth. 2020. The Poetry of Céline Arnauld: From Dada to Ultra-Modern, Research Monographs in French Studies, 58 (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Hemus 2020: 21).

Example footnote reference: ³⁵ Hemus 2020: 21.

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The Poetry of Céline ArnauldFrom Dada to Ultra-Modern

Ruth Hemus

The Poetry of Céline Arnauld
From Dada to Ultra-Modern