Modern Language Review 90.1

Modern Language Review 90.1

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Modern Language Review 90.1

Modern Humanities Research Association

1 January 1995 • 280pp

Access online: At JSTOR

Contents:

1-13	An Experiment with Time: Ezra Pound and the Example of Japanese Noh Peter Nicholls doi:10.2307/3733248	Cite
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14-17	The Dirty Jokes in "Waiting for Godot" N. F. Lowe doi:10.2307/3733249	Cite
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18-28	New Truths in Proust? Jonathan Dancy doi:10.2307/3733250	Cite
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29-40	Claude Simon's "L'acadia": History as Anonymity, the Name as Word Jean H. Duffy doi:10.2307/3733251	Cite
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41-54	Calvino and the Computer as Writer/Reader Jonathan Usher doi:10.2307/3733252	Cite
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55-70	"The Resonances of Words": Lope de Vega and Geoffrey Hill Colin Thompson doi:10.2307/3733253	Cite
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71-82	Discursive Anarchy or Creative Pluralism? The Cases of Cortázar and Puig Ciaran Cosgrove doi:10.2307/3733254	Cite
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83-93	Bertolt Brecht, Logical Empiricism, and Social Behaviourism Steve Giles doi:10.2307/3733255	Cite
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94-102	Translation as a Creative Force in Literature: The Birth of the European Bourgeois Fairy-Tale Cay Dollerup doi:10.2307/3733256	Cite
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103-119	Signposting the Way to the City of Night: Recent Russian Dystopian Fiction S. Dalton-Brown doi:10.2307/3733257	Cite
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120-122	Review of A. D. Nuttall, Openings: Narrative Beginnings from the Epic to the Novel; Timothy J. Reiss, The Meaning of Literature Jeremy Tambling doi:10.2307/3733258	Cite
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122	Review of Ben Knights, From Reader to Reader: Theory, Text and Practice in the Study Group Joseph Natoli doi:10.2307/3733259	Cite
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123	Review of David Lawton, Blasphemy Jeremy Tambling doi:10.2307/3733260	Cite
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123-125	Review of John Sturrock, The Language of Autobiography: Studies in the First Person Singular Jeremy Tambling doi:10.2307/3733261	Cite
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125-126	Review of M. R. Axelrod, The Politics of Style in the Fiction of Balzac, Beckett and Cortázar John Pilling doi:10.2307/3733262	Cite
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126-128	Review of Theodore Ziolkowski, Virgil and the Moderns; Colin Burrow, Epic Romance: Homer to Milton Alastair Fowler doi:10.2307/3733263	Cite
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128-130	Review of Fred C. Robinson, 'The Tomb of Beowulf' and Other Essays on Old English Raymond P. Tripp Jr. doi:10.2307/3733264	Cite
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130-132	Review of Michael Korhammer, Words, Texts, and Manuscripts: Studies in Anglo-Saxon Culture. Presented to Helmut Gneuss on the Occasion of His Sixty-Fifth Birthday Richard North doi:10.2307/3733265	Cite
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132-134	Review of Sam Newton, The Origins of Beowulf and the Pre-Viking Kingdom of East Anglia Raymond P. Tripp Jr. doi:10.2307/3733266	Cite
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134-136	Review of Corinne J. Saunders, The Forest of Medieval Romance: Avernus, Broceliande, Arden Deborah M. Sabadash doi:10.2307/3733267	Cite
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136-137	Review of Margaret Laing, Catalogue of Sources for a Linguistic Atlas of Early Medieval English J. D. Burnley doi:10.2307/3733268	Cite
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137-138	Review of Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others Julie Robin Solomon doi:10.2307/3733269	Cite
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138-140	Review of Gail Kern Paster, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England Kathleen E. McLuskie doi:10.2307/3733270	Cite
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140-141	Review of A. J. Hoenselaars, Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study in Stage Characters and National Identity in English Renaissance Drama Loraine Fletcher doi:10.2307/3733271	Cite
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141-142	Review of Dennis Kennedy, Looking at Shakespeare: A Visual History of Twentieth-Century Performance David Daniell doi:10.2307/3733272	Cite
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142-144	Review of John Haffenden, William Empson: Essays on Renaissance Literature. Vol. I: Donne and the New Philosophy John Lucas doi:10.2307/3733273	Cite
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144-145	Review of J. R. Mulryne, Margaret Shewring, Theatre and Government under the Early Stuarts John D. Cox doi:10.2307/3733274	Cite
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145-146	Review of Christopher Hodgkins, Authority, Church, and Society in George Herbert: Return to the Middle Way Richard Todd doi:10.2307/3733275	Cite
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146-147	Review of Steven N. Zwicker, Lines of Authority: Politics and English Literary Culture, 1649-1689 Ronald Knowles doi:10.2307/3733276	Cite
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147-148	Review of Heidi Hutner, Rereading Aphra Behn: History, Theory, and Criticism Carolyn D. Williams doi:10.2307/3733277	Cite
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148-149	Review of Calhoun Winton, John Gay and the London Theatre Paul Alkon doi:10.2307/3733278	Cite
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149-150	Review of Catherine Craft-Fairchild, Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women Carolyn D. Williams doi:10.2307/3733279	Cite
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150-151	Review of Ann Jessie Van Sant, Eighteenth-Century Sensibility and the Novel: The Senses in a Social Context John Mullan doi:10.2307/3733280	Cite
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151-152	Review of Peter T. Murphy, Poetry as an Occupation and an Art in Britain: 1760-1830 Allan Ingram doi:10.2307/3733281	Cite
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152-153	Review of Elsie B. Michie, Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman Writer Catherine Maxwell doi:10.2307/3733282	Cite
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153-154	Review of Amanda Anderson, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Catherine Maxwell doi:10.2307/3733283	Cite
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154-155	Review of Ed. Cohen, Talk on the Wilde Side John Stokes doi:10.2307/3733284	Cite
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156-157	Review of Zohreh T. Sullivan, Narratives of Empire: The Fictions of Rudyard Kipling David Punter doi:10.2307/3733285	Cite
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157-158	Review of Douglas Kerr, Wilfred Owen's Voices: Language and Community Adrian Caesar doi:10.2307/3733286	Cite
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158-159	Review of Richard E. Brantley, Coordinates of Anglo-American Romanticism: Wesley, Edwards, Carlyle & Emerson R. W. (Herbie) Butterfield doi:10.2307/3733287	Cite
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160	Review of Bryan C. Short, Cast by Means of Figures: Herman Melville's Rhetorical Development James Hurt doi:10.2307/3733288	Cite
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161-162	Review of Christopher P. Wilson, White Collar Fictions: Class and Social Representation in American Literature, 1885-1925 James Hurt doi:10.2307/3733289	Cite
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162-163	Review of Michael Reynolds, Hemingway: The American Homecoming Lionel Kelly doi:10.2307/3733290	Cite
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163-164	Review of Manju Jain, T. S. Eliot and American Philosophy: The Harvard Years Robert Crawford doi:10.2307/3733291	Cite
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164-165	Review of Stephen Fredman, The Grounding of American Poetry: Charles Olson and the Emersonian Tradition Stephen Matterson doi:10.2307/3733292	Cite
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165-166	Review of Victoria Harrison, Elizabeth Bishop's Poetics of Intimacy Pat Righelato doi:10.2307/3733293	Cite
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166-167	Review of Brian W. Shaffer, The Blinding Torch: Modern British Fiction and the Discourse of Civilization Macdonald Daly doi:10.2307/3733294	Cite
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167-168	Review of Hugh Underhill, The Problem of Consciousness in Modern Poetry John Lucas doi:10.2307/3733295	Cite
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168-169	Review of Anna McMullan, Theatre on Trial: Samuel Beckett's Later Drama Deborah Cottreau doi:10.2307/3733296	Cite
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169-170	Review of Donald H. Reiman, The Study of Modern Manuscripts: Public, Confidential, and Private Lynette Hunter doi:10.2307/3733297	Cite
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170-171	Review of Allon White, Carnival, Hysteria, and Writing: Collected Essays and Autobiography Jeremy Tambling doi:10.2307/3733298	Cite
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171-173	Review of James A. Coleman, Gabrielle Parker, French and the Enterprise Path: Developing Transferable and Professional Skills David Platten doi:10.2307/3733299	Cite
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173-174	Review of Anthony Levi, Guide to French Literature Derek Connon doi:10.2307/3733300	Cite
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174-175	Review of Alain Montandon, Étiquette et politesse Peter France doi:10.2307/3733301	Cite
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175-176	Review of Alain Toumayan, Literary Generations: A Festschrift in Honor of Edward D. Sullivan Rachel Killick doi:10.2307/3733302	Cite
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176-178	Review of Suzanne Gearhart, The Interrupted Dialectic: Philosophy, Psychoanalysis, and Their Tragic Other Philip Thody doi:10.2307/3733303	Cite
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178-179	Review of David Lee Rubin, Continuum: Problems in French Literature from the Late Renaissance to the Early Enlightenment. Vol. IV: Libertinage and the Art of Writing 2 Terence Allott doi:10.2307/3733304	Cite
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179	Review of Anna Lia Franchetti, Il Salotto e la Scena: Le forme della Commedia galante da Corneille a Musset Anna Piletti doi:10.2307/3733305	Cite
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180-181	Review of Douglas Kelly, The Art of Medieval French Romance Leslie C. Brook doi:10.2307/3733306	Cite
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181-182	Review of Philippe Ménard, Denis Lalande, Thierry Delcourt, Le Roman de Tristan en prose. Vol. V Evelyn Mullally doi:10.2307/3733307	Cite
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182	Review of R. E. Asher, National Myths in Renaissance France: Francus, Samothes and the Druids Malcolm C. Smith doi:10.2307/3733308	Cite
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182-183	Review of Jean Balsamo, Les Rencontres des muses: italianisme et anti-italianisme dans les Lettres françaises de la fin du XVIe siècle Sarah Alyn-Stacey doi:10.2307/3733309	Cite
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183-185	Review of Daniel Martin, L'Architecture des 'Essais' de Montaigne: mémoire artificielle et mythologie David Maskell doi:10.2307/3733310	Cite
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185	Review of Antoine Compagnon, Chat en poche: Montaigne et l'allégorie Keith Cameron doi:10.2307/3733311	Cite
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185-186	Review of Erica Harth, Cartesian Women: Versions and Subversions of Rational Discourse in the Old Regime Jean Bloch doi:10.2307/3733312	Cite
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186-188	Review of Nancy Deighton Klein, The Female Protagonist in the Nouvelles of Madame de Villedieu; Derek A. Watts, Corneille: 'Rodogune and Nicomède' David Shaw doi:10.2307/3733313	Cite
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188-189	Review of Andrew Calder, Molière: The Theory and Practice of Comedy Noël A. Peacock doi:10.2307/3733314	Cite
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189-190	Review of Noël Peacock, Molière in Scotland 1945-1990 David Shaw doi:10.2307/3733315	Cite
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190-192	Review of Manuel Couvreur, Jean-Baptiste Lully: Musique et dramaturgie au service du prince Elizabeth Woodrough doi:10.2307/3733316	Cite
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192	Review of Ross Hutchison, Locke in France 1688-1734 John Renwick doi:10.2307/3733317	Cite
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193	Review of D. J. Adams, Bibliographie des ouvrages français en forme de dialogue 1700-1750 David J. Williams doi:10.2307/3733318	Cite
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193-194	Review of Henri Lafon, Les Décors et les choses dans le roman français du dix-huitième siècle de Prévost à Sade Thomas DiPiero doi:10.2307/3733319	Cite
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195	Review of Robert L. Dawson, The French Booktrade and the 'permission simple' of 1777: Copyright and Public Domain, with an Edition of the Permit Registers Christopher Todd doi:10.2307/3733320	Cite
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195-196	Review of Voltaire, William Barber, Ulla Kölving, Paul LeClero, The Complete Works of Voltaire/Œuvres complètes de Voltaire. Vol. XXIA: Rome sauvée, ou Catilina; David H. Jory, Dissertations sur les principales tragédies anciennes et modernes qui ont paru sur le sujet d'Electre et en particulier sur celle de Sophocles Christopher Todd doi:10.2307/3733321	Cite
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196-197	Review of David Beeson, Maupertuis: An Intellectual Biography John Renwick doi:10.2307/3733322	Cite
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197-198	Review of Anne-Marie Chouillet, Pierre Crépei, Henri Duranton, Condorcet: Almanach anti-superstitieux et autres textes R. Niklaus doi:10.2307/3733323	Cite
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198-199	Review of Dominique Verrey, Le Discours anthropologique à la fin des Lumières (annales benjamin constant, 13) Dennis Wood doi:10.2307/3733324	Cite
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199	Review of Jean Ygaunin, Paris à l'époque de Balzac et dans la 'Comédie humaine': la ville et la société Graham Robb doi:10.2307/3733325	Cite
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199-201	Review of David Powell, George Sand Today: Proceedings of the Eighth International George Sand Conference, Tours 1989 Edith McCormack doi:10.2307/3733326	Cite
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201-202	Review of Villiers de l'Isle-Adam, Alan Raitt, L'Eve future Renzo Scarcella doi:10.2307/3733327	Cite
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203	Review of Renzo Scarcella, Surfaces et profondeurs dans l'univers imaginaire de Villiers de l'Isle-Adam Peter Cogman doi:10.2307/3733328	Cite
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203-205	Review of Renée A. Kingcaid, Neurosis and Narrative: The Decadent Short Fiction of Proust, Lorrain and Rachilde; Michael Wetherill, Proust: 'Du Côté de chez Swann' Robin Mackenzie doi:10.2307/3733329	Cite
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205-206	Review of Margaret E. Gray, Postmodern Proust W. L. Hodson doi:10.2307/3733330	Cite
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206-207	Review of Suzanne Larnaudie, Paul Valéry et la Grèce Paul Gifford doi:10.2307/3733331	Cite
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207-208	Review of Pierre Coudere, Rencontre autour de Charles-Louis Philippe: Actes du Colloque de Clermont-Ferrand (septembre 1991) John Flower doi:10.2307/3733332	Cite
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208-209	Review of Bruno Thibault, L'Allure de Morand: du Modernisme au Pétainisme Alec G. Hargreaves doi:10.2307/3733333	Cite
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209-210	Review of Virginia A. La Charité, Twentieth-Century French Avant-Garde Poetry, 1907-1990 Andrew Rothwell doi:10.2307/3733334	Cite
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210-211	Review of Gavin Bowd, Guillevic: Sauvage de la modernité Michael Sheringham doi:10.2307/3733335	Cite
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211-212	Review of Jacques Dupin, Maryann de Julio, Rhetorical Landscapes: The Poetry and Art Criticism of Jacques Dupin Andrew Rothwell doi:10.2307/3733336	Cite
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212-213	Review of Francis Petrarch, Aldo S. Bernardo, Saul Levin, Reta A. Bernardo, Letters of Old Age: Rerum senilium libri I-XVIII Peter Hainsworth doi:10.2307/3733337	Cite
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214-215	Review of Nicoletta Maraschio, Trattati di fonetica del Cinquecento T. Gwynfor Griffith doi:10.2307/3733338	Cite
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215-216	Review of Claudio Tolomei, Barbara Garvin, Del raddoppiamento da parola a parola Brian Richardson doi:10.2307/3733339	Cite
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216-218	Review of Virginia Cox, The Renaissance Dialogue: Literary Dialogue in Its Social and Political Contexts, Castiglione to Galileo Judith Bryce doi:10.2307/3733340	Cite
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218-219	Review of Deirdre O'Grady, The Last Troubadours: Poetic Drama in Italian Opera 1597-1887 Bojan Bujic doi:10.2307/3733341	Cite
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219-220	Review of Beppe Fenoglio, Dante Isella, Romanzi e racconti Philip Cooke doi:10.2307/3733342	Cite
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220-221	Review of José I. Suárez, The Carnival Stage: Vicentine Comedy within the Serio-Comic Mode Thomas R. Hart doi:10.2307/3733343	Cite
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221-223	Review of Peter N. Dunn, Spanish Picaresque Fiction: A New Literary History C. A. Longnurst doi:10.2307/3733344	Cite
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223-224	Review of Harriet S. Turner, Benito Pérez Galdós: 'Fortunata and Jacinta' Peter Bly doi:10.2307/3733345	Cite
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225-226	Review of Arnold M. Penuel, Intertextuality in García Márquez Anny Brooksbank Jones doi:10.2307/3733346	Cite
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226-227	Review of Johannes Kramer, Sabine Kowallik, Das Französische in Deutschland. Eine Einführung Peter Schäublin doi:10.2307/3733347	Cite
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227-229	Review of Albrecht Classen, Women as Protagonists and Poets in the German Middle Ages: An Anthology of Feminist Approaches to Middle High German Literature Marion E. Gibbs doi:10.2307/3733348	Cite
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229-230	Review of Werner Wunderlich, Ulrich Müller, 'Waz sider da geschach': American-German Studies on the Nibelungenlied: Text and Reception with Bibliography 1980-1990/1991 Neil Thomas doi:10.2307/3733349	Cite
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230-231	Review of Oliver Davies, Meister Eckhart: Mystical Theologian John Margetts doi:10.2307/3733350	Cite
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231-232	Review of Joachim Knape, Dichtung, Recht und Freiheit. Studien zu Leben und Werk Sebastian Brants 1457-1521 John L. Flood doi:10.2307/3733351	Cite
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233	Review of George Philipp Harsdörffer, Georg Braungart, Ars Apophthegmatica. Das ist: Kunstquellen Denkwürdiger Lehrsprüche und Ergötzlicher Hofreden W. A. Coupe doi:10.2307/3733352	Cite
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233-234	Review of Dietrich Jöns, Die betrübte Pegnesis W. A. Coupe doi:10.2307/3733353	Cite
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234-235	Review of Jill Anne Kowalik, The Poetics of Historical Perspectivism: Breitinger's 'Critische Dichtkunst' and the Neoclassic Tradition Rüdiger Görner doi:10.2307/3733354	Cite
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235-236	Review of Robert H. Brown, Nature's Hidden Terror: Violent Nature Imagery in Eighteenth-Century Germany Robin Harrison doi:10.2307/3733355	Cite
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237-239	Review of Christoph Martin Wieland, Max Dufner, History of the Abderites Alan Menhennet doi:10.2307/3733356	Cite
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239-240	Review of Friedrich Schiller, Henry G. Bohn, The Ghost-Seer Francis Lamport doi:10.2307/3733357	Cite
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240-241	Review of Timothy J. Casey, Erika Casey, Jean Paul: A Reader Martin Davies doi:10.2307/3733358	Cite
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241-242	Review of Harvey Birenbaum, Between Blake and Nietzsche: The Reality of Culture Duncan Large, Steven Vine doi:10.2307/3733359	Cite
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242-245	Review of Timothy Bahti, Allegories of History: Literary Historiography after Hegel Steve Giles doi:10.2307/3733360	Cite
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245-246	Review of Mark Gelber, The Jewish Reception of Heinrich Heine Anthony Phelan doi:10.2307/3733361	Cite
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246-247	Review of William L. Zwiebel, Theodor Fontane Gerald Opie doi:10.2307/3733362	Cite
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247-248	Review of Rüdiger Görner, Heimat im Wort. Die Problematik eines Begriffs im 19. und 20. Jahrhundert Andrea Reiter doi:10.2307/3733363	Cite
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248-250	Review of John R. P. McKenzie, Social Comedy in Austria and Germany 1890-1933 John Warren doi:10.2307/3733364	Cite
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250-251	Review of Dugald S. Sturges, The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl Sternheim Rhys W. Williams doi:10.2307/3733365	Cite
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251-252	Review of W. E. Yates, Schnitzler, Hofmannsthal, and the Austrian Theatre Ian F. Roe doi:10.2307/3733366	Cite
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252-253	Review of Martin Huber, Text und Musik. Musikalische Zeichen im narrativen und ideologischen Funktionzusammenhang ausgewahlter Erzähltexte des 20. Jahrhunderts R. T. Llewellyn doi:10.2307/3733367	Cite
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253	Review of Wolfram Kiwit, 'Sehnsucht nach meinem Roman': Arthur Schnitzler als Romancier J. M. Hawes doi:10.2307/3733368	Cite
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253-254	Review of Anthony Phelan, Rilke: 'Neue Gedichte' John Sandford doi:10.2307/3733369	Cite
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255-260	Review of Herbert Lehnert, Eva Wessell, Nihilismus der Menschenfreundlichkeit. Thomas Manns 'Wandlung' und sein Essay 'Goethe und Tolstoi'; Thomas Sprecher, Thomas Mann in Zürich Hinrich Siefken doi:10.2307/3733370	Cite
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260-261	Review of Uwe-K. Ketelsen, Literatur und Drittes Reich D. G. Bond doi:10.2307/3733371	Cite
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262-263	Review of David Basker, Chaos, Control and Consistency: The Narrative Vision of Wolfgang Koeppen Stuart Parkes doi:10.2307/3733372	Cite
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263-264	Review of Margaret Littler, Alfred Andersch (1914-1980) and the Reception of French Thought in the Federal Republic of Germany Stuart Parkes doi:10.2307/3733373	Cite
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264-266	Review of Joseph Federico, Confronting Modernity: Rationality, Science, and Communication in German Literature of the 1980s Tom Kuhn doi:10.2307/3733374	Cite
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266-267	Review of Jay Rosellini, Wolf Biermann Rodney Livingstone doi:10.2307/3733375	Cite
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267-268	Review of Andrew Barratt, The Early Fiction of Maksim Gorky Barry P. Scherr doi:10.2307/3733376	Cite
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268-269	Review of David Shepherd, Beyond Metafiction: Self-Consciousness in Soviet Literature Kathleen Parthé doi:10.2307/3733377	Cite
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269-270	Review of Konstantin Kustanovich, The Artist and the Tyrant: Vassily Aksenov's Works in the Brezhnev Era Arnold McMillin doi:10.2307/3733378	Cite
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271	Review of John Glad, Conversations in Exile: Russian Writers Abroad Helen L. Tilly doi:10.2307/3733379	Cite
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272	Review of Fred Misurella, Understanding Milan Kundera: Public Events, Private Affairs R. George Thomas doi:10.2307/3733380	Cite
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