| 1-17 | Jansenist Poetry: Robert Arnauld d’Andilly, Petrus Tausianus, George Lauder Alasdair A. MacDonald doi:10.1353/mlr.00143 | Cite |
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| 18-36 | Nothing Shocking: Overcoming the Monotonous Sublime in Juliana Spahr’s Eco-Poetry Thomas Storey doi:10.1353/mlr.00144 | Cite |
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| 37-55 | | Cite |
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| 56-80 | When The Dead Speak in Verse: Collective Writing and Hauntological Rhythms at Victor Hugo’s Jersey Séances David Evans doi:10.1353/mlr.00146 | Cite |
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| 81-82 | Review of Leander Møller Gøttcke, The Crisis of Liberal Democracy in Contemporary Novels; or, The Continuation of History Sarah Colvin doi:10.1353/mlr.00147 | Cite |
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| 82-84 | Review of Marcel Elias, English Literature and the Crusades: Anxieties of Holy War, 1291–1453 Emily Dolmans doi:10.1353/mlr.00148 | Cite |
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| 84-85 | Review of Rory Loughnane and Willy Maley, Editing Archipelagic Shakespeare Patrick J. Murray doi:10.1353/mlr.00149 | Cite |
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| 85-88 | | Cite |
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| 88-89 | Review of Joseph Mansky, Libels and Theater in Shakespeare’s England: Publics, Politics, Performance Adam Hansen doi:10.1353/mlr.00151 | Cite |
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| 89-91 | Review of Renée Fox, The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature Sarah Worgan doi:10.1353/mlr.00152 | Cite |
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| 91-93 | Review of Regina Martin, Modernism and Finance Capital: British Literature, 1870–1940 Zizhan Li | Cite |
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| 93-94 | Review of J. Clayton McReynolds, Reading Words into Worlds: Phenomenological Mimesis of Givenness in the Novel Josh Pittman | Cite |
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| 95-96 | Review of Cassandra L. Jones, Black Speculative Feminisms: Memory and Liberated Futures in Black Women’s Fiction Tharita Intanam doi:10.1353/mlr.00155 | Cite |
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| 97-98 | Review of Eugene Bacon (ed.), Afro-Centered Futurisms in our Speculative Fiction Brittany Atkins doi:10.1353/mlr.00156 | Cite |
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| 98-101 | | Cite |
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| 101-103 | Review of Matthew Collins, Reading Dante with Images: A Visual Lectura Dantis Rebecca Bowen doi:10.1353/mlr.00158 | Cite |
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| 103-105 | Review of Leah Schwebel, Tropes of Engagement: Chaucer’s Italian Poetics of Intertextuality Gillian Adler doi:10.1353/mlr.00159 | Cite |
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| 105-108 | | Cite |
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| 108-109 | Review of W. Daniel Wilson, Goethe und die Juden: Faszination und Feindschaft Karin Schutjer doi:10.1353/mlr.00161 | Cite |
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| 110-112 | | Cite |
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| 112-115 | Review of Anke Finger and Julie Shoults (ed.), Women in German Expressionism: Gender, Sexuality, Activism Andreas Kramer doi:10.1353/mlr.00163 | Cite |
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| 115-116 | Review of Daniel Siemens, Writing against Hitler: Hermann Budzislawski and the Making of Twentieth-Century Socialism Ellen Pilsworth doi:10.1353/mlr.00164 | Cite |
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| 116-119 | Review of Joseph Twist (ed.), Cultural Responses to the Far Right in Contemporary Germany: Kunstszene gegen rechte Szene Alexander D. Brown doi:10.1353/mlr.00165 | Cite |
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| 119-120 | Review of Gary Saul Morson, Wonder Confronts Certainty: Russian Writers on the Timeless Questions and Why their Answers Matter Roger Cockrell doi:10.1353/mlr.00166 | Cite |
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| 120-121 | Review of Cathy McAteer, Cold War Women: Female Translators of Russian and Soviet Literature in the Twentieth Century Susan Pickford doi:10.1353/mlr.00167 | Cite |
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| 121-123 | Review of Dejan Ajdačić and Zorica Đergović-Joksimović, Futurofantastika Maxim Shadurski doi:10.1353/mlr.00168 | Cite |
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| 123-124 | Review of Claire Knight, Stalin’s Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945–1953 Kirill Goriachok doi:10.1353/mlr.00169 | Cite |
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