| 313-332 | Literature as Parrotry: Jorge de Sena's 'Homenagem ao Papagaio Verde' and the Search for a Lusophone Postcolonial Voice David J. Bailey doi:10.1353/mlr.00092 | Cite |
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| 333-354 | The Ways of The World (1753–56): Authorship, Irony, and the Essay-Periodical Shaun Regan doi:10.1353/mlr.00093 | Cite |
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| 355-381 | Giovanni Dario's Scripted Legacies: Textual Self-Presentation in Renaissance Venice Ronnie Ferguson doi:10.1353/mlr.00094 | Cite |
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| 382-399 | | Cite |
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| 400-401 | | Cite |
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| 401-402 | Review of Marcella Durand and Jennifer Firestone (ed.), Other Influences: An Untold History of Feminist Avant-Garde Poetry Rona Cran doi:10.1353/mlr.00097 | Cite |
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| 402-404 | Review of Fabio Ciambella, Dance Lexicon in Shakespeare and his Contemporaries: A Corpus-Based Approach Andrew Hiscock doi:10.1353/mlr.00098 | Cite |
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| 404-406 | | Cite |
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| 406-408 | Review of Amy Lidster, Wartime Shakespeare: Performing Narratives of Conflict Monika Smialkowska doi:10.1353/mlr.00100 | Cite |
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| 408-410 | Review of Benjamin Bergholtz, Swallowing a World: Globalization and the Maximalist Novel Gabriele Lazzari doi:10.1353/mlr.00101 | Cite |
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| 410-412 | Review of Jens Martin Gurr, Understanding Public Debates: What Literary Studies Can Do Spiros Chairetis doi:10.1353/mlr.00102 | Cite |
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| 412-414 | Review of Michael James, Poetry and Strikes: Trade Union Narratives and Legacies Adam Hansen doi:10.1353/mlr.00103 | Cite |
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| 414-416 | | Cite |
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| 416-418 | Review of Mila Milani, Publishing Contemporary Foreign Poetry: Transnational Exchange in the Italian Publishing Field, 1939–1977 Anna Saroldi doi:10.1353/mlr.00105 | Cite |
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| 418-420 | Review of Nancy Bredendick, 'Vidas sombrías' de Pío Baroja en primer plano C. A. Longhurst doi:10.1353/mlr.00106 | Cite |
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| 420-422 | | Cite |
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| 422-425 | Review of Rubén Romero Santos and Ana Mejón, Barcelona en doce películas; Olga Sendra Ferrer, Barcelona, City of Margins; Rubén Romero Santos, El detective mutante: las adaptaciones cinematográficas y televisivas de Pepe Carvalho Duncan Wheeler doi:10.1353/mlr.00108 | Cite |
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| 426-428 | Review of Hilary Brown, Women and Early Modern Cultures of Translation: Beyond the Female Tradition Joanna Raisbeck doi:10.1353/mlr.00109 | Cite |
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| 428-430 | | Cite |
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| 430-431 | Review of Polly Dickson, Romanticism, Realism and the Lines of Mimesis Alexander Sorenson doi:10.1353/mlr.00111 | Cite |
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| 431-432 | | Cite |
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| 432-434 | Review of Christine Frank and Sugi Shindo (ed.), Konstellationen österreichischer Literatur: Ilse Aichinger Alessandra Guaran doi:10.1353/mlr.00113 | Cite |
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| 434-436 | Review of Áine McMurtry, Barbara Siller and Sandra Vlasta (ed.), Mehrsprachigkeit in der Literatur: Das probeweise Einführen neuer Spielregeln David Gramling doi:10.1353/mlr.00114 | Cite |
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| 436-437 | Review of Aleida Assmann and Jan Assmann, Gemeinsinn: Der sechtse, soziale Sinn Anne Fuchs doi:10.1353/mlr.00115 | Cite |
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| 438-439 | Review of Alisa Zhulina, Theater of Capital: Modern Drama and Economic Life Alisa Ballard Lin doi:10.1353/mlr.00116 | Cite |
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| 439-440 | | Cite |
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| 440-442 | | Cite |
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| 442-443 | Review of Deborah A. Martinsen, Dostoevsky's 'Crime and Punishment': A Reader's Guide Muireann Maguire doi:10.1353/mlr.00119 | Cite |
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