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272-274 | | Cite |
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274-276 | | Cite |
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276-278 | | Cite |
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278-280 | Review of Sandro Jung, Eighteenth-Century Illustration and Literary Material Culture: Richardson, Thomson, Defoe Xiaowen Liu | Cite |
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280-281 | Review of Alex Beringer, Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip Francesca Benatti | Cite |
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281-283 | Review of John L. Steadman, Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales Antonio Alcalá González | Cite |
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284-286 | | Cite |
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292-293 | Review of Elisa Segnini and Michael Subialka (ed.), Gabriele D'Annunzio and World Literature: Multilingualism, Translation, Reception Giuliana Pieri | Cite |
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294-296 | | Cite |
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296-297 | | Cite |
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301-302 | Review of Guillermo Gómez Sánchez-Ferrer and Claudia Jacobi (ed.), 'Que todo lo feo es malo / y todo lo bueno hermoso': aproximaciones a la estética de lo feo en Lope de Vega Almudena García González doi:https://doi.org/10.1353/mlr.00086 | Cite |
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