| 1-19 | 'Though they have eyes [they] cannot see': Political Blindness, Contemporary Literature, and the Legibility of Crisis Charlotte Spear | Cite |
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| 20-39 | Two Individuals: Edward Thomas's Pall Mall Gazette and Daily News Reviews Martin Brooks | Cite |
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| 40-61 | Staging Alternatives to the Marriage Plot: Clashing Narratives of Female Agency in George Sand's La Marquise (1832) Amy McTurk-Starkie | Cite |
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| 62-80 | 'Da un capo all'altro delle nostre pene…': Sexual Impasse and Other Jouissance in Patrizia Valduga's Cento quartine Mattia Mossali | Cite |
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| 81-96 | 'The Coffin-Maker' ('Grobovshchik'): Pushkin's Literal 'Descent to Prose' Barbara Henry | Cite |
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| 97-113 | The Trouble with Queer Celebrity: Aleksandr Aleksandrov (Nadezhda Durova)'s A Year of Life in St Petersburg (1838) Margarita Vaysman | Read Cite |
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| 114-115 | Review of Emily Sun, On the Horizon of World Literature: Forms of Modernity in Romantic England and Republican China Amir Khan | Cite |
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| 115-116 | Review of Jessie Reeder, The Forms of Informal Empire: Britain, Latin America, and Nineteenth-Century Literature Winter Jade Werner | Cite |
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| 116-118 | Review of Elena Fratto, Medical Storyworlds: Health, Illness, and Bodies in Russian and European Literature at the Turn of the Twentieth Century Julia Sutton-Mattocks | Cite |
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| 118-119 | Review of Lucy Newlyn, The Craft of Poetry John Batchelor | Cite |
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| 119-121 | Review of Peter Boxall, The Prosthetic Imagination: A History of the Novel as Artificial Life Sandra Guardini Vasconcelos | Cite |
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| 121-123 | Review of Delia Da Sousa Correa (ed.), The Edinburgh Companion to Literature and Music Robert Lawson-Peebles | Cite |
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| 123-125 | Review of Christopher Ivic, The Subject of Britain 1603–25 Andrew Hiscock | Cite |
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| 125-127 | Review of Eileen Hunt Botting, Artificial Life after Frankenstein Lauren Ellis Christie | Cite |
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| 127-129 | Review of Daniel Tyler, Poetry in the Making: Creativity and Composition in Victorian Poetic Drafts Christopher Decker | Cite |
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| 129-130 | Review of Herbert Rowland, Hans Christian Andersen in American Literary Criticism of the Nineteenth Century Ben Screech | Cite |
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| 130-132 | Review of Charlotte Jones, Realism, Form, and Representation in the Edwardian Novel: Synthetic Realism Adam Grener | Cite |
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| 132-134 | Review of Yael Levin, Joseph Conrad: Slow Modernism Charlotte Jones | Cite |
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| 134-135 | Review of William Empson, 'Some Versions of Pastoral' and Related Writings David Greenham | Cite |
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| 135-137 | Review of Jessica Hurley, Infrastructures of Apocalypse: American Literature and the Nuclear Complex Jeffrey Gonzalez | Cite |
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| 137-138 | Review of Simon Davies, Bernardin de Saint-Pierre: Colonial Traveller, Enlightenment Reformer, Celebrity Writer Robin Howells | Cite |
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| 138-139 | Review of D. J. S. Cross, Deleuze and the Problem of Affect Jeremy F. Lane | Cite |
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| 139-140 | Review of Claire Moran (ed.), Domestic Space in France and Belgium: Art, Literature and Design, 1850–1920 Camilla Murgia | Cite |
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| 141-142 | Review of Hannah L. Scott, Singing the English: Britain in the French Musical Lowbrow, 1870–1904 Claire Moran | Cite |
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| 142-143 | Review of David Bowe, Poetry in Dialogue in the Duecento and Dante Fabian Alfie | Cite |
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| 143-145 | Review of Michela Di Macco (ed.), Letterati, artisti, mecenati del Seicento e del Settecento: identità culturali tra Antico e Moderno Eloise Davies | Cite |
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| 145-146 | Review of Federica G. Pedriali (ed.), Gadda: interpreti a confronto Luca Mazzocchi | Cite |
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| 147 | Review of Manus O'Dwyer, Memory and Utopia: The Poetry of José Ángel Valente Ricardo Fernández Romero | Cite |
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| 148 | Review of Cristián Aliaga. Trans. and ed. by Ben Bollig, Music for Unknown Journeys. New and Selected Prose Poems: Travels in Europe, Africa and the Americas Iona Macintyre | Cite |
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| 148-150 | Review of Yuliya Ilchuk, Nikolai Gogol: Performing Hybrid Identity Timothy Langen | Cite |
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| 150-151 | Review of Ingrid Kleespies and Lyudmila Parts (ed.), Goncharov in the Twenty-First Century James Womack | Cite |
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| 151-153 | Review of Zsuzsa Hetényi, Сбвиги: Узоры прозы Nабокоvа [Sdvigi: Uzory prozy Nabokova] Anna Maslenova | Cite |
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| 153-154 | Review of Jill Martiniuk, Wandering in Circles: Venichka's Journey of Redemption in 'Moskva-Petushki' Josephine von Zitzewitz | Cite |
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| 154-155 | Review of Andy Byford, Connor Doak, and Stephen Hutchings (ed.), Transnational Russian Studies Arnold McMillin | Cite |
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| 155-156 | Review of Tijana Matijević, From Post-Yugoslavia to the Female Continent: A Feminist Reading of Post-Yugoslav Literature Alexandra Andrejevic | Cite |
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