Filmed Representations of Former Portuguese Asia and The Indian Ocean

Edited by Maria do Carmo Piçarra

Portuguese Studies 40.2

Modern Humanities Research Association

  19 December 2024

ISBN: 978-1-839542-85-5 (paperback)

Access online: At Project MUSE

Portuguese


Contents:

115-120

Introduction
Maria do Carmo Piçarra

Cite
121-141

Palimpsestic Orientalism: Deciphering the Layered Reconstructions of the Portuguese-Macau Film Co-production The Bewitching Braid (1996)
Yuxuan Liu
doi:https://doi.org/10.1353/port.00011

Cite
142-158

‘Portuguese India’: Between the Desire for a Konkani Cinema and the Paradoxes of Filmed Propaganda
Maria do Carmo Piçarra
doi:https://doi.org/10.1353/port.00012

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159-174

A Transcivilizational Island: A Ilha dos Amores, by Paulo Rocha
Paulo Cunha
doi:https://doi.org/10.1353/port.00013

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175-188

Entre eu e Deus by Yara Costa: An Unprecedented Representation of the Island of Mozambique
Jessica Falconi
doi:https://doi.org/10.1353/port.00014

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189-201

East Timor in Margarida Gil’s Bitter Flowers: The Power of the Unrooted Underdog
Ana Isabel Soares
doi:https://doi.org/10.1353/port.00015

Cite
202-217

Adventures in Mozambique and the Portuguese Tendency to Forget: A Radical Critique of Portuguese Late Colonialism by Ângela Ferreira
Lurdes Macedo
doi:https://doi.org/10.1353/port.00016

Cite
218-228

How Bollywood Lost its Goan Rhythm: An Interview with Bardroy Barretto, Director of Nachom-ia Kumpasar
R. Benedito Ferrão
doi:https://doi.org/10.1353/port.00017

Cite
229-232

Review of Rachel Randall, Paid to Care: Domestic Workers in Contemporary Latin American Culture
Meg Weeks

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233-236

Review of Paulo de Medeiros and José N. Ornelas (ed.), Saramago After the Nobel: Contemporary Readings of José Saramago’s Late Works
Margarida Rendeiro

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236-238

Review of Conceição Lima, No Gods Live Here: Selected Poems
Robert Patrick Newcomb

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