1-29 | | Cite |
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30-45 | The Sacralizing Sign: Religion and Magic in Bale, Greene, and the Early Shakespeare Kurt Tetzeli Von Rosador doi:10.2307/3507971 | Cite |
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46-64 | | Cite |
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65-79 | | Cite |
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80-92 | | Cite |
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93-110 | 'Silence, like a Lucrece knife': Shakespeare and the Meanings of Rape Carolyn D. Williams doi:10.2307/3507975 | Cite |
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111-125 | 'Willobie his Avisa' and 'The Passionate Pilgrim': Precedence, Parody, and Development John Roe doi:10.2307/3507976 | Cite |
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126-142 | | Cite |
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143-166 | Framing the Taming: Metatheatrical Awareness of Female Impersonation in 'The Taming of the Shrew' Michael Shapiro doi:10.2307/3507978 | Cite |
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167-188 | | Cite |
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189-205 | 'Trouble being gone, comfort should remain': Tranquillity and Discomfort in 'The Merchant of Venice' C. B. Hardman doi:10.2307/3507980 | Cite |
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206-234 | | Cite |
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235-253 | | Cite |
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254-269 | | Cite |
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270-292 | 'In Everything Illegitimate': Imagining the Bastard in Renaissance Drama Michael Neill doi:10.2307/3507984 | Cite |
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293-304 | | Cite |
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305-306 | Review of John Miles Foley, Traditional Oral Epic: The 'Odyssey', 'Beowulf', and the Serbo-Croatian Return Song Andrew Taylor doi:10.2307/3507986 | Cite |
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306-308 | | Cite |
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308-309 | Review of Rainer Holtei, Norm und Spiel in 'The Owl and the Nightingale' N. F. Blake doi:10.2307/3507988 | Cite |
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309-310 | Review of Muriel Whitaker, The Legends of King Arthur in Art Christine Poulson doi:10.2307/3507989 | Cite |
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310-311 | Review of Ulrike Dirscherl, Ritterliche Ideale in Chrétiens 'Yvain' und im mittelenglischen Gedicht 'Ywain and Gawain': Von 'amour courtois' zu 'trew luf', vom 'frans chevaliers deboneire' zum 'man of mekyl myght' Dieter Mehl doi:10.2307/3507990 | Cite |
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311-312 | | Cite |
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312-313 | | Cite |
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313-314 | | Cite |
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314-316 | | Cite |
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316-317 | Review of Kathryn Kerby-Fulton, Reformist Apocalypticism and 'Piers Plowman' Anna Baldwin doi:10.2307/3507995 | Cite |
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317-318 | Review of R. F. Yeager, John Gower's Poetic: The Search for a New Arion Peter Nicholson doi:10.2307/3507996 | Cite |
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318-319 | Review of Katherine Heinrichs, The Myths of Love: Classical Lovers in Medieval Literature Bernard O'Donoghue doi:10.2307/3507997 | Cite |
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319-321 | Review of Peter Godman, Oswyn Murray, Latin Poetry and the Classical Tradition: Essays in Medieval and Renaissance Literature Keith Bate doi:10.2307/3507998 | Cite |
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321-322 | Review of Derek Pearsall, Studies in 'The Vernon Manuscript' Lister M. Matheson doi:10.2307/3507999 | Cite |
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322-323 | Review of François Laroque, Janet Lloyd, Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional Stage Sandra Billington doi:10.2307/3508000 | Cite |
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323-325 | | Cite |
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325-326 | | Cite |
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326-327 | Review of Robert C. Jones, These Valiant Dead: Renewing the Past in Shakespeare's Histories John Drakakis doi:10.2307/3508003 | Cite |
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327-328 | Review of Wolfgang Riehle, Shakespeare, Plautus and the Humanist Tradition Douglas Duncan doi:10.2307/3508004 | Cite |
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328-329 | | Cite |
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329-330 | Review of Judith Milhous, Robert D. Hume, A Register of English Theatrical Documents: 1660-1737 Peter Holland doi:10.2307/3508006 | Cite |
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330-332 | Review of Margreta de Grazia, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus Catherine Belsey doi:10.2307/3508007 | Cite |
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332-333 | Review of Sandra Billington, Mock Kings in Medieval Society and Renaissance Drama Ronald Knowles doi:10.2307/3508008 | Cite |
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333-334 | Review of Julia Gasper, The Dragon and the Dove: The Plays of Thomas Dekker John Stachniewski doi:10.2307/3508009 | Cite |
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334-336 | | Cite |
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336-337 | Review of Richard Halpern, The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital John D. Cox doi:10.2307/3508011 | Cite |
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337-338 | Review of Marcus Tullius Cicero, Nicolas Grimalde, Gerald O'Gorman, Nicholas Grimald, Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus His Sonne, Turned Oute of Latine into English, by Nicolas Grimalde R. A. Houlbrooke doi:10.2307/3508012 | Cite |
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338-339 | Review of A. B. Chambers, Andrew Marvell and Edmund Waller: Seventeenth-Century Praise and Restoration Satire George Parfitt doi:10.2307/3508013 | Cite |
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339-340 | | Cite |
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340-341 | Review of David Evett, Literature and the Visual Arts in Tudor England Peggy Muñoz Simonds doi:10.2307/3508015 | Cite |
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341-343 | Review of Dennis Kay, Melodious Tears: The English Funeral Elegy from Spenser to Milton Peter Sacks doi:10.2307/3508016 | Cite |
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343-345 | Review of Gerald Hammond, Fleeting Things: English Poets and Poems, 1616-1660 Warren Chernaik doi:10.2307/3508017 | Cite |
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345-346 | Review of Herbert, Milton, Mary A. Maleski, A Fine Tuning: Studies of the Religious Poetry of Herbert and Milton Cedric C. Brown doi:10.2307/3508018 | Cite |
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346-347 | Review of David Loewenstein, Milton and the Drama of History: Historical Vision, Iconoclasm, and the Literary Imagination Martin Dzelzainis doi:10.2307/3508019 | Cite |
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347-348 | Review of Anne Laurence, John Bunyan and His England: 1628-88 Malcolm Hardman doi:10.2307/3508020 | Cite |
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349-350 | Review of Isabel Rivers, Reason, Grace, and Sentiment: A Study of the Language of Religion and Ethics in England, 1660-1780. Volume I. Whichcote to Wesley Roger Pooley doi:10.2307/3508021 | Cite |
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350-351 | Review of Katherine Sobba Green, The Courtship Novel, 1740-1820: A Feminized Genre Carolyn D. Williams doi:10.2307/3508022 | Cite |
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351-352 | | Cite |
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352-353 | Review of John A. Dussinger, In the Pride of the Moment: Encounters in Jane Austen's World Logan Speirs doi:10.2307/3508024 | Cite |
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353-354 | Review of Laurie Langbauer, Women and Romance: The Consolations of Gender in the English Novel Clare Hanson doi:10.2307/3508025 | Cite |
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354-355 | Review of Patricia Marks, Bicycles, Bangs, and Bloomers: The New Woman in the Popular Press John Stokes doi:10.2307/3508026 | Cite |
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355-356 | | Cite |
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356-358 | | Cite |
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358-359 | Review of Susan Hollis Merritt, Pinter in Play: Critical Strategies and the Plays of Harold Pinter Ronald Knowles doi:10.2307/3508029 | Cite |
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360-362 | Review of Candace Waid, Edith Wharton's Letters from the Underworld: Fictions of Women and Writing Janet Beer Goodwyn doi:10.2307/3508030 | Cite |
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362-363 | Review of Charles Altieri, Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism Ian F. A. Bell doi:10.2307/3508031 | Cite |
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363-364 | Review of Ernst Behler, Irony and the Discourse of Modernity Vassiliki Kolocotroni doi:10.2307/3508032 | Cite |
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364-365 | Review of Peter Messent, New Readings of the American Novel: Narrative Theory and Its Application Deborah L. Madsen doi:10.2307/3508033 | Cite |
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365-366 | Review of James Guimond, American Photography and the American Dream Lionel Kelly doi:10.2307/3508034 | Cite |
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