Early Shakespeare

Edited by Andrew Gurr

Yearbook of English Studies 23

Modern Humanities Research Association

1 January 1993  •  373pp

ISBN: 0-947623-50-7 (paperback)

Access online: At JSTOR

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Contents:

1-29

Shakespeare and Marlowe: Censorship and Construction
Richard Dutton
doi:10.2307/3507970

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30-45

The Sacralizing Sign: Religion and Magic in Bale, Greene, and the Early Shakespeare
Kurt Tetzeli Von Rosador
doi:10.2307/3507971

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46-64

Devils and Power in Marlowe and Shakespeare
John D. Cox
doi:10.2307/3507972

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65-79

Stagecraft and Imagery in Shakespeare's 'Henry VI'
Alan C. Dessen
doi:10.2307/3507973

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80-92

Sexual Perversity in 'Venus and Adonis'
Jonathan Bate
doi:10.2307/3507974

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93-110

'Silence, like a Lucrece knife': Shakespeare and the Meanings of Rape
Carolyn D. Williams
doi:10.2307/3507975

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111-125

'Willobie his Avisa' and 'The Passionate Pilgrim': Precedence, Parody, and Development
John Roe
doi:10.2307/3507976

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126-142

The Name of the Rose in 'Romeo and Juliet'
Catherine Belsey
doi:10.2307/3507977

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143-166

Framing the Taming: Metatheatrical Awareness of Female Impersonation in 'The Taming of the Shrew'
Michael Shapiro
doi:10.2307/3507978

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167-188

The Performance of Things in 'The Taming of the Shrew'
Lena Cowen Orlin
doi:10.2307/3507979

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189-205

'Trouble being gone, comfort should remain': Tranquillity and Discomfort in 'The Merchant of Venice'
C. B. Hardman
doi:10.2307/3507980

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206-234

Textual Signs in 'The Merry Wives of Windsor'
Arthur F. Kinney
doi:10.2307/3507981

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235-253

The Strange Tongues of 'Henry V'
Paola Pugliatti
doi:10.2307/3507982

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254-269

The Myth Structure and Rituality of 'Henry V'
Brownell Salomon
doi:10.2307/3507983

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270-292

'In Everything Illegitimate': Imagining the Bastard in Renaissance Drama
Michael Neill
doi:10.2307/3507984

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293-304

Children and Suffering in Shakespeare's Plays
Ann Blake
doi:10.2307/3507985

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305-306

Review of John Miles Foley, Traditional Oral Epic: The 'Odyssey', 'Beowulf', and the Serbo-Croatian Return Song
Andrew Taylor
doi:10.2307/3507986

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306-308

Review of Donald Scragg, The Battle of Maldon AD 991
David J. Williams
doi:10.2307/3507987

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308-309

Review of Rainer Holtei, Norm und Spiel in 'The Owl and the Nightingale'
N. F. Blake
doi:10.2307/3507988

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309-310

Review of Muriel Whitaker, The Legends of King Arthur in Art
Christine Poulson
doi:10.2307/3507989

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310-311

Review of Ulrike Dirscherl, Ritterliche Ideale in Chrétiens 'Yvain' und im mittelenglischen Gedicht 'Ywain and Gawain': Von 'amour courtois' zu 'trew luf', vom 'frans chevaliers deboneire' zum 'man of mekyl myght'
Dieter Mehl
doi:10.2307/3507990

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311-312

Review of Peter Goodrich, The Romance of Merlin: An Anthology
P. J. C. Field
doi:10.2307/3507991

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312-313

Review of Richard Barber, Arthurian Literature X
G. N. Bromiley
doi:10.2307/3507992

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313-314

Review of C. David Benson, Chaucer's 'Troilus and Criseyde'
J. D. Burnley
doi:10.2307/3507993

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314-316

Review of Carolyn Dinshaw, Chaucer's Sexual Poetics
Catherine La Farge
doi:10.2307/3507994

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316-317

Review of Kathryn Kerby-Fulton, Reformist Apocalypticism and 'Piers Plowman'
Anna Baldwin
doi:10.2307/3507995

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317-318

Review of R. F. Yeager, John Gower's Poetic: The Search for a New Arion
Peter Nicholson
doi:10.2307/3507996

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318-319

Review of Katherine Heinrichs, The Myths of Love: Classical Lovers in Medieval Literature
Bernard O'Donoghue
doi:10.2307/3507997

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319-321

Review of Peter Godman, Oswyn Murray, Latin Poetry and the Classical Tradition: Essays in Medieval and Renaissance Literature
Keith Bate
doi:10.2307/3507998

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321-322

Review of Derek Pearsall, Studies in 'The Vernon Manuscript'
Lister M. Matheson
doi:10.2307/3507999

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322-323

Review of François Laroque, Janet Lloyd, Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional Stage
Sandra Billington
doi:10.2307/3508000

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323-325

Review of T. McAlindon, Shakespeare's Tragic Cosmos
Neil Rhodes
doi:10.2307/3508001

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325-326

Review of James C. Bulman, The Merchant of Venice
Ronald Knowles
doi:10.2307/3508002

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326-327

Review of Robert C. Jones, These Valiant Dead: Renewing the Past in Shakespeare's Histories
John Drakakis
doi:10.2307/3508003

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327-328

Review of Wolfgang Riehle, Shakespeare, Plautus and the Humanist Tradition
Douglas Duncan
doi:10.2307/3508004

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328-329

Review of Martin Garrett, Massinger: The Critical Heritage
Lois Potter
doi:10.2307/3508005

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329-330

Review of Judith Milhous, Robert D. Hume, A Register of English Theatrical Documents: 1660-1737
Peter Holland
doi:10.2307/3508006

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330-332

Review of Margreta de Grazia, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus
Catherine Belsey
doi:10.2307/3508007

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332-333

Review of Sandra Billington, Mock Kings in Medieval Society and Renaissance Drama
Ronald Knowles
doi:10.2307/3508008

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333-334

Review of Julia Gasper, The Dragon and the Dove: The Plays of Thomas Dekker
John Stachniewski
doi:10.2307/3508009

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334-336

Review of Richard Allen Cave, Ben Jonson
Richard Dutton
doi:10.2307/3508010

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336-337

Review of Richard Halpern, The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
John D. Cox
doi:10.2307/3508011

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337-338

Review of Marcus Tullius Cicero, Nicolas Grimalde, Gerald O'Gorman, Nicholas Grimald, Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus His Sonne, Turned Oute of Latine into English, by Nicolas Grimalde
R. A. Houlbrooke
doi:10.2307/3508012

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338-339

Review of A. B. Chambers, Andrew Marvell and Edmund Waller: Seventeenth-Century Praise and Restoration Satire
George Parfitt
doi:10.2307/3508013

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339-340

Review of Lyndy Abraham, Marvell & Alchemy
Charles Nicholl
doi:10.2307/3508014

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340-341

Review of David Evett, Literature and the Visual Arts in Tudor England
Peggy Muñoz Simonds
doi:10.2307/3508015

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341-343

Review of Dennis Kay, Melodious Tears: The English Funeral Elegy from Spenser to Milton
Peter Sacks
doi:10.2307/3508016

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343-345

Review of Gerald Hammond, Fleeting Things: English Poets and Poems, 1616-1660
Warren Chernaik
doi:10.2307/3508017

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345-346

Review of Herbert, Milton, Mary A. Maleski, A Fine Tuning: Studies of the Religious Poetry of Herbert and Milton
Cedric C. Brown
doi:10.2307/3508018

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346-347

Review of David Loewenstein, Milton and the Drama of History: Historical Vision, Iconoclasm, and the Literary Imagination
Martin Dzelzainis
doi:10.2307/3508019

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347-348

Review of Anne Laurence, John Bunyan and His England: 1628-88
Malcolm Hardman
doi:10.2307/3508020

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349-350

Review of Isabel Rivers, Reason, Grace, and Sentiment: A Study of the Language of Religion and Ethics in England, 1660-1780. Volume I. Whichcote to Wesley
Roger Pooley
doi:10.2307/3508021

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350-351

Review of Katherine Sobba Green, The Courtship Novel, 1740-1820: A Feminized Genre
Carolyn D. Williams
doi:10.2307/3508022

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351-352

Review of David V. Erdman, Blake and His Bibles
Brian Wilkie
doi:10.2307/3508023

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352-353

Review of John A. Dussinger, In the Pride of the Moment: Encounters in Jane Austen's World
Logan Speirs
doi:10.2307/3508024

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353-354

Review of Laurie Langbauer, Women and Romance: The Consolations of Gender in the English Novel
Clare Hanson
doi:10.2307/3508025

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354-355

Review of Patricia Marks, Bicycles, Bangs, and Bloomers: The New Woman in the Popular Press
John Stokes
doi:10.2307/3508026

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355-356

Review of Mason Cooley, The Comic Art of Barbara Pym
Anthony Kaufman
doi:10.2307/3508027

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356-358

Review of Steven H. Gale, Critical Essays on Harold Pinter
Ronald Knowles
doi:10.2307/3508028

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358-359

Review of Susan Hollis Merritt, Pinter in Play: Critical Strategies and the Plays of Harold Pinter
Ronald Knowles
doi:10.2307/3508029

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360-362

Review of Candace Waid, Edith Wharton's Letters from the Underworld: Fictions of Women and Writing
Janet Beer Goodwyn
doi:10.2307/3508030

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362-363

Review of Charles Altieri, Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism
Ian F. A. Bell
doi:10.2307/3508031

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363-364

Review of Ernst Behler, Irony and the Discourse of Modernity
Vassiliki Kolocotroni
doi:10.2307/3508032

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364-365

Review of Peter Messent, New Readings of the American Novel: Narrative Theory and Its Application
Deborah L. Madsen
doi:10.2307/3508033

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365-366

Review of James Guimond, American Photography and the American Dream
Lionel Kelly
doi:10.2307/3508034

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Bibliography entry:

Gurr, Andrew (ed.), Early Shakespeare (= Yearbook of English Studies, 23.1 (1993))

First footnote reference: 35 Early Shakespeare, ed. by Andrew Gurr (= Yearbook of English Studies, 23.1 (1993)), p. 21.

Subsequent footnote reference: 37 Gurr, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Gurr, Andrew (ed.). 1993. Early Shakespeare (= Yearbook of English Studies, 23.1)

Example citation: ‘A quotation occurring on page 21 of this work’ (Gurr 1993: 21).

Example footnote reference: 35 Gurr 1993: 21.

(To see how these citations were worked out, follow this link.)


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