Dreams of Lovers and Lies of Poets
Poetry, Knowledge, and Desire in the Roman de la Rose
Sylvia Huot
Research Monographs in French Studies 31 Legenda 23 April 2010 • 124pp ISBN: 978-1-906540-80-7 (hardback) • RRP £80, $110, €95 ISBN: 978-1-315094-80-9 (Taylor & Francis ebook) The Roman de la Rose explicitly offers an ‘art of love’, while also repeatedly asserting that the experience of love is impossible to put into words. An examination of the intertextual density of the Rose, with its citations and adaptations of a range of Latin authors, shows that the discourse of bodily desire, pleasure, and trauma emerges indirectly from the juxtaposition and conflation of sources. Huot's new book focuses on Guillaume de Lorris’s use of the Ovidian corpus, and on Jean de Meun’s dazzling orchestration of allusions to a wider range of Latin writers: principally Ovid, Boethius, and Virgil, but also including John of Salisbury and Alain de Lille. In both parts of the Rose, poetic allegory is a language that can express the unspeakable and the ineffable. Sylvia Huot is Professor of Medieval French Literature and a Fellow of Pembroke College at the University of Cambridge. Reviews:
Bibliography entry: Huot, Sylvia, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman de la Rose, Research Monographs in French Studies, 31 (Legenda, 2010) First footnote reference: 35 Sylvia Huot, Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman de la Rose, Research Monographs in French Studies, 31 (Legenda, 2010), p. 21. Subsequent footnote reference: 37 Huot, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Huot, Sylvia. 2010. Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman de la Rose, Research Monographs in French Studies, 31 (Legenda) Example citation: ‘A quotation occurring on page 21 of this work’ (Huot 2010: 21). Example footnote reference: 35 Huot 2010: 21. (To see how these citations were worked out, follow this link.)
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