Dante, Petrarch, Boccaccio
Literature, Doctrine, Reality

Zygmunt G. Barański

Selected Essays 6

Legenda

17 February 2020  •  658pp

ISBN: 978-1-781888-79-7 (hardback)  •  RRP £80, $110, €95

ISBN: 978-1-781888-80-3 (paperback, 20 August 2022)  •  RRP £24.99, $29.99, €29.99

ISBN: 978-1-781889-13-8 (JSTOR ebook)

Access online: Books@JSTOR

MedievalItalianTheologyPhilosophyPoetrystudent-priced


In addition to its original library hardback edition, this title is now on sale in the new student-priced Legenda paperback range.


Dante, Petrarch, and Boccaccio, the three crowns of Italian literature, dealt with literature, doctrine, and reality in distinct, yet also overlapping, ways. In this major collection of nineteen essays, Barański explores how they endeavoured to create and establish their authority and identity as writers, while developing new ideas about literature and its status in the world, and, especially in Dante’s case, forging and legitimating new forms of writing. Each treated other authors, such as Guido Cavalcanti, or intellectuals, such as Epicurus, polemically and selectively as foils to their own self-portraits. Petrarch and Boccaccio had also to contend with Dante, and his extraordinary success as a ‘modern’ vernacular authority, though they employed very different strategies for doing so. Barański's close attention to the medieval context uniting these greatest of medieval writers is complemented by an equally close attention to the scholarly tradition on the questions addressed. To be a historian of literature also means being a historian of one’s subject.

Zygmunt G. Barański is Serena Professor of Italian Emeritus at the University of Cambridge and Notre Dame Professor of Dante & Italian Studies at the University of Notre Dame. He has published extensively on Dante, on medieval Italian literature, on Dante’s fourteenth- and twentieth-century reception, and on twentieth-century Italian literature, film, and culture. For many years he was senior editor of The Italianist, and currently holds the same position with Le tre corone.

Reviews:

  • ‘Many will be familiar with Barański’s work, his distinctive voice and ability to interrogate some of the thorniest issues relating to Dante, medieval poetics and doctrine; but to have this voice sustained in one single volume is to witness a quite remarkable academic career and distinctive engagement with Dante.’ — Daragh O’Connell, Annali d'Italianistica 39, 2021, 414
  • ‘A majestic work that offers an insightful examination of medieval authors while also serving as an overview of Barański’s career as one of the most distinguished experts on Dante of the last decades.’ — Martina Franzini, Heliotropia 20, 2023

Contents:

ix-x

List of Sources
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.3

Cite
xi-xiv

Abbreviations and Editions
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.4

Cite
1-18

Introduction ‘A Contrariness in It’: Seven ‘Fragmented’ Reflections
Zyg Barański
doi:10.2307/j.ctv16kkx75.5

Cite
21-44

Chapter 1 On Dante’s Trail: From 1295 To 2018
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.6

Cite
45-81

Chapter 2 Dante and Doctrine (and Theology)
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.7

Cite
82-134

Chapter 3 (un)orthodox Dante
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.8

Cite
135-162

Chapter 4 ‘Reflecting’ On the Divine and On the Human: Paradiso Xxii
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.9

Cite
163-206

Chapter 5 ‘Affectivity’ and Theology: the Representation of Beatitude in Dante’s Paradiso
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.10

Cite
209-256

Chapter 6 ‘Tres Enim Sunt Manerie Dicendi…’: Some Observations On Medieval Literature, ‘Genre’, and Dante
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.11

Cite
257-293

Chapter 7 ‘Primo Tra Cotanto Senno’: Dante and the Latin Comic Tradition
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.12

Cite
294-322

Chapter 8 the Poetics of Metre: Terza Rima, ‘Canto’, ‘Canzon’, ‘Cantica’
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.13

Cite
325-346

Chapter 9 Purgatorio Xxv: Creating Poetic Bodies
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.14

Cite
347-392

Chapter 10 Petrarch, Dante, Cavalcanti
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.15

Cite
393-416

Chapter 11 ‘Io Mi Rivolgo Indietro A Ciascun Passo’ (rvf 15. 1): Petrarch, the Fabula of Eurydice and Orpheus, and the Structure of the Canzoniere
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.16

Cite
417-440

Chapter 12 ‘Weeping’ and ‘Singing’ With Orpheus (and With Dante): Emotional and Poetic Structures in Rerum Vulgarium Fragmenta 281–90
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.17

Cite
443-469

Chapter 13 Guido Cavalcanti and His First Readers
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.18

Cite
470-487

Chapter 14 the Ethics of Ignorance: Petrarch’s Epicurus and Averroes and the Structures of De Sui Ipsius Et Multorum Ignorantia
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.19

Cite
488-527

Chapter 15 ‘Alquanto Tenea Della Oppinione Degli Epicuri’: the Auctoritas of Boccaccio’s Cavalcanti (and Dante)
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.20

Cite
528-540

Chapter 16 Boccaccio and Epicurus: From Epy To Tito and Gisippo
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.21

Cite
543-576

Chapter 17 Guido Cavalcanti Among the Cruces of Inferno Ix-Xi, Or Dante and the History of Reason
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.22

Cite
577-602

Chapter 18 ‘E Cominciare Stormo’: Notes On Dante’s Sieges
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.23

Cite
603-614

Chapter 19 Scatology and Obscenity in Dante
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.24

Cite
615-624

List of Publications
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.25

Cite
625-636

General Index
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.26

Cite
637-642

Index of References To Dante, Boccaccio, and Petrarch
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.27

Cite
643-644

Index of Manuscripts
Zygmunt G. Barański
doi:10.2307/j.ctv16kkx75.28

Cite

Bibliography entry:

Barański, Zygmunt G., Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality, Selected Essays, 6 (Legenda, 2020)

First footnote reference: 35 Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality, zygmunt G. Barański, Selected Essays, 6 (Legenda, 2020), p. 21.

Subsequent footnote reference: 37 Barański, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Barański, Zygmunt G.. 2020. Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality, Selected Essays, 6 (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Barański 2020: 21).

Example footnote reference: 35 Barański 2020: 21.

(To see how these citations were worked out, follow this link.)


This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up an ipage Account: click here for more.


Permanent link to this title: