Biographies and Autobiographies in Modern Italy
Edited by Martin McLaughlin and Peter Hainsworth
Legenda (General Series) 23 February 2007

  • ‘Hainsworth and McLaughlin open the volume with a succinct, clear and meaty disquisition on the nature of biography and autobiography. Their Introduction furnishes, in lively prose, an overview of the state of such writing in Italy... A fascinating glimpse into the life histories, and the shaping of life histories, by an eclectic group of Italians. Its chapters provide useful information on the less-known and engrossing new insights into familiar canonical figures.’ — Risa Sodi, Biography 32.3, Summer 2009, pp. 562-65
  • ‘These pieces all share John Woodhouse's sentiment that the life lived and written by an author are "mutually illuminating" and that writing loses much when "seen solely within the terms of a textual universe".’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 107-08

Eugenio Montale: The Poetry of the Later Years
Éanna Ó Ceallacháin
Legenda (General Series) 1 July 2001

  • ‘Explores the ways in which Montale demystifies his own status as a great modernist, satirizes historical progress and current social life, places himself as a 'ghost' among other ghosts, awaiting his dissolution into non-being which may or may not imply some hidden divine presence, and enters into the 'trivial' contingencies of everyday life... From what may have been the old poet's isolated and disillusioned position, he hits the mark time and again, as this well-crafted study shows.’ — Rebecca West, Modern Language Review 98.2, 2003, 479-80 (full text online)
  • ‘Let me declare myself at the outset: this is an excellent piece of work. It is the quintessence of scholarship: meticulously researched, methodologically sound and lucidly written... I cannot emphasise strongly enough the importance of this volume: every student of Montale should be encouraged to read Ó Ceallacháin's perceptive, and above all, comprehensible interpretations of Montale's later poetry. It goes without saying that the notes, bibliography and indices are impeccably produced.’ — Elizabeth Schächter, Italian Studies LVIII, 2003
  • ‘Effectively charts the continuities and changes in the the relationship between the poet and his history.’ — unsigned notice, Forum for Modern Language Studies XL.2, April 2004, 237