| Series | Extent | Year | Author | Title |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| LGS | — | 2021 | Margarita Vaysman | Self-Conscious Realism |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| RMFS 54 | — | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |
| RMFS 55 | — | 2019 | Victoria Turner | Theorizing Medieval Race |
| RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
| RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
| RMFS 58 | — | 2020 | Ruth Hemus | The Poetry of Céline Arnauld |
| RMFS 59 | — | 2020 | Peter Haidu, edited by Matilda Tomaryn Bruckner | The Philomena of Chrétien the Jew |
| RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
| RMFS 62 | — | 2020 | Steven Wilson | The Language of Disease |
| RMFS 63 | — | 2021 | Dorothy Kelly | The Living Death of Modernity |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| SE 1 | — | 2017 | Ritchie Robertson | Enlightenment and Religion in German and Austrian Literature |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| SE 3 | — | 2019 | Alison Sinclair | Putting it About |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| SE 6 | — | 2020 | Zygmunt G. Barański | Dante, Petrarch, Boccaccio |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| SHLC 19 | — | 2018 | ed Terence O'Reilly, Colin Thompson,
Lesley Twomey | St Teresa of Ávila |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| SHLC 22 | — | 2019 | ed Rodrigo Cacho Casal,
Imogen Choi | The Rise of Spanish American Poetry 1500-1700 |
| SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SHLC 26 | — | 2017 | Katharine Murphy | Bodies of Disorder |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SHLC 28 | — | 2018 | ed Stuart Davis,
Maite Usoz de la Fuente | The Modern Spanish Canon |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SHLC 30 | — | 2020 | Anna Kathryn Kendrick | Humanizing Childhood in Early Twentieth-Century Spain |