| Series | Extent | Year | Author | Title |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| T 1 | 272pp | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| SE 9 | 348pp | 2020 | David Trotter | Brute Meaning |
| MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| GL 10 | 240pp | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| SHLC 18 | 240pp | 2021 | Mar Diestro-Dópido | Film Festivals |
| RMFS 49 | 162pp | 2018 | Maria Flood | France, Algeria and the Moving Image |
| IP 44 | 282pp | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
| SHLC 13 | 186pp | 2017 | Benedict Hoff | Reprojecting the City |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| T 3 | 182pp | 2020 | Kate Griffiths | Zola and the Art of Television |