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Alfred Döblin: Monsters, Cyborgs and Berliners 1900-1933
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Affective Spaces: Migration in Scandinavian and German Transnational Narratives
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Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
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Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
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Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
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Self-Consciousness and the Novel: Nineteenth-Century Russian Metafiction
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Legenda (General Series) 1 May 2021

Cinema's Inter-Sensory Encounters: Krzysztof Kieślowski and Claire Denis
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Screening Work: The Films of Christian Petzold
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Autobiographical Reenactment in French and Belgian Film: Repetition, Memory, Self
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Genet's Genres of Politics
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Geometry and Jean Genet: Shaping the Subject
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The Living Death of Modernity: Balzac, Baudelaire, Zola
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Contemporary French Poetry: Towards a Minor Poetics
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Film Festivals: Cinema and Cultural Exchange
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Franco's Female Prisoners: Writing No / Bodies
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Quim Monzó and Contemporary Catalan Culture (1975–2018): Cultural Normalization, Postmodernism and National Politics
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Studies in Hispanic and Lusophone Cultures 451 May 2021

Horizontalism and Historicity in Argentina: Cultural Dialogues of the Post-Crisis Era
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The Visualization of a Nation: Tàpies and Catalonia
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Speaking Prose: The Power of the Voice in Cervantes
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From Puppet to Cyborg: Pinocchio’s Posthuman Journey
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Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
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Rethinking the Human in the Darwinian Novel: Zola, Hardy, and Utopian Fiction
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A Poetics of the Image: Paul Celan and André du Bouchet
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Residual Figuration in Samuel Beckett and Alberto Giacometti
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