See also the home page of the Texts and Translations book series MHRA Texts and Dissertations

The Dialectics of Faith in the Poetry of José Bergamín
Helen Wing
MHRA Texts and Dissertations 421 January 1995

Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 451 January 1997

Bodies and Texts: Configurations of Identity in the Works of Albalucía Ángel, Griselda Gambaro, and Laura Esquivel
Claire Taylor
MHRA Texts and Dissertations 591 January 2004

  • ‘[Taylor's] innovative way of reading offers significant possibilities for the interpretation of other postmodern texts, and particularly those by women. Her study represents an important contribution to the study of Spanish-American feminism, and has broad and intriguing future application.’ — Susan Carvalho, Bulletin of Spanish Studies 83.2, 2006, 301-02

Configuring Community: Theories of Community Identities in Contemporary Spain
Parvati Nair
MHRA Texts and Dissertations 611 January 2004

Narrative and National Allegory in Rómulo Gallegos's Venezuela
Jenni M. Lehtinen
MHRA Texts and Dissertations 8831 January 2013

  • ‘Lehtinen’s book will remain an indispensable contribution to the critical corpus on Gallegos and to Venezuelan studies in general.’ — Juan Pablo Lupi, Bulletin of Spanish Studies 93, 2016, 543
  • ‘Lehtinen’s book is of interest to established Gallegos scholars and students alike, both accessible and offering up new critical insights. Moreover, it should also be on the radar of Venezuelan scholars more generally, since it is a study that requires us to consider how contemporary and future Venezuelan authors respond to, perpetuate, or depart from the narrative strategies and trajectories traced in and through Gallegos’s œuvre.’ — Nicholas Roberts, Modern Language Review 111.4, October 2016, 1151-52 (full text online)

El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 911 May 2014

  • ‘Bardzińska has provided the reader with a wealth of detail and the text will be of interest to scholars of the ‘otra generación’, and of value to those researching Neville, Mihura and/or their works created for screen and stage, as well as those interested in approaches to reverse adaptation more broadly.’ — Rhiannon McGlade, Bulletin of Spanish Studies 94, 2017, 1246-47

The Making of Jorge Luis Borges as an Argentine Cultural Icon
Mariana Casale O'Ryan
MHRA Texts and Dissertations 991 May 2014