| Series | Extent | Year | Author | Title |
| SHLC 1 | — | 2014 | C. A. Longhurst | Unamuno’s Theory of the Novel |
| SHLC 3 | 232pp | 2014 | ed Stephen Boyd,
Terence O'Reilly | Artifice and Invention in the Spanish Golden Age |
| SHLC 4 | 188pp | 2014 | Lucy Bell | The Latin American Short Story at its Limits |
| SHLC 5 | — | 2014 | David Miranda-Barreiro | Spanish New York Narratives 1898-1936 |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| SHLC 7 | 148pp | 2015 | Katia Chornik | Alejo Carpentier and the Musical Text |
| SHLC 8 | 202pp | 2014 | ed Trevor J. Dadson,
J. H. Elliott | Britain, Spain and the Treaty of Utrecht 1713-2013 |
| SHLC 11 | 176pp | 2015 | Maite Usoz de la Fuente | Urban Space, Identity and Postmodernity in 1980s Spain |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| SHLC 14 | — | 2016 | ed Dylan Brennan,
Nuala Finnegan | Rethinking Juan Rulfo’s Creative World |
| SHLC 15 | — | 2015 | Alfonso Rey | The Last Days of Humanism |
| SHLC 17 | — | 2024 | L. P. Harvey | Islamic Culture in Spain to 1614 |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| SHLC 19 | — | 2018 | ed Terence O'Reilly, Colin Thompson,
Lesley Twomey | St Teresa of Ávila |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| SHLC 22 | — | 2019 | ed Rodrigo Cacho Casal,
Imogen Choi | The Rise of Spanish American Poetry 1500-1700 |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SHLC 26 | — | 2017 | Katharine Murphy | Bodies of Disorder |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SHLC 28 | — | 2018 | ed Stuart Davis,
Maite Usoz de la Fuente | The Modern Spanish Canon |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SHLC 30 | — | 2020 | Anna Kathryn Kendrick | Humanizing Childhood in Early Twentieth-Century Spain |
| SHLC 31 | — | 2018 | Gisèle Earle | Gómez Manrique, Statesman and Poet |
| SHLC 33 | — | 2019 | Carla Almanza-Gálvez | Form and Reform in Eighteenth-Century Spain |
| SHLC 34 | — | 2019 | Rocío Rødtjer | Women and Nationhood in Restoration Spain 1874-1931 |
| SHLC 37 | — | 2019 | Natasha Tanna | Queer Genealogies in Transnational Barcelona |
| SHLC 38 | — | 2020 | Luis Castellví Laukamp | Hispanic Baroque Ekphrasis |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 40 | — | 2019 | Sander Berg | The Marvellous and the Miraculous in María de Zayas |
| SHLC 41 | — | 2020 | Željko Jovanović | Twentieth-Century Sephardic Authors from the Former Yugoslavia |
| SHLC 42 | — | 2019 | ed Mercedes García-Arenal,
Stefania Pastore | From Doubt to Unbelief |
| SHLC 43 | — | 3000 | Holly J. Foss | Franco's Female Prisoners |
| SHLC 44 | — | 2020 | Manus O’Dwyer | Memory and Utopia |
| SHLC 46 | — | 2021 | Brigid Lynch | Horizontalism and Historicity in Argentina |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| SHLC 50 | — | 2024 | B. W. Ife | Speaking Prose |
| SHLC 51 | — | 2024 | Lucia Brandi | Tutunakú |
| SHLC 52 | — | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
| SHLC 53 | — | 2022 | Rachel Elizabeth Robinson | Visual and Plastic Poetics |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |
| SHLC 56 | — | 2022 | Deborah Madden | Matilde de la Torre |