Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 497 March 2022

Visual and Plastic Poetics: From Brazilian Concretism to the Chilean Neo-Avant-Garde
Rachel Elizabeth Robinson
Studies in Hispanic and Lusophone Cultures 537 March 2022

The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 5413 September 2022

Matilde de la Torre: Sex, Socialism and Suffrage in Republican Spain
Deborah Madden
Studies in Hispanic and Lusophone Cultures 5620 October 2022

Uruguayan Theatre in Translation: Theory and Practice
Sophie Stevens
Transcript 158 October 2022

  • ‘A welcome and much needed contribution to Uruguayan theatre studies and translation... Stevens’ translations are thoughtfully crafted, beautifully articulated, clear, and amply tested for the stage. They reveal the careful and meticulous work of a researcher who has investigated thoroughly the context, formal aspects of language use, rhetorical devices, and style of the target text in collaboration with playwrights, actors, directors, scholars and students in workshops, rehearsals, table readings and seminars. Virtually unknown to most English audiences, the translated plays included in this book are true gems and will be of great interest to theater scholars, students, and practitioners. Through juxtaposing analysis and translation of theater in one study, Stevens pioneers dialogue between the fields of Uruguayan theater and translation studies in a book that will hold great appeal to theater scholars, translators, students and practitioners.’The Mercurian 14 November 2023
  • ‘Overall, this book is exemplary in offering insight into the decisions made by translators alongside directors, playwrights, and actors. The focus on praxis and self-reflection constitutes a novel and creative way of engaging with Uruguayan theatre as both national and transnational. The practical and theoretical considerations proposed by Stevens will be of use to translators, dramatists, and theatre scholars alike.’ — Cara Levey, Modern Language Review 2024, 119.1, 167-69 (full text online)

Diego Rivera and Juan Rulfo: Post-Revolutionary Body Politics 1922-1965
Lucy O’Sullivan
Visual Culture 323 February 2022