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, Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Cambridge: Legenda, 2011)


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, Byron, Shelley, and Goethe’s Faust: An Epic Connection, Studies In Comparative Literature, 33 (Cambridge: Legenda, 2015)


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, Dilettantism and its Values: From Weimar Classicism to the fin de siècle, Studies In Comparative Literature, 9 (Cambridge: Legenda, 2006)


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, Metaphor in European Philosophy after Nietzsche: An Intellectual History, Studies In Comparative Literature, 54 (Cambridge: Legenda, 2020)


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, Scenographies of Perception: Sensuousness in Hegel, Novalis, Rilke, and Proust, Studies In Comparative Literature, 45 (Cambridge: Legenda, 2019)


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, A Poetics of the Image: Paul Celan and André du Bouchet, Studies In Comparative Literature, 52 (Cambridge: Legenda, 2021)


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, Hölderlin and the Dynamics of Translation, Studies In Comparative Literature, 2 (Cambridge: Legenda, 1998)


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, Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830, Studies In Comparative Literature, 13 (Cambridge: Legenda, 2008)


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, Iris Murdoch and Elias Canetti: Intellectual Allies, Studies In Comparative Literature, 29 (Cambridge: Legenda, 2013)


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, The Realist Author and Sympathetic Imagination, Studies In Comparative Literature, 28 (Cambridge: Legenda, 2013)


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, Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Cambridge: Legenda, 2000)


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, Depicting the Divine: Mikhail Bulgakov and Thomas Mann, Studies In Comparative Literature, 47 (Cambridge: Legenda, 2019)


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, Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God, Studies In Comparative Literature, 43 (Cambridge: Legenda, 2017)


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(ed.), A Modernist in Exile: The International Reception of H. G. Adler (1910-1988), Studies In Comparative Literature, 42 (Cambridge: Legenda, 2019)