3Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature
Fiona Cox
Studies In Comparative Literature 3
5Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 5
7Neither a Borrower: Forging Traditions in French, Chinese and Arabic Poetry
Richard Serrano
Studies In Comparative Literature 7
8The Anatomy of Laughter
Edited by Toby Garfitt, Edith McMorran and Jane Taylor
Studies In Comparative Literature 8
9Dilettantism and its Values: From Weimar Classicism to the fin de siècle
Richard Hibbitt
Studies In Comparative Literature 9
10The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation
Claire Whitehead
Studies In Comparative Literature 10
11Singing Poets: Literature and Popular Music in France and Greece
Dimitris Papanikolaou
Studies In Comparative Literature 11
22Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22
28The Realist Author and Sympathetic Imagination
Sotirios Paraschas
Studies In Comparative Literature 28
31Exile and Nomadism in French and Hispanic Women's Writing
Kate Averis
Studies In Comparative Literature 31
43Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43
45Scenographies of Perception: Sensuousness in Hegel, Novalis, Rilke, and Proust
Christian Jany
Studies In Comparative Literature 45
56Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini 
Studies In Comparative Literature 56
50Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
James P. Leveque 
Studies In Comparative Literature 50
53Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li 
Studies In Comparative Literature 53