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. 2000. Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Cambridge: Legenda)


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. 2009. Imagining Jewish Art: Encounters with the Masters in Chagall, Guston, and Kitaj, Studies In Comparative Literature, 16 (Cambridge: Legenda)


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. 2010. Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism, Studies In Comparative Literature, 20 (Cambridge: Legenda)


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. 2010. Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte, Studies In Comparative Literature, 22 (Cambridge: Legenda)


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. 2013. Prometheus in the Nineteenth Century: From Myth to Symbol, Studies In Comparative Literature, 25 (Cambridge: Legenda)


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. 2014. Architecture, Travellers and Writers: Constructing Histories of Perception 1640-1950, Studies In Comparative Literature, 26 (Cambridge: Legenda)


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. 2015. Oscar Wilde and the Simulacrum: The Truth of Masks, Studies In Comparative Literature, 35 (Cambridge: Legenda)


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. 2018. The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism, Studies In Comparative Literature, 36 (Cambridge: Legenda)


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. 2017. Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God, Studies In Comparative Literature, 43 (Cambridge: Legenda)


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. 2021. A Poetics of the Image: Paul Celan and André du Bouchet, Studies In Comparative Literature, 52 (Cambridge: Legenda)


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. 2021. Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Cambridge: Legenda)


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. 2021. Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination, Studies In Comparative Literature, 56 (Cambridge: Legenda)