For a more encompassing and stimulating picture of Modernism – seen as a movement of the 20th century, a broad spectrum of work across many countries – we must explore not only its external diversity but also its internal plurality. Portuguese Modernism manifested itself both in visual art and in literature. But at the same time it is important to acknowledge the centrality of Modernism’s contribution to this time of profound cultural change. Indeed, the socio-cultural transformations marking the early twentieth century in Portugal still endure today. This volume provides a critical guide for students and teachers, contributed by an array of scholars with unparalleled knowledge of the period, its artists and its writers.
Steffen Dix is Research Fellow at the Institute of Social Science, University of Lisbon; Jerónimo Pizarro is Research Fellow at the Linguistics Centre, University of Lisbon.
Dix, Steffen, and Pizarro, Jerónimo, introduction to , in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 1–11
First footnote reference:35 Steffen Dix, Jerónimo Pizarro, introduction to , in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 1–11, p. 21.
Subsequent footnote reference:37 Dix and Pizarro, p. 47.
Dix, Steffen, and Pizarro, Jerónimo. 2011. Introduction to , in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 1–11
Example citation: ‘A quotation occurring on page 21 of this work’ (Dix and Pizarro 2011: 21).
Example footnote reference:35 Dix and Pizarro 2011: 21.
Morão, Paula, ‘Portuguese Precursors of the First Modernist Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 12–23
First footnote reference:35 Paula Morão, ‘Portuguese Precursors of the First Modernist Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 12–23, p. 21.
Morão, Paula. 2011. ‘Portuguese Precursors of the First Modernist Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 12–23
Example citation: ‘A quotation occurring on page 21 of this work’ (Morão 2011: 21).
Pizarro, Jerónimo, ‘Fernando Pessoa: Not One but Multiple isms’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 24–41
First footnote reference:35 Jerónimo Pizarro, ‘Fernando Pessoa: Not One but Multiple isms’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 24–41, p. 21.
Pizarro, Jerónimo. 2011. ‘Fernando Pessoa: Not One but Multiple isms’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 24–41
Example citation: ‘A quotation occurring on page 21 of this work’ (Pizarro 2011: 21).
Marchis, Giorgio de, ‘Mário de Sá-Carneiro: Modernism Achieved by Means of Wrong Beauty’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 42–54
First footnote reference:35 Giorgio de Marchis, ‘Mário de Sá-Carneiro: Modernism Achieved by Means of Wrong Beauty’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 42–54, p. 21.
Marchis, Giorgio de. 2011. ‘Mário de Sá-Carneiro: Modernism Achieved by Means of Wrong Beauty’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 42–54
Example citation: ‘A quotation occurring on page 21 of this work’ (Marchis 2011: 21).
Sapega, Ellen W., ‘Lisbon Stories: The Dialogue Between Word and Image in the Work of José de Almada Negreiros’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 55–68
First footnote reference:35 Ellen W. Sapega, ‘Lisbon Stories: The Dialogue Between Word and Image in the Work of José de Almada Negreiros’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 55–68, p. 21.
Sapega, Ellen W.. 2011. ‘Lisbon Stories: The Dialogue Between Word and Image in the Work of José de Almada Negreiros’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 55–68
Example citation: ‘A quotation occurring on page 21 of this work’ (Sapega 2011: 21).
Silva, Raquel Henriques da, ‘José de Almada Negreiros: Modernism in the Visual Arts’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 69–89
First footnote reference:35 Raquel Henriques da Silva, ‘José de Almada Negreiros: Modernism in the Visual Arts’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 69–89, p. 21.
Silva, Raquel Henriques da. 2011. ‘José de Almada Negreiros: Modernism in the Visual Arts’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 69–89
Example citation: ‘A quotation occurring on page 21 of this work’ (Silva 2011: 21).
Gonçalves, Rui-Mário, ‘Amadeo de Souza-Cardoso: A Modernist Painter’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 90–109
First footnote reference:35 Rui-Mário Gonçalves, ‘Amadeo de Souza-Cardoso: A Modernist Painter’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 90–109, p. 21.
Subsequent footnote reference:37 Gonçalves, p. 47.
Gonçalves, Rui-Mário. 2011. ‘Amadeo de Souza-Cardoso: A Modernist Painter’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 90–109
Example citation: ‘A quotation occurring on page 21 of this work’ (Gonçalves 2011: 21).
Klobucka, Anna M., ‘António Botto’s Impossible Queerness of Being’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 110–21
First footnote reference:35 Anna M. Klobucka, ‘António Botto’s Impossible Queerness of Being’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 110–21, p. 21.
Klobucka, Anna M.. 2011. ‘António Botto’s Impossible Queerness of Being’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 110–21
Example citation: ‘A quotation occurring on page 21 of this work’ (Klobucka 2011: 21).
Pazos-Alonso, Cláudia, ‘Modernist Differences: Judith Teixeira and Florbela Espanca’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 122–34
First footnote reference:35 Cláudia Pazos-Alonso, ‘Modernist Differences: Judith Teixeira and Florbela Espanca’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 122–34, p. 21.
Subsequent footnote reference:37 Pazos-Alonso, p. 47.
Pazos-Alonso, Cláudia. 2011. ‘Modernist Differences: Judith Teixeira and Florbela Espanca’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 122–34
Example citation: ‘A quotation occurring on page 21 of this work’ (Pazos-Alonso 2011: 21).
Example footnote reference:35 Pazos-Alonso 2011: 21.
Barreto, José, ‘António Ferro: Modernism and Politics’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 135–54
First footnote reference:35 José Barreto, ‘António Ferro: Modernism and Politics’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 135–54, p. 21.
Barreto, José. 2011. ‘António Ferro: Modernism and Politics’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 135–54
Example citation: ‘A quotation occurring on page 21 of this work’ (Barreto 2011: 21).
Dix, Steffen, ‘How the First Portuguese Modernism Became Public: From Orpheu to Athena’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 155–70
First footnote reference:35 Steffen Dix, ‘How the First Portuguese Modernism Became Public: From Orpheu to Athena’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 155–70, p. 21.
Dix, Steffen. 2011. ‘How the First Portuguese Modernism Became Public: From Orpheu to Athena’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 155–70
Example citation: ‘A quotation occurring on page 21 of this work’ (Dix 2011: 21).
Castro, Mariana Gray de, ‘The Presença Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 171–83
First footnote reference:35 Mariana Gray de Castro, ‘The Presença Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 171–83, p. 21.
Castro, Mariana Gray de. 2011. ‘The Presença Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 171–83
Example citation: ‘A quotation occurring on page 21 of this work’ (Castro 2011: 21).
Lapa, Pedro, ‘Vieira da Silva: The Visible and the Gap’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 184–98
First footnote reference:35 Pedro Lapa, ‘Vieira da Silva: The Visible and the Gap’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 184–98, p. 21.
Lapa, Pedro. 2011. ‘Vieira da Silva: The Visible and the Gap’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 184–98
Example citation: ‘A quotation occurring on page 21 of this work’ (Lapa 2011: 21).
Martinho, Fernando J. B., ‘The Formation of a Modernist Tradition in Contemporary Portuguese Poetry’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 199–213
First footnote reference:35 Fernando J. B. Martinho, ‘The Formation of a Modernist Tradition in Contemporary Portuguese Poetry’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 199–213, p. 21.
Martinho, Fernando J. B.. 2011. ‘The Formation of a Modernist Tradition in Contemporary Portuguese Poetry’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 199–213
Example citation: ‘A quotation occurring on page 21 of this work’ (Martinho 2011: 21).
Delgado, Antonio Sáez, ‘The Continuum of Modernism in the Iberian Peninsula, 1890–1936’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 214–25
First footnote reference:35 Antonio Sáez Delgado, ‘The Continuum of Modernism in the Iberian Peninsula, 1890–1936’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 214–25, p. 21.
Delgado, Antonio Sáez. 2011. ‘The Continuum of Modernism in the Iberian Peninsula, 1890–1936’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 214–25
Example citation: ‘A quotation occurring on page 21 of this work’ (Delgado 2011: 21).
Saraiva, Arnaldo, ‘Portuguese Modernism, Brazilian Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 226–35
First footnote reference:35 Arnaldo Saraiva, ‘Portuguese Modernism, Brazilian Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 226–35, p. 21.
Saraiva, Arnaldo. 2011. ‘Portuguese Modernism, Brazilian Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 226–35
Example citation: ‘A quotation occurring on page 21 of this work’ (Saraiva 2011: 21).
Miraglia, Gianluca, ‘The Reception of Futurism in Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 236–49
First footnote reference:35 Gianluca Miraglia, ‘The Reception of Futurism in Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 236–49, p. 21.
Miraglia, Gianluca. 2011. ‘The Reception of Futurism in Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 236–49
Example citation: ‘A quotation occurring on page 21 of this work’ (Miraglia 2011: 21).
Ribeiro, António Sousa, ‘Modernist Confluences: Comparative Perspectives on Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 250–63
First footnote reference:35 António Sousa Ribeiro, ‘Modernist Confluences: Comparative Perspectives on Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 250–63, p. 21.
Ribeiro, António Sousa. 2011. ‘Modernist Confluences: Comparative Perspectives on Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 250–63
Example citation: ‘A quotation occurring on page 21 of this work’ (Ribeiro 2011: 21).
Santos, Maria Irene Ramalho de Sousa, ‘The Tail of the Lizard: Pessoan Disquietude and the Subject of Modernity’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 264–76
First footnote reference:35 Maria Irene Ramalho de Sousa Santos, ‘The Tail of the Lizard: Pessoan Disquietude and the Subject of Modernity’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 264–76, p. 21.
Santos, Maria Irene Ramalho de Sousa. 2011. ‘The Tail of the Lizard: Pessoan Disquietude and the Subject of Modernity’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 264–76
Example citation: ‘A quotation occurring on page 21 of this work’ (Santos 2011: 21).
Sampaio, Maria de Lurdes, ‘Ezra Pound and Fernando Pessoa with T. S. Eliot in-between’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 277–93
First footnote reference:35 Maria de Lurdes Sampaio, ‘Ezra Pound and Fernando Pessoa with T. S. Eliot in-between’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 277–93, p. 21.
Sampaio, Maria de Lurdes. 2011. ‘Ezra Pound and Fernando Pessoa with T. S. Eliot in-between’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 277–93
Example citation: ‘A quotation occurring on page 21 of this work’ (Sampaio 2011: 21).
Eiras, Pedro, ‘A Scattering of Shards: The Fragmentation of the Subject in the Orpheu Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 294–309
First footnote reference:35 Pedro Eiras, ‘A Scattering of Shards: The Fragmentation of the Subject in the Orpheu Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 294–309, p. 21.
Eiras, Pedro. 2011. ‘A Scattering of Shards: The Fragmentation of the Subject in the Orpheu Generation’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 294–309
Example citation: ‘A quotation occurring on page 21 of this work’ (Eiras 2011: 21).
Mendes, Inês Alves, ‘Modernist Theatre in the First Two Decades of the Twentieth Century’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 310–30
First footnote reference:35 Inês Alves Mendes, ‘Modernist Theatre in the First Two Decades of the Twentieth Century’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 310–30, p. 21.
Mendes, Inês Alves. 2011. ‘Modernist Theatre in the First Two Decades of the Twentieth Century’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 310–30
Example citation: ‘A quotation occurring on page 21 of this work’ (Mendes 2011: 21).
Cabral, Manuel Villaverde, ‘The Aesthetics of Nationalism: Modernism and Authoritarianism in Early Twentieth-Century Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 331–49
First footnote reference:35 Manuel Villaverde Cabral, ‘The Aesthetics of Nationalism: Modernism and Authoritarianism in Early Twentieth-Century Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 331–49, p. 21.
Cabral, Manuel Villaverde. 2011. ‘The Aesthetics of Nationalism: Modernism and Authoritarianism in Early Twentieth-Century Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 331–49
Example citation: ‘A quotation occurring on page 21 of this work’ (Cabral 2011: 21).
Krabbenhoft, Kenneth, ‘Spiritualism and Poetry in Modernist Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 350–63
First footnote reference:35 Kenneth Krabbenhoft, ‘Spiritualism and Poetry in Modernist Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 350–63, p. 21.
Subsequent footnote reference:37 Krabbenhoft, p. 47.
Krabbenhoft, Kenneth. 2011. ‘Spiritualism and Poetry in Modernist Portugal’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 350–63
Example citation: ‘A quotation occurring on page 21 of this work’ (Krabbenhoft 2011: 21).
Example footnote reference:35 Krabbenhoft 2011: 21.
Jackson, K. David, ‘Important Literary Works of Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 364–77
First footnote reference:35 K. David Jackson, ‘Important Literary Works of Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), pp. 364–77, p. 21.
Jackson, K. David. 2011. ‘Important Literary Works of Portuguese Modernism’, in Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda), pp. 364–77
Example citation: ‘A quotation occurring on page 21 of this work’ (Jackson 2011: 21).
Dix, Steffen, and Jerónimo Pizarro (eds), Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts (Cambridge: Legenda, 2011)
First footnote reference:35Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts, ed. by Steffen Dix and Jerónimo Pizarro (Cambridge: Legenda, 2011), p. 21.
Subsequent footnote reference:37 Dix and Pizarro, p. 47.
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