Perpetual Motion is a collection of studies which aims to offer new sightlines between surrealism, the age of André Breton (1896-1966), and the postmodernism of such contemporary poets as Pierre Alferi (1963-). For Sheringham, a sense of motion and plasticity flows through the last century of French poetry, and reveals itself through themes of rhythm, inspiration, sensation, love, colour and the city, both as an imaginative space and an incitement to new identities and ways of being in the world. It has been a rich century indeed for French poetry, and, in addition to Breton and Alferi, talents as singular yet also as representative as Victor Segalen, Guillaume Apollinaire, Raymond Queneau, Jules Supervielle, Yves Bonnefoy, Philippe Jaccottet, Jacques Roubaud, Michel Deguy and Jacques Réda all make appearances in these pages.
Michael Sheringham was Marshal Foch Professor of French Literature at the University of Oxford from 2004 to 2015, and was Fellow of All Souls College and a Fellow of the British Academy. His book Everyday Life (2006), a literary and philosophical investigation into the elusive nature of the quotidian, is widely considered a classic of modern scholarly writing.
Reviews:
‘Sheringham s’y révèle un maître de l’art du compte rendu... Ce livre si riche en intuitions, détours, élucidations et remarquables traductions, se lira aussi comme l’art poétique d’un grand critique.’ — Jean Khalfa, French Studies 73.1, 145 (full text online)
‘Here is a reader finely attuned to the myriad ways in which poetry seeks out new encounters with reality through endless linguistic experimentation and play... it is his ability to unlock the detail of what poetry accordingly helps concretize and crystallize, mentally, spiritually and emotionally, that will stimulate and delight those guided from essay to essay on an adventure ever in the making.’ — Michael Brophy, Irish Journal of French Studies 18, 2018, 229-30
‘Poignant and richly rewarding... [Sheringham] offers an authoritative view of current academic study of a vast number of authors, major and minor, writing on almost the entire Surrealist and post-Surrealist constellation.’ — unsigned notice, Forum for Modern Language Studies 55.3, July 2019, 356-57
‘Questa scelta, in parte postuma, di scritti conferma in definitiva, per la varietà e ricchezza degli argomenti trattati e per l’acuità dello sguardo del suo A., la qualità di una ricerca che ha sempre rifuggito troppo facili schematismi per affrontare dimensioni assai diverse del poetico come quella oracolare, mistica o linguisticamente trasgressiva con eguale curiosità intellettuale e finezza d’analisi.’ — Fabio Scotto, Studi francesi 188, 2020, 396
Contents:
i-vi
Perpetual Motion: Perpetual Motion Michael Sheringham
Sheringham, Michael, ‘Perpetual Motion: Perpetual Motion’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. i–vi
First footnote reference:35 Michael Sheringham, ‘Perpetual Motion: Perpetual Motion’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. i–vi, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘Perpetual Motion: Perpetual Motion’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. i–vi
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Sheringham, Michael, ‘Table of Contents’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. vii–x
First footnote reference:35 Michael Sheringham, ‘Table of Contents’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. vii–x, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘Table of Contents’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. vii–x
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McGuinness, Patrick, and Sheringham, Priscilla, ‘Acknowledgments’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xi–xi
First footnote reference:35 Patrick McGuinness, Priscilla Sheringham, ‘Acknowledgments’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xi–xi, p. 21.
Subsequent footnote reference:37 McGuinness and Sheringham, p. 47.
McGuinness, Patrick, and Sheringham, Priscilla. 2017. ‘Acknowledgments’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. xi–xi
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Sheringham, Michael, ‘Sources’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xii–iv
First footnote reference:35 Michael Sheringham, ‘Sources’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xii–iv, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘Sources’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. xii–iv
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Sheringham, Michael, introduction to , in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xv–xviii
First footnote reference:35 Michael Sheringham, introduction to , in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. xv–xviii, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. Introduction to , in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. xv–xviii
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Sheringham, Michael, ‘1 From the Labyrinth of Language To the Language of the Senses: the Poetry of André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 1–27
First footnote reference:35 Michael Sheringham, ‘1 From the Labyrinth of Language To the Language of the Senses: the Poetry of André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 1–27, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘1 From the Labyrinth of Language To the Language of the Senses: the Poetry of André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 1–27
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Sheringham, Michael, ‘2 Mont de piété and André Breton’s Early Poetic Development’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 28–51
First footnote reference:35 Michael Sheringham, ‘2 Mont de piété and André Breton’s Early Poetic Development’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 28–51, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘2 Mont de piété and André Breton’s Early Poetic Development’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 28–51
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Sheringham, Michael, ‘3 Rimbaud in 1875 and André Breton’s “Forêt-Noire”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 52–64
First footnote reference:35 Michael Sheringham, ‘3 Rimbaud in 1875 and André Breton’s “Forêt-Noire”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 52–64, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘3 Rimbaud in 1875 and André Breton’s “Forêt-Noire”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 52–64
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Sheringham, Michael, ‘4 Breton and the Language of Automatism: Alterity, Allegory, Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 65–83
First footnote reference:35 Michael Sheringham, ‘4 Breton and the Language of Automatism: Alterity, Allegory, Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 65–83, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘4 Breton and the Language of Automatism: Alterity, Allegory, Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 65–83
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Sheringham, Michael, ‘5 Where Do Poems Come From? A Reading of Breton’s “Carnet”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 84–100
First footnote reference:35 Michael Sheringham, ‘5 Where Do Poems Come From? A Reading of Breton’s “Carnet”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 84–100, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘5 Where Do Poems Come From? A Reading of Breton’s “Carnet”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 84–100
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
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Sheringham, Michael, ‘6 City Space, Mental Space, Poetic Space: Paris in Breton, Benjamin and Réda’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 101–26
First footnote reference:35 Michael Sheringham, ‘6 City Space, Mental Space, Poetic Space: Paris in Breton, Benjamin and Réda’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 101–26, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘6 City Space, Mental Space, Poetic Space: Paris in Breton, Benjamin and Réda’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 101–26
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Sheringham, Michael, ‘7 The Liberator of Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 127–30
First footnote reference:35 Michael Sheringham, ‘7 The Liberator of Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 127–30, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘7 The Liberator of Desire’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 127–30
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Sheringham, Michael, ‘8 Le Film des durées’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 131–34
First footnote reference:35 Michael Sheringham, ‘8 Le Film des durées’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 131–34, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘8 Le Film des durées’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 131–34
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Sheringham, Michael, ‘9 Foucault’s Goethe’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 135–40
First footnote reference:35 Michael Sheringham, ‘9 Foucault’s Goethe’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 135–40, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘9 Foucault’s Goethe’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 135–40
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Sheringham, Michael, ‘10 Naissance de l’aventure surréaliste’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 141–42
First footnote reference:35 Michael Sheringham, ‘10 Naissance de l’aventure surréaliste’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 141–42, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘10 Naissance de l’aventure surréaliste’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 141–42
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
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Sheringham, Michael, ‘11 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 143–56
First footnote reference:35 Michael Sheringham, ‘11 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 143–56, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘11 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 143–56
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Sheringham, Michael, ‘12 L’Amour et son double: Faces of Love in Yves Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 157–73
First footnote reference:35 Michael Sheringham, ‘12 L’Amour et son double: Faces of Love in Yves Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 157–73, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘12 L’Amour et son double: Faces of Love in Yves Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 157–73
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
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Sheringham, Michael, ‘13 Jacques Réda and the Commitments of Poetry’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 174–85
First footnote reference:35 Michael Sheringham, ‘13 Jacques Réda and the Commitments of Poetry’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 174–85, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘13 Jacques Réda and the Commitments of Poetry’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 174–85
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Sheringham, Michael, ‘14 Raymond Queneau: The Lure of the Spiritual’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 186–97
First footnote reference:35 Michael Sheringham, ‘14 Raymond Queneau: The Lure of the Spiritual’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 186–97, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘14 Raymond Queneau: The Lure of the Spiritual’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 186–97
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Sheringham, Michael, ‘15 Language, Colour, and the Enigma of Everydayness’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 198–218
First footnote reference:35 Michael Sheringham, ‘15 Language, Colour, and the Enigma of Everydayness’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 198–218, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘15 Language, Colour, and the Enigma of Everydayness’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 198–218
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Sheringham, Michael, ‘16 Everyday Rhythms, Everyday Writing: Réda with Deleuze and Guattari’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 219–28
First footnote reference:35 Michael Sheringham, ‘16 Everyday Rhythms, Everyday Writing: Réda with Deleuze and Guattari’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 219–28, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘16 Everyday Rhythms, Everyday Writing: Réda with Deleuze and Guattari’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 219–28
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Sheringham, Michael, ‘17 Paris — City of Names: Toponymic Trajectories and Mutable Identities’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 229–43
First footnote reference:35 Michael Sheringham, ‘17 Paris — City of Names: Toponymic Trajectories and Mutable Identities’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 229–43, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘17 Paris — City of Names: Toponymic Trajectories and Mutable Identities’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 229–43
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Sheringham, Michael, ‘18 Michel Deguy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 244–46
First footnote reference:35 Michael Sheringham, ‘18 Michel Deguy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 244–46, p. 21.
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Sheringham, Michael. 2017. ‘18 Michel Deguy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 244–46
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Sheringham, Michael, ‘19 Poetry and its Double’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 247–49
First footnote reference:35 Michael Sheringham, ‘19 Poetry and its Double’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 247–49, p. 21.
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Sheringham, Michael. 2017. ‘19 Poetry and its Double’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 247–49
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Sheringham, Michael, ‘20 Innovarinations’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 250–50
First footnote reference:35 Michael Sheringham, ‘20 Innovarinations’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 250–50, p. 21.
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Sheringham, Michael. 2017. ‘20 Innovarinations’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 250–50
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Sheringham, Michael, ‘21 Imaginary Solutions’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 251–55
First footnote reference:35 Michael Sheringham, ‘21 Imaginary Solutions’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 251–55, p. 21.
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Sheringham, Michael. 2017. ‘21 Imaginary Solutions’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 251–55
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Sheringham, Michael, ‘22 Discreetly Tangential’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 256–58
First footnote reference:35 Michael Sheringham, ‘22 Discreetly Tangential’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 256–58, p. 21.
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Sheringham, Michael. 2017. ‘22 Discreetly Tangential’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 256–58
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Sheringham, Michael, ‘23 Lust in the Library’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 259–63
First footnote reference:35 Michael Sheringham, ‘23 Lust in the Library’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 259–63, p. 21.
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Sheringham, Michael. 2017. ‘23 Lust in the Library’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 259–63
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Sheringham, Michael, ‘24 The Sailor Who Hated the Sea’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 264–68
First footnote reference:35 Michael Sheringham, ‘24 The Sailor Who Hated the Sea’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 264–68, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘24 The Sailor Who Hated the Sea’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 264–68
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Sheringham, Michael, ‘25 The Shadows Inside: Memory, the Body, and Forgetting in Supervielle’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 269–74
First footnote reference:35 Michael Sheringham, ‘25 The Shadows Inside: Memory, the Body, and Forgetting in Supervielle’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 269–74, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘25 The Shadows Inside: Memory, the Body, and Forgetting in Supervielle’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 269–74
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘26 On the Road to Reality’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 275–77
First footnote reference:35 Michael Sheringham, ‘26 On the Road to Reality’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 275–77, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘26 On the Road to Reality’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 275–77
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘27 L’Habitant de Grignan’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 278–83
First footnote reference:35 Michael Sheringham, ‘27 L’Habitant de Grignan’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 278–83, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘27 L’Habitant de Grignan’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 278–83
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘28 Apollinaire and the Livre de Peintre’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 284–85
First footnote reference:35 Michael Sheringham, ‘28 Apollinaire and the Livre de Peintre’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 284–85, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘28 Apollinaire and the Livre de Peintre’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 284–85
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘29 Six French Poets of our Time’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 286–87
First footnote reference:35 Michael Sheringham, ‘29 Six French Poets of our Time’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 286–87, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘29 Six French Poets of our Time’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 286–87
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘30 Péret and the Poetry of Change’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 288–89
First footnote reference:35 Michael Sheringham, ‘30 Péret and the Poetry of Change’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 288–89, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘30 Péret and the Poetry of Change’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 288–89
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘31 Reverdy’s Horizons’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 290–91
First footnote reference:35 Michael Sheringham, ‘31 Reverdy’s Horizons’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 290–91, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘31 Reverdy’s Horizons’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 290–91
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘32 Finding a Language’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 292–93
First footnote reference:35 Michael Sheringham, ‘32 Finding a Language’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 292–93, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘32 Finding a Language’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 292–93
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘33 Bonnefoy’s Poetics’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 294–97
First footnote reference:35 Michael Sheringham, ‘33 Bonnefoy’s Poetics’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 294–97, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘33 Bonnefoy’s Poetics’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 294–97
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘34 Rooted in the Oral’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 298–300
First footnote reference:35 Michael Sheringham, ‘34 Rooted in the Oral’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 298–300, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘34 Rooted in the Oral’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 298–300
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘35 Surrealism and the Book’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 301–02
First footnote reference:35 Michael Sheringham, ‘35 Surrealism and the Book’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 301–02, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘35 Surrealism and the Book’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 301–02
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘36 Guillevic’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 303–04
First footnote reference:35 Michael Sheringham, ‘36 Guillevic’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 303–04, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘36 Guillevic’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 303–04
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘37 Surrealist Automatic Writing’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 305–05
First footnote reference:35 Michael Sheringham, ‘37 Surrealist Automatic Writing’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 305–05, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘37 Surrealist Automatic Writing’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 305–05
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘38 A Translation of Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 306–06
First footnote reference:35 Michael Sheringham, ‘38 A Translation of Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 306–06, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘38 A Translation of Bonnefoy’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 306–06
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘39 La Liberté des rues’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 307–09
First footnote reference:35 Michael Sheringham, ‘39 La Liberté des rues’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 307–09, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘39 La Liberté des rues’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 307–09
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘40 Bataille, Sartre, Valéry, Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 310–11
First footnote reference:35 Michael Sheringham, ‘40 Bataille, Sartre, Valéry, Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 310–11, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘40 Bataille, Sartre, Valéry, Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 310–11
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘41 The Material and the Real’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 312–13
First footnote reference:35 Michael Sheringham, ‘41 The Material and the Real’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 312–13, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘41 The Material and the Real’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 312–13
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘42 Survival and Resurgence of the Avant-Garde, or the Inf luence of Pierre Alferi on André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 314–30
First footnote reference:35 Michael Sheringham, ‘42 Survival and Resurgence of the Avant-Garde, or the Inf luence of Pierre Alferi on André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 314–30, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘42 Survival and Resurgence of the Avant-Garde, or the Inf luence of Pierre Alferi on André Breton’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 314–30
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘43 Pierre Alferi, “Une défense de la poésie”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 331–40
First footnote reference:35 Michael Sheringham, ‘43 Pierre Alferi, “Une défense de la poésie”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 331–40, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘43 Pierre Alferi, “Une défense de la poésie”’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 331–40
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘44 Pierre Alferi and Jakob von Uexküll: Experience and Experiment in Le Chemin familier du poisson combatif’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 341–63
First footnote reference:35 Michael Sheringham, ‘44 Pierre Alferi and Jakob von Uexküll: Experience and Experiment in Le Chemin familier du poisson combatif’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 341–63, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘44 Pierre Alferi and Jakob von Uexküll: Experience and Experiment in Le Chemin familier du poisson combatif’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 341–63
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘45 Pierre Alferi and the Poetics of the Dissolve: Film and Visual Media in Sentimentale Journée’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 364–76
First footnote reference:35 Michael Sheringham, ‘45 Pierre Alferi and the Poetics of the Dissolve: Film and Visual Media in Sentimentale Journée’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 364–76, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘45 Pierre Alferi and the Poetics of the Dissolve: Film and Visual Media in Sentimentale Journée’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 364–76
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, ‘INDEX’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 377–80
First footnote reference:35 Michael Sheringham, ‘INDEX’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), pp. 377–80, p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
Sheringham, Michael. 2017. ‘INDEX’, in Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda), pp. 377–80
Example citation: ‘A quotation occurring on page 21 of this work’ (Sheringham 2017: 21).
Example footnote reference:35 Sheringham 2017: 21.
Sheringham, Michael, Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, Selected Essays, 2 (Cambridge: Legenda, 2017)
First footnote reference:35Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern, michael Sheringham, Selected Essays, 2 (Cambridge: Legenda, 2017), p. 21.
Subsequent footnote reference:37 Sheringham, p. 47.
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