Moving Scenes
The Aesthetics of German Travel Writing on England 1783-1830

Alison E. Martin

Studies In Comparative Literature 13

Legenda

3 October 2008  •  200pp

ISBN: 978-1-906540-08-1 (hardback)  •  RRP £75, $99, €85

EnlightenmentGermanTravel


Accounts of travel to England reached unprecedented levels of popularity in the German states in the late eighteenth and early nineteenth centuries. Competition therefore increased for travel writers to produce travelogues which offered the most authentic, original and vibrant picture of England. The wider range of narrative strategies which travellers consequently deployed increasingly drew on the emotional responses of their audience – whether to serve a political purpose, show concern for the darker side to the Industrial Revolution or simply demonstrate the humanitarian interests of the travellers themselves. In this broad-ranging study, Alison E. Martin draws on a variety of travellers, men and women, canonical and forgotten, to chart the fascinating variety of styles and approaches which mark this highly interdisciplinary genre.

Alison E. Martin is Assistant Professor of English Literature at the Martin-Luther-Universität Halle-Wittenberg.

Reviews:

  • ‘A valuable and thoughtful study of aesthetic strategies in a genre in which their role is all too frequently overlooked... Martin is to be praised for the clarity of her exposition. She displays a thorough grasp of the key points at issue in the aesthetic debate of the period both in Germany and England (with occasional glances across to France), and gives due emphasis to the process of cross-fertilisation between the two countries through translation and travel.’ — Susan Pickford, German Quarterly 2009
  • ‘This study is richly researched and engagingly written, with frequent references to contemporary developments in society, politics, science and technology, the visual and theater arts, historiography, and other literary genres. It has separate bibliographies of primary and secondary sources and an excellent index of names and terms. Martin is also a sensitive, resourceful translator and has provided the English for all German quotations, titles, and terms... Points the way for other scholars of the subject.’ — Michael Ritterson, Eighteenth-Century Studies 43.2, Winter 2010, 278-80
  • ‘Textnah und detailreich untersucht A. E. Martin Strategien wirkungsästhetischer und rhetorischer Modellierungen in Englandreisen aus fünf Jahrzehnten.’ — Alexander Košenina, Germanistik 50, 2009, 278-79
  • ‘In this fascinating new book, Alison Martin picks out six travelogues on England and makes the case that they deserve to be treated as ‘serious’ literature... The case studies are meticulously researched, and she places each text in context with reference to an impressive array of sources, from contemporary letters and reviews (English as well as German) to modern scholarly studies on art, political history, and even geology. Her close analyses of the texts themselves are lively and sophisticated... In the end, the book puts forward convincing arguments for the complexity and seriousness of this writing, and serves to remind us that the boundaries between genres are much more fluid than often supposed. As such, it should be of interest not only to scholars of travel writing but of eighteenth- and nineteenth-century literature and culture more generally.’ — Hilary Brown, Modern Language Review 105.2, 2010, 586-87 (full text online)
  • ‘The six case studies presented in this volume have been meticulously researched and contextualised, and some of the research - especially that concerning Esther Gad and Carl Gottlieb Horstig - is highly original.’ — Angus Nicholls, Archiv für das Studium der neueren Sprachen und Literaturen 247.162, 2010, 389-90
  • ‘Martin is able to cover an impressive amount of ground, encompassing visual, oral and literary elements, as well as addressing key gender and socio-critical questions... The volume also constitutes a plea for the literary value of such travel narratives... It is this aspect in particular which makes this excellent volume stand out as an important and innovative contribution to European travel writing scholarship.’ — Carol Tully, Angermion 3, 2010, 207-10

Bibliography entry:

Martin, Alison E., Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830, Studies In Comparative Literature, 13 (Cambridge: Legenda, 2008)

First footnote reference: 35 Alison E. Martin, Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830, Studies In Comparative Literature, 13 (Cambridge: Legenda, 2008), p. 21.

Subsequent footnote reference: 37 Martin, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Martin, Alison E.. 2008. Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830, Studies In Comparative Literature, 13 (Cambridge: Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Martin 2008: 21).

Example footnote reference: 35 Martin 2008: 21.

(To see how these citations were worked out, follow this link.)


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